Born in 1802 in Elgin, James Grant first established himself as a reporter and then as a leading newspaper editor in Victorian London, heading the Morning Chronicle for two decades before moving on to the Christian Standard. His 1839 Travels in Town was designed as a companion piece to his earlier reflections on London, The Great Metropolis (1838) and Sketches in London (1838). This two-volume work reflects Grant's enthusiasm for 'this modern Babylon' and his lively interest in the intricacies of everyday life there. Volume 1 focuses on central London, observing major streets (including Downing Street) and the British Museum. Interweaving general descriptions with specific local information, Grant even provides his readers with details of the famous museum reading room and how to access its treasures.

Samuel Squire Sprigge (1860-1937) was a qualified physician who worked for The Lancet from 1892 and was editor from 1909 until his death. He published several books including a history of the journal and its founder, and a volume of essays, Physic and Fiction. The Methods of Publishing first appeared in 1890 and is Sprigge's passionate contribution to the late-nineteenth-century discussion on how the question of literary property is best resolved. Sprigge argues that this matter is often treated in a cavalier manner that disadvantages authors, particularly in the relationship between publisher and author. In his view, book prices are too low, copyright protection for authors is insufficient, the royalty system is in chaos, and authors do not obtain a fair share of profits. He proposes that literary property questions be treated with the same legal formality and protection as is found in other business dealings.

Born in 1802 in Elgin, James Grant first established himself as a reporter and then as a leading newspaper editor in Victorian London, heading the Morning Chronicle for two decades before moving on to the Christian Standard. His 1839 Travels in Town was designed as a companion piece to his earlier reflections on London, The Great Metropolis (1838) and Sketches in London (1838). This two-volume work reflects Grant's enthusiasm for 'this modern Babylon' and his lively interest in the intricacies of everyday life there. Interweaving general descriptions with specific local information, Volume 2 describes the post office and bookselling in Paternoster Row before turning its attention to the city's various religious denominations. Grant, an ardent Calvinist, concludes with reflections on London's moral state.

Charles Knight's The Old Printer was first published in 1854 and is partly a biography of William Caxton and partly an account of the development of the printing press and its role in English literature from the fifteenth century. William Caxton was not only the first printer in England, but also a prolific translator and importer of books. He established a printing press at Westminster and among the books printed there were Chaucer's Canterbury Tales and The Subtil Histories and Fables of Esop. Knight describes Elizabethan reading habits and traces the development of the types of books, papers and magazines that were most popular with the reading public in the mid-nineteenth century. The author is particularly interested in the availability of cheap popular literature as he regards this as an indication of the democratisation of society.

This is a lively two-volume biography, first published in 1893, of the influential Victorian businessman and politician W. H. Smith (1825 1891), whose father and uncle established the well-known stationery and bookselling business. The author, Herbert Maxwell (1845-1932), was a Scottish essayist and Conservative Member of Parliament who greatly admired Smith's human qualities and had access to his personal papers. Volume 1 documents the foundation of the newspaper wholesaling business, Smith's education and his thwarted desire to become a priest. It describes how Smith helped his father expand their efficient and successful business to include a chain of railway station news- and bookstalls and a lending library, as well as becoming sole agents for The Times in 1854. Smith went into Parliament in 1868, and worked for several years at the Treasury. Volume 1 ends with his tour to Cyprus in 1878 as First Lord of the Admiralty.

William Tinsley (1830 1900) was a noted Victorian publisher whose catalogue included works by such celebrated novelists as Thomas Hardy and Wilkie Collins. This two-volume autobiography, first published in 1900, traces his life from his rural childhood to the establishment and rise of the Tinsley Brothers company in 1858, and its later collapse. Each chapter contains a series of brief sketches of authors and other contemporaries. Volume 1 spans Tinsley's early days and travels to London, along with his first encounters with the publishing world. It includes detailed portraits of Mary Elizabeth Braddon and H. J. Byron, and incorporates material on the development of transport and general commerce in the Victorian era. Based on Tinsley's personal recollections, and incorporating letters as well as anecdotal information, these volumes will fascinate anyone interested in the history of publishing and the development of the nineteenth-century novel.

William Tinsley (1830 1900) was a noted Victorian publisher whose catalogue included works by such celebrated novelists as Thomas Hardy and Wilkie Collins. This two-volume autobiography, first published in 1900, traces his life from his rural childhood to the establishment and rise of the Tinsley Brothers company in 1858, and its later collapse. Each chapter contains a series of brief sketches of authors and other contemporaries. Volume 2 charts Tinsley's later career, and features several lengthier portraits of some of the personalities he encountered. It also includes information on Victorian playwrights and actors, along with a detailed section on the history of Sadler's Wells theatre. Based on Tinsley's personal recollections, and incorporating letters as well as anecdotal information, these volumes will fascinate anyone interested in the history of publishing and the development of the nineteenth-century novel.

This autobiography recalls the eventful career of the nineteenth-century publisher and journalist, Henry Vizetelly (1820 1894). Born in London, Vizetelly was apprenticed to a wood engraver as a young child. He entered the printing business and helped found two successful but short-lived newspapers, the Pictorial Times and the Illustrated Times. From 1865 Vizetelly worked in Paris and later Berlin as a foreign correspondent for the Illustrated London News, and also wrote and published several books. On his return to England, he became a publisher of foreign novels and gained notoriety for his translations of Emile Zola which challenged strict Victorian laws on obscenity and led to his prosecution and imprisonment. His book is a fascinating blend of public and personal history, providing an insight into the turbulent literary world of nineteenth-century Europe. Volume 1 covers his life up to the infamous Palmer Trial in 1856.

This autobiography recalls the eventful career of the nineteenth-century publisher and journalist, Henry Vizetelly (1820 1894). Born in London, Vizetelly was apprenticed to a wood engraver as a young child. He entered the printing business and helped found two successful but short-lived newspapers, the Pictorial Times and the Illustrated Times. From 1865 Vizetelly worked in Paris and Berlin as a foreign correspondent for the Illustrated London News, and also wrote and published several books. He later became a publisher of foreign novels and gained notoriety for his translations of Emile Zola which challenged strict Victorian laws on obscenity and led to his prosecution and imprisonment. His book is a fascinating blend of public and personal history, providing an insight into the turbulent literary world of nineteenth-century Europe. Volume 2 begins in 1858 with the marriage of Princess Vicky and concludes with Vizetelly's return to England in 1878.

In this Essay, first published in 1853, the Victorian social activist James Hole offers an impassioned defence of the one of the central products of early Victorian social reformism, the mechanics' institutes. Aimed at improving the education of working-class men, women and youths, the institutes offered basic literacy training as well as higher-level lectures on science, the arts, and industry. This volume, originally a prize-winning essay, outlines Hole's plan for improving the efficacy of the institutes, which he saw as failing in their mission of enlivening the minds of those whose primary labours were physical. The institutes 'have established the right of the people to culture', Hole writes, but they had yet, in his view, to instil it. An important work in the history of education, Hole's Essay provides revealing insights into social reformism and the complexities of class politics within the movement.

Matthias Koops was a pioneer of mechanical paper-making. He invented new processes for making paper from wood pulp rather than from rags, and for recycling paper itself to a condition in which it could be used for printing. The second edition (1801) of his book was printed partly on a type of straw paper and partly on recycled paper; the Appendix was 'printed on paper made from wood alone, the produce of this country'. Koops's aim was to overcome the problem of the scarcity of rags for paper-making, which he believed was a restraint on the development of commerce and of science, by producing paper from natural sources which were almost inexhaustible. However, the factory which he established went bankrupt after only one year, and it was to be nearly two centuries before printing books on recycled paper became a practical possibility for the industry.

This volume brings together extensive recollections of authors, publishers, auctioneers and booksellers from 1779 to 1853, based on the author's personal acquaintance with the prominent writers, artists and book publishers of the period. The book is in three sections, each one concentrating on a given area of London and the literary scene centred upon it. They are Paternoster Row, Fleet Street and The Strand. Attention is paid to different forms of publication, such as the early magazines, in which books were published by instalments, and to key personalities. There is also detailed background to some of the most important publishing houses, such as Longman, and works which were considered pivotal to their success, such as 'Rees' Cyclopaedia' and the 'Annual Review'. Engagingly written from a personal perspective, this book will be of value to historians of literature and publishing, and others interested in London's literary past.

Dawks is the name of a family of booksellers and printers who practised their craft in London during the seventeenth century and later. The younger Thomas Dawks was honoured with the title of 'His Majesty's Printer for the British Language' in 1676. Ichabod Dawks, 'honest Ichabod' as Steel called him, and the best-known member of the family, published Dawks's NewsLetter on the evenings of Post Nights (i.e. Tuesday, Thursday and Saturday) from 1696 to 1716. For this periodical a special script type in imitation of handwriting was used, the matrices of which have recently been identified. Mr Morison's account of the Dawkses, based upon a family diary which he lately discovered, enlarges at several points our knowledge of their respective careers, and, in the case of Ichabod, demonstrates the character of his contribution to the progress of English journalism. Illustrated with type facsimiles, line blocks and nine pages of collotype facsimiles of newsletters.

First published in 1901, this is a rich repository of typefaces (including English, Greek, Latin, Sanskrit, Arabic, Hebrew and Cyrillic), ornaments, borders and various decorative devices used in books printed at the University Press, Cambridge, until 1900. Highlights of the compilation include a wide range of historical typefaces (including Caslon, Marr, Figgins, Blake, and Miller and Richards), stylish borders, corners and head and tail pieces, university and college shields, and a detailed catalogue of Egyptian hieroglyphs. It also contains sections on accented letters and signs, 'poster founts' and ornately styled initial letters. Prefaced with a brief 'Historical Sketch' by J. W. Clark, a noted Cambridge academic and antiquarian, Specimens is a valuable archive of the craft of lettering and design before the advent of the digital age that will delight bibliophiles, typographers and collectors.

Published to mark the four hundredth anniversary of the first book to be printed in Cambridge by John Siberch in 1521, this book traces the development of the Press over four centuries. S.C. Roberts, who became Secretary to the Press Syndicate in 1922, blends archival research with an anecdotal style to produce this informative account. Appendices list the university printers up to 1921, including most famously Thomas Thomas, John Legate, Thomas Buck and John Baskerville, and the books published in each year between 1521 and 1750 by authors such as Erasmus, George Herbert, John Donne, John Milton, Isaac Newton and Thomas Browne. Aimed at the general reader, this lively account of the Press' major achievements is illustrated with a number of portraits and historical documents and remains a useful introduction to the history of the oldest publishing house in the world.

John Willis Clark, a noted academic and antiquarian, published this book in 1901 after completing his work on the architectural history of Cambridge. His carefully researched study (Clark personally visited and measured every building he described, and drew many of the illustrations), provides a wide-ranging account of the history of libraries from antiquity to the early modern period. Clark describes the buildings used to store books: churches, cloisters, and purpose-built libraries; the way collections were endowed, audited and protected; the development of library furniture, including lecterns, stalls, chaining systems and wall-cases; and the characteristics of monastic, collegiate, and private collections. The book is generously illustrated, and its approachable style means it will appeal not only to academic historians of libraries, but to a wider audience of those interested in books and reading culture, historic buildings and artefacts, and medieval, renaissance and early modern studies.

This book presents and explores a challenging new approach in book history. It offers a coherent volume of thirteen chapters in the field of early modern book history covering a wide range of topics and it is written by renowned scholars in the field. The rationale and content of this volume will revitalize the theoretical and methodological debate in book history. The book will be of interest to scholars and students in the field of early modern book history as well as in a range of other disciplines. It offers book historians an innovative methodological approach on the life cycle of books in and outside Europe. It is also highly relevant for social-economic and cultural historians because of the focus on the commercial, legal, spatial, material and social aspects of book culture. Scholars that are interested in the history of science, ideas and news will find several chapters dedicated to the production, circulation and consumption of knowledge and news media.

Before the advent of television, reading was among the most popular of leisure activities. Light fiction--romances, thrillers, westerns--was the sustenance of millions in wartime and in peace. This lively and scholarly study examines the size and complexion of the reading public and the development of an increasingly commercialized publishing industry through the first half of the twentieth century. Joseph McAleer uses a variety of sources, from the Mass-Observation Archive to previously confidential publishers' records, to explore the nature of popular fiction and its readers. He analyzes the editorial policies which created the success of Mills & Boon, publishers of romantic fiction, and D. C. Thomson, the genius behind The Hotspur and other magazines for boys, and also charts the rise and fall of the Religious Tract Society, creator of the legendary Boy's Own Paper, as a popular publisher.

When it comes to teaching about race, journalism and mass communication faculty from various backgrounds must deliver instruction that acknowledges the challenges surrounding the topic while facilitating the learning of undergraduate and graduate students. Race should be a topic infused across the curriculum at the undergraduate and graduate level in institutions large and small, public and private. This takes a holistic approach with authors from a range of racial and ethnic backgrounds at small, mid-size, and large research institutions offering their insights. More than teaching tips, the chapters here offer wisdom grounded in the research of the scholarship of teaching and learning, which allows scholars to both inform their teaching with empirical research and share successful pedagogy with others.

Writing Terror on the Bodies of Women: Media Coverage of Violence against Women in Guatemala analyzes the scope and dynamics of violence against women in Guatemala and how it is represented in the print media. Using nearly two thousand Guatemalan newspaper reports covering murders and assaults on women, this book contextualizes violence against women within the history of violence in Guatemala; gender ideologies and patriarchal social structures; and the contemporary demands of the women's movement for social and legislative change. It shows that while some newspapers cover violence against women with investigative reports and editorials that use feminist analysis and language, these are overshadowed by the large number of individual reports that reproduce narratives of terror and conceal the gendered nature of violence against women by suggesting that "delinquents," "gangs," "unknown men," and inexplicably violent husbands are the main culprits, while simultaneously upholding dichotomous gendered narratives of "good" and "bad" wives and daughters.

"Some publishers tell you what to believe. Other publishers tell you what you already believe. But InterVarsity Press helps you believe." J. I. Packer The history of evangelicalism cannot be understood apart from the authors and books that shaped it. Over the past century, leading figures such as pastor-scholar John Stott, apologist James W. Sire, evangelist Rebecca Manley Pippert and spiritual formation writer Eugene Peterson helped generations of readers to think more biblically and engage the world around them. For many who take their Christianity seriously, books that equip them for a life of faith have frequently come from one influential publisher: InterVarsity Press. Andy Le Peau and Linda Doll provide a narrative history of InterVarsity Press, from its origins as the literature division of a campus ministry to its place as a prominent Christian publishing house. Here is a behind-the-scenes look at the stories, people, and events that made IVP what it is today. Recording good times and bad, celebrations and challenges, they place IVP in its historical context and demonstrate its contribution to the academy, church and world. In honor of IVP's seventy-fifth anniversary, senior editor Al Hsu has updated this edition with new content, bringing the story up to 2022 and including stories about contemporary authors such as Esau McCaulley and Tish Harrison Warren. As IVP continues to adapt to changes in publishing and the global context, the mission of publishing thoughtful Christian books has not changed. IVP stands as a model of integrative Christianity for the whole person-heart, soul, mind and strength.

A series of personal, curated interviews with internationally-acclaimed literary editors. This book is the chance to widen your horizons as a writer, discovering new and established literary journals across the world. Sit down with these experienced editors to find out what they really want from a submission, and allow them to demystify the publishing process, across a wide range of genres.; "Accessible and informative, In Conversation with... Literary Journals is an essential tool for emerging and established writers, publishing their work across all genres. Make space for it on your bookshelf." - Dr Jenna Clake, Senior Lecturer in Creative Writing at Teesside University

This volume contains almost all the letters that Charles Dodgson (alias Lewis Carroll) wrote to his publisher during a professional relationship that spanned the last thirty-five years of the Victorian era, a time when the reading public expanded a hundredfold, when the techniques of mass book production were being shaped, and when laws governing copyright and bookselling were first forged in the English-speaking world. Dodgson's correspondence touched critically on all these issues, and is a fascinating record of the contemporary evolution of publishing as well as of the production and distribution of his own immensely popular children's books and other works. At the same time it charts the growth of the House of Macmillan from modest beginnings to its status as a leading publisher. Professor Cohen and Professor Gandolfo have provided a useful introduction and explanatory notes to the letters.