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Books > Business & Economics > Industry & industrial studies > Manufacturing industries > Textile industries
The book mainly uses the New Institutional Economics Approach (NIE) to examine the formation and development of industrial clusters in China through multiple case studies of textile and clothing clusters in the Zhejiang province. The micro case studies illustrate the interaction between institutional change and the industrial development of China in transition. It also attempts to fill the information gap through an analysis of the typical institutional factors leading to the development and upgrading of industrial clusters, and provides a better understanding of the changing nature of the public-private interface in the process of cluster development in China.
An evolution is currently underway in the textile industry and Textile for Industrial Applications is the guidebook for its growth. This industry can be classified into three categories-clothing, home textile, and industrial textile. Industrial textiles, also known as technical textiles, are a part of the industry that is thriving and showing great promise. Unlike conventional textiles traditionally used for clothing or furnishing by consumers, industrial textiles are used for manufacturing and functionality purposes, and generally by other industries. This book provides an encyclopedic review of industrial textiles, covering all of the latest trends in the development and application of these textiles with advice and suggestions on how to apply them in other industries. Discusses the latest technologies adopted in the industrial textile industry including nano finishing and plasma applications Covers the basic fundamentals about product characteristics and production techniques Caters to students and faculty involved in textile technology, composite technology, and other interdisciplinary courses as it relates to product engineering and product development Textiles for Industrial Applications details the market potential and growth of industrial textiles and explains the steps involved in the product development of industrial textiles. It discusses property requirement, the basic textile manufacturing process, manufacturing techniques and fibers used, as well as application methods. The book highlights recent developments in terms of raw material usage, manufacturing technology, and value-added finishes in this sector. A separate chapter focuses on the testing procedures of various industrial textiles.
The manufacturing and distribution of textiles and apparel products is a truly global industry, making it crucial to understand current political, social, and economic developments within the international marketplace. Going Global offers a comprehensive framework and approach to understanding the global textile and apparel industries, trade, and markets. This framework is used to holistically examine the global sourcing of textiles and apparel in the context of supply chain sustainability, while exploring the roles and specializations of world regions and selected countries that are major players in the textile and apparel marketplace. New to this Edition: -Comprehensive updates to country profiles and their specializations -Brand new Industry Profile feature with interviews from sourcing industry professionals -New and updated case studies help readers apply concepts to real-world scenarios Instructor Resources -The Instructor's Guide provide suggestions for planning the course and using the text in the classroom, supplemental assignments, and lecture notes -Test Bank includes sample test questions for each chapter -PowerPoint® presentations include color images from the book and provide a framework for lecture and discussion Going Global STUDIO -Study smarter with self-quizzes featuring scored results and personalized study tips -Review concepts with flashcards of essential vocabulary
The cross-cultural usage of a particular cloth type - blueprint - is central to South African cultural history. Known locally as seshoeshoe or isishweshwe, among many other localised names, South African blueprint originated in the Far East and East Asia. Adapted and absorbed by the West, blueprint in Africa was originally associated with trade, coercion, colonisation, Westernisation, religious conversion and even slavery, but residing within its hues and patterns was a resonance that endured. The cloth came to reflect histories of hardship, courage and survival, but it also conveyed the taste and aesthetic predilections of its users, preferences often shared across racial and cultural divides. In its indigenization, isishweshwe has subverted its former history and alien origins and has come to reflect the authority of its users and their culture, conveying resilience, innovation and adaptation and above all a distinctive South Africanness. In this beautifully illustrated book Juliette Leeb-du Toit traces the origins of the cloth, its early usage and cultural adaptations, and its emerging regional, cultural and aesthetic significance. In examining its usage and current national significance, she highlights some of the salient features associated with histories of indigenisation.
The clothing industry provides employment for 60 million workers worldwide. More than a quarter of these workers are employed in the Asia-Pacific region, where the industry is based on subcontracted production on behalf of international buyers. Rapid movements of manufacturing activity from country to country in search of cost advantages make clothing workers part of a globalizing labour market where they increasingly suffer from job insecurity. This book presents carefully researched case studies which highlight the ways in which labour is informalized, fragmented and made disposable by the globalization of production. Chapters address issues pertaining to rights and citizenship, and new forms of activism and organization in conjunction and coordination with diverse support groups, consumers, and wider global campaigns. Contributors further examine the role of the nation state, government regulatory bodies, as well as independent monitoring systems such as the International Labour Organization. Although there has been considerable effort directed to understanding how firms operate across multiple countries - in studies of the organization of global production networks, and the implications for complexities of scale, (de)territorialization and state development projects - there has been far less focus on how these processes produce precarious labour and reshape worker consciousness. Offering new insights into the understanding and support of workers in the global textile and garment industry, this book will be of interest to academics in a variety of disciplines including Asian Studies, sociology, political economy, development, human rights, labour and gender.
Silk! Just the word invokes intrigue and fantasies of lavish mounds of richly hued fabrics. The journey of metamorphosis from caterpillar to silken luxury is miraculous. Textile artist Karen Selk delves into the amazing world of wild silk and the Indigenous people of India who raise the wild silkworms. You'll be drawn into the captivating world of a unique living culture that has been engaged in a sustainable industry for generations. Photos and anecdotes captured from weavers, spinners, and silkworm farmers transport you into their homes and villages to get an up-close look at the intimate connection to the skill, dedication, and specialized tools and techniques the artisans use to transform cocoons into yarn and luxurious fabrics. This little-known industry not only provides us with resplendent cloth but improves our environment and provides a sustainable income, allowing families and communities to stay together while preserving a way of life.
This is a study of one of England's principal cloth towns during the late Middle Ages. It draws extensively upon unpublished records in Colchester and elsewhere, and is the first history of a medieval English town to analyse in conjunction the relationships between overseas trade, urban development and changes in rural society. First it describes Colchester in the earlier fourteenth century, its trade, its agricultural setting and its form of government. The book then shows how cloth-making grew in Colchester after the Black Death and how the population increased until about 1414. The implications of this for the government of the borough and for the town's role in the local economy are discussed. The last section shows that Colchester's growth was not sustained through the fifteenth century, and examines some of the causal links between economic contraction, institutional change in the borough and agrarian depression in the surrounding countryside.
"It's a great, strong read. Lots of information if you don't have background knowledge of this topic." Carmen Carter, El Centro College, USA "The text is a thorough view of fashion forecasting that helps students understand this segment of the industry as well as identify the steps and skills required to pursue a career as a fashion forecaster." Amy Harden, Ball State University, USA Learn how to anticipate emerging trends and how to prepare and present your own fashion forecast. Three new chapters on fashion eras, world cultures, and subcultures show you influences on fashion innovation yesterday and today, so that you can spot those of tomorrow. New Influencer profiles focus on trend creators, rather than trend popularizers, to show you how to find key people from many creative fields who shape popular fashion. A new appendix covers how to create a fashion forecast and a streamlined chapter organization is concise without sacrificing depth. Includes 125 color illustrations. Within the STUDIO, students will be able to: Study smarter with self-quizzes featuring scored results and personalized study tips Review concepts with flashcards of essential vocabulary
Consumers spend approximately $93 billion on denim products every year. This consumption comes at a great cost, with thousands of litres of fresh water, hazardous chemicals and energy contributing to just one pair of jeans, leaving the environment and the industry vulnerable to pollution and climate change. Using facts, figures, case studies and anecdotes, this book investigates why the industry has been so slow to adopt green technologies and offers practical solutions to designers and fashion executives who want to switch to cleaner manufacturing, including those working in the 'fast fashion' sector. It also offers advice to the eco-conscious consumer who wants to purchase denim more sustainably. Considering the full lifecycle of a pair of jeans from the cotton crop to disposal, it presents examples of how to go green at different stages. This book will be of great interest to fashion students and researchers, as well as designers, fashion executives, policy-makers and anyone who comes into contact with the world of denim.
D_TEX presents itself as a starting point at a crossroads of ideas and debates around the complex universe of Textile Design in all its forms, manifestations and dimensions. The textile universe, allied to mankind since its beginnings, is increasingly far from being an area of exhausted possibilities, each moment proposing important innovations that need a presentation, discussion and maturation space that is comprehensive and above all inter- and transdisciplinary. Presently, the disciplinary areas where the textile area is present are increasing and important, such as fashion, home textiles, technical clothing and accessories, but also construction and health, among others, and can provide new possibilities and different disciplinary areas and allowing the production of new knowledge. D_TEX proposes to join the thinking of design, with technologies, tradition, techniques, and related areas, in a single space where ideas are combined with the technique and with the projectual and research capacity, thus providing for the creation of concepts, opinions, associations of ideas, links and connections that allow the conception of ideas, products and services. The interdisciplinary nature of design is a reality that fully reaches the textile material in its essence and its practical application, through the synergy and contamination by the different interventions that make up the multidisciplinary teams of research. The generic theme of D_TEX Textile Design Conference 2017, held at Lisbon School of Architecture of the University of Lisbon, Portugal on November 2-4, 2017, is Design the Future, starting from the crossroads of ideas and debates, a new starting point for the exploration of textile materials, their identities and innovations in all their dimensions.
Women's emancipation through productive labour was a key tenet of socialist politics in post-World War II Yugoslavia. Mass industrialisation under Tito led many young women to join traditionally 'feminised' sectors, and as a consequence the textile sector grew rapidly, fast becoming a gendered symbol of industrialisation, consumption and socialist modernity. By the 1980s Yugoslavia was one of the world's leading producers of textiles and garments. The break-up of Yugoslavia in 1991, however, resulted in factory closures, bankruptcy and layoffs, forcing thousands of garment industry workers into precarious and often exploitative private-sector jobs. Drawing on more than 60 oral history interviews with former and current garment workers, as well as workplace periodicals and contemporary press material collected across Croatia, Macedonia, Serbia, Bosnia-Herzegovina and Slovenia, Women and Industry in the Balkans charts the rise and fall of the Yugoslav textile sector, as well as the implications of this post-socialist transition, for the first time. In the process, the book explores broader questions about memories of socialism, lingering feelings of attachment to the socialist welfare system and the complexity of the post-socialist era. This is important reading for all scholars working on the history and politics of Yugoslavia and the Balkans, oral history, memory studies and gender studies.
Recent Advances in Decolorization and Degradation of Dyes in Textile Effluent by Biological Approaches outlines various eco-friendly, cost effective methods for removal of toxic textile dyes. Large amounts of dye are unbound and released into the environment due to inefficient dyeing processes. The release of wastewater containing dye into the environment has several adverse effects as it is toxic, mutagenic and has other undesirable effects on living organisms. Hence, it is necessary to remove these dyes from industrial effluents to have a sustainable environment. This book deals with conventional as well as advanced effective treatment methods for the removal of dyes in order to increase the domain knowledge of readers. Salient features: Describes physico-chemical characteristics of textile effluent, dye classes and toxicity of dyes commonly used in the textile industry Assembles effective approaches which are used to remove dyes from textile effluent prior to their release into the environment Presents several advanced approaches such as genetic engineering, nanotechnology, immobilized cells or enzymes, biofilms and microbial fuel cells, etc. for the removal of dyes.
In the later 19th century, French-Canadian Roman Catholic immigrants from Quebec were deemed a threat to the United States, potential terrorists in service of the Pope. Books and newspapers floated the conspiracy theory that the immigrants seeking work in New England's burgeoning textile industry were actually plotting to annex parts of the United States to a newly independent Quebec. Vermette's groundbreaking study sets this neglected and poignant tale in the broader context of North American history. He traces individuals and families, from the textile barons who created a new industry to the poor farmers and laborers of Quebec who crowded into the mills in the post-Civil War period. Vermette discusses the murky reception these cross-border immigrants met in the USA, including dehumanizing conditions in mill towns and early-20th-century campaigns led by the Ku Klux Klan and the Eugenics movement. Vermette also discusses what occurred when the textile industry moved to the Deep South and brings the story of emigrants up to the present day. Vermette shows how this little-known episode in U.S. history prefigures events as recent as yesterday's news. His well documented narrative touches on the issues of cross-border immigration; the Nativists fear of the Other; the rise and fall of manufacturing in the U.S.; and the construction of race and ethnicity.
When the future of his family's rope business in Liverpool was threatened at the end of the 1920s Eric Rigby-Jones had to leave his wife and young family behind to risk everything on establishing a new factory in the Irish Free State. He was still an officer in the Territorial Army when he leased a former British cavalry barracks in co. Kildare from the Irish government in 1933. It had lain derelict since the departure of British troops in 1922. Within four years his company, Irish Ropes, was supplying nearly all of Ireland's rope. When war came in 1939 Ireland remained staunchly neutral and faced both German invasion and a British trade embargo. With the government determined to make the country self-sufficient Eric had to resort to increasingly desperate measures to ensure that Irish farmers never ran out of twine to gather the harvest. Tintawn and Binder Twine is the untold story of the foundation and eventual demise of an iconic Irish business, known around the world for its Red Setter twine and Tintawn sisal carpets; of the pioneering Englishman who founded it and introduced new concepts in industrial relations to Ireland; of a family separated in peace and war; and of the regeneration of an Irish town. It is also the story of sisal, the vegetable fibre that became the mainstay of East Africa's colonial economy, and of the first fifty years of an independent Irish state. A member of Eric's wider family, Thomas Jones, was secretary to the British delegation that negotiated the Anglo-Irish treaty in 1921 and his son, Michael, was killed in the Staines air disaster in 1972 while travelling to Brussels with an Irish delegation for talks about the country's imminent membership of the European Union. Well-illustrated and drawing heavily on unpublished family letters, documents, and photographs as well as new research in British and Irish archives, the book reveals intriguing but little-known sides to Anglo-Irish relations during the Second World War. It has particular relevance in today's world of Brexit, borders, tariffs, and the bullying of small nations by large.
How Are Textile Fabrics Formed? Principles of Fabric Formation is a treatise on the modern production systems of woven, knitted, braided, nonwoven, triaxial, multiaxial, and 3D fabrics. This book offers a basic understanding of the technicalities involved in the formation of different types of textile fabrics, and brings out the relative merits and limitations of each production process in one single volume. Gain Insight into the World of Textile Fabrics Providing readers with an appreciation of the technicalities involved in the formation of different types of textile fabrics, the author describes all major fabric formation methods, and explains each stage of formation in the text. He also addresses all major topics related to the formation of different classes of textile fabrics, including yarn winding, warping, yarn sizing, woven fabric construction, weaving, weft knitting, warp knitting, braiding, nonwovens, and triaxial, multiaxial and 3D fabrics. Comprised of 16 chapters, this multifaceted work: Provides a technical description of fabric formation systems Focuses on the diverse technicalities involved in each and every stage of formation Contains a comprehensive compilation of the major principles involved Principles of Fabric Formation is an exclusive junior/senior undergraduate-level textbook with a focus on the diverse technical principles involved in production of the entire gamut of textile fabrics.
This book explores the mechanics of rotor spinning machines. It discusses the open-end spinning machine rotor's vibrations and bearings as well as the kinematics of the rotor's drive as individual drive or central drive, both as a reducing drive and multiplying drive. It examines explanations for the rotor's power requirements through different techniques such as Shirley institute (UK) and Zurich Federal Institute. It also covers power distribution inside the machine, different mechanisms of the machine, and air flow inside the spinning machine.
Fibres to Smart Textiles: Advances in Manufacturing, Technologies, and Applications offers comprehensive coverage of the fundamentals and advances in the textile and clothing manufacturing sectors. It describes the basics of fibres, yarns, and fabrics and their end use in the latest developments and applications in the field and addresses environmental impacts from textile processes and how to minimize them. This book serves as a single comprehensive source discussing textile fibres, yarn formation, filament formation techniques, woven fabric formation, knitting technologies, nonwoven manufacturing technologies, braiding technologies, and dyeing, printing, and finishing processes. Testing of textile materials, environmental impacts of textile processes and use of CAD and CAM in designing textile products are also included. The book also discusses applications including textile composites and biocomposites, technical textiles, smart textiles, and nanotextiles. With chapters authored by textile experts, this practical book offers guidance to professionals in textile and clothing manufacturing and shows how to avoid potential pitfalls in product development.
The 7th Edition of Who's Who in Fashion captures the energy, drama, excitement, and diversity of the luminaries working in the world of fashion. This lushly illustrated book features profiles of fashion legends as well as newcomers who make up the rich tapestry of the fashion industry, spanning designers, photographers, costume designers, writers/editors, illustrators, companies, accessory designers, makeup/cosmetic specialists, and fashion conglomerates. This new edition includes over 400 profiles, 90 of which are new, and 820 images, making this a must-have reference for fashion students, historians, costume curators, and fashion enthusiasts alike. New Profiles Virgil Abloh, Haider Ackermann, Adidas, Adnym, AEFFE, Mike Amiri, Imran Amed, Jonathan Anderson, Paul Andrew, Rosie Assoulin, Kevyn Aucoin, Brendon Babenzien (Noah), BCBGMAXAZRIA, Ritu Beri, Christopher Bevans (DYNE), Blair Breitenstein, Bobbi Brown, Sarah Burton, Giuliano Calza, Ruth Carter, Maria Grazia Chiuri, Moon Choi, Clo 3D, Conde Nast, Peter Copping, Carly Cushnie, Drew Elliot, Edward Enninful, Erdem, Fenty, Ronnie Fieg (Kith), Nicola Formichetti, Furla, Alexander Fury, Mansur Gavriel, H&M, Han Chong (Self-Portrait), Tinker Hatfield, Aurora James, Bouchra Jarrar, Kerby Jean-Raymond (Pyer Moss), James Jebbia (Supreme), Claire Keller, Kering, Laura Kim (Monse), Nick Knight, Loewe, Jerry Lorenzo (Fear of God), LVMH, Brandon Maxwell, Laura Mercier, Alessandro Michelle, MISBHV, Bibhu Mohapatra, Samira Nasr, Irene Neuwirth, Nigo (BAPE), Nike, Noon by Noor, Opening Ceremony, OTB Group, Guo Pei, Heron Preston, Public School, PVH Corp., Richemont, Patrick Robinson, Martine Rose, Olivier Rousteing, Miles Socha, Franca Sozzani, Stussy, Superdry, Zang Toi, Uniqlo, The Vampire's Wife, Iris van Herpen, VF Corporation, Rhuigi Villasenor (Rhude), Junya Watanabe, Wooyoungmi, Y/Project, Lynn Yaeger, ZARA, Ermenegildo Zegna Instructor's Guide, Test Bank, PowerPoint presentations, and third party video links available.
Cotton made the fortune of the Fuda family, Egyptian landed gentry
with peasant origins, during the second part of the nineteenth
century. This story, narrated and photographed by a family member
who has researched and documented various aspects of her own
history, goes well beyond the family photo album to become an
attempt to convey how cotton, as the main catalyst and creator of
wealth, produced by the beginning of the twentieth century two
entirely separate worlds: one privileged and free, the other
surviving at a level of bare subsistence, and indentured.
This text identifies and discusses different technology innovation initiatives (TIIs) such as entrepreneurial capability, technology infrastructure capability, organizational culture and climate, and government initiatives. It further evaluates the relationship between various technology innovation initiatives and manufacturing performances using multi-criteria decision-making techniques such as fuzzy set theory (FST), structural equation modeling (SEM), and analytic hierarchy process (AHP). It will serve as an ideal reference text for graduate students and academic researchers in the field of industrial engineering, manufacturing engineering, mechanical engineering, automotive engineering. This book: * Discusses technology innovation initiatives such as entrepreneurial capability, technology infrastructure capability, and organizational culture. * Highlights technology innovation-strategy model in assisting manufacturing industries for enhancing their performance in today's competitive environment. * Examines the effect of technology innovation initiatives on the performance of manufacturing industries. * Covers multi-criteria decision-making techniques such as fuzzy set theory, structural equation modeling, and analytic hierarchy process. * Explores the validation of fuzzy-based technology innovation model through structural equation modeling.
'Fascinating and eye-opening' OWEN JONES DO YOU KNOW WHERE YOUR SHOES COME FROM? DO YOU KNOW WHERE THEY GO WHEN YOU'RE DONE WITH THEM? In 2019, 66.6 million pairs of shoes were manufactured across the world every single day. They have never been cheaper to buy, and we have never been more convinced that we need to buy them. Yet their cost to the planet has never been greater. In this urgent, passionately argued book, Tansy E. Hoskins opens our eyes to the dark origins of the shoes on our feet. Taking us deep into the heart of an industry that is exploiting workers and deceiving consumers, we begin to understand that if we don't act fast, this humble household object will take us to the point of no return.
This book examines the decline of the cotton textiles industry, which defined Britain as an industrial nation, from its peak in the late nineteenth century to the state of the industry at the end of the twentieth century. Focusing on the owners and managers of cotton businesses, the authors examine how they mobilised financial resources; their attitudes to industry structure and technology; and their responses to the challenges posed by global markets. The origins of the problems which forced the industry into decline are not found in any apparent loss of competitiveness during the long nineteenth century but rather in the disastrous reflotation after the First World War. As a consequence of these speculations, rationalisation and restructuring became more difficult at the time when they were most needed, and government intervention led to a series of partial solutions to what became a process of protracted decline. In the post-1945 period, the authors show how government policy encouraged capital withdrawal rather than encouraging the investment needed for restructuring. The examples of corporate success since the Second World War - such as David Alliance and his Viyella Group - exploited government policy, access to capital markets, and closer relationships with retailers, but were ultimately unable to respond effectively to international competition and the challenges of globalisation. A new introduction and epilogue provide an updated framework for the chapters in this book, which were originally published in Business History and Accounting, Business and Financial History
The clothing industry provides employment for 60 million workers worldwide. More than a quarter of these workers are employed in the Asia-Pacific region, where the industry is based on subcontracted production on behalf of international buyers. Rapid movements of manufacturing activity from country to country in search of cost advantages make clothing workers part of a globalizing labour market where they increasingly suffer from job insecurity. This book presents carefully researched case studies which highlight the ways in which labour is informalized, fragmented and made disposable by the globalization of production. Chapters address issues pertaining to rights and citizenship, and new forms of activism and organization in conjunction and coordination with diverse support groups, consumers, and wider global campaigns. Contributors further examine the role of the nation state, government regulatory bodies, as well as independent monitoring systems such as the International Labour Organization. Although there has been considerable effort directed to understanding how firms operate across multiple countries - in studies of the organization of global production networks, and the implications for complexities of scale, (de)territorialization and state development projects - there has been far less focus on how these processes produce precarious labour and reshape worker consciousness. Offering new insights into the understanding and support of workers in the global textile and garment industry, this book will be of interest to academics in a variety of disciplines including Asian Studies, sociology, political economy, development, human rights, labour and gender.
Fashion studies is a burgeoning field that often highlights the contributions of genius designers and high-profile brands with little reference to what goes on behind the scenes in the supply chain. This book pulls back the curtain on the global fashion system of the past 200 years to examine the relationship between the textile mills of Yorkshire - the firms that provided the entire Western world with warm wool fabrics - and their customers. It is a microhistory of a single firm, Abraham Moon and Sons Ltd, that sheds light on important macro questions about British industry, government policies on international trade, the role of multi-generational family firms and the place of design and innovation in business strategy. It is the first book to connect Yorkshire tweeds to the fashion system. Written in lively, accessible prose, this book will appeal to anyone who works in fashion or who wears fashion. There is nothing like it - and it will raise the bar for historical studies of global fashion. Here you'll find intriguing stories about a tweed theft from the Leeds Coloured Cloth Hall, debates on tariffs and global trade, the battle against synthetic fibres and the reinvention of British tweeds around heritage marketing. You won't be bored. -- .
The Grammar of Pattern describes characteristics of textile and other surface patterns, and identifies, illustrates, and reviews a wide range of pattern types including spotted, striped, checked, tessellating and other types of all-over patterns with original drawings and images. This book includes original black-and-white line drawings and color images. The modular nature of patterns is explored, and attention is focused on the vast diversity of pattern types which can emerge from a small inventory of components. The book features material that is easily accessible with obvious mathematical content kept to a minimum and offers fresh perspectives on the nature of tessellating and other all-over patterns. This book serves as an effective practical guide for both students and professionals. Select sample exercises and student assignments are included, making this an ideal course text for teachers engaged across the full range of design education. |
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