This is an important study of the publishing of contemporary writing in Britain. It analyzes the changing social, economic and cultural environment of the publishing industry in the 1990s-2000s, and investigates its impact on genre, authorship and reading. It includes case studies of Trainspotting and the His Dark Materials trilogy.

The Bookshop in Wigtown is a bookworm's idyll - with thousands of books across nearly a mile of shelves, a real log fire, and Captain, the bookshop cat. You'd think after twenty years, owner Shaun Bythell would be used to the customers by now. Don't get him wrong - there are some good ones among the antiquarian porn-hunters, die-hard Arthurians, people who confuse bookshops for libraries and the toddlers just looking for a nice cosy corner in which to wee. He's sure there are. There must be some good ones, right? Filled with the pernickety warmth and humour that has touched readers around the world, stuffed with literary treasures, hidden gems and incunabula, Remainders of the Day is Shaun Bythell's latest entry in his bestselling diary series.

With the increasing use and penetration of digital information technologies throughout its processes and products, the publishing industry is undergoing a fundamental and irreversible transformation. Provided here is a comprehensive single-volume study of that transformation which demonstrates how publishing managers can best take advantage of the opportunities the profound changes will bring. In 15 clearly-written chapters, the seven key elements of publishing, the 7M's, are detailed. An enumeration of critical core concepts and over 30 figures and tables assist in this timely analysis that is essential reading for all stakeholders in the future of publishing.

This eloquent and masterful book details how the recent advancements in digital information technology mark a fundamental and irreversible transformation in the publishing industry. The clearly presented and highly readable text provides a much-needed, concise, easy-to-grasp introduction to this new world of digital publishing, the opportunities it presents, and what it means for managers in the industry, including the fundamental shift from format-based enterprises (e.g., book publishers) to firms that are developers and managers of intellectual properties in multiple forms which best meet their customers' information needs. Throughout the study, the author, a media executive who has held managerial positions in major book publishing, cable television, and software firms, focuses on the business strategies that both traditional print-based and new media publishing firms must implement to adapt and thrive in this rapidly evolving and complex environment.

After an introductory chapter that reviews the major symptoms of change in the current publishing industry environment, the author examines the Information Age and the new information industry as the foundation for his analysis. He then presents his new framework, the seven Ms of publishing, that serves both as the structural backbone and main thesis of the study. The central 11 chapters of the book detail these seven Ms: the five value-added Ms of Material, Mode, Media, Means, and Market; and the two infrastructural Ms of Management and Money. The author supports his analysis with over 30 figures and tables that vividly depict the key points of the study. He also delineates 45 core concepts of publishing in the Information Age within the seven Ms. The final chapter of the book presents the author's vision of the digital publishing enterprise and the paradigm of promise for managers and other stakeholders in the future of publishing.

..".a labor of love...simple to use." --REFERENCE REVIEWS

Real and Imagined Readers looks at an important period in South African literary history, marked by apartheid censorship and the extensive banning of intellectual and creative voices. Returning to the archive, this book offers a reader-centric view of the successive censorship laws, and the consequences of publication control on the world of books. Books and print culture created intersectional spaces of solidarity where ideas and knowledge were contested, mediated and translated into the socio-political domain. By focusing on these marginalised readers, Matteau Matsha sheds light on the reading cultures and practices that developed in the shadow of apartheid censorship, creating alternative literary spaces. Real readers engaged in an elusive dialogue with the censors' imagined readers, and definitions of literature and readerships emerged from this unusual connection, leading to the formation of literary conventions that inform reading politics to this day. By understanding reading as a complex and dynamic activity, this book stresses the importance of appreciating books in relation to the social context in which they are written and, most importantly, read.

"New Lad culture" boomed in the 1990s with the publication of men's magazines such as loaded, FHM and Maxim. What were the commercial roots of this boom and what did it say about contemporary masculinity and the dynamics of cultural production?Applying a cultural-economic approach and drawing on interviews with key figures at the sector's leading products, Crewe unwraps the means through which publishing companies comprehended and addressed the men's magazine audience in the 1990s. He argues that it was informal knowledge about cultures of masculinity held by editorial practitioners that was decisive in constituting individual magazines and the overall character of the sector. In exploring the cultural resources, identifications and ambitions around which the market crystallized, Crewe provides an in-depth comparison of the editors and editorial identity of loaded, the pioneer of the 'mass market', with those of Esquire and Arena, magazines associated with the sector's initial reformation. Clear and comprehensive, this work sheds new light on the commercial assessment and representation of modern masculine culture.

The lure of big data and analytics has produced new partnerships between news media and social media and consequently a fragmentation of digital journalism. The era is coupled with the rise in fake news and controversial data sharing. However, creative mobile reporting and civilian drones set new standards for journalist during the European asylum seeker crisis. Yet the focus on data and remote cloud servers continues to dominate online news and journalism, alongside new semantic models for data personalization. News tags that define concepts within a news story to assist search, are now monetized abstractions in accelerated data processing that enables automation and feeds advertising. Can journalism compete with this by defining its own concepts with ethical values named and embedded in algorithms? Can machines make sense of the world in the same way as a traditional journalist? In this book, Cate Dowd analyzes the tasks and ethics of journalists and questions how intelligent machines could simulate ethical human behaviors to better understand the dizzy post-human world of online data. Looking to digital journalism and multi-platform news media, from studios and integrated media systems to mobile reporting in the field, Dowd assesses how data and digital technology has impacted on journalism over the past decade. Dowd's research is informed by in-depth participation with investigative journalists, including images drawn and annotated by industry experts to present key journalism concepts, priorities, and values. Chapters explore approaches for the elicitation of vocabulary for journalism and design methods to embed values and ethics into algorithms for the era of automation and big data. Digital Journalism, Drones, and Automation provides insights into the lasting values of journalism processes and equips readers interested in entering or understanding online data and news media with much needed context and wisdom.

American literary magazines published between 1850 and 1900 were an outlet for numerous creative works, book reviews, and other material. Like Herman Melville, Mark Twain, and Henry James, many of the authors who wrote for these magazines are among the most famous American authors. This index makes readily available for the first time thousands of references to major and minor literary figures and their works. It is also a guide to the many thousands of facts, opinions, and comments on 19th-century American culture that are contained in literary magazines of the period. Alphabetically arranged entries cover roughly a thousand authors, along with topics such as the novel, poetry, drama and theater, Darwinism, women, American literature, and copyright law. During the latter half of the 19th-century, literary magazines flourished in America. Young writers enjoying their first important publication stand shoulder to shoulder with established writers in magazine issues that are so rich with original material that they often resemble anthologies. Perhaps even more significantly, editors and reviewers doggedly plied their trade of evaluating and criticizing promising new volumes, analyzing trends and movements, and recording the rise and fall of reputations. The Literary Index is the result of combing 11 prominent American literary magazines for every reference to all major and hundreds of minor writers and their works that appeared on the American literary scene in the second half of the 19th century. Brought to light are tens of thousands of references to writers, works, and issues that have never been studied before. This rich source of material drawn from all sections of the magazines-original works, articles, reviews, gossip columns, and correspondence, provides unprecedented access to information on the receptions of major works, the comings and goings of writers and obscure works. The 700 author entries are arranged alphabetically and include citations for some 7000 titles. In addition, there are exhaustive and comprehensive lists of citations for general subjects such as the novel, poetry, drama and theater, American literature, Darwinism, and women, as well as a section on the century-long battle over the passage of an international copyright law. Every aspect of the literary world of late 19th-century America is represented, making this volume an indispensable reference work for scholars.

This book deals with methods to evaluate scientific productivity. In the book statistical methods, deterministic and stochastic models and numerous indexes are discussed that will help the reader to understand the nonlinear science dynamics and to be able to develop or construct systems for appropriate evaluation of research productivity and management of research groups and organizations. The dynamics of science structures and systems is complex, and the evaluation of research productivity requires a combination of qualitative and quantitative methods and measures. The book has three parts. The first part is devoted to mathematical models describing the importance of science for economic growth and systems for the evaluation of research organizations of different size. The second part contains descriptions and discussions of numerous indexes for the evaluation of the productivity of researchers and groups of researchers of different size (up to the comparison of research productivities of research communities of nations). Part three contains discussions of non-Gaussian laws connected to scientific productivity and presents various deterministic and stochastic models of science dynamics and research productivity. The book shows that many famous fat tail distributions as well as many deterministic and stochastic models and processes, which are well known from physics, theory of extreme events or population dynamics, occur also in the description of dynamics of scientific systems and in the description of the characteristics of research productivity. This is not a surprise as scientific systems are nonlinear, open and dissipative.

This twenty-second volume of ABHB (Annual bibliography a/the history a/the printed book and libraries) contains 3635 records, selected from some 2000 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Australia Italy Austria Latin America Belgium Latvia Canada The Netherlands Poland Croatia Denmark Portugal Rumania Estonia Finland Russia France South Africa Germany Spain Sweden Great Britain Hungary USA Ireland (Republic of) Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing to co operate to this scheme of international bibliographic collaboration. The editor will greatly appreciate any communication on this matter. Subject As has been said in the introduction to the previous volumes, this bibliography aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural environment, involved in its production, distribution, conservation, and description. Of course, the ideal of a complete coverage is nearly impossible to attain. However, it is the policy of this publication to include missing items as much as possible in the forthcoming volumes. The same applies to countries newly added to the bibliography."