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Books > Language & Literature > Language teaching & learning (other than ELT) > Language teaching & learning material & coursework > Readers
Originally published by Yale University Press, 1970. To order accompanying CDs for this book, contact the Language Resource Center at Cornell University (http: //lrc.cornell.edu).
This second book of the Read Chinese series covers an additional three hundred Chinese characters, in both simplified and traditional forms. It is structured within the framework of a story about a Chinese student's journey to Beijing. The text uses both pinyin and Yale romanization where appropriate, and includes writing and stroke order charts.
This basic beginning reader covers the first three hundred Chinese characters, in both simplified and traditional forms. The text uses both pinyin and Yale romanization where appropriate, and includes writing and stroke order charts.
Presented via the natural method by Hans orberg, "Ars Amatoria" ("The Art of Love") allows students to read lightly altered Latin texts. The text is a poem in three books by Ovid. The first two books consist of instructions to men on the wooing of women of easy virtue; the third, of instructions to woman on seduction of men. The work is full of humor and charm, and contains interesting glimpses of Roman life and manners--the circus, the theatre, the banquet. It was perhaps partly on account of its immorality that Augustus banished the poet to Tomi by the Black Sea. These poems can be read by students who have completed the first five chapters of orberg's second-year text "Roma Aeterna." ("Lingua Latina Pars II"), also available from Focus.
This second edition, like the earlier first edition, introduces some of the main varieties of Chinese as found before and after the establishment of the People's Republic of China in 1949. While continuing to stress the basic importance of the traditional usages, such as the regular characters to be found in all materials published before the adoption of the simplified forms in 1956 and still in use in some areas, the present revision goes further in contrasting variant usages and in providing additional material relevant to the PRC.Closely related with the author's Beginning Chinese and its companion volume, Character Text for Beginning Chinese, this text is based on a new approach which not only takes into account the advantages of the oral-aural method but gets the student more quickly into material that he is likely to encounter in actual written Chinese. Unique features are the emphasis on compounds and their extensive use in various types of exercises. The 1,200 combinations are based on 400 characters; in all, the book contains 120,000 characters of running text. All compounds appear in illustrative sentences accompnied by English translations, in dialogues as a means of audio-lingual reinforcement, and in narrative or expository form. Additional exercises include maps, booksellers' book lists, correspondence, poems, table of contents, and brief passages from the works of outstanding writers such as Sun Yatsen, Hu Shih, Mao Tse-tung, and Lu Hsun. Supplementary lessons present reading material using the simiplified characters adopted in mainland China.To suit the needs of the beginner, characters are introduced in large size, and tables indicate the sequence of strokes used in their formation. In addition to a pinyin index, there are three summary charts in which the characters are arranged by lesson, by number of strokes, and by radical. A fourth chart contrasts regular and simplified characters; a fifth chart presents variant forms of the same chracter. Because of the large characters and extensive material, the book is issued in two volumes, Part I and Part II. This work was supported by a contract with the United States Office of Education.This is the paper copy version of this text.
This is the third in a series of Cambodian readers prepared by Franklin Huffman and Im Proum, following their Cambodian System of Writing and Beginning Reader and Intermediate Cambodian Reader. The reader contains thirty-two selections from some of the most important and best-known works of Cambodian literature in a variety of genres - historical prose, folktales, epic poetry, didactic verse, religious literature, the modern novel, poems and songs, and so forth. The introduction is a general survey in English of Cambodian literature, and each section has an introduction in Cambodian. For pedagogical reasons, the selections are presented roughly in reverse chronological order, from modern prose to the very esoteric and somewhat archaic verse of the Ream-Kie (the Cambodian version of the Ramayana). The reader concludes with a bibliography of some sixty items on Cambodian literature. The glossary combines the 4,000 or so items introduced in this reader with the more than 6,000 introduced in the previous two readers, making it the largest Cambodian-English glossary compiled to date. The definitions are more general and complete than one usually finds in a simple reader glossary, in which definitions are normally context-specific. Because the glossary is so useful in itself, it is being made available separately as well as bound with the reader.
Includes a Thai-English glossary of over 3,500 words.
Students and teachers will welcome this new addition to the DeFrancis series of Chinese language texts. The famous little red book of Mao Tse-tung's thoughts contains basic ideas that permeate virtually all discussion in China of a wide range of topics - war and peace, socialism and communism, culture and art, women and youth, study and education, politics and government, economics and philosophy, morality and ethics, and so on. The Annotated Quotations provides the original Chinese text together with a complete pinyin transcription. The annotation includes regular characters, simplified forms, pinyin transcription, and English definitions. Structural notes are provided for passages of special difficulty. A cumulative glossary of first occurrences of all characters and vocabulary items not in the Index Volume to the DeFrancis series concludes the work. From the point of view of language teaching, an important feature of Chairman Mao's book is that its didactic objective has resulted in precisely the kind of repetition and review that textbook writers work hard to achieve. Furthermore, his writing style is generally simple and clear, and there are few extremely rare characters. For students at various levels of language competence starting at the level of DeFrancis's Beginning Chinese Reader, Part II, the Annotated Quotations provides an excellent introduction to the vast body of materials published in the People's Republic of China.
Cheri and The Last Of Cheri involve a tragic/comic love affair. Colette (1873-1954) is the pseudonym for Sidonie-Gabrielle Colette. She is best known in English speaking countries for her novel Gigi, which was later the source for the Lerner & Loewe musical film and stage musical. Cheri and The Last Of Cheri are two novels concerning a love affair between a successful but aging courtesan, La de Lonval, and her spoiled young lover called Chri. The intensity of their feelings is revealed when Chri marries eighteen-year-old Marie-Laure.
This book is a sequel to the author's Cambodian System of Writing and Beginning Reader, published by the Yale University Press in 1970. It is intended to develop the student's ability to the point of reading unedited Cambodian texts with the aid of a dictionary. Part One consists of thirty-seven reading selections in Cambodian, graded in length and difficulty, from publications by Cambodia's leading writers and scholars. It includes articles on Cambodian history, culture, and geography; Cambodian folktales; newspaper articles and editorials; and modern Cambodian fiction. Each selection is followed by a list of the vocabulary items not previously introduced, along with their definitions. Part Two consists of a final alphabetical Cambodian-English glossary containing not only the 4000 vocabulary items introduced in this volume, but also the 2000 vocabulary items in the preceding Cambodian System of Writing and Beginning Reader. This comprehensive glossary, besides rendering the book useful independently of the preceding volume, is particularly important in view of the present lack of a satisfactory Cambodian-English dictionary for students to use.
La publicacion en 1954 de Poemas y antipoemas revoluciono la poesia. La voz natural del cantor lirico se transformo en la de un antilirico adversario de si mismo. El discurso esta constituido por saltos, exabruptos y reflexiones imprevistas. Los antipoemas se nutren del lenguaje poetico tradicional ironizandolo.
Mr. Schenker now supplements his "Beginning Polish" with a selection of fifteen unabridged, annotated short stories, each by a different author, to be used in beginning and intermediate college courses in Polish. All of the stories are set in contemporary Poland, and are by authors generally considered to be among the most significant and interesting in post-World War II Poland. Each selection is preceded by an English-language biography and literary appreciation of the author. Problems that might be encountered by the reader-whether of a linguistic or cultural nature-are explained in footnotes, and a glossary at the end of the book contains all of the words occuring in the stories. There is no other reader dealing exclusively with twentieth-century Polish prose."This collection of modern (post-war) Polish short stories representing fifteen authors, may be used, as the author suggests in the introduction, as a companion volume to his "Beginning Polish," and is intended for the use of first and second year students of the Polish language."-Slavonic and East European Review
This volume consists of four parts: (1) The Cambodian Writing System, a formal description of the relationship between the writing system and the phonology of the language; (2) Programmed Reading Exercises, a series of highly structured reading drills to train the student to read all regular Cambodian word shapes; (3) Beginning Cambodian Reader, fifty reading selections, graded in length and difficulty, ranging from short, simple narratives to essays on various aspects of Cambodian culture; and (4) Cambodian-English Glossary, containing some 2,000 words.
A well-known chinese folktale is retold here within the limits of an elementary 300 character vocabulary. Yale and Pinyin romanization with Traditional characters. An excellent text for beginning Chinese students.
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