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Books > Science & Mathematics > Physics > Classical mechanics > Sound, vibration & waves (acoustics)
Spectral Theory of Guided Waves represents a distillation of the authors' (and others) efforts over several years to rigorously discuss many of the properties of guided waves. The bulk of the book deals with the properties of eigenwaves of regular waveguiding systems and relates these to a variety of physical situations and applications to illustrate their generality. The book also includes considerable discussion of the basic properties of normal waves with quadratic operator pencils. Unique in its coverage of these subjects, the book will be of interest to engineers, applied mathematicians, and physicists with a working knowledge of functional analysis and spectral theory.
Nonlinear Waves in Elastic Media explores the theoretical results
of one-dimensional nonlinear waves, including shock waves, in
elastic media. It is the first book to provide an in-depth and
comprehensive presentation of the nonlinear wave theory while
taking anisotropy effects into account. The theory is completely
worked out and draws on 15 years of research by the authors, one of
whom also wrote the 1965 classic Magnetohydrodynamics.
Techniques and Topics in Flow Measurement covers the applications
and techniques of flow measurement. This definitive book provides
guidelines for choosing appropriate techniques and assuring valid
measurements as well as describes methods for treatment of
calibration data in fluid flow under various conditions. The book
also covers three systems of units: the SI system, the English
Absolute Dimensional system, and the English Engineering system.
Commonly used - and often misused - variables such as force,
weight, and pressure are defined, and the relationships between the
systems for these common variables are summarized.
This book presents the signal processing algorithms that have been developed to process the signals acquired by a spherical microphone array. Spherical microphone arrays can be used to capture the sound field in three dimensions and have received significant interest from researchers and audio engineers. Algorithms for spherical array processing are different to corresponding algorithms already known in the literature of linear and planar arrays because the spherical geometry can be exploited to great beneficial effect. The authors aim to advance the field of spherical array processing by helping those new to the field to study it efficiently and from a single source, as well as by offering a way for more experienced researchers and engineers to consolidate their understanding, adding either or both of breadth and depth. The level of the presentation corresponds to graduate studies at MSc and PhD level. This book begins with a presentation of some of the essential mathematical and physical theory relevant to spherical microphone arrays, and of an acoustic impulse response simulation method, which can be used to comprehensively evaluate spherical array processing algorithms in reverberant environments. The chapter on acoustic parameter estimation describes the way in which useful descriptions of acoustic scenes can be parameterized, and the signal processing algorithms that can be used to estimate the parameter values using spherical microphone arrays. Subsequent chapters exploit these parameters including in particular measures of direction-of-arrival and of diffuseness of a sound field. The array processing algorithms are then classified into two main classes, each described in a separate chapter. These are signal-dependent and signal-independent beamforming algorithms. Although signal-dependent beamforming algorithms are in theory able to provide better performance compared to the signal-independent algorithms, they are currently rarely used in practice. The main reason for this is that the statistical information required by these algorithms is difficult to estimate. In a subsequent chapter it is shown how the estimated acoustic parameters can be used in the design of signal-dependent beamforming algorithms. This final step closes, at least in part, the gap between theory and practice.
Providing a wealth of information on fundamental topics in the areas of linear air and underwater acoustics, as well as space-time signal processing, this book provides real-world design and analysis equations. As a consequence of the interdisciplinary nature of air and underwater acoustics, the book is divided into two parts: Acoustic Field Theory and Space-Time Signal Processing. It covers the fundamentals of acoustic wave propagation as well as the fundamentals of aperture theory, array theory, and signal processing. Starting with principles and using a consistent, mainly standard notation, this book develops, in detail, basic results that are useful in a variety of air and underwater acoustic applications. Numerous figures, examples, and problems are included.
Bivectors occur naturally in the description of elliptically
polarized homogeneous and inhomogeneous plane waves. The
description of a homogeneous plane wave generally involves a vector
(the unit vector along the propagation direction) and a bivbector
(the complex amplitude of the wave). Inhomogeneous plane waves are
described in terms of two bivectors - the complex amplitude and the
complex slowness. The use of bivectors and their associated
ellipses is essential for the presentation of the 'directional
ellipse' method given in this book, in deriving all possible
inhomogeneous plane wave solutions in a given context.
The major aim of this book is to introduce the ways in which
scientists approach and think about a phenomenon -- hearing -- that
intersects three quite different disciplines: the physics of sound
sources and the propagation of sound through air and other
materials, the anatomy and physiology of the transformation of the
physical sound into neural activity in the brain, and the
psychology of the perception we call hearing. Physics, biology, and
psychology each play a role in understanding how and what we hear.
Introducing the first, self-contained reference on acoustic waveform logging
The interaction of sound waves with the medium through which they
pass can be used to investigate the thermophysical properties of
that medium. With the advent of modern instrumentation, it is now
possible to determine the speed and absorption of sound with
extremely high precision and, through the dependence of those
quantities on variables like temperature, pressure, and frequency
to gain a sensitive measure of one or more properties of fluid.
This has led to renewed interest in such measurements and in the
extraction of thermophysical properties of gases and liquids there
from.
Software Synthesis from Dataflow Graphs addresses the problem of generating efficient software implementations from applications specified as synchronous dataflow graphs for programmable digital signal processors (DSPs) used in embedded real- time systems. The advent of high-speed graphics workstations has made feasible the use of graphical block diagram programming environments by designers of signal processing systems. A particular subset of dataflow, called Synchronous Dataflow (SDF), has proven efficient for representing a wide class of unirate and multirate signal processing algorithms, and has been used as the basis for numerous DSP block diagram-based programming environments such as the Signal Processing Workstation from Cadence Design Systems, Inc., COSSAP from SynopsysA(R) (both commercial tools), and the Ptolemy environment from the University of California at Berkeley. A key property of the SDF model is that static schedules can be determined at compile time. This removes the overhead of dynamic scheduling and is thus useful for real-time DSP programs where throughput requirements are often severe. Another constraint that programmable DSPs for embedded systems have is the limited amount of on-chip memory. Off-chip memory is not only expensive but is also slower and increases the power consumption of the system; hence, it is imperative that programs fit in the on-chip memory whenever possible. Software Synthesis from Dataflow Graphs reviews the state-of-the-art in constructing static, memory-optimal schedules for programs expressed as SDF graphs. Code size reduction is obtained by the careful organization of loops in the target code. Data buffering is optimized byconstructing the loop hierarchy in provably optimal ways for many classes of SDF graphs. The central result is a uniprocessor scheduling framework that provably synthesizes the most compact looping structures, called single appearance schedules, for a certain class of SDF graphs. In addition, algorithms and heuristics are presented that generate single appearance schedules optimized for data buffering usage. Numerous practical examples and extensive experimental data are provided to illustrate the efficacy of these techniques.
The advent of instruments capable of measuring sound intensity, which represents the flow of energy in sound fields, has revolutionised audio-frequency acoustical metrology. Since publication of the first edition, two International Standards for the use of sound intensity for sound source power determination, and one International Standard for sound intensity instrumentation, have also been published. A number of International Standards have also been developed.
Trees can reduce noise by sound reflection and absorption and this is the first book bringing together the widely scattered literature on noise abatement by urban trees. The book will interest those concerned with environmental management, noise control, and urban forestry. It is an invaluable source of information for environmental managers, foresters, acousticians, engineers, architects, scientists, and students.
The current popular and scientific interest in virtual environments has provided a new impetus for investigating binaural and spatial hearing. However, the many intriguing phenomena of spatial hearing have long made it an exciting area of scientific inquiry. Psychophysical and physiological investigations of spatial hearing seem to be converging on common explanations of underlying mechanisms. These understandings have in turn been incorporated into sophisticated yet mathematically tractable models of binaural interaction. Thus, binaural and spatial hearing is one of the few areas in which professionals are soon likely to find adequate physiological explanations of complex psychological phenomena that can be reasonably and usefully approximated by mathematical and physical models. This volume grew out of the Conference on Binaural and Spatial Hearing, a four-day event held at Wright-Patterson Air Force Base in response to rapid developments in binaural and spatial hearing research and technology. Meant to be more than just a proceedings, it presents chapters that are longer than typical proceedings papers and contain considerably more review material, including extensive bibliographies in many cases. Arranged into topical sections, the chapters represent major thrusts in the recent literature. The authors of the first chapter in each section have been encouraged to take a broad perspective and review the current state of literature. Subsequent chapters in each section tend to be somewhat more narrowly focused, and often emphasize the authors' own work. Thus, each section provides overview, background, and current research on a particular topic. This book is significant in that it reviews the important work during the past 10 to 15 years, and provides greater breadth and depth than most of the previous works.
Scholarly writing on the music of Arvo Part is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Part: Sounding the Sacred focuses on the representational dimensions of Part's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Part studies? In taking up these questions, the book "de-Platonizes" Part studies by demystifying the notion of a single "Part sound." It offers innovative, critical analyses of the historical contexts of Part's experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Part's music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Part's music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Part studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.
This monograph attempts to provide a systematic and consistent survey of the fundamentals of the theory of free, linear, isentropic oscillations in spherically symmetric, gaseous equilibrium stars, whose structure is affected neither by axial rotation, nor by the tidal action of a companion, nor by a magnetic eld. Three parts can be distinguished. The rst part, consisting of Chaps.1-8, covers the basic concepts and equations, the distinction between spheroidal and toroidal normal modes, the solution of Poisson's differential equation for the perturbation of the gravitational potential, and Hamilton's variational principle. The second part, consisting of Chaps.9-13, is devotedto the possible existenceof waves propagating in the radial direction, the origin and classi cation of normal modes, the comple- ness of the normal modes, and the relation between the local stability with respect to convection and the global stability of a star. In the third part, Chaps.14-18 c- tain asymptoticrepresentationsof normalmodes. Chapter 19 deals with slow period changes in rapidly evolving pulsating stars. The theory is developed within the framework of the Newtonian theory of gr- itation and the hydrodynamics of compressible uids. It is described in its present status, with inclusion of open questions. We give preference to the use of the adjective "isentropic" above that of the adjective "adiabatic," since, from a thermodynamic point of view, these stellar - cillations are described as reversible adiabatic processes and thus as processes that take place at constant entropy.
Hydrodynamic equations well describe averaged parameters of turbulent steady flows, at least in pipes where boundary conditions can be estimated. The equations might outline the parameters fluctuations as well, if entry conditions at current boundaries were known. This raises, in addition, the more comprehensive problem of the primary perturbation nature, noted by H.A. Lorentz, which still remains unsolved. Generally, any flow steadiness should be supported by pressure waves emitted by some external source, e.g. a piston or a receiver. The wave plane front in channels quickly takes convex configuration owing to Rayleigh's law of diffraction divergence. The Schlieren technique and pressure wave registration were employed to investigate the wave interaction with boundary layer, while reflecting from the channel wall. The reflection induces boundary-layer local separation and following pressure rapid increase within the perturbation zone. It propagates as an acoustic wave packet of spherical shape, bearing oscillations of hydrodynamic parameters. Superposition of such packets forms a spatio-temporal field of oscillations fading as 1/r. This implies a mechanism of the turbulence. Vorticity existing in the boundary layer does not penetrate in itself into potential main stream. But the wave leaving the boundary layer carries away some part of fluid along with frozen-in vorticity. The vorticity eddies form another field of oscillations fading as 1/r2. This implies a second mechanism of turbulence. Thereupon the oscillation spatio-temporal field and its randomization development are easy computed. Also, normal burning transition into detonation is explained, and the turbulence inverse problem is set and solved as applied to plasma channels created by laser Besselian beams.
Like the previous editions also the third edition of this book combines the detailed physical modeling of mechatronic systems and their precise numerical simulation using the Finite Element (FE) method. Thereby, the basic chapter concerning the Finite Element (FE) method is enhanced, provides now also a description of higher order finite elements (both for nodal and edge finite elements) and a detailed discussion of non-conforming mesh techniques. The author enhances and improves many discussions on principles and methods. In particular, more emphasis is put on the description of single fields by adding the flow field. Corresponding to these field, the book is augmented with the new chapter about coupled flow-structural mechanical systems. Thereby, the discussion of computational aeroacoustics is extended towards perturbation approaches, which allows a decomposition of flow and acoustic quantities within the flow region. Last but not least, applications are updated and restructured so that the book meets modern demands.
Auralization is the technique of creation and reproduction of sound on the basis of computer data. With this tool it is possible to predict the character of sound signals which are generated at the source and modified by reinforcement, propagation and transmission in systems such as rooms, buildings, vehicles or other technical devices. This book is organized as a comprehensive collection of the basics of sound and vibration, acoustic modelling, simulation, signal processing and audio reproduction. With some mathematical prerequisites, the readers will be able to follow the main strategy of auralization easily and work out their own implementations of auralization in various fields of application in architectural acoustics, acoustic engineering, sound design and virtual reality. For readers interested in basic research, the technique of auralization may be useful to create sound stimuli for specific investigations in linguistic, medical, neurological and psychological research, and in the field of human-machine interaction.
The 34 chapters of the 2nd edition of How to Gain Gain give a detailed insight into a collection (54) of the most common gain producing, constant current generating possibilities, and electronic noise creation of triodes for audio pre-amplifier purposes. These chapters also offer complete sets of formulae to calculate gain, frequency and phase responses, and signal-to-noise ratios of certain building blocks built-up with this type of vacuum valve (tube). In all cases detailed derivations of the gain formulae are also presented. All what is needed are the data sheet valve characteristic figures of the triode's mutual conductance, the gain factor and the internal plate (anode) resistance. To calculate frequency and phase responses of gain stages the different data sheet based input and output capacitances have to be taken into account too. To calculate transfer functions and signal-to-noise ratios for any kind of triode driven gain stage, including all its bias setting, frequency, phase, and electronic noise influencing components, example Mathcad 11 worksheets as an essential simulation tool for each chapter allow easy follow-up and application of the respective formulae. Free download of all worksheets is guaranteed from the editor's web-site.
This book incorporates the developments in digital audio technology, including consumer products, into a firm foundation of the physics of sound. No knowledge of physics, mathematics, or music is required. Includes updated information on musical synthesizers. Provides recent information on the ear, including new advances in cochlear implant technology. Updates material for modern technology, particularly MP3. Features abundant examples, including discussion of demonstration experiments. Includes historical discussion of musical temperaments and instruments. Offers videotapes of musical demonstrations on topics discussed in the book, available from author. A useful reference for musicians or anyone interested in learning more about the physics of music.
Roughly defined as any property other than pitch, duration, and loudness that allows two sounds to be distinguished, timbre is a foundational aspect of hearing. The remarkable ability of humans to recognize sound sources and events (e.g., glass breaking, a friend's voice, a tone from a piano) stems primarily from a capacity to perceive and process differences in the timbre of sounds. Timbre raises many important issues in psychology and the cognitive sciences, musical acoustics, speech processing, medical engineering, and artificial intelligence. Current research on timbre perception unfolds along three main fronts: On the one hand, researchers explore the principal perceptual processes that orchestrate timbre processing, such as the structure of its perceptual representation, sound categorization and recognition, memory for timbre, and its ability to elicit rich semantic associations, as well as the underlying neural mechanisms. On the other hand, timbre is studied as part of specific scenarios, including the perception of the human voice, as a structuring force in music, as perceived with cochlear implants, and through its role in affecting sound quality and sound design. Finally, computational acoustic models are sought through prediction of psychophysical data, physiologically inspired representations, and audio analysis-synthesis techniques. Along these three scientific fronts, significant breakthroughs have been achieved during the last decade. This volume will be the first book dedicated to a comprehensive and authoritative presentation of timbre perception and cognition research and the acoustic modeling of timbre. The volume will serve as a natural complement to the SHAR volumes on the basic auditory parameters of Pitch edited by Plack, Oxenham, Popper, and Fay, and Loudness by Florentine, Popper, and Fay. Moreover, through the integration of complementary scientific methods ranging from signal processing to brain imaging, the book has the potential to leverage new interdisciplinary synergies in hearing science. For these reasons, the volume will be exceptionally valuable to various subfields of hearing science, including cognitive auditory neuroscience, psychoacoustics, music perception and cognition, but may even exert significant influence on fields such as musical acoustics, music information retrieval, and acoustic signal processing. It is expected that the volume will have broad appeal to psychologists, neuroscientists, and acousticians involved in research on auditory perception and cognition. Specifically, this book will have a strong impact on hearing researchers with interest in timbre and will serve as the key publication and up-to-date reference on timbre for graduate students, postdoctoral researchers, as well as established scholars.
Current standard numerical methods are of little use in solving mathematical problems involving boundary layers. In Robust Computational Techniques for Boundary Layers, the authors construct numerical methods for solving problems involving differential equations that have non-smooth solutions with singularities related to boundary layers. They present a new numerical technique that provides precise results in the boundary layer regions for the problems discussed in the book. They show that this technique can be adapted in a natural way to a real flow problem, and that it can be used to construct benchmark solutions for comparison with solutions found using other numerical techniques.
Presenting a comprehensive description of the theory and physics of
high-intensity ultrasound, this book also deals with a wide range
of problems associated with the industrial applications of
ultrasound, mainly in the areas of metallurgy and mineral
processing. |
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