Transcripts of the Sacred in Nigeria explores how the sacred plays itself out in contemporary Africa. It offers a creative analysis of the logics and dynamics of the sacred (understood as the constellation of im/possibility available to a given community) in religion, politics, epistemology, economic development, and reactionary violence. Using the tools of philosophy, postcolonial criticism, political theory, African studies, religious studies, and cultural studies, Wariboko reveals the intricate connections between the sacred and the existential conditions that characterize disorder, terror, trauma, despair, and hope in the postcolonial Africa. The sacred, Wariboko argues, is not about religion or divinity but the set of possibilities opened to a people or denied them, the sum total of possibilities conceivable given their level of social, technological, and economic development. These possibilities profoundly speak to the present political moment in sub-Saharan Africa.

What do the novelists Charlotte Bronte, Charlotte M. Yonge, Rose Macaulay, Dorothy L. Sayers, Barbara Pym, Iris Murdoch and P.D. James all have in common? These women, and others, were inspired to write fiction through their relationship with the Church of England. This field-defining collection of essays explores Anglicanism through their fiction and their fiction through their Anglicanism. These essays, by a set of distinguished contributors, cover a range of literary genres, from life-writing and whodunnits through social comedy, children's books and supernatural fiction. Spanning writers from the nineteenth to the twenty-first century, they testify both to the developments in Anglicanism over the past two centuries and the changing roles of women within the Church of England and wider society.

Imagine raising six spirited kids on a grass farm-today. Newspaper columnist Dorcas Smucker and her brood live out their days in full view in this collection of musings-picking blueberries while watching for bears, hoping for angels while driving off the freeway, moving into the "thousand-story house," and enduring lectures from teenage children about the virtue of respect. Three books in one, this collection includes Smucker's Ordinary Days: Family Life in a Farmhouse, Upstairs the Peasants are Revolting: More Family Life in a Farmhouse, and Downstairs the Queen Is Knitting. Often slightly off-stride and with disarming humility, Dorcas finds endless materials for stories and life lessons in everyday happenings. As she says, "I, like my mother, feed my children mashed potatoes and stories. I repeat the ones I heard from Mom and turn our family escapades into tales to be repeated while washing dishes or snapping buckets of green beans on the front porch. A story is much more than just a story, of course. It is entertainment, identity, interpretation, and lessons. This is who we are, this is why we do what we do, this is important, that is not, and don't ever whack your brother's finger with a hatchet like your dad did to Uncle Philip." This delightful trilogy includes some of Smucker's best writing. She covers topics and dilemmas everyone can relate to while also inviting readers to explore her Mennonite family's more personal experiences. Her voice is humorous, encouraging, and at times, doubting, but she never takes herself too seriously. As you read, her stories will entertain you and ultimately soothe your soul.