The Bank of England issued its first banknote in 1694, and since that date its constant concern has been to improve the quality of its notes and to combat forgers. This scholarly book, originally published in 1953 as the first on the subject, surveys the history of English banknote production. It will be of value to historians, economists and economic historians, but the reader without specialist knowledge will be equally interested in the history of an essential part of everyday life. The sixteen illustrations show some early note-printing machines and banknote designs over three centuries.

Talking about Journalism focuses on the relationship between journalism and the public and engages with this as a specific boundary-pushing relationship, where the ways we think about journalism are constantly being defined and re-defined through the ways we publicly discuss what journalism is, and what it does. It focuses, conceptually, on journalistic metadiscourse. These discourses of ‘journalists talking about journalism’ within news content serve as a way of publicly constructing meaning about journalism in our societies, what it should do, and how it corrects itself when it goes astray. The statement of purpose for this book will outline how thinking about metadiscourses allows us to see journalism being defined ‘in the open’, through the ways journalists and members of the public talk about journalism, and how this has developed over time. However, it does so in a way that reconsiders the parameters of this conversation. Where previously this was a discourse found in newspaper media columns, trade magazines, and similar spaces, it is now pervasive online, within digital alternative media, and in (hyper)active audience forums and comment sections. These expand our opportunities for understanding how journalism is being defined in the spaces where it is talked about, and for seeing the relationship between journalism, the public, and various counter-publics play out. This title explores new frontiers in terms of where and how journalism is being defined and redefined, not only by journalists but by the public as well. It does so while bringing forward theories of publics and counterpublics for our digital age.

This book includes a selection of reviewed papers presented at the 9th China Academic Conference on Printing and Packaging, which was held in November 2018 in Shandong, China. The conference was jointly organized by the China Academy of Printing Technology and Qilu University of Technology (Shandong Academy of Sciences). With 8 keynote talks and over 200 presented papers on graphic communication and packaging technologies, the conference attracted more than 300 scientists.The proceedings cover the recent findings in color science and technology, image processing technology, digital media technology, mechanical engineering and numerical control, materials and detection, digital process management technology in printing and packaging, and other technologies. As such, the book is of interest to university researchers, R&D engineers and graduate students in the field of graphic arts, packaging, color science, image science, material science, computer science, digital media, and network technology.

This book reflects recent scholarly and theoretical developments in media studies, or Medienwissenschaft. It focuses on linkages between North America and German-speaking Europe, and brings together and contextualizes contributions from a range of leading scholars. In addition to introducing English-language readers to some of the most prominent contemporary German media theorists and philosophers, including Claus Pias, Sybille Kramer and Rainer Leschke, the book shows how foundational North American contributions are themselves inspired and informed by continental sources. This book takes Harold Innis or Marshall McLuhan (and other members of the "Toronto School") as central points of reference, and traces prospective and retrospective lines of influence in a cultural geography that is increasingly global in its scope. In so doing, the book also represents a new episode in the international reception and reinterpretation of the work of Innis and McLuhan, the two founders of the theory and study of media.

Is a facsimile an edition? In answering this question in relation to Shakespeare, and to early modern writing in general, the author explores the interrelationship between the beginning of the conventional process of collecting and editing Shakespeare's plays and the increasing sophistication of facsimiles. While recent scholarship has offered a detailed account of how Shakespeare was edited in the eighteenth century, the parallel process of the 'exact' reproduction of his texts has been largely ignored. The author will explain how facsimiles moved during the eighteenth and nineteenth century from hand drawn, traced, and type facsimiles to the advent of photographical facsimiles in the mid nineteenth century. Facsimiles can be seen as a barometer of the reverence accorded to the idea of an authentic Shakespeare text, and also of the desire to possess, if not original texts, then reproductions of them.

This book explores the measures taken by the newly re-installed monarchy and its supporters to address the drastic events of the previous two decades. Profoundly preoccupied with - and, indeed, anxious about - the uses and representations of the nation's recent troubled past, the returning royalist regime heavily relied upon the dissemination, in popular print, of prescribed varieties of remembering and forgetting in order to actively shape the manner in which the Civil Wars, the Regicide, and the Interregnum were to be embedded in the nation's collective memory. This study rests on a broad foundation of documentary evidence drawn from hundreds of widely distributed and affordable pamphlets and broadsheets that were intended to shape popular memories, and interpretations, of recent events. It thus makes a substantial original contribution to the fields of early modern memory studies and the history of the English Civil Wars and early Restoration.

Despite the displacement of countless authors, frequent bans of specific titles, and high-profile book burnings, the German book industry boomed during the Nazi period. Notwithstanding the millions of copies of Mein Kampf that were sold, the era's most popular books were diverse and often surprising in retrospect, despite an oppressive ideological and cultural climate: Huxley's Brave New World was widely read in the 1930s, while Saint-Exupery's Wind, Sand and Stars was a great success during the war years. Bestsellers of the Third Reich surveys this motley collection of books, along with the circumstances of their publication, to provide an innovative new window into the history of Nazi Germany.

This short history of paper-making is based on lectures delivered at the London Institute, and was first published in book form in 1855. The young Richard Herring (b. 1829) covers a great deal of ground in just three chapters. His book begins with the origins of writing itself, the first materials upon which people wrote, and the mastery of Egyptian papyrus. He then describes more recent developments such as the paper-making techniques developed in the eighteenth century by James Whatman, watermarks, and an especially captivating section on how the close analysis of paper was used to expose an Irish forgery of Shakespearean manuscripts. The introduction by the Reverend George Croly stresses the importance of paper-making and printing to Christian history. Herring writes enthusiastically, punctuating his account with anecdotes, and patriotically emphasises the unrivalled brilliance of printing in England.

First published in 1897, this is one of many books written by the technical journalist John Southward (1840 1902), one of the most prolific writers on printing in the nineteenth century. As the title indicates, Southward is primarily concerned with the development and progress of printing. Here he takes a thoroughly practical approach, surveying the different methods of printing and considering the improvements made in printing advertisements, books and newspapers, as well as to the different stages of the printing process itself. Southward's prose is clear and precise, and his style changes seamlessly from a narrative account of printing history to more instructional descriptions of printing methods. The book contains numerous illustrations and diagrams, and the pages are all lavishly decorated. This is a beautiful book, a thoroughly comprehensive account of the history and processes of printing from one of the leading nineteenth-century authorities on the subject.

Henry Curwen (1845 1892) was a journalist and author who became editor of the Times of India. First published in 1874, A History of Booksellers aimed at providing an informative but entertaining picture of British bookselling and publishing, by means of 'biographies' of the major publishing houses and their output. He begins with a general survey of publishing and bookselling from Roman times to the nineteenth century, including a discussion of copyright legislation. It is clear that by 1800 the demand for books was considerable and growing: Alexander Donaldson, who specialised in cheap reprints of popular works, though repeatedly sued over copyright by other publishers, died in 1794 a very rich man. Many of the firms Curwen discusses are still well-known names, such as Longmans, Chambers, Butterworths and W. H. Smith. He concludes with anecdotes on some of the better known representatives of the provincial book trade.

So you’ve always dreamed of a career in publishing… but you don’t know where to start or how? You’re holding the key in your hands! Using insider information, How to Get A Job in Publishing is the newly revised edition of the classic text for you if you are keen to work in publishing or associated industries – or if you are already in publishing and want to go further. Packed with real-life quotes, case studies and practical advice from publishing veterans, and more recent arrivals, the authors differentiate types of publishing and explain how roles and departments work together. They discuss the pros and cons of internships and further study as well as training and lifelong learning, working internationally, networking and building your personal brand. The book includes vital guidelines for applying for publishing roles, including sample CVs and cover letters and a glossary of industry terms, to make sure you stand out from the crowd when you apply for jobs. This thoroughly updated edition covers: The post-pandemic publishing world, changes and current controversies, the rise of e-books, Amazon, self-publishing and indie publishing The growth in tertiary courses in Publishing Studies and internships – are they really the best way in? How to create your CV and a compelling cover letter that gets you noticed A new chapter addresses equity, diversity, inclusion and belonging, reflecting on the current state of the publishing industry, how to evaluate potential employers and how to look after yourself and others at work. Whether you are a new or soon-to-be graduate of Media and Publishing, or are just interested in a career in publishing or the creative industries, How to Get A Job in Publishing is an essential resource.

First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776-1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 2 begins with Dibdin's experiences at Althorp, describing how the rich library there was thrown open to him. He then continues his detailed discussion of his publications, and focuses on his life in London, before the final chapter turns to private libraries and their importance in his life. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

Journalism in the Civil War Era presents the historical context of Civil War journalism-placing the press of the era within the entire nineteenth century. It gives a broad account of journalism in the Civil War, reflecting on the political, military, legal, and journalistic issues involved in this era. It is written with chapters that examine these various facets of the journalism of the period, but they are connected by the theme of the development of the wartime press, with an emphasis on the professional, political, social, economic, legal, and military factors that affected it. It provides: An in-depth look at the political press in the 1850s and 1860s, and how it played a major role in the nation's understanding of the conflict; Technology's role in carrying information in a timely fashion; The development of journalism as a profession; The international context of Civil War journalism; The leadership journalists displayed, including Horace Greeley and his New York Tribune bully pulpit; The nature of journalism during the war; The way freedom of the press was advanced by polarizing political extremes. The work is historical, written in an engaging style, and meant to encourage readers to explore and analyze the value of freedom of the press during that very time when it most comes under fire-wartime. "Bulla and Borchard's analysis of newspapers during the Civil War era shows that this was a transformative time for the press and a perilous time for the relationship between government and the press. The authors argue effectively that 'the media that emerged [from the first Modern War] laid the foundation for modern news."-David B. Sachsman, West Chair of Excellence and Director of the Symposium on the Nineteenth Century Press, the Civil War, and Free Expression, University of Tennessee at Chattanooga "Bulla and Borchard have produced what has been long needed in the study of U.S. Civil War journalism: a social and cultural history of the American press that goes beyond anecdotal accounts of war news. They explore the nature of the Civil War-era press itself in all its strengths and weaknesses, ranging from political and economic grandstanding and over-the-top verbal grandiloquence to the sheer bravery and determination of a number of editors, publishers, and journalists who viewed their tasks as interpreters and informers of the day's news. Using a mix of carefully selected case studies as well as an extensive study of newspapers both large and small, this highly readable work places the Civil War press squarely where it belongs-as a part of the larger social and cultural experience of mid-nineteenth century America."-Mary M. Cronin, Department of Journalism, New Mexico State University "The study of Civil War journalism has traditionally been treated as a facet of the history of war correspondence, but war reporting does not exist in a vacuum, as David Bulla and Gregory Borchard skillfully show readers in their latest edition of Journalism in the Civil War Era. This new edition freshens the book's original version by expanding on their insightful examination of the way the American Civil War ushered in the greater reliance on the information model of journalism, which would exist side-by-side with the existing partisan model. Few scholars have attempted the sort of holistic study that examines not only the nature of Civil War journalism but, more significantly, the symbiotic relationship between the press and its culture. Bulla and Borchard have done the hard work of digging out the necessary evidence to paint a full-color portrait of journalism during America's bloodiest conflict."-Debbie van Tuyll, Professor Emerita, Department of Communications, Augusta University

Many writers dream of having their work published by a respected publishing house, but don't always understand publishing contract terms - what they mean for the contracting parties and how they inform book-publishing practice. In turn, publishers struggle to satisfy authors' creative expectations against the industry's commercial demands. This book challenges our perceptions of these author-publisher power imbalances by recasting the publishing contract as a cultural artefact capable of adapting to the industry's changing landscape. Based on a three-year study of publishing negotiations, Katherine Day reveals how relational contract theory provides possibilities for future negotiations in what she describes as a 'post negotiation space'. Drawing on the disciplines of cultural studies, law, publishing studies and cultural sociology, this book reveals a unique perspective from publishing professionals and authors within the post negotiation space, presenting the editor as a fundamental agent in the formation and application of publishing's contractual terms.

Originally published in 1892, this volume provides a general account of the various aspects of manuscript illumination from Classical times to the sixteenth century, when the invention of printing gradually began to put an end to the use of manuscripts. The text contains a historical sketch of the growth and development of various styles of manuscript illumination and the chief technical procedures involved, such as the highly labour-intensive process of applying gold leaf. Numerous illustrative examples are also provided. This is a beautifully presented book that will be of value to anyone with an interest in manuscripts and the history of art.

Originally published in 1950, and based on lectures given by the author at Harvard University in 1947, this volume provides a historical study of the book in its relationship with the dissemination of new artistic ideas during the Renaissance. The text is divided into three sections, each relating to a different area of book production: the first relates to type; the second to illustration; the third to ornament. This is a beautifully presented volume, containing a large number of illustrative examples, that will be of value to anyone with an interest in bibliography and the development of Renaissance thought.

SHORTLISTED FOR THE BOOKS ARE MY BAG READERS AWARDS! We lead increasingly time-poor lifestyles, bombarded 24/7 by petrifying news bulletins, internet trolls and endless noises. Where has the joy and relaxation gone from our daily lives? Scribbles in the Margins offers a glorious antidote to that relentless modern-day information churn. It is here to remind you that books and bookshops can still sing to your heart. Warm, heartfelt and witty, here are fifty short essays of prose poetry dedicated to the simple joy to be found in reading and the rituals around it. These are not wallowing nostalgia; they are things that remain pleasurable and right, that warm our hearts and connect us to books, to reading and to other readers: smells of books, old or new; losing an afternoon organising bookshelves; libraries; watching a child learn to read; reading in bed; impromptu bookmarks; visiting someone's home and inspecting the bookshelves; stains and other reminders of where and when you read a book. An attempt to fondly weigh up what makes a book so much more than paper and ink - and reading so much more than a hobby, a way of passing time or a learning process - these declarations of love demonstrate what books and reading mean to us as individuals, and the cherished part they play in our lives, from the vivid greens and purples of childhood books to the dusty comfort novels we turn to in times of adult flux. Scribbles in the Margins is a love-letter to books and bookshops, rejoicing in the many universal and sometimes odd little ways that reading and the rituals around reading make us happy.

Frank McClean (1837-1904) was not only an astronomer and pioneer of objective prism spectrography, but also an accomplished and systematic collector of art, books and manuscripts. McClean's collections, which were left to the Fitzwilliam Museum, Cambridge, on his death, were at that time the most notable bequest since the Museum's foundation. The fifteenth- and sixteenth-century printed books in his bequest, most of them produced in continental Europe, are described here in detail, with bibliographical descriptions and information on their provenance. Illustrated books are listed separately. The author of the catalogue, Charles Edward Sayle (1864-1924) was an erudite and popular librarian whose career was devoted to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The first volume covers all books from 1475 1500, and books produced from 1501 to 1640 by the most important printers in London.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The second volume completes the coverage of London printers and lists books printed in other English cities, most notably Oxford, Cambridge and Norwich.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The third volume lists the early modern books held in the University Library printed in Scotland, Ireland, France, the Low Countries, and Germany.

An erudite and popular librarian, Charles Edward Sayle (1864-1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. This final volume indexes the books by author, printer, engraver, and place of printing, and includes a list of notable titles of particular artistic, musical or bibliographical interest.

An important figure in the establishment of free libraries in the United Kingdom, Edward Edwards (1812 1886) wrote this study, first published in 1869, as a handbook intended for promoters and managers of free town libraries. The book outlines the formation and workings of public libraries, beginning with British examples and proceeding to compare the British experience with libraries abroad, especially in America. Edwards presents strong evidence of the increasing number, and improving management, of libraries at this time, and also stresses the strikingly diverse circumstances under which libraries in the United Kingdom and abroad were established. The volume is an important historical document in library studies, and a testimony to Edwards' commitment and contribution to the free library movement which have been an inspiration to later generations of professional librarians.

Charles Hindley (d.1893) wrote several books on British popular literature including Curiosities of Street Literature and a history of the cries of London. This book, first published in a limited edition in 1869 but here reprinted from the 1886 edition, tells the colourful story of John (1769 1813) and James (1792 1842) Catnach, the father-and-son printers who were leaders in the expanding market for cheap publications for the masses. John's contribution was to start using real paper and printer's ink instead of the cheap substitutes current at the time. He was also noted for embellishing his work with great technical skill. James later developed a successful business printing cheap song-sheets, ballads and sensationalist accounts of crimes, conspiracies and scandals, and was able to support his widowed mother and his sisters on the proceeds. This lively biography is illustrated with numerous woodcuts, many from Catnach's publications.

In this famous book, first published in 1832, Charles Babbage (1791 1871), the mathematician, philosopher, engineer and inventor who originated the concept of a programmable computer, surveys manufacturing practices and discusses the political, moral and economic factors affecting them. The book met with hostility from the publishing industry on account of Babbage's analysis of the manufacture and sale of books. Babbage describes the many different printing processes of the time, analyses the costs of book production and explains the publication process, before discussing the 'too large' profit margins of booksellers. Babbage succeeded in his aim 'to avoid all technical terms, and to describe in concise language', making this an eminently readable historical account. His analysis and promotion of mechanisation and efficient 'division of labour' (still known as the 'Babbage principle') continue to resonate strongly for modern industrial engineering.