Percival Phillips was born in 1877. He began writing for newspapers at the age of sixteen with articles about coal miners rioting in Southwestern Pennsylvania. At the age of nineteen he began pursuing a dream of being a war correspondent with coverage of the Greco-Turkish war and later the war in Cuba. He next moved to London, England and worked for the Daily Express covering wars in Japan and Russia, Tripoli and the Balkans. Although an American the British government selected him to be one of five correspondents to cover the British portion of the Western Front during the World War I, as well as to cover the troubles in Ireland. After the war he was knighted by King George for these services. He next moved to the Daily Mail where he continued covering conflicts in Russia, China, and India, as well as problems in Iraq, the rise of Mussolini in Italy and Gandhi's activities in India. In 1935 he joined the Daily Telegraph and later covered a revolution in Greece and the Italian invasion of Ethiopia. His final war was the Spanish Civil War during which he died in 1937.

Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, The Preface: American Authorship in the Twentieth Century examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal's approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.

Wendy Welch and her husband had always dreamed of owning a bookstore, so when they left high-octane jobs for a simpler life in an Appalachian coal town, they seized an unexpected opportunity to pursue their dream. The only problems? A declining U.S. economy, a small town with no industry, and the advent of the e-book. They also had no idea how to run a bookstore. Against all odds, but with optimism, the help of their Virginia mountain community, and an abiding love for books, they succeeded in establishing more than a thriving business - they built a community.

RagTime 5.6 f r Windows und MacOS eignet sich besonders zur Erstellung von Expos s, Gesch ftsberichten, Auswertungen, Pr sentationen, Katalogen und Periodika. Diese vielf ltige Verwendbarkeit ergibt sich aus den Layoutm glichkeiten und den integrierten Office-Funktionalit ten der Software wie Tabellenkalkulation, Textverarbeitung, Grafik- und Zeichenwerkzeuge, zahlreicher Import- und Exportoptionen, sowie professionellem Farbmanagement nach ICC-Standard (kommerzielle Version) und Funktionserweiterungen durch Zusatzmodule. Mit zahlreichen Projektbeispielen aus den benannten Anwendungen gibt das vorliegende Arbeitsbuch nach einer konzisen Einf hrung in Konzept und Bedienung von RagTime wertvolle Tipps, Tricks und Techniken f r Novizen und bereits erfahrene Anwender. Die beiliegende Hybrid-CD-ROM f r MacOS und Windows enth lt die Vollversion von RagTime 5.6.1 privat, n tzliche Tools, Informationen und Autorenbeispiele.

The third volume in The History of Journalism series, this work provides an overview of the period from 1833 to 1865 when major journalistic forces evolved within professional circles, reform movements, Southern nationalism, ethnic, religious and racial minorities. The transition from partisan press to commercial journalism, it is argued, was a gradual process that covered the entire popular press era from the founding of the penny newspapers in 1833 through the end of the Civil War in 1865. Newspapers reflected a diverse, multicultural society and numerous reform and partisan groups during the antebellum era. Civil War correspondents created a new power base, the reporter in the field, by occassionally sending reports independent from the views of their commanding officers and employing editors. The relationship between newspapers and the government and political parties remained a complex one, especially during the war when reporters demonstrated their independence if not their objectivity.

Scholars and researchers of journalism history and of the American Civil war will appreciate this synthesis of journalism history during an important period in American history. Among the subjects covered are the New York newspaper wars, specialized publications, alternative newspapers, Western newspaper wars, reporters, officers, and soldiers in the field, and reflections on the popular press. A complete list of sources follows a bibliographical overview.

South Asian Writers in Twentieth-Century Britain is the first book to provide a historical account of the publication and reception of South Asian anglophone writing from the 1930s to the present, based on original archival research drawn from a range of publishing houses. This comparison of succeeding generations of writers who emigrated to, or were born in, Britain examines how the experience of migrancy, the attitudes towards migrant writers in the literary market place, and the critical reception of them, changed significantly throughout the twentieth century. Ranasinha shows how the aesthetic, cultural, and political context changed significantly for each generation, producing radically different kinds of writing and transforming the role of the postcolonial writer of South Asian origin.
The extensive use of original materials from publishers' archives shows how shifting political, academic, and commercial agendas in Britain and North America influenced the selection, content, presentation, and consumption of many of these texts. The differences between writers of different generations can thus in part be understood in terms of the different demands of their publishers and expectations of readers in each decade. Writers from different generations are paired accordingly in each chapter: Nirad Chaudhuri (1897-1999) with Tambimuttu (1915-83); Ambalavener Sivanandan (born 1923) with Kamala Markandaya (born 1924); Salman Rushdie (born 1947) with Farrukh Dhondy (born 1944); and Hanif Kureishi (born 1954) with Meera Syal (born 1963). Raja Rao, Mulk Raj Anand, Attia Hosain, V.S Naipaul, and Aubrey Menen are also discussed.

This volume offers a new understanding of the role of the media in the Portuguese Empire, shedding light on the interactions between communications, policy, economics, society, culture, and national identities. Based on an interdisciplinary approach, this book comprises studies in journalism, communication, history, literature, sociology, and anthropology, focusing on such diverse subjects as the expansion of the printing press, the development of newspapers and radio, state propaganda in the metropolitan Portugal and the colonies, censorship, and the uses of media by opposition groups. It encourages an understanding of the articulations and tensions between the different groups that participated, willingly or not, in the establishment, maintenance and overthrow of the Portuguese Empire in Angola, Mozambique, Sao Tome e Principe, Cape Verde, Guinea-Bissau, India, and East Timor.

While studies have been done on the politics, personalities, and television empires of Protestant evangelicals, little has been said about the power of evangelical publishing and the recent upsurge in evangelical fiction. In the last 20 years, evangelical publishing has grown into a multimillion dollar business, and evangelical fiction offers valuable information about the Protestant evangelical experience. This book argues that the authors and publishers of evangelical fiction are purposeful gatekeepers who create specific images of an evangelical universe. Characters and plots of evangelical literature not only embody a religious perspective but also advocate appropriate behaviors and solutions to problems. This study brings together research in the history of Protestant evangelicalism, the sociology of religion, and literary studies to explore how evangelical novels can serve as cultural artifacts of the evangelical community in contemporary American society. The volume consists of two distinct but interrelated parts. The first part of the book overviews the history of evangelical religion and the publishing of fiction. The chapters in this section trace the ways in which religious publishing has influenced the publishing industry in general and the importance of publishing to evangelicalism. The second part in based on the review and analysis of 60 inspirational novels published between 1972 and 1994 by 13 evangelical publishers. Two chapters examine the development of specific genre and plot adaptations. To identify the range of attitudes and images expressed in this fiction, each of the 60 novels is examined for its handling of theology, practical religion, and social issues. Appendices list the novels within particular genres and trace the chronological development of evangelical publishing, and a bibliography concludes the volume.

This book includes a selection of peer-reviewed papers presented at the 10th China Academic Conference on Printing and Packaging, which was held in Xi'an, China, on November 14-17, 2019. The conference was jointly organized by the China Academy of Printing Technology, Beijing Institute of Graphic Communication, and Shaanxi University of Science and Technology. With 9 keynote talks and 118 papers on graphic communication and packaging technologies, the conference attracted more than 300 scientists. The proceedings cover the latest findings in a broad range of areas, including color science and technology, image processing technology, digital media technology, mechanical and electronic engineering, Information Engineering and Artificial Intelligence Technology, materials and detection, digital process management technology in printing and packaging, and other technologies. As such, the book appeals to university researchers, R&D engineers and graduate students in the graphic arts, packaging, color science, image science, material science, computer science, digital media, and network technology.

The various theme discussed in the publication provide an insight into various topics, which form part of the syllabi of various professional courses in book publishing, printing, and mass communication, journalism, etc.

This volume presents a comparative framework in which to study the history of publishing and reading in Europe and North America during the eighteenth century. The chapters are written by leading French and American specialists in publishing during the pre-revolutionary and revolutionary eras. The book synthesizes current knowledge in the field and advances scholarship, particularly with respect to copyright legislation. It skillfully integrates the history of publishing during this period with the larger field of eighteenth-century intellectual and cultural history. The chapters are grouped in four sections devoted to publishing as a profession, publishing and the law, readership, and the collection and use of materials. Each broad area is addressed by both specialists from France and America to create a comparative context. The chapters address more particular topics from the perspectives of social, economic, and cultural history; literary criticism; law; and library history. The comparative framework yields new insights into the political cultures of eighteenth-century France and America and into the relationship of print media and political culture.

The European Agreement Concerning the International Carriage of Dangerous Goods by Road is intended to increase the safety of international transport of dangerous goods by road. Regularly amended and updated since its entry into force, it contains the conditions under which dangerous goods may be carried internationally. This version has been prepared on the basis of amendments applicable as from 1 January 2015. It contains in particular new or revised provisions concerning transport of adsorbed gases; lithium batteries (including damaged or defective lithium batteries, lithium batteries for disposal or recycling); asymmetric capacitors; discarded packagings; ammonium nitrate and radioactive material; testing of gas cartridges and fuel cell cartridges; marking of bundles of cylinders; and the applicability of ISO standards to the manufacture of new pressure receptacles or service equipment.

This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis - a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.

This book offers helpful insight and advice on how doctoral students and junior faculty can succeed as an entrepreneurship scholar. It invites them to think entrepreneurially to identify research opportunities, manage the publication process, achieve excellence in the classroom, secure a faculty position, and build a research record worthy of promotion and tenure. Drawing from his experience as a research scholar, editor, review board member, mentor, and reviewer of many promotion and tenure cases, author Dean Shepherd offers strategies and other pieces of advice for navigating the obstacles that can prevent a successful scholarly career. This book provides an overview and roadmap to help entrepreneurship scholars achieve success, and stimulates thought and discussion for doctoral students and junior and senior faculty to consider as they look to develop the next generation in academia.

The professionalization of business, a relatively recent phenomenon, predicated on and defined by the formal study of a recognized body of knowledge about that profession rather than through apprenticeship and experience, has had a direct impact on the publication of business information in the United States. William Fisher's Business Journals of the United States surveys more than 100 business serials in separate profiles that, taken as a whole, provide a history of this type of publishing in the United States. The titles included here represent three types of publishers of business information: business schools or university presses and professional associations or societies, both categories basically products of the twentieth century; and commercial publications of both the nineteenth and twentieth centuries. Most of the titles are relatively new, having been in print for less than fifty years and most are still being published. Selected from the more than 7,800 available business titles, these journals, both popular and scholarly, depict a variety of publishers as well as the broad range of interests that make up the business community. Not included are business newsletters and house organs or company publications that will be treated in a forthcoming volume in the series. Each entry is divided into two parts. First, a contributed essay highlights the development of the title and puts it into the context of business/management publishing. Factual data about the publisher's history, sources, where the contents of a title are indexed, and where appropriate, a bibliography of sources used by the contributors in preparing their essays, comprises the second part. The information, current as of January 1990, has been verified to the extent possible by both contributors and the editor. This survey of the development of a business press in the United States will provide students and scholars of business, business history, and business journalism an introduction to the variety of serial literature relating to business available in the field.