|
Books > Arts & Architecture > Architecture > Public buildings: civic, commercial, industrial, etc
Spontaneous shrines have emerged, both in the United States and
internationally, as a way to mourn those who have died a sudden or
shocking death, and to acknowledge the circumstances of the deaths.
The contributors to "Spontaneous Shrines and the Public
Memorialization of Death "address events such as the Texas A&M
bonfire collapse, the Pentagon and New York City after 9-11,
roadside crosses, a memorial wall in Philadelphia, and the use of
Day of the Dead altars to bring attention to deceased undocumented
immigrants. The first comprehensive work to examine and theorize
the phenomenon as a whole, this book explores the origins, types,
uses, and meanings of these shrines.""
London's West End has a rich and unique collection of theatres,
ranging in date from early the early 19th century to the end of the
20th;more than fifty are located within an area of two square
miles. This book celebrates the working buildings at the heart of
the British theatrical industry. Focusing on the theatres in the
West End, it looks at their architecture and history as well as
examining what it is that constitutes a West End Theatre. The
exquisite photographs in the book lead the reader on a tour -
taking in the front -of -house areas, the auditoria and the
backstage spaces - of some of London's most famous theatres. From
the Palladium to the Lyceum, it offers glimpses of those areas not
normally seen by the public, Such as rehearsal spaces, dressing
rooms, backstage areas and even a Royal reception room. In doing
so, it enters the private realms of the theatre technicians and
actors, and brings to light the theatre's hidden world.
Syria's Monuments: their Survival and Destruction examines the fate
of the various monuments in Syria (including present-day Lebanon,
Jordan and Palestine/Israel) from Late Antiquity to the fall of the
Ottoman Empire in the early 20th century. It examines travellers'
accounts, mainly from the 17th to 19th centuries, which describe
religious buildings and housing in numbers and quality unknown
elsewhere. The book charts the reasons why monuments lived or died,
varying from earthquakes and desertification to neglect and re-use,
and sets the political and social context for the Empire's
transformation toward a modern state, provoked by Western trade and
example. An epilogue assesses the impact of the recent civil war on
the state of the monuments, and strategies for their resurrection,
with plentiful references and web links.
London's many cemeteries, churches and graveyards are the last
resting places of a multitude of important people from many
different walks of life. Politicians, writers and military heroes
rub shoulders with engineers, courtesans, artists and musicians,
along with quite a few eccentric characters. Arranged
geographically, this comprehensive guide describes famous graves in
all the major cemeteries and churches in Greater London, including
Highgate, Kensal Green, Westminster Abbey, and St Paul's Cathedral,
as well as the City churches and many suburban parish churches. The
book gives biographical details, information on the monuments, and
is richly illustrated. As well as being an historical guide, it
also serves as an indispensable reference guide for any budding
tombstone tourist.
From the Pyramids at Giza to the Hanging Gardens of Babylon and the Mausoleum at Halicarnassus, the seven wonders of the ancient world have posed one of the greatest riddles over the centuries. Why were these particular examples chosen and when? What were the technical and cultural factors involved? Were they mainly religious choices and what do they tell us about the Roman world. Paul Jordan probes all these questions to provide a fascinating account of the story behind the seven great wonders of the ancient world.
The pavilion that Zavanella, an architect from Mantua, Lombardy
based in Milan builds on behalf of the Officine Meccaniche of Milan
is a railway shelter where the so-called “Belvedere”, the OM
railcar designed by him, end its maiden voyage during the Milan
Fair, in 1948. The OM shelter is composed by a refined balance of
constructive elements in tension, in which the dynamism of forms is
revealed in one of his most audacious proofs of exhibition
architecture.
In Royal Umbrellas of Stone: Memory, Politics, and Public Identity
in Rajput Funerary Art, Melia Belli Bose provides the first
analysis of Rajput chatris ("umbrellas"; cenotaphs) built between
the sixteenth to early-twentieth centuries. New kings constructed
chatris for their late fathers as statements of legitimacy. During
periods of political upheaval patrons introduced new forms and
decorations to respond to current events and evoke a particular
past. Offering detailed analyses of individual cenotaphs and
engaging with art historical and epigraphic evidence, as well as
ethnography and ritual, this book locates the chatris within their
original social, political, and religious milieux. It also compares
the chatris to other Rajput arts to understand how arts of
different media targeted specific audiences.
Written against the backdrop of a lively and ongiong debate on the
relative modernity of the Kaiserreich, this book explores the
relationship between politics and culture in turn-of-the-century
Germany through the unusual medium of industrial architecture,
which for a time brought together the disparate worlds of politics,
art and commerce. It focuses in particular on the efforts of
reformers to improve the quality and character of the industrial
workplace during the period when Germany was overtaking the UK as
Europe's leading manufacturing power. While the book should be of
interest to all students of Wilhelmine history, its
interdisciplinary approach and topicality in the light of modern
society's increasing concern with health, safety and environmental
issues should also attract a wider readership.
In 1893, the World's Columbian Exposition had a profound impact
on urban planning and the Beaux-Arts period of American
architecture. The fair introduced the Ferris Wheel, Cracker Jacks,
and fiberglass. Yet today, except for one building and a grassy
park, all that remains is the legacy of printed material dispersed
throughout the country. This reference guide, intended for
historians, librarians, and collectors, provides access to that
legacy. The introduction summarizes the Exposition's influence. The
bibliography, arranged to allow researchers to browse topics
broadly, describes over 6,000 books, journal articles, and other
materials. A directory of special collections of fair-related
materials is also included.
Newspaper and magazine articles, books, dissertations, drawings,
photographs, maps, letters, documents, and collections of
memorabilia--these provide the enduring heritage of the fair. This
guide provides information on all aspects of that heritage. In
addition to the bibilography itself, an extensive introduction
discusses the influence the fair has had on America. Illustrations
provide a visual portrayal of the fair. A directory of special
collections of fair-related materials provides an inventory of each
collection, along with addresses and telephone numbers. This book
is the only comprehensive reference guide to the World's Columbian
Exposition.
Victorian Turkish Baths is the first book to bring to light the
hidden history of a fascinating institution - the 600-plus dry hot
air baths that sprang up across Ireland, Britain and beyond, in the
19th century. Malcolm Shifrin traces the bath's Irish-Roman
antecedents, looking at how its origins were influenced by the
combination of physician Richard Barter's hydropathic expertise,
and idiosyncratic diplomat David Urquhart's passion for the hammams
of the Middle East. The book reveals how working-class members of a
network of political pressure groups built more than 30 of the
first Turkish baths in England. It explores the architecture,
technology and sociology of the Victorian Turkish bath, examining
everything from business and advertising to sex-real and imagined.
This book offers a wealth of wondrous detail - from the baths used
to treat sick horses to those for first-class passengers on the
Titanic. Victorian Turkish Baths will appeal to those interested in
Victorian social history, architecture, social attitudes to
leisure, early public health campaigns, pressure groups, gendered
spaces and much else besides. The book is complemented by the
author's widely respected website victorianturkishbath.org, where
readers can find a treasure trove of further information.
For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book.
The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the ‘Great Trek’ (1835-1852) represents a crucial period of South Africa’s past. Forming the concept of the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument.
Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze through all the stages of its design to its shipping to post-war Italy to be copied into marble and final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it depicts this. It also investigates the active role the Monument played in the development of apartheid, and its place in post-apartheid heritage.
The second volume, to be published later this year, expands on the first, considering each of the twenty-seven scenes in depth, providing new insights into not only the frieze, but also South Africa’s history.
This lavish photographic history of the most beautiful and historic
railway stations in London tells a story of power, progress and
innovation, from the beginning of steam age to the teeming commuter
hubs of today. London has more mainline railway stations than any
other city in the world and many of them are amongst its grandest
architectural monuments. Its earliest terminals opened in the late
1830s when lines between the capital and the regions were built in
the first railway boom. The original station at London Bridge, the
capital's first passenger terminus, was opened in December 1836,
six months before Queen Victoria came to the throne. The last main
line to London, the Great Central Railway to Marylebone, was opened
in March 1899, two years before Victoria died. Ever since they
originally opened, these stations have been at heart of London life
and activity and have dominated the architectural landscape. Many
are now in the midst of major reconstructions and are the
centrepieces for the transformation of whole swathes of London,
from Paddington to King's Cross. This comprehensive story combines
a historical overview, archive illustrations and specially
commissioned photography, covering the origins of the earliest
stations up to the latest reconstructions and renovations. Written
by the expert author Oliver Green, this is an essential gift for
anyone interested in the history of London and its transport.
Following her success with Lost Charleston, local author and city
tour guide Leigh Jones Handal brings a fresh approach to one of the
key titles in Pavilion Books’ trademark series. Charleston, South
Carolina is one of the most popular East Coast tourist
destinations. The flashpoint of the Civil War, what remains of Fort
Sumter in Charleston is still a much-visited attraction, and
despite bombardment by the Federal Navy, earthquakes and many
hurricanes, the South Carolina city has retained its 19th-century
charm. City guide Leigh Jones Handal tells the story of the
Charleston she loves through archive photos matched with their
modern viewpoint, including the Jenkins Orphanage whose band were
the likely originators of the Charleston dance. There are vintage
photos of the great plantation houses, plus the grand buildings on
Meeting Street, and the soaring spires of Charleston’s many
churches. Downtown many of the classic mansions, such as the
Miles Brewton House, have been retained, along with the Market Hall
and the Customs House, and though the trolleys no longer run along
Broad Street, it is still recognizable from a century
before. Leigh Jones Handal has uncovered a treasury of
vintages images which have been matched with modern photos to show
new aspects of this enduringly fascinating city.
This publication brings together a range of building projects from
National, Academic and Public Libraries from different countries of
the world showing how these libraries are able to continue to
provide high quality library space that is affordable in times of
difficult economic circumstances. We will hear about the building
processes, co-operation with architects and engineers and how
librarians and users have reacted to these new buildings.
One of the attractions of Massachusetts destinations of Cape Cod,
Nantucket, and Martha's Vineyard is their rich array of
lighthouses. These architectural feats pepper the shores, where
most continue to warn passing ships of the dangers of landfall.
Arthur P. Richmond, a well-known photographer of the Cape and
Islands, has gathered forty views of their lighthouses, including
some views of some interiors and at various seasons. Active lights
and inactive lights are presented as beautiful color postcards.
Perforated, they can be detached and sent to friends (at 40 cents
apiece they are a good bargain), framed and hung on your wall, or
kept intact as a souvenir of your summer vacation. This is also the
perfect gift for the lighthouse enthusiast or visitor to the New
England shore.
Documents the building project which took place in 2012
|
|