|
|
Books > Children's & Educational > The arts
Mas que una simple historia de amor, esta obra es un reflejo de los
conflictos humanos que forman parte de la sociedad; donde sus
personajes enfrentan con vigor las adversidades que la vida les
situa en el camino para impedir su felicidad; teniendo que vencer
el silencio para lograrla. Un nino separado a temprana edad de al
lado de su madre es llevado a los Estados Unidos por su padre,
quien en un tragico accidente muere, dejandolo solo a la edad de
siete anos. Como sobreviviente del accidente, el nino, que viajaba
con su padre, es encontrado por un matrimonio que inicia su proceso
de adopcion y durante muchos anos le ocultan su verdadera identidad
por el egoismo de no perder su carino. Con el correr de los anos su
madre adoptiva antes de morir le confiesa que el fue un nino
adoptado y le da algunas pistas para que pueda encontrar su
verdadera identidad e ir a la busqueda de su madre biologica y sus
raices.. Un amor sublime y apasionado surgido en las tinieblas de
este conflicto se ve en peligro de sucumbir ante la incertidumbre
de sus personajes envueltos en un inaudito silencio que, solo una
confesion inesperada, logra romper.
(Faber Piano Adventures ). Written for ages 5 and 6, My First Piano
Adventure captures the child's playful spirit. Fun-filled songs,
rhythm games and technique activities develop beginning keyboard
skills. Three distinguishing features of the Lesson Book A make it
unique and effective for the young 5-6 year old beginner. 1. A
strong focus on technique embedded in the book through playful
technique games, chants, and carefully-composed pieces that gently
lead the child into pianistic motions. 2. An outstanding CD for the
young student to listen, sing, tap, and play along with at the
piano. The orchestrated songs on the CD feature children singing
the lyrics, which has great appeal to the 5-6 year old beginner.
The CD becomes a ready-made practice partner that guides the
student and parent for all the pieces and activities in the books.
3. The fanciful art features five multi-cultural children who are
also learning to play. These friends at the piano introduce basic
rhythms, white key names, and a variety of white and black-key
songs that span classical, folk, and blues. Young students will
listen, sing, create, and play more musically with Nancy and
Randall Faber s My First Piano Adventure, Lesson Book A. The Lesson
Book introduces directional pre-reading, elementary music theory
and technique with engaging songs, games, and creative discovery at
the keyboard. Young students will enjoy the multi-cultural "friends
at the piano" who introduce white-key names, basic rhythms, and a
variety of songs which span classical, folk, and blues.
Ear-training and eye-training are also part of the curriculum. The
Fabers' instructional theory "ACE" - Analysis, Creativity, and
Expression, guides the pedagogy of My First Piano Adventure.
Analysis leads to understanding, creativity leads to
self-discovery, and expression develops personal artistry. The CD
for this book offers a unique listening experience with outstanding
orchestrations and vocals. The recordings demonstrate a key
principle of the course: when children listen, sing, tap, and move
to their piano music, they play more musically.
Old MacDonald Had a Farm is the E-I-E-I-Oh! classic that introduces
baby to the world of farm animals and the different ways each has
of talking - the pig with his oink-oink, the cow with her moo-moo,
and the baa-baas, cluck-clucks and quack-quacks that fill the
farmyard.
A volume in Advances in Music Education Research Series Editors
Linda K. Thompson, Lee University and Mark Robin Campbell, SUNY at
Potsdam Research Perspectives: Thought and Practice in Music
Education calls attention to various theoretical and methodological
aspects within the expanding field of research in music education.
Perspectives presented in this volume offer readers a host of ideas
and practices that range from international and historical to
empirical and philosophical. Of special interest is a set of
invited essays. Collectively, these essays illuminate our
understanding of the peer review process, the importance of
artistic vision in research and education, and the notion of
complementarity - a recognition of the validity of diversity of
thought and practice in music education research. The studies in
Part 1 of Research Perspectives include early childhood musical
development, an international comparison of early childhood
preservice teacher knowledge and skills, and a psychohistoric
examination of developmentally appropriate practice. Part II is
comprised of studies focused on psychometrics of motivation, and
professional development of practicing music educators. This volume
is a significant addition to the libraries of Colleges of Education
and Schools of Music, as well as an important reference for music
scholars and educators, researchers, and graduate students who are
concerned with advancing both the scope and quality of research in
the study of music teaching and learning.
Pianist Madeleine Forte's story is one of obstacles and successes,
of extraordinary talent, and of a long and fascinating life of
international study and performance. Born in Vichy-controlled
French Algeria during World War II, she began learning to play the
piano at an early age and was soon performing publicly. She made
her debut in Vichy at thirteen while studying with Alfred Cortot
and Wilhelm Kempff. As a young woman, she went to boarding school
in Algiers and Paris, continuing her musical studies. She married
young, and the marriage fell apart not long after the birth of her
first son, Yann. As she continued to travel, studying and
performing, she struggled to establish herself as a professional
artist. She studied with Rosina Lhevinne and Martin Canin in New
York, married again, and became a professor of music at Boise State
University. Her second marriage brought another son, Olen, and
lasted fourteen years. After her second divorce, she moved to
Connecticut, where she met Allen Forte, her third husband. They
collaborated on several artistic projects and performed all over
the world. This memoir tells the story of how a little girl with a
big talent overcame myriad challenges and found the courage to
achieve artistic success and personal happiness. Praise for
Madeleine Forte's Performances and Recordings "At a time when
national styles have all but dissolved into a generalized
international goulash, Forte's gorgeous tone and sensuous line
evoke classic French pianism ... her Maurice Ravel holds its own
against interpretations by many of her more celebrated peers, from
the chaste simplicity of the Sonatine to the virtuosic 'Gaspard de
la Nuit, ' in which no prisoners are taken and no notes are
dropped." "-The New Yorker" "Madeleine Forte is another master of
the French School ... She plays Debussy in a manner that would do
her old master Cortot proud, with a clear-eyed vigor, pearlescent
tone, and attention to detail that does not belie the emotional
content of the music but only makes it more coherent." "-Fanfare"
 |
Words
(Hardcover)
J Tillman
|
R455
R426
Discovery Miles 4 260
Save R29 (6%)
|
Ships in 18 - 22 working days
|
|
|
Exam Board: SQA Level: National 4 & 5 Subject: English First
Teaching: September 2013 First Exam: June 2014 As well as being a
highly popular play for National 5 English study, Tally's Blood
paints a wonderful picture of life in wartime Scotland, as
experienced by the Italian immigrant community. Exploring the
themes of racism, love and family loyalties, it does so with humour
and warmth through the eyes of an Italian family with close blood
ties. When World War Two breaks out, friendships outwith the family
are sorely tested by the difficulties of wartime prejudice. - One
of the set drama texts for National 5 English - Written by a very
successful playwright and television screenplay writer
Become a Pokemon drawing expert in this ultimate step-by-step
guide! Want to become a Pokemon drawing expert? Then look no
further! This ultimate How to Draw includes simple, step-by-step
instructions for creating masterpieces of classic characters from
every Pokemon region - from Bulbasaur, Charmander and Squirtle, and
of course, Pikachu! Also featuring new characters for the Galar
Region.
 |
Igloos
(Paperback)
Jack Manning
|
R174
R160
Discovery Miles 1 600
Save R14 (8%)
|
Ships in 18 - 22 working days
|
|
|
American Indians cut blocks of snow to build igloos. Learn all
about igloos, including the tools used to build them and the people
who called them home.
Travel through all the Pokemon regions in this epic search and
find! From Alola to Sinnoh, Kanto to Galar, this book takes you on
a journey through all the regions of of Pokemon. Find Electric-type
Pokemon playing in the park, Water-type Pokemon in Johto creek and
many more in this search and find adventure. Hours of fun to be had
seeking Pikachu and his friends in every action-packed scene!
Bestselling author Elizabeth Wein (Code Name Verity, Rose Under Fire) journeys to a galaxy far, far away to bring readers the harrowing story of the courageous bomber pilots and technicians of Cobalt Squadron!
What does it mean to teach Shakespeare with purpose? It means
freeing teachers from the notion that teaching Shakespeare means
teaching everything, or teaching "Western Civilisation" and
universal themes. Instead, this invigorating new book equips
teachers to enable student-centred discovery of these complex
texts. Because Shakespeare's plays are excellent vehicles for many
topics -history, socio-cultural norms and mores, vocabulary,
rhetoric, literary tropes and terminology, performance history,
performance strategies - it is tempting to teach his plays as
though they are good for teaching everything. This lens-free
approach, however, often centres the classroom on the teacher as
the expert and renders Shakespeare's plays as fixed, determined,
and dead. Teaching Shakespeare with Purpose shows teachers how to
approach Shakespeare's works as vehicles for collaborative
exploration, to develop intentional frames for discovery, and to
release the texts from over-determined interpretations. In other
words, this book presents how to teach Shakespeare's plays as
living, breathing, and evolving texts.
|
|