This new edition of this standard work adds several new information the book, so that sound engineering and architects can better assess the acoustic value of a Rock and Pop Venue. In particular, new insights to the influence of sound absorbers in reflected and important ISO standards are included into the new edition. Based on the first ever scientific investigations on recommendable acoustics for amplified music conducted by the author, this book sets forward precise guidelines for acoustical engineers to optimize the acoustics in existing or future halls for amplified music. It Gives precise guidelines on how to design the acoustics in venues that present amplified music Debates essential construction details, including placement of sound system and use of possible building materials, in the architectural design of new venues or the renovation of old ones Portrays 75 well-known European Rock & Pop venues, their architecture and acoustic properties. 20 venues were rated for their acoustics by music professionals leading to an easy-to-use assessment methodology

The pavilion that Zavanella, an architect from Mantua, Lombardy based in Milan builds on behalf of the Officine Meccaniche of Milan is a railway shelter where the so-called “Belvedere”, the OM railcar designed by him, end its maiden voyage during the Milan Fair, in 1948. The OM shelter is composed by a refined balance of constructive elements in tension, in which the dynamism of forms is revealed in one of his most audacious proofs of exhibition architecture.

Written against the backdrop of a lively and ongiong debate on the relative modernity of the Kaiserreich, this book explores the relationship between politics and culture in turn-of-the-century Germany through the unusual medium of industrial architecture, which for a time brought together the disparate worlds of politics, art and commerce. It focuses in particular on the efforts of reformers to improve the quality and character of the industrial workplace during the period when Germany was overtaking the UK as Europe's leading manufacturing power. While the book should be of interest to all students of Wilhelmine history, its interdisciplinary approach and topicality in the light of modern society's increasing concern with health, safety and environmental issues should also attract a wider readership.

For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book.

The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the ‘Great Trek’ (1835-1852) represents a crucial period of South Africa’s past. Forming the concept of the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument.

Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze through all the stages of its design to its shipping to post-war Italy to be copied into marble and final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it depicts this. It also investigates the active role the Monument played in the development of apartheid, and its place in post-apartheid heritage.

The second volume, to be published later this year, expands on the first, considering each of the twenty-seven scenes in depth, providing new insights into not only the frieze, but also South Africa’s history.

In 1893, the World's Columbian Exposition had a profound impact on urban planning and the Beaux-Arts period of American architecture. The fair introduced the Ferris Wheel, Cracker Jacks, and fiberglass. Yet today, except for one building and a grassy park, all that remains is the legacy of printed material dispersed throughout the country. This reference guide, intended for historians, librarians, and collectors, provides access to that legacy. The introduction summarizes the Exposition's influence. The bibliography, arranged to allow researchers to browse topics broadly, describes over 6,000 books, journal articles, and other materials. A directory of special collections of fair-related materials is also included.

Newspaper and magazine articles, books, dissertations, drawings, photographs, maps, letters, documents, and collections of memorabilia--these provide the enduring heritage of the fair. This guide provides information on all aspects of that heritage. In addition to the bibilography itself, an extensive introduction discusses the influence the fair has had on America. Illustrations provide a visual portrayal of the fair. A directory of special collections of fair-related materials provides an inventory of each collection, along with addresses and telephone numbers. This book is the only comprehensive reference guide to the World's Columbian Exposition.

This lavish photographic history of the most beautiful and historic railway stations in London tells a story of power, progress and innovation, from the beginning of steam age to the teeming commuter hubs of today. London has more mainline railway stations than any other city in the world and many of them are amongst its grandest architectural monuments. Its earliest terminals opened in the late 1830s when lines between the capital and the regions were built in the first railway boom. The original station at London Bridge, the capital's first passenger terminus, was opened in December 1836, six months before Queen Victoria came to the throne. The last main line to London, the Great Central Railway to Marylebone, was opened in March 1899, two years before Victoria died. Ever since they originally opened, these stations have been at heart of London life and activity and have dominated the architectural landscape. Many are now in the midst of major reconstructions and are the centrepieces for the transformation of whole swathes of London, from Paddington to King's Cross. This comprehensive story combines a historical overview, archive illustrations and specially commissioned photography, covering the origins of the earliest stations up to the latest reconstructions and renovations. Written by the expert author Oliver Green, this is an essential gift for anyone interested in the history of London and its transport.

Some of the most exciting architecture in the world can be found on university campuses. In Europe, America and the Far East, vice chancellors and their architects have, over several centuries, produced an extraordinary range of innovative buildings. This book has been written to highlight the importance of university architecture. It is intended as a guide to designers, to those who manage the estate we call the campus, and as an inspiration to students and academic staff. With nearly 40 per cent of school leavers attending university, the campus can influence the outlook of tomorrow's decision makers to the benefit of architecture and society at large.

This publication brings together a range of building projects from National, Academic and Public Libraries from different countries of the world showing how these libraries are able to continue to provide high quality library space that is affordable in times of difficult economic circumstances. We will hear about the building processes, co-operation with architects and engineers and how librarians and users have reacted to these new buildings.

The Rule, the Bible, and the Council focuses on the decoration of a Benedictine library conceived and executed within a few years of the conclusion of the Council of Trent. The Abbey at Praglia, near Padua, commissioned work from Paolo Veronese and Tintoretto as well as Battista Zelotti. The authors reconstruct the 16th-century library room using physical, on-site evidence, extant documents concerning the furnishings, measurements of the paintings, and early descriptions to re-create with computer technology the room furnished and decorated in 1562 -- ca. 1570. Zelotti's 24 paintings on canvas for the Library at Praglia show a sensitive and clear articulation of the doctrinal intent planned by the erudite Benedictine patrons.

One of the attractions of Massachusetts destinations of Cape Cod, Nantucket, and Martha's Vineyard is their rich array of lighthouses. These architectural feats pepper the shores, where most continue to warn passing ships of the dangers of landfall. Arthur P. Richmond, a well-known photographer of the Cape and Islands, has gathered forty views of their lighthouses, including some views of some interiors and at various seasons. Active lights and inactive lights are presented as beautiful color postcards. Perforated, they can be detached and sent to friends (at 40 cents apiece they are a good bargain), framed and hung on your wall, or kept intact as a souvenir of your summer vacation. This is also the perfect gift for the lighthouse enthusiast or visitor to the New England shore.

For more than 600 years the Livery Companies have played a leading role in commercial activities and social and political life in the City of London. These trade associations, each representing a particular craft or profession, were originally responsible for controlling, for example, wages and working conditions. As the Companies were established and incorporated by royal charter, largely in the 14th and 15th centuries, they began acquiring and adapting buildings from which to operate. The Companies' headquarters - the Livery Halls - gradually evolved from large medieval town houses to become an identifiable building type matched in scale and ambition only by the guild houses of northern European mercantile cities and the Venetian scuole. By the time of the Great Fire of London in 1666, there were at least 53 Livery Halls. Of the 40 Halls standing today, half remain on their medieval sites, but all have been rebuilt several times. To give only two examples: there have been six incarnations of Clothworkers' Hall on Mincing Lane and six Salters' Halls on three different City sites. This beautiful book is the first major exploration of these architecturally significant yet under-researched buildings. Dr Anya Lucas, who has studied the Halls in depth, provides an introduction and an illustrated history of the buildings that have been lost over the centuries. The Great Fire, in particular, resulted in a period of energetic reconstruction. Companies rebuilt and beautified their Halls in recognition that the image they projected was as crucial as their wealth and regulatory powers. More building activity took place in the 18th and 19th centuries as Halls were required to accommodate new functions. Many of the Restoration Halls did not survive these years, and, where they did, alterations continued apace. Only 3 out of 36 Halls remained untouched after the Blitz of 1940-41, leading to another wave of reconstruction, the buildings being predominantly traditional or neo-Georgian in style. Henry Russell surveys each of the 40 present-day Halls, no two of which share an identical plan. Sited across the City from east to west, they range from the London Proof House, the home of the Worshipful Company of Gunmakers, on Commercial Road, outside the old City walls, to HSQ Wellington, headquarters of the Honourable Company of Master Mariners, moored on the Thames at Victoria Embankment. All existing Livery Halls have been photographed especially for the project by the renowned interiors photographer Andreas von Einsiedel, making this a truly outstanding publication.

With the growth of the global population, the expansion of metropolitan areas has become an essential aspect of land development. With the need for more space to accommodate the growing population, discussion on the best methods of expansion has arisen. Designing Grid Cities for Optimized Urban Development and Planning is a critical scholarly resource that explores the expansion and extension of metropolitan areas following "orthogonal" development plans. Featuring coverage on a wide range of topics, such as built environment, grid cities, and orthogonal urban matrix, this publication is geared towards engineers, city development planners, professionals, academicians, researchers, and students seeking current research on the advantages of using orthogonal development plans for metropolitan expansion.

Across the globe, memorial and grave sites are being increasingly weaponized in conflicts and politicized by parties to advance agendas. Here, Carol S. Lilly examines ideas of death, politics, memory, ideology and nationalism in the former Yugoslav republics of Bosnia-Hercegovina, Croatia, and Serbia to shine fresh light on cemetery culture in 20th-century Europe. More specifically, Death and Burial in Socialist Yugoslavia investigates how the Communist Party of Yugoslavia created its own communities of the dead by implementing cemetery policies which reinforced their ideals of secularism, pluralism, brotherhood, and unity. However, in doing so the communist regime left the previous system of ethno-religious segregation in place and further isolated Catholics, Orthodox, Muslims and Jews who continued to be buried in separate locations. This in turn further politicized burial rites and exacerbated tensions between different ethno-religious communities. As a result, by the time Yugoslavia disintegrated in the early 1990s, dead bodies and cemeteries had become a concerted weapon of war in the ongoing ethnic conflict. Ultimately, then, this timely study reveals for the first time the extent to which the communist regime not only failed to created their own communities of the dead but also further divided and alienated living communities in Yugoslavia.

The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects. Richard Rogers: The Pompidou Centre, Supercrit #3explores Piano+Rogers' phenomenal project for a new type of major cultural building in Paris. You can hear Richard Rogers' description of the project, see the images and join in the crit. Supported by an extensive illustrated section, this innovative and compelling book is an invaluable resource for any architecture student.

This book contains the proceedings of the 13th seminar of IFLA's Library Buildings and Equipment Section, which was co-organized with IFLA's Public Libraries Section this time. The event took place as one of the satellite meetings of the World Library and Information Congress 2003 in Berlin, and was held in Paris at the end of July 2003.

Seminars like this have been held every two years (The Hague 1997, Shanghai 1999, Boston 2001) to allow architects and librarians to share experiences in the field of library planning and the building process. The goals of this seminar were to explore the issues affecting the future development of library space, and to help prepare to envision innovative library spaces that are responsive to user needs and community interests.

This compilation of 12 papers given at the Paris seminar includes a huge amount of information regarding the state of the art in library building.