This is the first analysis of periodicals' key role in U.S. feminism's formation as a collective identity and set of political practices in the 1970s. Between 1968 and 1973, more than five hundred different feminist newsletters and newspapers were published in the United States. Agatha Beins shows that the repetition of certain ideas in these periodicals-ideas about gender, race, solidarity, and politics-solidified their centrality to feminism. Beins focuses on five periodicals of that era, comprising almost three hundred different issues: Distaff (New Orleans, Louisiana); Valley Women's Center Newsletter (Northampton, Massachusetts); Female Liberation Newsletter (Cambridge, Massachusetts); Ain't I a Woman? (Iowa City, Iowa); and L.A. Women's Liberation Newsletter, later published as Sister (Los Angeles, California). Together they represent a wide geographic range, including some understudied sites of feminism. Beins examines the discourse of sisterhood, images of women of color, feminist publishing practices, and the production of feminist spaces to demonstrate how repetition shaped dominant themes of feminism's collective identity. Beins also illustrates how local context affected the manifestation of ideas or political values, revealing the complexity and diversity within feminism. With much to say about the study of social movements in general, Liberation in Print shows feminism to be a dynamic and constantly emerging identity that has grown, in part, out of a tension between ideological coherence and diversity. Beins's investigation of repetition offers an innovative approach to analyzing collective identity formation, and her book points to the significance of print culture in activist organizing.

Denis Janot is the prime example of a vernacular printer espousing the highest standards of French Renaissance printing, highly influential in the adoption of roman type to the printing of vernacular material, and a key figure in the development of book illustration. This bibliography, a comprehensive revison of the author's Warwick Ph.D. thesis of 1976, listing 391 editions (41 more than the original version), is based firmly on the description of Janot's books. Some 1300 copies have been examined, about 80% of the known total. Alongside the bibliography there is an description of Janot's printing material (including an index of more than 1000 woodcuts), and some analysis of the subjects of his publications.

BLAST at 100 makes an original contribution to the understanding of a major modernist magazine. Providing new critical readings that consider the magazine's influence within contexts that have not been acknowledged before - in the development of Irish and Spanish literature and culture in the twentieth century, for example, as well as in the areas of cultural studies, performance studies and the scholarship of teaching and learning - BLAST at 100 reconsiders the magazine's complex legacy. In addition to situating the magazine in new and often unexpected contexts, BLAST at 100 also offers important new insights into the work of some of its most significant contributors, including Wyndham Lewis, Ezra Pound, and Rebecca West. Contributors are: Philip Coleman, Simon Cutts, Andrzej Gasiorek, Angela Griffith, Nicholas E. Johnson, Kathryn Laing, Christopher Lewis, J.C.C. Mays, Kathryn Milligan, Yolanda Morato, Nathan O'Donnell, Alex Runchman, Colm Summers, Tom Walker

Percival Phillips was born in 1877. He began writing for newspapers at the age of sixteen with articles about coal miners rioting in Southwestern Pennsylvania. At the age of nineteen he began pursuing a dream of being a war correspondent with coverage of the Greco-Turkish war and later the war in Cuba. He next moved to London, England and worked for the Daily Express covering wars in Japan and Russia, Tripoli and the Balkans. Although an American the British government selected him to be one of five correspondents to cover the British portion of the Western Front during the World War I, as well as to cover the troubles in Ireland. After the war he was knighted by King George for these services. He next moved to the Daily Mail where he continued covering conflicts in Russia, China, and India, as well as problems in Iraq, the rise of Mussolini in Italy and Gandhi's activities in India. In 1935 he joined the Daily Telegraph and later covered a revolution in Greece and the Italian invasion of Ethiopia. His final war was the Spanish Civil War during which he died in 1937.

In his popular book The Germans (1982), Stanford historian Gordon Craig remarked: "When German intellectuals at the end of the eighteenth century talked of living in a Frederican age, they were sometimes referring not to the monarch in Sans Souci, but to his namesake, the Berlin bookseller Friedrich Nicolai." Such was the importance attributed to Nicolai's role in the intellectual life of his age by his own contemporaries.

While long neglected by students of the period, who tended to accept the caricature of him as a philistine who failed to recognize Goethe's genius, Nicolai has experienced a resurgence of interest among scholars reexploring the German Enlightenment and the literary marketplace of the eighteenth century.

This book, drawing upon Nicolai's large unpublished correspondence, rounds out the picture we have of Nicolai already as author and critic by focusing on his roles as bookseller and publisher and as an Aufkarer in the book trade.

In literary investigation all evidence is textual, dependent on preservation in material copies. Copies, however, are vulnerable to inadvertent and purposeful change. In this volume, Peter Shillingsburg explores the implications of this central concept of textual scholarship. Through thirteen essays, Shillingsburg argues that literary study depends on documents, the preservation of works, and textual replication, and he traces how this proposition affects understanding. He explains the consequences of textual knowledge (and ignorance) in teaching, reading, and research—and in the generous impulses behind the digitization of cultural documents. He also examines the ways in which facile assumptions about a text can lead one astray, discusses how differing international and cultural understandings of the importance of documents and their preservation shape both knowledge about and replication of works, and assesses the dissemination of information in the context of ethics and social justice. In bringing these wide-ranging pieces together, Shillingsburg reveals how and why meaning changes with each successive rendering of a work, the value in viewing each subsequent copy of a text as an original entity, and the relationship between textuality and knowledge. Featuring case studies throughout, this erudite collection distills decades of Shillingsburg’s thought on literary history and criticism and appraises the place of textual studies and scholarly editing today.

Wendy Welch and her husband had always dreamed of owning a bookstore, so when they left high-octane jobs for a simpler life in an Appalachian coal town, they seized an unexpected opportunity to pursue their dream. The only problems? A declining U.S. economy, a small town with no industry, and the advent of the e-book. They also had no idea how to run a bookstore. Against all odds, but with optimism, the help of their Virginia mountain community, and an abiding love for books, they succeeded in establishing more than a thriving business - they built a community.

The third volume in The History of Journalism series, this work provides an overview of the period from 1833 to 1865 when major journalistic forces evolved within professional circles, reform movements, Southern nationalism, ethnic, religious and racial minorities. The transition from partisan press to commercial journalism, it is argued, was a gradual process that covered the entire popular press era from the founding of the penny newspapers in 1833 through the end of the Civil War in 1865. Newspapers reflected a diverse, multicultural society and numerous reform and partisan groups during the antebellum era. Civil War correspondents created a new power base, the reporter in the field, by occassionally sending reports independent from the views of their commanding officers and employing editors. The relationship between newspapers and the government and political parties remained a complex one, especially during the war when reporters demonstrated their independence if not their objectivity.

Scholars and researchers of journalism history and of the American Civil war will appreciate this synthesis of journalism history during an important period in American history. Among the subjects covered are the New York newspaper wars, specialized publications, alternative newspapers, Western newspaper wars, reporters, officers, and soldiers in the field, and reflections on the popular press. A complete list of sources follows a bibliographical overview.

South Asian Writers in Twentieth-Century Britain is the first book to provide a historical account of the publication and reception of South Asian anglophone writing from the 1930s to the present, based on original archival research drawn from a range of publishing houses. This comparison of succeeding generations of writers who emigrated to, or were born in, Britain examines how the experience of migrancy, the attitudes towards migrant writers in the literary market place, and the critical reception of them, changed significantly throughout the twentieth century. Ranasinha shows how the aesthetic, cultural, and political context changed significantly for each generation, producing radically different kinds of writing and transforming the role of the postcolonial writer of South Asian origin.
The extensive use of original materials from publishers' archives shows how shifting political, academic, and commercial agendas in Britain and North America influenced the selection, content, presentation, and consumption of many of these texts. The differences between writers of different generations can thus in part be understood in terms of the different demands of their publishers and expectations of readers in each decade. Writers from different generations are paired accordingly in each chapter: Nirad Chaudhuri (1897-1999) with Tambimuttu (1915-83); Ambalavener Sivanandan (born 1923) with Kamala Markandaya (born 1924); Salman Rushdie (born 1947) with Farrukh Dhondy (born 1944); and Hanif Kureishi (born 1954) with Meera Syal (born 1963). Raja Rao, Mulk Raj Anand, Attia Hosain, V.S Naipaul, and Aubrey Menen are also discussed.

"During the first three months of 1972 a trial took place in the middle district of Pennsylvania: THE UNITED STATES OF AMERICA versus Eqbal Ahmad, Philip Berrigan, Elizabeth McAlister, Neil McLaughlin, Anthony Scoblick, Mary Cain Scoblick, Joseph Wenderoth. The defendants stood accused of conspiring to raid federal offices, to bomb government property, and to kidnap presidential advisor Henry Kissinger. Six of those seven individuals are, or were, Roman Catholic clergy-priests and nuns. Members of the new 'Catholic Left.'" -from the introduction When The Harrisburg 7 and the New Catholic Left was originally published in 1972, it remained on The New York Times Book Review "New and Recommended" list for six weeks and was selected as one of the Notable Books of the Year. Now, forty years later, William O'Rourke's book eloquently speaks to a new generation of readers interested in American history and the religious anti-war protest movements of the Vietnam era. O'Rourke brings to life the seven anti-war activists, who were vigorously prosecuted for alleged criminal plots, filling in the drama of the case, the trial, the events, the demonstrations, the panels, and the people. O'Rourke includes a new afterword that presents a sketch of the evolution of protest groups from the 1960s and 1970s, including the history of the New Catholic Left for the past four decades, claiming that "[a]fter the Harrisburg trial, the New Catholic Left became the New Catholic Right."

While studies have been done on the politics, personalities, and television empires of Protestant evangelicals, little has been said about the power of evangelical publishing and the recent upsurge in evangelical fiction. In the last 20 years, evangelical publishing has grown into a multimillion dollar business, and evangelical fiction offers valuable information about the Protestant evangelical experience. This book argues that the authors and publishers of evangelical fiction are purposeful gatekeepers who create specific images of an evangelical universe. Characters and plots of evangelical literature not only embody a religious perspective but also advocate appropriate behaviors and solutions to problems. This study brings together research in the history of Protestant evangelicalism, the sociology of religion, and literary studies to explore how evangelical novels can serve as cultural artifacts of the evangelical community in contemporary American society. The volume consists of two distinct but interrelated parts. The first part of the book overviews the history of evangelical religion and the publishing of fiction. The chapters in this section trace the ways in which religious publishing has influenced the publishing industry in general and the importance of publishing to evangelicalism. The second part in based on the review and analysis of 60 inspirational novels published between 1972 and 1994 by 13 evangelical publishers. Two chapters examine the development of specific genre and plot adaptations. To identify the range of attitudes and images expressed in this fiction, each of the 60 novels is examined for its handling of theology, practical religion, and social issues. Appendices list the novels within particular genres and trace the chronological development of evangelical publishing, and a bibliography concludes the volume.

The various theme discussed in the publication provide an insight into various topics, which form part of the syllabi of various professional courses in book publishing, printing, and mass communication, journalism, etc.

This volume presents a comparative framework in which to study the history of publishing and reading in Europe and North America during the eighteenth century. The chapters are written by leading French and American specialists in publishing during the pre-revolutionary and revolutionary eras. The book synthesizes current knowledge in the field and advances scholarship, particularly with respect to copyright legislation. It skillfully integrates the history of publishing during this period with the larger field of eighteenth-century intellectual and cultural history. The chapters are grouped in four sections devoted to publishing as a profession, publishing and the law, readership, and the collection and use of materials. Each broad area is addressed by both specialists from France and America to create a comparative context. The chapters address more particular topics from the perspectives of social, economic, and cultural history; literary criticism; law; and library history. The comparative framework yields new insights into the political cultures of eighteenth-century France and America and into the relationship of print media and political culture.