This book provides detailed information on how to set up Deep Energy Retrofits (DERs) in public buildings, and shares in-depth insights into the current status of the major technologies, strategies and best practice examples of how to cost-effectively combine them. Case studies from the U.S.A. and Europe show that that Deep Energy Retrofit can be achieved with a limited core technologies bundle readily available on the market. Characteristics of some of these core technology measures depend on the technologies available on an individual nation's market, on the minimum requirements of national standards, and on economics (as determined by a life cycle cost analysis). Also, requirements to building envelope-related technologies (e.g., insulation levels, windows, vapor and water barriers, and requirements for building airtightness) depend on specific climate conditions. This Guide provides best practice examples of how to apply these technologies in different construction situations. High levels of energy use reduction using core technology bundles along with improvements in indoor climate and thermal comfort can be only achieved when a Deep Energy Retrofit adopts a quality assurance process. In addition to design, construction, commissioning, and post-occupancy phases of the quality assurance process, the Guide emphasizes the importance of clearly and concisely formulating and documenting the Owner's goals, expectations, and requirements for the renovated building during development of the statement of work. Another important component of the quality assurance process is a procurement phase, during which bidders' qualifications, their understanding of the scope of work and its requirements, and their previous experience are analyzed. The building sector holds the potential for tremendous improvements in terms of energy efficiency and reducing carbon emissions, and energy retrofits to the existing building stock represent a significant opportunity in the transition to a low-carbon future. Moreover, investing in highly efficient building materials and systems can replace long-term energy imports, contribute to cost cutting, and create a wealth of new jobs. Yet, while the technologies needed in order to improve energy efficiency are readily available, significant progress has not yet been made, and "best practices" for implementing building technologies and renewable energy sources are still relegated to small "niche" applications. Offering essential information on Deep Energy Retrofits, the book offers a valuable asset for architects, public authorities, project developers, and engineers alike.

As a part of the debate on penitentiary architecture, this book proposes a critical interpretation of the conceptual elements and design approaches involved. This proposal, more than others, "mend" the relationship, between theoretical conception and actual building practice of the prison. The interpretation is developed from the idea that the architectural project, when it materialises in a built structure, is always the material expression of an abstract idea and of a specific vision of the world which manifests itself through the architectural consistency of the building and of the built spaces. For a long time the subject of penitentiary architecture had been neglected by contemporary architectural culture, permitting the design of prisons to be the result of a combination of obsolete practices, security regulations and the wish to reduce construction costs, in detriment of the quality of the interior space and of the efficiency of the penitentiary treatment. Thus the conception of the building focused on severe incarceration, and the refusal to accept the possibility of a more open prison remained mostly unvaried through time. Today, the subject of detention has once again caught the public eye, and that the problems related to it have become untenable. The need has become evident for a more efficient penitentiary system capable of producing positive changes in the detainees. It is thus necessary to re-think the architecture of detention in terms of the quality of space and of the respect of the dignity of the individuals, through new modes of detention, and especially through a knowledgeable design that is the expression of a renewed cultural stance that strengthens the re-educational value of the prison sentence, no longer considering it exclusively as the temporal suspension of certain rights. The objectives expressed through new theoretical developments, represent an ambitious and progressive project aimed at eradicating conservative and backward ideas regarding the role of prison architecture, and propose a new disciplinary conception of the architectural project, open to the academic and professional world in the attempt to solve and make effective the relationship between architectural design, building practices and management of the penitentiary structure. The text presented here focuses on the creation of organisational-functional tools for open-regime minimum security structures and on the identification of architectural solutions in which the residential and domestic features of the structures prevail over the typological and distributive layouts typical of traditional penitentiary buildings. The analysis aims at identifying the main essential principles for an efficient design, such as: the location, size, spatial organisation, typology of housing space, and last but not less important, the rationalisation of the internal flows. The key elements identified are summarised into a series of general design criteria aimed at establishing an efficient relationship between the functional model and the typological structure, as well as between the building and the surrounding urban fabric.

This study explores the multiple ways in which Congressional Cemetery has been positioned for some two hundred years in "the shadow" of the U.S. Capitol. The narrative proceeds chronologically, discussing the burial ground during three periods: a) The antebellum years; b) The years from the end of the Civil War to approximately 1970, when the site progressively deteriorated; c) The period from the early 1970s to 2007, when both public and private organizations worked to preserve the physical site and the memory of what it has been and continues to represent. This monograph on Congressional Cemetery focuses on the dominant narrative associated with the site: its legacy as the first national burial ground in the United States. Given this emphasis, the text presents a political and cultural analysis of the cemetery, with particular focus on the participation of the U.S. Congress. "This book makes historians and many others aware of a fascinating and complicated history. Moreover, it not only details the long history of the cemetery, but it uses it to explore the nature of historic memorials generally in the creation of national memory." Steven Diner, Chancellor of Rutgers University at Newark. "The Johnsons have done an excellent job of mining a wide range of sources and conveying the complex history of an institution that merits documentation... It's stunning to realize what a who's who exists in that space." Howard Gillette, Professor Emeritus at Rutgers University at Camden. "The history of Congressional Cemetery is intimately tied up in the changing demographics of its locale, and its corresponding decline as the neighborhood around Christ Church changed led to its emergence as a cause celebre for historic preservationists." Donald Kennon, Chief Historian for the United States Capitol Historical Society, and editor of The Capitol Dome.

"" I have no pain now, mother dear, But, oh, I am so dry! Connect me to a brewery and leave me there to die.""
Breweries were large and striking buildings whose towering presence was often reinforced by their occupation of sites in the middle of towns. They were the flagships of a major industry and generators of some of the great business fortunes. Designing their breweries for architectural grandeur as well as for their function, brewers were well aware of the marketing value of their buildings and used them as advertisements. What is surprising is that so little attention has been paid to breweries, in contrast to other great industrial buildings such as mills and warehouses. Lavishly illustrated, "British Breweries" covers the whole of their history, from the country house brewhouses of the eighteenth century to the great breweries of Georgian and Victorian England, and to widespread disappearance in the twentieth century.

In the modern age of the 4th Industrial Revolution, advancements in communication and connectivity are transforming the professional world as new technologies are being embedded into society. These innovations have triggered the development of a digitally driven world where adaptation is necessary. This is no different in the architectural field, where the changing paradigm has opened new methods and advancements that have yet to be researched. Impact of Industry 4.0 on Architecture and Cultural Heritage is a pivotal reference source that provides vital research on the application of new technological tools, such as digital modeling, within architectural design, and improves the understanding of the strategic role of Industry 4.0 as a tool to empower the role of architecture and cultural heritage in society. Moreover, the book provides insights and support concerned with advances in communication and connectivity among digital environments in different types of research and industry communities. While highlighting topics such as semantic processing, crowdsourcing, and interactive environments, this publication is ideally designed for architects, engineers, construction professionals, cultural researchers, academicians, and students.

Henry Flagler's opulent Hotel Ponce de Leon drew worldwide praise from the day its elaborately carved doors opened in 1888. Built in the Spanish Renaissance Revival style, the architectural and engineering marvel featured the talents of a team of renowned artisans, including the designs of architects John Carrere, Thomas Hastings, and Bernard Maybeck, electricity by Thomas Edison, and interior decoration and stained glass windows by Louis Tiffany. The rich and famous strolling its halls were the most successful people of the Gilded Age, including John D. Rockefeller, Mark Twain, Alexander Graham Bell, and President Teddy Roosevelt. But with the Great Depression, the gem of Flagler's empire began a slow decline until Flagler College acquired it in 1968 as the centerpiece of its campus. Hotel Ponce de Leon is the first work to present the building's complete history and detail its transformation into the heart of Flagler College. Leslee Keys, who played a major role in the restoration, recounts the complicated construction of the hotel - the first major structure to be built entirely of poured concrete - and the efforts to preserve it and restore it to its former glory. The methods used at Flagler College have been recognized as best practices in historic preservation and decorative arts conservation, and today the campus is one of Florida's most visited heritage tourism destinations.

In tracing the process through which monuments give rise to collective memories, this path-breaking book emphasizes that memorials are not just inert and amnesiac spaces upon which individuals may graft their ever-shifting memories. To the contrary, the materiality of monuments can be seen to elicit a particular collective mode of remembering which shapes the consumption of the past as a shared cultural form of memory. In a variety of disciplines over the past decade, attention has moved away from the oral tradition of memory to the interplay between social remembering and object worlds. But research is very sketchy in this area and the materiality of monuments has tended to be ignored within anthropological literature, compared to the amount of attention given to commemorative practice. Art and architectural history, on the other hand, have been much interested in memorial representation through objects, but have paid scant attention to issues of social memory. Cross-cultural and interdisciplinary in scope, this book fills this gap and addresses topics ranging from material objects to physical space; from the contemporary to the historical; and from 'high art' to memorials outside the category of art altogether. In so doing, it represents a significant contribution to an emerging field.

This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary, and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.

Winner of the Publication Award for Popular Culture and Entertainment for 2009 from the Metropolitan Chapter of the Victorian Society in America Named to Pop Matters list of the Best Books of 2009 (Non-fiction) From the lights that never go out on Broadway to its 24-hour subway system, New York City isn't called "the city that never sleeps" for nothing. Both native New Yorkers and tourists have played hard in Gotham for centuries, lindy hopping in 1930s Harlem, voguing in 1980s Chelsea, and refueling at all-night diners and bars. The slim island at the mouth of the Hudson River is packed with places of leisure and entertainment, but Manhattan's infamously fast pace of change means that many of these beautifully constructed and incredibly ornate buildings have disappeared, and with them a rich and ribald history. Yet with David Freeland as a guide, it's possible to uncover skeletons of New York's lost monuments to its nightlife. With a keen eye for architectural detail, Freeland opens doors, climbs onto rooftops, and gazes down alleyways to reveal several of the remaining hidden gems of Manhattan's nineteenth- and twentieth-century entertainment industry. From the Atlantic Garden German beer hall in present-day Chinatown to the city's first motion picture studio-Union Square's American Mutoscope and Biograph Company-to the Lincoln Theater in Harlem, Freeland situates each building within its historical and social context, bringing to life an old New York that took its diversions seriously. Freeland reminds us that the buildings that serve as architectural guideposts to yesteryear's recreations cannot be re-created-once destroyed they are gone forever. With condominiums and big box stores spreading over city blocks like wildfires, more and more of the Big Apple's legendary houses of mirth are being lost. By excavating the city's cultural history, this delightful book unearths some of the many mysteries that lurk around the corner and lets readers see the city in a whole new light.