Although hailed, alongside Nelson Mandela and Oliver Tambo, as one of the ANC’s holy trinity, Walter Sisulu has remained a relatively neglected figure in the historiography of the struggle for liberation in South Africa. Modest and unassuming, Sisulu was always content to stay in the background in a way that has belied his importance. This nuanced and highly original biography of Walter Sisulu, drafted by political historian Tom Lodge before his untimely death, provides a powerful corrective.

Lodge pronounces Walter an exceptional organiser, the most influential planner of the ANC’s mass campaigning during the 1950s, a principled but undoctrinaire communist, and alongside Mandela an advocate of the necessity of armed struggle. He also served as the careful navigator of the ambiguous relationship between the ANC and Umkhontho we Sizwe, and Lodge details how Sisulu’s exceptional grasp of this enabled him to confound the prosecution when he later played a lead role as a defendant in the Rivonia trial. Sentenced to life imprisonment with his fellow trialists, Walter’s became a calming influence amidst the divisive ideological debates which took place on Robben Island, as well as a constant source of strength and support to Mandela. Then, after his release from jail – ahead of Mandela – in 1989, he again demonstrated his prowess as the chief organiser of the ANC as it re-established itself prior to the 1994 elections.

In this powerful account of his life, completed by Roger Southall, Lodge provides the detailed analysis of his commitment and contribution to South African freedom that Walter Sisulu deserves.

From the editor in chief of Variety and author of the New York Times bestseller "Ladies Who Punch", the never-fully-told, behind-the-scenes story of Donald Trump and The Apprentice, the long-running reality series that catapulted him to the White House.

Here for the first time is the definitive untold story of Donald Trump’s years as a reality TV star. Trump himself admits he might not have been president without The Apprentice. Now, just as he uncovered the chaos inside the daytime favorite The View in his bestselling "Ladies Who Punch", Ramin Setoodeh chronicles Trump’s dramatic tenure as New York’s ultimate boss in the boardroom, a mirage created by Survivor producer Mark Burnett and NBC boss Jeff Zucker.

With unprecedented access, including hours of interviews with Trump, his boardroom advisers George Ross and Carolyn Kepcher, Eric Trump, and some of the most memorable contestants, and writing with flair and authority, Setoodeh shares all the untold tales from this legendary show that has left its mark on popular culture, shaped the legend of its star, and ultimately changed American history.

For most people, their 60s is a time to slow down and smell the roses. Not for Alvin and Jean Witten, however. Instead, they went to Mozambique to search for churches.

In relentless heat, by car and by motorbike, on foot, and bicycle, they delved into every corner of this vast country, negotiating swollen rivers and broken bridges, roads that could hardly be called roads, hair-raising overnight accommodations, meals that were hard to stomach, bureaucracy, corruption and incompetence, in order to hunt down and officially count the 1 300+ congregations known to exist there.

For five years they gave up their closeness to family, friends and creature comforts in pursuit of this mission, experiencing joy and pain, learning things about themselves along the way, and forging lifelong bonds.

In 1978, the activist and novelist Alex La Guma (1925–1985) published A Soviet Journey, a memoir of his travels in the Soviet Union. Today it stands as one of the longest and most substantive first-hand accounts of the USSR by an African writer. La Guma’s book is consequently a rare and important document of the anti-apartheid struggle and the Cold War period, depicting the Soviet model from an African perspective and the specific meaning it held for those envisioning a future South Africa.

For many members of the African National Congress and the South African Communist Party, the Soviet Union represented a political system that had achieved political and economic justice through socialism – a point of view that has since been lost with the collapse of the USSR and the end of the Cold War. This new edition of A Soviet Journey – the first since 1978 – restores this vision to the historical record, highlighting how activist-intellectuals like La Guma looked to the Soviet Union as a paradigm of self-determination, decolonisation and postcolonial development.

The introduction by Christopher J. Lee discusses these elements of La Guma’s text, in addition to situating La Guma more broadly within the intercontinental spaces of the Black Atlantic and an emergent Third World. Presenting a more expansive view of African literature and its global intellectual engagements, A Soviet Journey will be of interest to readers of African fiction and non-fiction, South African history, postcolonial Cold War studies and radical political thought.

Alex La Guma was a South African novelist, leader of the South African Coloured People's Organisation and a defendant in the Treason Trial, whose works helped characterise the movement against the apartheid era in South Africa.

In Seven Khoi lives Karel Schoeman writes about seven Khoi men and women whose lives became inextricably linked to the VOC’s settlement at the Cape in the seventeenth century. Chiefs and servants, enemies and interpreters; none of them escaped unscathed as their people were marginalised and their stories reduced to mere footnotes in the annals of history. These biographies were first seen in Kinders van die Kompanjie: Kaapse lewens uit die sewentiende eeu and have now been reworked for the benefit of a non-South African readership. Schoeman paints a vivid picture of life at the southernmost point of Africa at a time when the Khoikhoi believed they could find a way of living with these foreigners and their unceasing appetite for cattle – or free themselves forever of this unasked-for presence.

What's exciting about a piece of bread 4,000 years old? Or some pots of paint abandoned in the eruption at Pompeii? Why should we be bothered with the distant past anyway? What's the point?

The life, art and literature of ancient Greece and Rome have something to offer everyone. They are not the property of wealthy white men only. They make us wonder how to make sense of people who lived long ago (from angry landlords to giggling senators) - and to think harder about our own world, to look at it differently.

In Talking Classics, Mary Beard points to the surprising connections between antiquity and the present. From revolutionaries to dictators, Bob Dylan to Beyoncé, she joins forces with the varied modern characters who have been transfixed by the ancient world. It's not compulsory, she argues, to be excited by antiquity, but it's a shame not to be.

After half a century teaching and studying classics, she fills the book with lively stories, curious facts and some good gossip. Talking Classics explains why the deep past does really affect us all.

As grootoog seun in die ou Oos-Transvaal het Louis Jansen van Vuuren nooit kon dink dat hy eendag die Franse kunswerke in ’n ensiklopie in sy pa se studeerkamer in lewende lywe sou sien nie, wat nog te sê dat hy ’n château in die Franse platteland sou besit.

Louis se liefde vir alles wat Frans is, is so aansteeklik dat ’n rits ander Suid-Afrikaners die afgelope paar jaar ook blyplekke in die Boussac-omgewing gekoop het. In Biltong en Dior deel hy kostelike vertellings oor hoe inkommers in ’n vreemde land met ’n haas onleerbare taal en eiesoortige gewoontes moet oorleef.

Hulle tel baie op oor Franse styl en kultuur, maar die Franse leer ook iets oor Suid-Afrikaners se onblusbare ondernemingsgees en gasvryheid. Sy stories word verryk met boeiende brokkies oor die Franse geskiedenis, taal en kultuur.

Uiteindelik gee hierdie Afrikaanse Fransman se lewe in die vreemde gee hom ook ’n nuwe waardering vir dit wat hom uniek en trots Suid-Afrikaans maak.

‘Miskien issit omdat poverty my define en nie die racial politics vannie land ie.’

Wit issie ’n colour nie is ’n versameling verhale oor grootword en die lewe in die buitewyke van die Kaapse Vlakte. Dit dek identiteit, rassepolitiek, sosio- ekonomiese kwessies en bruin kultuur, en bevraagteken die Suid-Afrika waarin ons ons bevind. Dit is gevul met galgehumor, rou eerlikheid en hartverskeurende vertellings van pogings om die lewe op die Vlakte te navigeer. Hierdie versameling is diep persoonlik en ’n ontstellend waar weergawe van die lewe aan die ander kant van die spoor, geskryf in Kaapse Afrikaans.

Anger, hurt, loss, rejection … these feelings are familiar to the families who, in the early 1970s, were forced from their homes in Harfield Village in Cape Town’s southern suburbs. Siona O’Connell brings their stories to light. She examines the lost ways of life, the sense of home and belonging.

David Brown’s images show what life was like in Harfield before the removals, and his images are echoed by recent photos of the same former residents.

Franschhoek Literary Festival co-founder Jenny Hobbs' new memoir Through A Dragonfly Eye is a moving account of growing up and coming of age in mid-twentieth century South Africa, full of insight, humour, and tenderness for family and country.

Stellenbosch is world renowned for its wine, gorgeous scenery, and beautiful people. It’s the home of students working towards their future, successful businessmen and respected professors. But don’t let the luxury and blue mountains fool you. The sleepy town hides numerous crimes that rocked this community, the country and the world.

Over the past two decades the front pages of newspapers splashed the details of the murders of Inge Lotz, Hannah Cornelius, Susan Rohde, the Van Breda family... But this book also contains the less known victims such as Felicity Cilliers, the farm worker who’s murder was forgotten by all but her family. The victims and the murderers in this book come from all walks of life and confirms that not even Stellenbosch can escape the harsh reality of crime in South Africa.

The acclaimed author and journalist Julian Jansen third book reads like a crime novel and contains never before published information on each of the crimes.

This detailed Handbook to the Iron Age covers the last 2,000 years in Southern Africa.

The first part of the book outlines essential topics such as settlement organization, stonewalled patterns, ritual residues, long-distance trade, and ancient mining. Part two presents a comprehensive culture-history sequence through ceramic analyses, showing distributions, stylistic types, and characteristic pieces. The final section reviews and updates the main debates about black prehistory, including migration vs. diffusion, the role of cattle, the origins of Mapungubwe, the rise and fall of Great Zimbabwe, as well as the archaeology of the Venda, the Sotho-Tswana, and the Nguni speakers.

Handbook to the Iron Age is an abundantly illustrated study that is accessible to a wide range of people interested in African prehistory.

Poetic Inquiry for the Social and Human Sciences: Voices from the South and North enriches human and social science research by introducing new voices, insights, and epistemologies.

Poetic inquiry, or poetry as research, is a literary and performance arts-based approach. It combines the arts and humanities with scientific inquiry to enhance social research. By challenging conventional epistemological traditions that assert a detached stance of the known from the knower, poetic inquiry proposes a method of decolonising knowledge production. This book expands on ground-breaking work done in the Global North on transdisciplinary poetic inquiry scholarship by bringing it into conversation with knowledge from the Global South. It allows for South-North leadership and places unique scholarly contributions from the South at the centre of transnational discussions.

In exploring and advancing poetic inquiry in the Global South, part of the book’s decolonising agenda is to challenge and expand the definition of poetic inquiry and recognise the contributions from diverse traditions and social practices. The peer-reviewed chapters are written by new and established scholars in various knowledge fields worldwide. The chapters’ scholarly contributions are complemented by an original poetry sequence interwoven through the book. Critically, Voices and Silences shows how poetry can engender innovative research that addresses pressing social justice issues, such as inclusion and decolonisation.

Poetic Inquiry will interest researchers and academics who seek to advance social research by adopting new epistemologies and approaches that integrate the value of the Global South’s contributions and foster expanded South-North collaborations.

An unprecedented study of how Christianity reshaped Black South Africans’ ideas about gender, sexuality, marriage, and family during the first half of the twentieth century.

This book demonstrates that the primary affective force in the construction of modern Black intimate life in early twentieth-century South Africa was not the commonly cited influx of migrant workers but rather the spread of Christianity. During the late nineteenth and early twentieth centuries, African converts developed a new conception of intimate life, one that shaped ideas about sexuality, gender roles, and morality.

Although the reshaping of Black intimacy occurred first among educated Africans who aspired to middle-class status, by the 1950s it included all Black Christians—60 percent of the Black South African population. In turn, certain Black traditions and customs were central to the acceptance of sexual modernity, which gained traction because it included practices such as lobola, in which a bridegroom demonstrates his gratitude by transferring property to his bride’s family. While the ways of understanding intimacy that Christianity informed enjoyed broad appeal because they partially aligned with traditional ways, other individuals were drawn to how the new ideas broke with tradition. In either case, Natasha Erlank argues that what Black South Africans regard today as tradition has been unequivocally altered by Christianity.

In asserting the paramount influence of Christianity on unfolding ideas about family, gender, and marriage in Black South Africa, Erlank challenges social historians who have attributed the key factor to be the migrant labor system. Erlank draws from a wide range of sources, including popular Black literature and the Black press, African church and mission archives, and records of the South African law courts, which she argues have been underutilized in histories of South Africa. The book is sure to attract historians and other scholars interested in the history of African Christianity, African families, sexuality, and the social history of law, especially colonial law.

The next chapter of human history should not be written by algorithms, it should be written by us. It is only by fully understanding how data has shaped our past that we can decide what role it plays in our future.

We live in an era when trading our information for access can feel harmless or inevitable - yet from targeted advertising to mass surveillance, data shapes the course of our lives. How did it gain the power it now holds over us?

Long before writing existed, at the dawn of civilisation in Mesopotamia, rulers pressed marks into clay to keep track of land, people and grain. To rule, they had to keep count. It is no accident, then, that the first written name in human history was neither a god nor a king, but an accountant. As ships and navigation expanded our horizons, a new age of European empires took control of more than 80 per cent of the world's surface, using colonial censuses, maps and ledgers to decide who belonged, who owed, and who could be sacrificed. Today, a handful of private brokers increasingly define what we see and what is real.

Taking readers from ancient cave markings and knotted strings to the algorithmic state, Dartmouth professor Roopika Risam reveals how data has always been the seed of power: a technology of control that has shaped civilizations and upheld empires. Provocative, humane and sweeping in scope, Data Empire challenges us to decide whether we will allow a new set of data empires to hardwire inequality into the next century, or fight for systems that work for the benefit of all.

This groundbreaking 11,000 year history argues that empire was never just about weapons or ships - it was built on collecting information on us, to rule us.

This acclaimed book by Steven Pinker argues that, contrary to popular belief, humankind has become progressively less violent over millenia and decades. Can violence really have declined?

The images of conflict we see daily on our screens from around the world suggest this is an almost obscene claim to be making. Extraordinarily, however, Steven Pinker shows violence within and between societies - both murder and warfare - really has declined from prehistory to today. We are much less likely to die at someone else's hands than ever before. Even the horrific carnage of the last century, when compared to the dangers of pre-state societies, is part of this trend.

Debunking both the idea of the 'noble savage' and an over-simplistic Hobbesian notion of a 'nasty, brutish and short' life, Steven Pinker argues that modernity and its cultural institutions are actually making us better people.

This insightful portrait of Winston Churchill delves beyond well-known political moments, incorporating perspectives from various individuals who encountered him throughout his life.

From Bletchley Park codebreakers and Hollywood stars such as Charlie Chaplin, through writers as varied as H. G. Wells and P. G. Wodehouse, to the likes of Harold Wilson, Mahatma Gandhi and Queen Elizabeth II, these lesser-known interactions reveal glimpses of the man behind the legend.

We meet Churchill the exuberant schoolboy thug with an early mania for bull-dogs, and Churchill the elder statesman shedding a tear in the House of Commons smoking room. Other incidents include a young journalist rudely dismissing a call from Churchill as a prank, and a visiting Dwight D. Eisenhower dreaming of being strangled, only to awake entangled in Churchill’s borrowed nightshirt.

The book showcases the profound transformations during Churchill’s lifetime, which ran from Benjamin Disraeli’s premiership to the release of the Rolling Stones’ ‘Route 66’, and the shift from steam to atomic power. Examining controversial aspects of his legacy, this multifaceted portrait challenges preconceived notions, inviting readers to reconsider the complexities of Churchill.

Capturing the Spoor describes and discusses the virtually unknown rock art of the northernmost reaches of South Africa, in the area of the Central Limpopo Basin. The title of the book comes from the belief held by some traditional Bantu-speakers that the San can ‘capture’ animal spoor and bewitch it in order to ensure hunting success. The authors use this as an analogy for understanding the behavior of people in the past through the traces they leave behind.

This book describes the work of four distinct cultural groups: the San; Khoekhoen (Khoikhoin or ‘Hottentots’), Venda and Northern Sotho, and, most recently, people of European descent. Further, it discusses the interaction and connection between the four groups. It is the first substantial body of work from South Africa to focus on an area outside the Drakensberg, which has become synonymous with ‘southern African rock art’. Although the book focuses on a specific region, it introduces anthropological information from the Cape to the greater Kalahari region. The text is interspersed with first-hand accounts of Kalahari and Okavango San beliefs and rites and discussions with traditional Bantu-speaking peoples. A distillation of 14 years of field surveying and research in the Central Limpopo Basin, it targets the general reader who would like to know more about southern Africa’s rock art traditions, but at the same time addresses many academic concerns.

A simple narrative line and copious endnotes, respectively, ensure that both ‘lay’ and academic readers will find the subject interesting. The text is abundantly illustrated with line drawings and expressed through photographs. A list of rock art sites in Limpopo that are open to the public will be included.

This is a rare publication where information that is collected is analyzed with the help of knowledge and experience accumulated by the local indigenous communities, whose have been seldom heard in this context before.

Journalist Lesley Mofokeng investigates the life of his remarkable grandfather, Mongangane Wilfred Mofokeng, a prominent Dutch Reformed Church evangelist, who built a thriving community out of the dust of the far Northwest.

The journey takes him from Joburg’s Marabi-soaked townships of the 1930s to his childhood home of Gelukspan near Lichtenburg and then to the rural Free State and the remote mountain kingdom of Lesotho. In what becomes a spiritual quest, he traces the inspirational footsteps of his ancestors and the legendary King Moshoeshoe.

In the process, Mofokeng proudly claims his heritage and also uncovers a long-lost chapter of South African history and the church of the apartheid regime.

Hierdie is 'n biografie in konteks en lees soos 'n roman.

Die jaar is 1700, die plek Amsterdam. Die bruid is 21 jaar oud en inderhaas getroud met 'n wewenaar wat oud genoeg is om haar pa te wees. Wie is die Franse vrou wat kans sien vir 'n pionierslewe op 'n verre voorpos? Marie Buisset is 'n vlugteling, 'n weeskind uit Sedan, Frankryk, gebore tydens die felste Hugenootvervolging. Sy word die stammoeder van die families Du Plessis en Smith in Suid-Afrika. As vroedvrou - later op die loonlys van die VOC - word Marie (later genoem Maria) die hulp van die kwesbares: 'n verkragte meisietjie, 'n tiener wat geboorte gee en verskeie vroue wat deur hul eienaars, minnaars of eggenote verniel is.

Die leser ontmoet talle bekende name in die Suid-Afrikaanse geskiedenis. Dis 'n verhaal van politieke stryd, ontbering, politiek en liefde. Dis 'n storie oor mense en die uitdagings wat hulle aanpak.

Uit skrapse oorblyfsels soos hofverslae, mediese rekeninge, veilings en testament onthul Joan Kruger 'n ryk en boeiende verhaal, vol humor en patos. Wieg: die verhaal van Maria du Plessis, née Buisset, (1679 - 1751) Hugenoot en vroedvrou is a vonds vir historici en lesers wat nuwe lig werp op 'n gedeelde verlede. 'n Kragtoer.

South Africa’s pre-eminent historian explains the spectacular rise – and probable demise – of the numerical minority that dominated 20th-century South Africa.

The Afrikaners are unique in the world in that they successfully mobilised ethnic entrepreneurship without state assistance, controlled the entire country, and then yielded power without military defeat. Award-winning author Hermann Giliomee takes a hard analytical look at this group’s dramatic ascent and possible disappearance as a nation in a series of well-argued thematic chapters. Topics range from ethnic entrepreneurship, the ‘coloured vote’ and ‘Bantu’ education to Nelson Mandela’s relationship with the last Afrikaner leaders.

It ends with a final chapter on the most likely future for this sometimes admired, often reviled group, which undoubtedly left the largest imprint on South African history in the 20th century.

This is a story about you.

<> It is the history of who you are and how you came to be. It is unique to you, as it is to each of the 100 billion modern humans who have ever drawn breath. But it is also our collective story, because in every one of our genomes we each carry the history of our species - births, deaths, disease, war, famine, migration and a lot of sex.

In this captivating journey through the expanding landscape of genetics, Adam Rutherford reveals what our genes now tell us about human history, and what history can now tell us about our genes.

From Neanderthals to murder, from redheads to race, dead kings to plague, evolution to epigenetics, this is a demystifying and illuminating new portrait of who we are and how we came to be.

You’ll never think of flying in South Africa in the same way again.

This is an insider’s tale of the South African airline industry over the past thirty years, as told by Glenn Orsmond, and particularly the story of the dramatic collapse of Comair in 2022.

Orsmond, who was twice the CEO of Comair and the founder CEO of 1time, takes the reader on a wild ride through the ultracompetitive sector of low-cost airlines that boomed in this country after South African Airways’ stranglehold on the skies was loosened in the 1990s. Comair – which operated both Kulula and British Airways – and 1time were at the forefront of this new wave of airlines that saw domestic flying and tourism take off.

But after some incredible highs and lows, Comair crashed under Orsmond’s watch despite the company’s 75-year unblemished profit history. The pandemic’s impact, the grounding of aeroplanes after a questionable regulator investigation and poor management decisions all contributed to its downfall.

You can expect tales of industry legends and innovation but also of competitors trying to gut each other, battles between pilots and accountants, unions and bosses at loggerheads, and warfare between shareholders and directors in boardrooms.

The story of how information networks have made, and unmade, our world from the #1 Sunday Times bestselling author of Sapiens.

For the last 100,000 years, humans have accumulated enormous power. But despite all our discoveries, inventions and conquests, we now find ourselves in an existential crisis. The world is on the verge of ecological collapse. Misinformation abounds. And we are rushing headlong into the age of AI – a new information network that threatens to annihilate us. If we are so wise, why are we so self-destructive?

NEXUS considers how the flow of information has shaped us, and our world. Taking us from the Stone Age through the Bible, early modern witch-hunts, Stalinism, Nazism and the resurgence of populism today, Yuval Noah Harari asks us to consider the complex relationship between information and truth, bureaucracy and mythology, wisdom and power. He explores how different societies and political systems have wielded information to achieve their goals, for good and ill. And he addresses the urgent choices we face as non-human intelligence threatens our very existence.

Information is not the raw material of truth; neither is it a mere weapon. NEXUS explores the hopeful middle ground between these extremes, and of rediscovering our shared humanity.

When John Kgoana Nkadimeng travelled from Sekhukhuneland to the Witwatersrand in 1944, he was one of thousands of migrants seeking work in town. But his encounters with racial injustice and contact with activists drew him down a very different path, one which was dedicated to the struggle.

Mokgomana tells the story of Nkadimeng, from his origins in the rural village of Manganeng, in an area with a long history of resistance to colonial rule, through his growing involvement in trade unions, the Communist Party and the ANC. He spearheaded rural opposition to Bantu Authorities, helped take new MK recruits out of the country, and played a crucial role in re-establishing the ANC underground after the state smashed resistance networks. In 1976 he fled South Africa for the perilous terrain of building MK organisations in Swaziland and Mozambique. In 1982 he settled in Lusaka and played a pivotal part in the leadership of the ANC, Communist Party and SACTU during that decisive decade.

Mokgomana represents a new focus on an under-acknowledged leader and offers fresh perspectives on over four decades of struggle history. It is also the story of the family which supported him, enduring harassment and separation, and their own splintered trajectories through exile and homecoming.