Henry Curwen (1845 1892) was a journalist and author who became editor of the Times of India. First published in 1874, A History of Booksellers aimed at providing an informative but entertaining picture of British bookselling and publishing, by means of 'biographies' of the major publishing houses and their output. He begins with a general survey of publishing and bookselling from Roman times to the nineteenth century, including a discussion of copyright legislation. It is clear that by 1800 the demand for books was considerable and growing: Alexander Donaldson, who specialised in cheap reprints of popular works, though repeatedly sued over copyright by other publishers, died in 1794 a very rich man. Many of the firms Curwen discusses are still well-known names, such as Longmans, Chambers, Butterworths and W. H. Smith. He concludes with anecdotes on some of the better known representatives of the provincial book trade.

Henry Benjamin Wheatley (1838 1917) was a prolific writer on bibliography, literature and the arts. As founder of the Index Society, and editor of The Bibliographer, he was also involved in the foundation of the Library Association. In that context he wrote several works on library topics. How to Catalogue a Library (1889) was aimed at smaller library collections, as existing systems, such as the manuals of the British Museum library or the Library of Congress, were too elaborate for smaller collections. Wheatley begins by defining the differences between catalogues, indexes and bibliographies, and then compares the existing rules. He discusses the physical form of catalogues and lists the minimum requirements for the catalogue of a small library. He also discusses cataloguing manuscripts and cross-referencing, and provides a useful index of Latin place names. The book contains much on the theory of organisation of information still of relevance today.

John Andrews Annett was the pseudonym of John Hannett, a printer and a pioneer in the study of modern and historical bookbinding methods. Bibliopegia, or the Art of Bookbinding, first published in 1835 and enlarged the following year, was frequently republished and revised, and remains an important work on the subject. The author claims that it is the first practical manual on bookbinding to be published in England, derived from his own professional expertise and from recent French works on the topic. He explains every aspect of the process, from the folding of the sheets of paper and sewing, to the final finishing. He also discusses the various tools and machines in use, and provides a glossary of technical terms. This book is still a very valuable one for bookbinders and conservators, providing information on dyes and chemicals used in the 1830s as well as sewing and binding techniques.

Between 1815 and 1890, the German book market experienced phenomenal growth, driven by German publishers' dynamic entrepreneurial attitude towards developing and distributing books. Embracing aggressive marketing on a large scale, they developed a growing sense of what their markets wanted. This study, based almost entirely upon primary sources including over seventy years of trade newspapers, is an in depth account of how and why this market developed-decades before there was any written theory about marketing. This book is therefore about both marketing practice and marketing theory. It provides a uniquely well-researched account of how markets were developed in very sophisticated ways long before there was a formal discipline of marketing: for example, German publishers used segmentation at least 150 years before the first US articles on the subject appeared. Much of their experience was also shared by the UK and US book markets through international interactions between booksellers and other businessmen. All scholars of marketing will find this historical account a fascinating insight into markets and marketing, This will also be of interest to social historians, scholars of German history, book trade and book trade historians.

Arthur Le Blanc Newbery's family history, published in 1911, is meticulously researched and easy to read, consolidating a range of resources to provide a comprehensive history of the Newberys. Presented in timeline form using extracts from the various sources, it also includes biographies of members of the related Raikes, Le Blanc, and McClintock families. Central to the history is the life of John Newbery (1713-1767), a well-known publisher, most notably of children's books, and friend of Samuel Johnson and Oliver Goldsmith. His relationship with the two men is well documented, and the account is supplemented with extracts from their biographies. Other notable ancestors of Le Blanc Newbery whom he includes in this book are John's son and nephew, both called Francis, the latter of whom first published Goldsmith's The Vicar of Wakefield; and Admiral Sir Francis Leopold McClintock (1819-1907), the Arctic explorer.

In 1809, Thomas Frognall Dibdin (1776-1847) published the first edition of Bibliomania, focussing on the contemporary craze for book collecting. Introduced in English at the end of the eighteenth century, the term 'bibliomania' - or 'book-madness' - gained popularity with the publication of Dibdin's book, in which bibliophiles conduct dialogues on the nature and history of book collecting, and the symptoms of and possible remedies for this 'fatal disease'. Published in 1832 under the pseudonym Mercurius Rusticus, Bibliophobia is a short pamphlet, which presents itself as a letter to the author of Bibliomania. The narrator, a book-lover himself, goes on a 'bibliopolistic pilgrimage', only to find out that 'bibliomania is no more', and that 'books are only the shadow of what they were'. From book-lovers to collectors, and from booksellers to libraries, the narrator carries out his entertaining yet melancholic investigation all the way to the Bodleian Library.

'A passion for possessing books, not so much to be instructed by them, as to gratify the eye by looking on them': thus is described 'bibliomania' by one of the characters of Thomas Frognall Dibdin (1776 1847), in this humorous novel first published in 1809. Introduced in English at the end of the eighteenth century, the term 'bibliomania' - or 'book-madness' - gained popularity with the publication of Dibdin's eponymous work. Using the entirely revised 1811 edition, this reissue brings back to life Dibdin's bibliomaniac characters and their playful dialogues on the nature and history of book collecting, and, most importantly, on the dangers of the 'fatal disease' that is bibliomania, its strange manifestations - such as the 'vellum', 'first edition', and 'unique copies' symptoms - and its possible cure. The author of numerous bibliographical works, Dibdin provides erudite comments and clarifications to his characters' dialogues in a parallel narrative of footnotes.

Originally published in 1929, and based on The Sandars Lectures for 1927, this volume provides a historical study of English binding. The text is divided into two main sections: the first covers the period up until 1300; the second focuses on Gothic bindings creates between 1450 and 1500. A generous appendices section is also included towards the end. Beautifully presented, and containing a large number of illustrative examples, this is a fascinating book that will be of value to anyone with an interest in bibliography and medieval English history.

Originally published in 1892, this volume provides a general account of the various aspects of manuscript illumination from Classical times to the sixteenth century, when the invention of printing gradually began to put an end to the use of manuscripts. The text contains a historical sketch of the growth and development of various styles of manuscript illumination and the chief technical procedures involved, such as the highly labour-intensive process of applying gold leaf. Numerous illustrative examples are also provided. This is a beautifully presented book that will be of value to anyone with an interest in manuscripts and the history of art.

Originally published in 1950, and based on lectures given by the author at Harvard University in 1947, this volume provides a historical study of the book in its relationship with the dissemination of new artistic ideas during the Renaissance. The text is divided into three sections, each relating to a different area of book production: the first relates to type; the second to illustration; the third to ornament. This is a beautifully presented volume, containing a large number of illustrative examples, that will be of value to anyone with an interest in bibliography and the development of Renaissance thought.

Charles Welsh's account of the achievements of John Newbery was first published in 1885. Newbery is best known as the pioneering publisher of good-quality children's books such as A Little Pretty Pocket-Book and Little Goody Two-Shoes. In many ways he can be regarded as the first publisher who created and marketed books specifically for children. He was an associate of Samuel Johnson and Oliver Goldsmith, and founded a number of newspapers that published some of their works. Welsh also draws attention to a less well known aspect of Newbery's diverse business ventures: his involvement in the selling of patent medicines. The author chronicles the immediate successors to the Newbery business and includes a lengthy summary of the son Francis Newbery's autobiography. The illustrated book contains a number of appendices including John Newbery's will, lists of his publications and some of the newspapers with which he was associated.

Legal Publishing in Antebellum America presents a history of the law book publishing and distribution industry in the United States. Part business history, part legal history, part history of information diffusion, M. H. Hoeflich shows how various developments in printing and bookbinding, the introduction of railroads, and the expansion of mail service contributed to the growth of the industry from an essentially local industry to a national industry. Furthermore, the book ties the spread of a particular approach to law, that is, the "scientific approach," championed by Northeastern American jurists to the growth of law publishing and law book selling and shows that the two were critically intertwined.

An erudite and popular librarian, Charles Edward Sayle (1864-1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. This final volume indexes the books by author, printer, engraver, and place of printing, and includes a list of notable titles of particular artistic, musical or bibliographical interest.

Born in 1802 in Elgin, James Grant first established himself as a reporter and then as a leading newspaper editor in Victorian London, heading the Morning Chronicle for two decades before moving on to the Christian Standard. His 1839 Travels in Town was designed as a companion piece to his earlier reflections on London, The Great Metropolis (1838) and Sketches in London (1838). This two-volume work reflects Grant's enthusiasm for 'this modern Babylon' and his lively interest in the intricacies of everyday life there. Volume 1 focuses on central London, observing major streets (including Downing Street) and the British Museum. Interweaving general descriptions with specific local information, Grant even provides his readers with details of the famous museum reading room and how to access its treasures.

This is a lively two-volume biography, first published in 1893, of the influential Victorian businessman and politician W. H. Smith (1825 1891), whose father and uncle established the well-known stationery and bookselling business. The author, Herbert Maxwell (1845-1932), was a Scottish essayist and Conservative Member of Parliament who greatly admired Smith's human qualities and had access to his personal papers. Volume 1 documents the foundation of the newspaper wholesaling business, Smith's education and his thwarted desire to become a priest. It describes how Smith helped his father expand their efficient and successful business to include a chain of railway station news- and bookstalls and a lending library, as well as becoming sole agents for The Times in 1854. Smith went into Parliament in 1868, and worked for several years at the Treasury. Volume 1 ends with his tour to Cyprus in 1878 as First Lord of the Admiralty.

To a wide circle of friends 'S. C.' was known as a vivid raconteur and mimic; more formally he was recognised as a publisher of skill and distinction. He joined Cambridge University Press as assistant secretary in 1911, served four war years in the Suffolk Regiment, with a wound at Ypres, and three years after his return was appointed Secretary of the Press. His adventures and achievements in that capacity are the subject of the main part of this book. His 'Adventures' contain first, a rich collection of his 'stories'. These are not merely comic, though they are certainly that. They are shrewd and sympathetic and they offer a series of insights into human nature, especially in the notoriously delicate relationship between author and publisher. Roberts' 'Authors' include Jeans and Rutherford, Dover Wilson and Granville Barker, Housman and de la Mare and many others. Secondly the book is a record, by one who was at once a participant and a spectator, of the way of life of a major university as it evolved from the Victorian to the modern mode.

Written by the respected typographer Stanley Arthur Morison (1889 1967), English Prayer Books examines the history of the various liturgical books used in public worship in England, from their origins in apostolic times to the later stages of their development in the middle of the twentieth century. Using the books themselves as the first source of critical enquiry, Morison draws attention to the rich history of change underlying church liturgies and throws light on a subject too often neglected in the study of Christian sacred texts.

John Bell (1745-1831) was an English publisher. The Dictionary of National Biography has Charles Knight calling Bell a 'mischievous spirit, the very Puck of booksellers'. His 109-volume, literature-for-the-masses Poets of Great Britain Complete from Chaucer to Churchill, which rivalled Samuel Johnson's Lives of the Most Eminent English Poets (1781), was published from 1777 to 1783. Each volume cost just six shillings, at a time when similar volumes usually cost many times that. The drawings and illustrations with which Bell adorned his publications influenced later publishers, as did his abandonment of the long S. Most notable, perhaps, was Bell's joint-stock organisation of his publishing company, which defied 'the trade' - at the time, forty dominant publishing companies - in order to establish a monopoly on the best publications. In addition to the immense Poets of Great Britain, Bell also published similar volumes on Shakespeare and the British Theatre, as well as the Sunday newspaper Bell's Weekly Messenger and other periodicals.

Dawks is the name of a family of booksellers and printers who practised their craft in London during the seventeenth century and later. The younger Thomas Dawks was honoured with the title of 'His Majesty's Printer for the British Language' in 1676. Ichabod Dawks, 'honest Ichabod' as Steel called him, and the best-known member of the family, published Dawks's NewsLetter on the evenings of Post Nights (i.e. Tuesday, Thursday and Saturday) from 1696 to 1716. For this periodical a special script type in imitation of handwriting was used, the matrices of which have recently been identified. Mr Morison's account of the Dawkses, based upon a family diary which he lately discovered, enlarges at several points our knowledge of their respective careers, and, in the case of Ichabod, demonstrates the character of his contribution to the progress of English journalism. Illustrated with type facsimiles, line blocks and nine pages of collotype facsimiles of newsletters.

The text of The English Newspaper is substantially that given as a series of six lectures in the Sandars Readership in Bibliography in February 1932, a post that Stanley Morison held at Cambridge University from 1931 2. He based most of his research on original sources from, among others, the British Museum, the Bodleian and University Libraries. His aim was to stimulate interest in the bibliographical history of newspaper development, despite this form being 'essentially ephemeral', which 'yet has a place, though humble, beside the cocdex and the printed book - the most permanent of records of human thought and experience'.

The Book Publishing Industry focuses on consumer books (adult, juvenile, and mass market paperbacks) and reviews all major book categories to present a comprehensive overview of this diverse business. In addition to the insights and portrayals of the U.S. publishing industry, this book includes an appendix containing historical data on the industry from 1946 to the end of the twentieth century. The selective bibliography includes the latest literature, including works in marketing and economics that has a direct relationship with this dynamic industry.

This third edition features a chapter on e-books and provides an overview of the current shift toward digital media in the US book publishing industry. A Companion Website features PowerPoints on market structure and editorial processes as well as bibliographies and up-to-date industry statistics.

Studying printed books as physical objects can reveal not only how books were produced, but also how their design and layout features emerged and came to convey meanings. This concise and accessible introduction to analytical bibliography in its historical context explains in clear, non-specialist language how to find and analyze clues about a book's manufacture and how to examine the significance of a book's design. Written by one of the most eminent bibliographical and textual scholars working today, the book is both a practical guide to bibliographical research and a history of bibliography as a developing field of study. For all who use books, this is an ideal starting point for learning how to read the object along with the words.

Most academics still wrestle with the "publish or perish" phenomenon. Based on Dr. Liebowitz's 25 years serving as the editor-in-chief of a leading international journal, along with insights from some of the most knowledgeable journal editors, this book shares key lessons learned to help new professors, doctoral students, and practitioner-scholars increase their chances of being published in selective, refereed international journals. It focuses on the key practices needed to ensure journal publication, with interesting cases and helpful tips sprinkled throughout the book. A Guide to Publishing for Academics provides useful knowledge from leading journal editors of both traditional and online journals, as well as various tiers of journals. Although the focus is mainly in the business and IT areas, much of the guidance provided can cross into other fields. The book contains interesting vignettes and do's and don'ts so that potential authors can understand what goes on behind the scenes once the manuscript arrives on the journal editor's desk. The book provides constructive guidance on choosing what and where to publish, what to consider when writing a title for a paper, how to prepare and submit journal manuscripts, and how to position a paper for publication. It also has valuable information for current and future journal editors, including models of editing and editorial boards, editorial coaching advice, and editing smart practices. With the information in this book, the next generation of academics and practitioner-scholars will be well equipped to overcome the publish or perish phenomenon.

This book first published in 1978 provides a broad and comprehensive view of the Soviet book publishing industry based on extensive use of Soviet sources and on visits and interviews conducted in the Soviet Union. Book publishing is examined both as a manufacturing and distributing industry enmeshed in the machinery of central planning, and as a disseminator of ideas influenced and controlled by the organs of government, the Communist Party and the censorship. A 'policy approach' is used to study the operations and management of the vast Soviet publishing industry, examining the complex pressures which affect its administration and the impact those pressures have on books published in the USSR. The powers of the Communist Party, government ministries and the censorship over the publishing houses are analysed. The perspective of the book is wide enough to take in questions about the place of the author in the publishing process and the role played by printing and book-selling. Attention is paid to the special problems in publishing different types of books: fiction, textbooks, scientific works, mass political literature and so on.