American literary magazines published between 1850 and 1900 were an outlet for numerous creative works, book reviews, and other material. Like Herman Melville, Mark Twain, and Henry James, many of the authors who wrote for these magazines are among the most famous American authors. This index makes readily available for the first time thousands of references to major and minor literary figures and their works. It is also a guide to the many thousands of facts, opinions, and comments on 19th-century American culture that are contained in literary magazines of the period. Alphabetically arranged entries cover roughly a thousand authors, along with topics such as the novel, poetry, drama and theater, Darwinism, women, American literature, and copyright law. During the latter half of the 19th-century, literary magazines flourished in America. Young writers enjoying their first important publication stand shoulder to shoulder with established writers in magazine issues that are so rich with original material that they often resemble anthologies. Perhaps even more significantly, editors and reviewers doggedly plied their trade of evaluating and criticizing promising new volumes, analyzing trends and movements, and recording the rise and fall of reputations. The Literary Index is the result of combing 11 prominent American literary magazines for every reference to all major and hundreds of minor writers and their works that appeared on the American literary scene in the second half of the 19th century. Brought to light are tens of thousands of references to writers, works, and issues that have never been studied before. This rich source of material drawn from all sections of the magazines-original works, articles, reviews, gossip columns, and correspondence, provides unprecedented access to information on the receptions of major works, the comings and goings of writers and obscure works. The 700 author entries are arranged alphabetically and include citations for some 7000 titles. In addition, there are exhaustive and comprehensive lists of citations for general subjects such as the novel, poetry, drama and theater, American literature, Darwinism, and women, as well as a section on the century-long battle over the passage of an international copyright law. Every aspect of the literary world of late 19th-century America is represented, making this volume an indispensable reference work for scholars.

"Intertextuality" is the overarching idea that all texts and conversations are linked to other texts and conversations, and that people create and infer meanings in discourse through making and interpreting these links. Intertextuality is fundamentally connected to metadiscourse; when a person draws on or references one text or conversation in another (intertextuality), they necessarily communicate something about that text or conversation (metadiscourse). While scholars have long recognized the interrelatedness of these two theoretical concepts, existing studies have tended to focus on one or the other, leaving underexplored the specific ways in which these phenomena are intertwined at the micro-interactional level, especially online, and for what purposes. This interactional sociolinguistic study contributes to filling this gap by demonstrating how specific intertextual linking strategies, both linguistic (e.g., word repetition, deictic pronouns) and multimodal (e.g., emojis, symbols, and GIFs), are mobilized by posters participating in online weight loss discussion boards. These strategies serve as a resource to accomplish the metadiscursive activities, targeted at various levels of discourse, through which participants construct shared understandings, negotiate the group's interactional norms, and facilitate engagement in the group's primary shared activity: exchanging information about, and providing support for, weight loss, healthful eating, and related issues. By rigorously applying the perspective of metadiscourse in a study of intertextuality, Intertextuality 2.0 offers important new insights into why intertextuality occurs and what it accomplishes: it helps people manage the challenges of communication.

This book deals with methods to evaluate scientific productivity. In the book statistical methods, deterministic and stochastic models and numerous indexes are discussed that will help the reader to understand the nonlinear science dynamics and to be able to develop or construct systems for appropriate evaluation of research productivity and management of research groups and organizations. The dynamics of science structures and systems is complex, and the evaluation of research productivity requires a combination of qualitative and quantitative methods and measures. The book has three parts. The first part is devoted to mathematical models describing the importance of science for economic growth and systems for the evaluation of research organizations of different size. The second part contains descriptions and discussions of numerous indexes for the evaluation of the productivity of researchers and groups of researchers of different size (up to the comparison of research productivities of research communities of nations). Part three contains discussions of non-Gaussian laws connected to scientific productivity and presents various deterministic and stochastic models of science dynamics and research productivity. The book shows that many famous fat tail distributions as well as many deterministic and stochastic models and processes, which are well known from physics, theory of extreme events or population dynamics, occur also in the description of dynamics of scientific systems and in the description of the characteristics of research productivity. This is not a surprise as scientific systems are nonlinear, open and dissipative.

The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing, and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.

Helps new researchers get started and help more established academics to improve publishing and funding success rates. Provides inside stories and real-life examples to give tangible evidence of techniques, and how-to approaches that make this book approachable, relevant, and practical. Provides details on two inextricably linked areas of publication and funding that underpin a successful academic career.

This twenty-second volume of ABHB (Annual bibliography a/the history a/the printed book and libraries) contains 3635 records, selected from some 2000 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Australia Italy Austria Latin America Belgium Latvia Canada The Netherlands Poland Croatia Denmark Portugal Rumania Estonia Finland Russia France South Africa Germany Spain Sweden Great Britain Hungary USA Ireland (Republic of) Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing to co operate to this scheme of international bibliographic collaboration. The editor will greatly appreciate any communication on this matter. Subject As has been said in the introduction to the previous volumes, this bibliography aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural environment, involved in its production, distribution, conservation, and description. Of course, the ideal of a complete coverage is nearly impossible to attain. However, it is the policy of this publication to include missing items as much as possible in the forthcoming volumes. The same applies to countries newly added to the bibliography."

These essays explore the remarkable expansion of publishing from 1750 to 1850 which reflected the growth of literacy, and the diversification of the reading public. Experimentation with new genres, methods of advertising, marketing and dissemination, forms of critical reception and modes of access to writing are also examined in detail. This collection represents a new wave of critical writing extending cultural materialism beyond its accustomed concern with historicizing the words on the page into the economics of literature, and the investigation of neglected areas of print culture.

An invaluable reference book for publishers or anyone interested or in any way involved in the African book/publishing/literary scene, or writers looking for a publisher. Lists a wide range of over 60 small and independent publishers in countries from around Africa. The catalogue also contains articles about publishing the indie way, book-making in the time of COVID-19, and more.

Includes publishers from South Africa, Ghana, Zimbabwe, Senegal, France, the United Kingdom, Switzerland, Nigeria, the United States, Canada, Togo, Mozambique, Morocco, Uganda, Rwanda, Malawi, Algeria, Egypt, Uganda, and Namibia.

What might the digital revolution we're currently living through mean for conventional paper books? Is there a future for the long-form text at all? At the onset of the digital deluge, books had evolved into the perfect reading machine. In the screen era, technology increasingly and emphatically foregrounds itself in the digital reading experience. It is one thing to identify what we lose in the process (which is a natural human tendency), but quite another and, it might be argued, an ultimately more fruitful one, to identify how that screen technology might shape the activities for which we always used to use paper. Screen technology is likely to determine our learning and entertainment habits. Indeed, the 'industrial' forms of reading that may be performed by the computer have a very tenuous relationship to what we have always understood by the term. Awareness of the issues, and eventually new insights, are essential if we want screen technology to offer a digital future to the long-form text.

So you’ve always dreamed of a career in publishing… but you don’t know where to start or how? You’re holding the key in your hands! Using insider information, How to Get A Job in Publishing is the newly revised edition of the classic text for you if you are keen to work in publishing or associated industries – or if you are already in publishing and want to go further. Packed with real-life quotes, case studies and practical advice from publishing veterans, and more recent arrivals, the authors differentiate types of publishing and explain how roles and departments work together. They discuss the pros and cons of internships and further study as well as training and lifelong learning, working internationally, networking and building your personal brand. The book includes vital guidelines for applying for publishing roles, including sample CVs and cover letters and a glossary of industry terms, to make sure you stand out from the crowd when you apply for jobs. This thoroughly updated edition covers: The post-pandemic publishing world, changes and current controversies, the rise of e-books, Amazon, self-publishing and indie publishing The growth in tertiary courses in Publishing Studies and internships – are they really the best way in? How to create your CV and a compelling cover letter that gets you noticed A new chapter addresses equity, diversity, inclusion and belonging, reflecting on the current state of the publishing industry, how to evaluate potential employers and how to look after yourself and others at work. Whether you are a new or soon-to-be graduate of Media and Publishing, or are just interested in a career in publishing or the creative industries, How to Get A Job in Publishing is an essential resource.

On the basis of a mere handful of issues, The Dolphin and The Fleuron established an international reputation among professionals, scholars, and booklovers with an interest in fine bookmaking and the history of printing, illustration, and typography. Although the collected issues may be found in library collections, no complete listing of their contents has been available until now. Jeanne Somers' comprehensive index fills this gap, providing access in four separate sections to authors and titles, illustrations, subjects, and advertisements.

Contains: Conservatism and the Quarterly Review: A Critical Analysis The History of the Book: 1 Contributors to the Quarterly Review: A History, 1809-25 The History of the Book: 2 Wilkie Collins's American Tour, 1873-4 The History of the Book: 3 William Blake and the Art of Engraving The History of the Book: 4 Charles Lamb, Elia and the London Magazine: Metropolitan Muse The History of the Book: 5 Reading in History: New Methodologies from the Anglo-American Tradition The History of the Book: 6 Middle-Class Writing in Late Medieval London The History of the Book: 7 Readings on Audience and Textual Materiality The History of the Book: 8 Romantic Marginality: Nation and Empire on the Borders of the Page The History of the Book: 9 Wordsworth's Poetic Collections, Supplementary Writing and Parodic Reception The History of the Book: 10

Encoding the Olympics assembles a uniquely representative international team of media experts to provide a comprehensive review of the global impact of media and cultural communications associated with the Beijing 2008 Olympics. Commissioned by the IOC, this pioneering comparative study the largest in Olympic Games research provides a ground-breaking, panoramic, cross-cultural perspective on media responses to the leading sports event of the modern world. The representative team that undertook the study includes media commentators and political analysts, sport and media journalists, Sinologists and observers of the Asian Pacific Rim, academics in Olympic Studies and media and communication studies, scholars of the cultural and sociology studies of sport and festival and events managers.

Encoding the Olympics provides a unique, encyclopaedic study that will serve as a versatile resource at several levels as a textbook or source reference for academic institutions, media public relations agencies that facilitate the work of inter-cultural exchange organisations, and international communication departments of multinational enterprises and international NGOs. This volume analyses global media responses to a mega-sport event on a scale never before attempted.

This book was previously published as a special issue of the International Journal of the History of Sport.

The period from 1789 to 1849 is one of the most eventful in U.S. history. It includes the growth of the United States from the first Congress, through the War of 1812, the Mexican War, and the territorial expansion of the United States. Through nearly 4000 annotated entries, this bibliography provides references to New England and New Englanders in U.S. government publications issued during that period. It traces the origin of many of the social, fiscal, and foreign policies that were instrumental in the development of the country and whose consequences still affect us today. It encompasses the development of the postal system and the Treasury Department, the distribution of the public lands, the exploration of the West, systems of defense and fortification, boundary disputes, the annexation of Texas, and the origin of the divisive differences between the South and North over tariffs and slavery. During these first 30 congresses, the United States government published and distributed a wealth of primary and secondary source material documenting these historical events and issues. Historians researching the history of New England and its peoples can find a variety of information in these publications on New England topics and concerns. Speeches from New England Representatives and Senators also offer their views and the views of their constituents on the regional and national issues of the day. Included in this bibliography are references in published government documents by and to the New England states, covering Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, and Vermont. Speeches by congressmen from these states, memorials and petitions voicing the opinion of the people of these states, and congressional and executive reports, documents, and references specifically about the states and their concerns are cited. Each citation is accompanied by a brief annotation. The volume has chapters on each state, and within each chapter, the entries are arranged chronologically by Congress and Session. Thus the reader can browse through a chapter to get a sense of the issues facing a state during the period, or can consult the extensive indexes to locate specific information more precisely.

Leading writers and critics, including Margaret Drabble, Alan Sillitoe and Ferdinand Mount, share their passion for books and the joys of reading in an inspiring collection of essays and writings. A Passion for Books is both a celebration of the value and importance of reading and a spirited defence against the many gloomy voices in our so-called electronic age who say the book will soon be obsolete. This book, itself a joy to read, is written for anyone who cares at all about the past and future of books and reading.

In The Children's Book Business, Lissa Paul constructs a new kind of book biography. By focusing on Eliza Fenwick's1805 product-placement novel, Visits to the Juvenile Library, in the context of Marjorie Moon's 1990 bibliography, Benjamin Tabart's Juvenile Library, Paul explains how twenty-first century cultural sensibilities are informed by late eighteenth-century attitudes towards children, reading, knowledge, and publishing. The thinking, knowing children of the Enlightenment, she argues, are models for present day technologically-connected, socially-conscious children; the increasingly obsolete images of Romantic innocent and ignorant children are bracketed between the two periods. By drawing on recent scholarship in several fields including book history, cultural studies, and educational theory, The Children's Book Business provides a detailed historical picture of the landscape of some of the trade practices of early publishers, and explains how they developed in concert with the progressive pedagogies of several female authors, including Eliza Fenwick, Mary Wollstonecraft, Anna Barbauld, Maria Edgeworth, and Ann and Jane Taylor. Paul's revisionist reading of the history of children's literature will be of interest to scholars working in eighteenth-century studies, book history, childhood studies, cultural studies, educational history, and children's literature.