This book is about managing the infrastructure development cycle from project initiation to the end of the operation and maintenance phase. It focuses on the Public-Private Partnership (PPP) contract and, from this perspective, private and public sector procurement are variations.Designed for students from different backgrounds such as information technology, business, architecture, quantity surveying, urban planning, project management, engineering, construction, facilities management, transport, finance, economics, and law, the book provides a structured guide to these diverse students as well as researchers, public officials, project sponsors, lenders, developers, contractors, subcontractors, suppliers, investors, infrastructure fund managers, insurers, facilities managers, non-government organizations, and consultants such as designers, engineers, environmental specialists, legal advisors, and brokers.The book presents general principles that are applicable in different countries, particularly in the developing world where markets and other institutions are less developed and uses examples to clarify ideas.

This book is about managing the infrastructure development cycle from project initiation to the end of the operation and maintenance phase. It focuses on the Public-Private Partnership (PPP) contract and, from this perspective, private and public sector procurement are variations.Designed for students from different backgrounds such as information technology, business, architecture, quantity surveying, urban planning, project management, engineering, construction, facilities management, transport, finance, economics, and law, the book provides a structured guide to these diverse students as well as researchers, public officials, project sponsors, lenders, developers, contractors, subcontractors, suppliers, investors, infrastructure fund managers, insurers, facilities managers, non-government organizations, and consultants such as designers, engineers, environmental specialists, legal advisors, and brokers.The book presents general principles that are applicable in different countries, particularly in the developing world where markets and other institutions are less developed and uses examples to clarify ideas.

Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology. 'Temple of Science' sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the facade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.

Hadrian's Wall is the largest, most spectacular and one of the most enigmatic historical monument in Britain. Nothing else approaches its vast scale: a land wall running 73 miles from east to west and a sea wall stretching at least 26 miles down the Cumbrian coast. Many of its forts are as large as Britain's most formidable medieval castles, and the wide ditch dug to the south of the Wall, the vallum, is larger than any surviving prehistoric earthwork. Built in a ten-year period by more than 30,000 soldiers and labourers at the behest of an extraordinary emperor, the Wall consisted of more than 24 million stones, giving it a mass greater than all the Egyptian pyramids put together. At least a million people visit Hadrian's Wall each year and it has been designated a World Heritage Site. In this book, based on literary and historical sources as well as the latest archaeological research, Alistair Moffat considers who built the Wall, how it was built, why it was built and how it affected the native peoples who lived in its mighty shadow. The result is a unique and fascinating insight into one of the Wonders of the Ancient World.

THIS BOOK CONTAINS THE RESULTS OF TWO INDEPENDENT ARCHAEOLOGICAL STUDIES CONDUCTED IN THE HEART OF GLASTONBURY TOWN CENTRE AT 11 HIGH STREET, NOW THE FOOTPRINT OF THE BUSY DOUBLE AWARD-WINNING GAUNTLET SHOPPING THOROUGHFARE. The studies were commissioned by the Developer and Landlord/owner Doug Hill between 2005-2007. They were request ed as a pre-condition for planning by Somerset CountyCouncil as it was considered imperative to document the history of the site, the development of which offered a unique opportunity prior to the commencement of the building works. This is a Grade 2 listed building positioned in the centre of a conservation area in the heart of Glastonbury (adjacent to the Tri - bunal, a Grade 1 Listed building) and as such is considered to be of great importance. The land at 11 High Street was stripped, mapped and the artefacts logged. The broad spectrum of finds were subsequently donated to the Somerset Museum, Taunton. THE ARCHAEOLOGICAL ANALYSIS CONTAINED IN THIS BOOK IS COMPREHENSIVE. BOTH REPORTS PRESENT DE TAILED, ACCURATELY ASSEMBLED, DOCUMENTED RECORDS, WHICH I AM SURE YOU WILL FIND FASCINATING. See our websites: DougHillBooks.com thegauntletshoppingthoroughfare.co.uk thegauntletshoppingthoroughfare.com TheGauntletShoppingArcade.co.uk TheGauntletShoppingArcade.com Also visit: thegauntletglastonbury.com glastonburyradio.com glastonburytown.co.uk

In Place of a Show is a compelling account of Western theatre buildings in the 21st century: theatres stripped of their primary purpose, lying empty, preserved as museums, or demolished. Playfully combining first-person narratives, scholarly research and visual documents, Augusto Corrieri explores the material and imaginative potentials of these places, charting interconnections between humans, birds, vegetation, and the beguiling animations of inanimate things, such as walls, curtains and seats. Across four chapters we learn of the uncanny dismantling and reconstitution of a German Baroque auditorium during the Second World War; the phantasmal remains of a demolished music hall in London's East End; a Renaissance Italian theatre, fleetingly transformed into an aviary by the appearance of a swallow; and a lavish opera house emerging from the Amazon rainforest. In these pages we are invited to discover theatres as sites of anomalous encounters and surprising coincidences: places that might reveal the performative entanglement of human and nonhuman worlds.