Liverpool has gained a national and international reputation for popular music, most recently recognised in its designation as a UNESCO City of Music. This book examines Liverpool's popular music through the history of the places where it has been performed and examines their role and significance. It explores the richness of Liverpool's live performance scene and tells a story of changing music sites, sounds and experiences. In doing so it highlights music's contribution to the city's history and identity, and in turn shows how the city's architectural and urban form has shaped its musical life and character. The book shows how music is bound up with changes in the social, cultural and economic life of cities more generally, particularly provincial, `post-industrial' cities in the UK, Europe and US. It also highlights the significance of places that enable people to come together and collectively participate in music events. The book touches on groups and artists involved with many diverse musical style and brings new and fascinating information on well-known historic venues such as the Cavern Club and the Blue Angel, as well as new ones such as the Echo Arena. With a glossary of artists and venues, previously unpublished photographs, illustrations and music maps. Liverpool's musical landscapes are investigated in unprecedented detail and depth.

In tracing the process through which monuments give rise to collective memories, this path-breaking book emphasizes that memorials are not just inert and amnesiac spaces upon which individuals may graft their ever-shifting memories. To the contrary, the materiality of monuments can be seen to elicit a particular collective mode of remembering which shapes the consumption of the past as a shared cultural form of memory. In a variety of disciplines over the past decade, attention has moved away from the oral tradition of memory to the interplay between social remembering and object worlds. But research is very sketchy in this area and the materiality of monuments has tended to be ignored within anthropological literature, compared to the amount of attention given to commemorative practice. Art and architectural history, on the other hand, have been much interested in memorial representation through objects, but have paid scant attention to issues of social memory. Cross-cultural and interdisciplinary in scope, this book fills this gap and addresses topics ranging from material objects to physical space; from the contemporary to the historical; and from 'high art' to memorials outside the category of art altogether. In so doing, it represents a significant contribution to an emerging field.

How to Read Buildings is a practical introduction to looking at and appreciating architecture. It is a guide to reading the historical and architectural clues that are embedded in every building. Small enough to carry in your pocket and serious enough to provide real answers, this comprehensive guide: - Explores key characteristics of structures dating from every period from the ancient Greeks to the present day. - Gives expert advice on how to identify any building and put it in historical context. - Provides an accessible visual guide, using detailed engravings and text, to architectural styles and structural elements.

This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary, and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.

In the modern age of the 4th Industrial Revolution, advancements in communication and connectivity are transforming the professional world as new technologies are being embedded into society. These innovations have triggered the development of a digitally driven world where adaptation is necessary. This is no different in the architectural field, where the changing paradigm has opened new methods and advancements that have yet to be researched. Impact of Industry 4.0 on Architecture and Cultural Heritage is a pivotal reference source that provides vital research on the application of new technological tools, such as digital modeling, within architectural design, and improves the understanding of the strategic role of Industry 4.0 as a tool to empower the role of architecture and cultural heritage in society. Moreover, the book provides insights and support concerned with advances in communication and connectivity among digital environments in different types of research and industry communities. While highlighting topics such as semantic processing, crowdsourcing, and interactive environments, this publication is ideally designed for architects, engineers, construction professionals, cultural researchers, academicians, and students.

Winner of the Publication Award for Popular Culture and Entertainment for 2009 from the Metropolitan Chapter of the Victorian Society in America Named to Pop Matters list of the Best Books of 2009 (Non-fiction) From the lights that never go out on Broadway to its 24-hour subway system, New York City isn't called "the city that never sleeps" for nothing. Both native New Yorkers and tourists have played hard in Gotham for centuries, lindy hopping in 1930s Harlem, voguing in 1980s Chelsea, and refueling at all-night diners and bars. The slim island at the mouth of the Hudson River is packed with places of leisure and entertainment, but Manhattan's infamously fast pace of change means that many of these beautifully constructed and incredibly ornate buildings have disappeared, and with them a rich and ribald history. Yet with David Freeland as a guide, it's possible to uncover skeletons of New York's lost monuments to its nightlife. With a keen eye for architectural detail, Freeland opens doors, climbs onto rooftops, and gazes down alleyways to reveal several of the remaining hidden gems of Manhattan's nineteenth- and twentieth-century entertainment industry. From the Atlantic Garden German beer hall in present-day Chinatown to the city's first motion picture studio-Union Square's American Mutoscope and Biograph Company-to the Lincoln Theater in Harlem, Freeland situates each building within its historical and social context, bringing to life an old New York that took its diversions seriously. Freeland reminds us that the buildings that serve as architectural guideposts to yesteryear's recreations cannot be re-created-once destroyed they are gone forever. With condominiums and big box stores spreading over city blocks like wildfires, more and more of the Big Apple's legendary houses of mirth are being lost. By excavating the city's cultural history, this delightful book unearths some of the many mysteries that lurk around the corner and lets readers see the city in a whole new light.

State Oddities takes a different kind of look at the American nation, spotlighting the fun foibles, peculiarities, and twists in each of the 50 states that are (mostly) united under the Stars and Stripes. State Oddities is a fascinating trip through the 50 states for students studying America, teachers planning classroom activities, and general readers who will enjoy an eye-opening journey through the nation's fun side. It offers a compelling look at the character of America through the individuality of 50 very distinct states that together form the USA. This book paints a picture of the broad sweep of the American story, offering a gateway to the country as it developed into one nation filled with individual states that can be remarkably different from each other, yet unified under such national symbols as the American flag and "The Star-Spangled Banner." The author of State Oddities has become known as a master of "painless history," telling America's story in a sparkling style along with the historian's eye for fascinating detail. On the book's cross-country journey, the reader will find that it differs from other works by taking a fresh look at stories we think we know. Engaging, entertaining, readable, and informative narratives for both students and adults Teacher-friendly entries on each state form the building blocks for history, geography, and social studies projects Lively sidebars add spice to the book Helpful Fact Box overviews for each state Fascinating images in every state entry Bibliographic references and suggestions for further information

Taking as its focus memorials of the First World War in Britain, this book brings a fresh approach to the study of public symbols by exploring how different motives for commemorating the dead were reconciled through the processes of local politics to create a widely valued form of collective expression. It examines how the memorials were produced, what was said about them, how support for them was mobilized and behaviour around them regulated. These memorials were the sites of contested, multiple and ambiguous meanings, yet out of them a united public observance was created. The author argues that this was possible because the interpretation of them as symbols was part of a creative process in which new meanings for traditional forms of memorial were established and circulated. The memorials not only symbolized emotional responses to the war, but also ambitions for the post-war era. Contemporaries adopted new ways of thinking about largely traditional forms of memorial to fit the uncertain social and political climate of the inter-war years.
This book represents a significant contribution to the study of material culture and memory, as well as to the social and cultural history of modern warfare.

Ranging over the entire nineteenth century, Museums in the German Art World is a highly accessible study of the political, cultural, and artistic changes that marked Germany's transition into a modern state. Sheehan is original in focusing his examination of this transition on the invention of the museum, where 'fine arts' were defined, put on display, and the control over their political and cultural importance and influence were established. This book will appeal to German historians, historians of the 19th century Europe, art historians, and anyone interested in the interplay of fine arts, culture, and politics.

The Manhattan skyline is one of the great wonders of the modern world. But how and why did it form? Much has been written about the city's architecture and its general history, but little work has explored the economic forces that created the skyline. This book chronicles the economic history of the Manhattan skyline. In the process, the book debunks some widely-held misconceptions about the city's history. Part I lays out the historical and environmental background that established Manhattan's real estate trajectory before the Skyscraper Revolution at the end of the 19th century. The book begins with Manhattan's natural and geological history and then moves on to how it influenced early land use and neighborhood formation, and how these early decisions eventually impacted the location of skyscrapers. Part II focuses specifically on the economic history of skyscrapers and the skyline, investigating the reasons for their heights, frequencies, locations, and shapes. The book discusses why skyscrapers emerged downtown and why they appeared three miles to the north in midtown, but not in between. Contrary to popular belief it was not due to the depths of Manhattan's bedrock, nor the presence of Grand Central Station. Rather midtown's emergence was a response to the economic and demographic forces that were taking place north of 14th Street after the Civil War. The book also presents the first rigorous investigation of the causes of the building boom during the Roaring Twenties. Contrary to conventional wisdom, the boom was largely a rational response to the economic growth of the nation and city. The last chapter investigates the value of Manhattan Island and the relationship between skyscrapers and land prices. Finally, an Epilogue offers policy recommendations for a resilient and robust future skyline.

This fully revised and updated edition of the hugely successful London Theatres features ten additional theatres, including the Victoria Palace Theatre, the Sondheim Theatre, the Bridge Theatre and the Noel Coward Theatre. London is the undisputed theatre capital of the world. From world-famous musicals to West End shows, from cutting-edge plays to Shakespeare in its original staging, from outdoor performance to intimate fringe theatre, the range and quality are unsurpassed. Leading drama critic Michael Coveney invites you on a tour of more than 50 theatres that make the London stage what it is. With stories of the architecture, the people and the productions which have defined each one, alongside sumptuous photographs by Peter Dazeley of the auditoriums, public and backstage areas, this illustrated overview of London's theatres is a book like no other. A must for fans of the stage! Praise for the first edition: 'This coffee table whopper ... dazzles' Spectator 'London Theatres ... will surely feature on any theatre buff's present list' Sightlines New chapters included in the second edition: Victoria Palace Theatre; The Bridge Theatre; Menier Chocolate Factory; Hampstead Theatre; Sondheim Theatre (formerly Queen's Theatre); Harold Pinter Theatre, Noel Coward Theatre; Aldwych Theatre; Garrick Theatre; Vaudeville Theatre; Phoenix Theatre

The story of Britain's market halls-built to replace traditional open-air markets throughout England, Wales, and Scotland-is a tale of exuberant architecture, civic pride, and attempts at social engineering. This book is the first history of the market hall, an immensely important building type that revolutionized the way Britons obtained their consumer goods. James Schmiechen and Kenneth Carls investigate the economic, cultural, political, and social forces that led to the construction of several hundred market buildings in the two centuries after 1750. The market hall was frequently vast in scale, revolutionary in plan, and elaborately ornamented-indeed, it was often the most important architectural statement a proud town might make. Drawing on a wide range of contemporary records, the authors show how municipal authorities used market buildings to improve the supply and distribution of food, convey social ideals, control social and economic behavior, and declare a town's virtues. For the Victorians, Schmiechen and Carls argue, the enormous investment of energy, seriousness, and funding in the market hall reflected a belief that architecture was a primary agent of social reform and improvement. Generously illustrated with more than 180 drawings and photographs, this book also includes a Gazetteer with information about some 300 specific market buildings. Published with assistance from the Annie Burr Lewis Fund

Drawing on a range of disciplines from within the humanities and social sciences, Multilingual Memories addresses questions of remembering and forgetting from an explicitly multilingual perspective. From a museum at Victoria Falls in Zambia to a Japanese-American internment in Arkansas, this book probes how the medium of the communication of memories affirms social orders across the globe. Applying linguistic landscape approaches to a wide variety of monuments and memorials from around the world, this book identifies how multilingualism (and its absence) contributes to the inevitable partiality of public memorials. Using a number of different methods, including multimodal discourse analysis, code preferences, interaction orders, and indexicality, the chapters explore how memorials have the potential to erase linguistic diversity as much as they can entextualize multilingualism. With examples from Africa, Asia, Australasia, Europe, and North and South America, this volume also examines the extent to which multilingual memories legitimize not only specific discourses but also individuals, particular communities, and ethno-linguistic groups - often to the detriment of others.

This lavish photographic history of the most beautiful and historic railway stations in London tells a story of power, progress and innovation, from the beginning of steam age to the teeming commuter hubs of today. London has more mainline railway stations than any other city in the world and many of them are amongst its grandest architectural monuments. Its earliest terminals opened in the late 1830s when lines between the capital and the regions were built in the first railway boom. The original station at London Bridge, the capital's first passenger terminus, was opened in December 1836, six months before Queen Victoria came to the throne. The last main line to London, the Great Central Railway to Marylebone, was opened in March 1899, two years before Victoria died. Ever since they originally opened, these stations have been at heart of London life and activity and have dominated the architectural landscape. Many are now in the midst of major reconstructions and are the centrepieces for the transformation of whole swathes of London, from Paddington to King's Cross. This comprehensive story combines a historical overview, archive illustrations and specially commissioned photography, covering the origins of the earliest stations up to the latest reconstructions and renovations. Written by the expert author Oliver Green, this is an essential gift for anyone interested in the history of London and its transport.

The only comprehensive treatment of American library architecture, this work details the evolution of the modern public library from 1850 to the present. Donald E. Oehlerts provides a broad, historical perspective of the field of library architecture, examining the influences on the professions of public architecture and librarianship that shaped America's library buildings. Oehlerts examines the planning and construction of the largest public library buildings from 1850 through 1989, presenting the contributions that architects, librarians, and others have made to improvements in design and arrangement. He also explores the development of public architecture and librarianship to determine the sources of influence on these two emerging professions in the late nineteenth and twentieth centuries. This work, which features illustrations of several important buildings, is valuable to professionals, students, and scholars of architecture and library management and facilities.

This book aims at capitalizing and transmitting know-how about the design of Augmented Environments (AE) from some of the most prominent laboratories in the field worldwide. The authors belong to the RUFAE network (Research on User- Friendly Augmented Environments, founded in 2002) who meet in research seminars to share experience; Writing this book was perceived as an opportunity to look back over the last few years to sum up important findings; and formalize their approach and experience, which they never had the time or opportunity to do. Although the authors of this book have very different backgrounds, striking similarities emerge in their approach and design principles: never-endingness, activity-orientedness, continuous design, realism are some of the pillars of this approach; enabling to deal with the complex, heterogeneous, multi-user and mul- purpose constructions which AE designers have to face. The book illustrates how these principles enabled them to construct robust, ef- cient, and user-friendly Augmented Environments in spite of the many challenges to make these operational. We hope their experience will help the reader. Primary audience: Academics, Students and Professionals involved in the CHI, CSCW, Ubicomp, Cooperative Building communities. Computer Scientists int- ested by end-users and applications, Social Scientists operating in the IT domain, IT & Organization Consultants. Secondary audience: Developers of office and conferencing applications or middleware, Architects of office buildings, Space Planners, Designers; Facility Managers; IT, furniture & building Business Communities.