BLAST at 100 makes an original contribution to the understanding of a major modernist magazine. Providing new critical readings that consider the magazine's influence within contexts that have not been acknowledged before - in the development of Irish and Spanish literature and culture in the twentieth century, for example, as well as in the areas of cultural studies, performance studies and the scholarship of teaching and learning - BLAST at 100 reconsiders the magazine's complex legacy. In addition to situating the magazine in new and often unexpected contexts, BLAST at 100 also offers important new insights into the work of some of its most significant contributors, including Wyndham Lewis, Ezra Pound, and Rebecca West. Contributors are: Philip Coleman, Simon Cutts, Andrzej Gasiorek, Angela Griffith, Nicholas E. Johnson, Kathryn Laing, Christopher Lewis, J.C.C. Mays, Kathryn Milligan, Yolanda Morato, Nathan O'Donnell, Alex Runchman, Colm Summers, Tom Walker

Percival Phillips was born in 1877. He began writing for newspapers at the age of sixteen with articles about coal miners rioting in Southwestern Pennsylvania. At the age of nineteen he began pursuing a dream of being a war correspondent with coverage of the Greco-Turkish war and later the war in Cuba. He next moved to London, England and worked for the Daily Express covering wars in Japan and Russia, Tripoli and the Balkans. Although an American the British government selected him to be one of five correspondents to cover the British portion of the Western Front during the World War I, as well as to cover the troubles in Ireland. After the war he was knighted by King George for these services. He next moved to the Daily Mail where he continued covering conflicts in Russia, China, and India, as well as problems in Iraq, the rise of Mussolini in Italy and Gandhi's activities in India. In 1935 he joined the Daily Telegraph and later covered a revolution in Greece and the Italian invasion of Ethiopia. His final war was the Spanish Civil War during which he died in 1937.

South Asian Writers in Twentieth-Century Britain is the first book to provide a historical account of the publication and reception of South Asian anglophone writing from the 1930s to the present, based on original archival research drawn from a range of publishing houses. This comparison of succeeding generations of writers who emigrated to, or were born in, Britain examines how the experience of migrancy, the attitudes towards migrant writers in the literary market place, and the critical reception of them, changed significantly throughout the twentieth century. Ranasinha shows how the aesthetic, cultural, and political context changed significantly for each generation, producing radically different kinds of writing and transforming the role of the postcolonial writer of South Asian origin.
The extensive use of original materials from publishers' archives shows how shifting political, academic, and commercial agendas in Britain and North America influenced the selection, content, presentation, and consumption of many of these texts. The differences between writers of different generations can thus in part be understood in terms of the different demands of their publishers and expectations of readers in each decade. Writers from different generations are paired accordingly in each chapter: Nirad Chaudhuri (1897-1999) with Tambimuttu (1915-83); Ambalavener Sivanandan (born 1923) with Kamala Markandaya (born 1924); Salman Rushdie (born 1947) with Farrukh Dhondy (born 1944); and Hanif Kureishi (born 1954) with Meera Syal (born 1963). Raja Rao, Mulk Raj Anand, Attia Hosain, V.S Naipaul, and Aubrey Menen are also discussed.

The third volume in The History of Journalism series, this work provides an overview of the period from 1833 to 1865 when major journalistic forces evolved within professional circles, reform movements, Southern nationalism, ethnic, religious and racial minorities. The transition from partisan press to commercial journalism, it is argued, was a gradual process that covered the entire popular press era from the founding of the penny newspapers in 1833 through the end of the Civil War in 1865. Newspapers reflected a diverse, multicultural society and numerous reform and partisan groups during the antebellum era. Civil War correspondents created a new power base, the reporter in the field, by occassionally sending reports independent from the views of their commanding officers and employing editors. The relationship between newspapers and the government and political parties remained a complex one, especially during the war when reporters demonstrated their independence if not their objectivity.

Scholars and researchers of journalism history and of the American Civil war will appreciate this synthesis of journalism history during an important period in American history. Among the subjects covered are the New York newspaper wars, specialized publications, alternative newspapers, Western newspaper wars, reporters, officers, and soldiers in the field, and reflections on the popular press. A complete list of sources follows a bibliographical overview.

Wendy Welch and her husband had always dreamed of owning a bookstore, so when they left high-octane jobs for a simpler life in an Appalachian coal town, they seized an unexpected opportunity to pursue their dream. The only problems? A declining U.S. economy, a small town with no industry, and the advent of the e-book. They also had no idea how to run a bookstore. Against all odds, but with optimism, the help of their Virginia mountain community, and an abiding love for books, they succeeded in establishing more than a thriving business - they built a community.

While studies have been done on the politics, personalities, and television empires of Protestant evangelicals, little has been said about the power of evangelical publishing and the recent upsurge in evangelical fiction. In the last 20 years, evangelical publishing has grown into a multimillion dollar business, and evangelical fiction offers valuable information about the Protestant evangelical experience. This book argues that the authors and publishers of evangelical fiction are purposeful gatekeepers who create specific images of an evangelical universe. Characters and plots of evangelical literature not only embody a religious perspective but also advocate appropriate behaviors and solutions to problems. This study brings together research in the history of Protestant evangelicalism, the sociology of religion, and literary studies to explore how evangelical novels can serve as cultural artifacts of the evangelical community in contemporary American society. The volume consists of two distinct but interrelated parts. The first part of the book overviews the history of evangelical religion and the publishing of fiction. The chapters in this section trace the ways in which religious publishing has influenced the publishing industry in general and the importance of publishing to evangelicalism. The second part in based on the review and analysis of 60 inspirational novels published between 1972 and 1994 by 13 evangelical publishers. Two chapters examine the development of specific genre and plot adaptations. To identify the range of attitudes and images expressed in this fiction, each of the 60 novels is examined for its handling of theology, practical religion, and social issues. Appendices list the novels within particular genres and trace the chronological development of evangelical publishing, and a bibliography concludes the volume.

The various theme discussed in the publication provide an insight into various topics, which form part of the syllabi of various professional courses in book publishing, printing, and mass communication, journalism, etc.

This volume presents a comparative framework in which to study the history of publishing and reading in Europe and North America during the eighteenth century. The chapters are written by leading French and American specialists in publishing during the pre-revolutionary and revolutionary eras. The book synthesizes current knowledge in the field and advances scholarship, particularly with respect to copyright legislation. It skillfully integrates the history of publishing during this period with the larger field of eighteenth-century intellectual and cultural history. The chapters are grouped in four sections devoted to publishing as a profession, publishing and the law, readership, and the collection and use of materials. Each broad area is addressed by both specialists from France and America to create a comparative context. The chapters address more particular topics from the perspectives of social, economic, and cultural history; literary criticism; law; and library history. The comparative framework yields new insights into the political cultures of eighteenth-century France and America and into the relationship of print media and political culture.

During the seventeenth and eighteenth centuries the Dutch Republic performed a crucial function as the cultural and intellectual clearinghouse of Europe. It was partly through the existence of a well-established and highly competitive publishing industry and book trade that the Dutch were able to play such a prominent role in the international transmission of knowledge and ideas.
Yet our understanding of the Dutch involvement in the European book trade still is limited and important questions remain to be answered. How was Dutch publishing and bookselling for the international market organised? What was the nature of the books that were exchanged?
In order to stimulate research in this field an international colloquium was held in 1990 at the Netherlands Institute for Advanced Study in the Humanities and Social Sciences (NIAS), under the title "'Le Magasin de l'Univers.' The Dutch Republic as the Centre of the European Book Trade." This volume brings together the twenty-two contributions presented at the conference by historians of the book from England, France, Switzerland, the United States, Germany, and the Netherlands.

The professionalization of business, a relatively recent phenomenon, predicated on and defined by the formal study of a recognized body of knowledge about that profession rather than through apprenticeship and experience, has had a direct impact on the publication of business information in the United States. William Fisher's Business Journals of the United States surveys more than 100 business serials in separate profiles that, taken as a whole, provide a history of this type of publishing in the United States. The titles included here represent three types of publishers of business information: business schools or university presses and professional associations or societies, both categories basically products of the twentieth century; and commercial publications of both the nineteenth and twentieth centuries. Most of the titles are relatively new, having been in print for less than fifty years and most are still being published. Selected from the more than 7,800 available business titles, these journals, both popular and scholarly, depict a variety of publishers as well as the broad range of interests that make up the business community. Not included are business newsletters and house organs or company publications that will be treated in a forthcoming volume in the series. Each entry is divided into two parts. First, a contributed essay highlights the development of the title and puts it into the context of business/management publishing. Factual data about the publisher's history, sources, where the contents of a title are indexed, and where appropriate, a bibliography of sources used by the contributors in preparing their essays, comprises the second part. The information, current as of January 1990, has been verified to the extent possible by both contributors and the editor. This survey of the development of a business press in the United States will provide students and scholars of business, business history, and business journalism an introduction to the variety of serial literature relating to business available in the field.

Romance novels have attracted considerable attention since their mass market debut in 1939, yet seldom has the industry itself been analyzed. Founded in 1949, Harlequin quickly gained market domination with their contemporary romances. Other publishers countered with historical romances, leading to the rise of ""bodice-ripper"" romances in the 1970s. The liberation of the romance novel's content during the 1980s brought a vitality to the market that was dubbed a revolution, but the real romance revolution began in the 1990s with developments in the mainstream publishing industry and continues today. This book traces the history and evolution of the romance industry, covering successful (and not so successful) trends and describing changes in romance publishing that paved the way for the many popular subgenres flooding the market in the 21st century.

International Exchange in the Early Modern Book World presents new research on several aspects of the movement and exchange of books between countries, languages and confessions. It considers elements of the international book trade, the circulation and collection of texts, the practice of translation and the diffusion and exchange of technical and cultural knowledge. Commercial and logistical aspects of the early modern book trade are considered, as are the relationships between local markets and the internationally-minded firms which sought to meet their expectations. The barriers to the movement of books across borders - political, linguistic, confessional, cultural - are explored, as are the means by which these barriers were surmounted.

This study throws light for the first time on a neglected but very important aspect of Jewish life in the Third Reich, the Jewish press. This term does not refer to the significant number of Jews involved in the German media up to the Second World War but to the 65 newspapers and magazines published by 53 publishing houses with a specific German-Jewish readership in mind. These publications appeared until the end of 1938 and allow a valuable insight into the situation of the German Jews under the Nazi regime. They movingly document the efforts of the Jews to cope with the increasing precariousness of their existence in Germany and to find solutions to the growing problems of survival.