In late nineteenth and early twentieth century Britain, there was widespread fascination with the technological transformations wrought by modernity. Films, newspapers and literature told astonishing stories about technology, such as locomotives breaking speed records and moving images seemingly springing into life onscreen. And, whether in films about train travel, or in newspaper articles about movie theatres on trains, stories about the convergence of the railway and cinema were especially prominent. Together, the two technologies radically transformed how people interacted with the world around them, and became crucial to how British media reflected the nation's modernity and changing role within the empire. Rebecca Harrison draws on archival sources and an extensive corpus of films to trace the intertwined histories of the train and the screen for the first time. In doing so, she presents a new and illuminating material and cultural history of the period, and demonstrates the myriad ways railways and cinema coalesced to transform the population's everyday life. With examples taken from more than 240 newsreels and 40 feature-length films, From Steam to Screen is essential reading for students and researchers working on film studies and British history at the turn of the century and beyond.

This beautifully written, meticulously detailed, highly engaging book is a rare treat. It evokes a vanished world of railways that achieved extraordinary things logistically while using what is by modern standards distinctly old-fashioned technology. Lifelong railwayman Terry Collins takes the reader on a journey into the heart of what working on the railways between 1962 and 1996 was like, from the days of steam, to the dawn of the modern railway age. The book is also a real eye-opener about many of the behind-the-scenes incidents the public never hears about. 'Never a Dull Moment' is an absolutely unforgettable book As Terry himself says: 'I really enjoyed working on the railways. We had our tragedies, sadly, but we also dealt with many other challenging incidents, including some bizarre ones, and when we won, against the odds, and got the trains and people moving again, it was a great feeling! I say "we" because this book is also very much about the many people in the signal boxes, Traffic Control, stations, yards and on the track, that I worked with, some of them "larger than life" characters, but almost without exception, determined to win. And we did!'