The Danish theologian-philosopher K. E. Logstrup is second in reputation in his homeland only to Soren Kierkegaard. He is best known outside Europe for his The Ethical Demand, first published in Danish in 1956 and published in an expanded English translation in 1997. Beyond the Ethical Demand contains excerpts, translated into English for the first time, from the numerous books and essays Logstrup continued to write throughout his life. In the first essay, he engages the critical response to The Ethical Demand, clarifying, elaborating, or defending his original positions. In the next three essays, he extends his contention that human ethics "demands" that we are concerned for the other by introducing the crucial concept of "sovereign expressions of life." Like Levinas, Logstrup saw in the phenomenon of "the other" the ground for his ethics. In his later works he developed this concept of "the sovereign expressions of life," spontaneous phenomena such as trust, mercy, and sincerity that are inherently other-regarding. The last two essays connect his ethics with political life. Interest in Logstrup in the English-speaking academic community continues to grow, and these important original sources will be essential tools for scholars exploring the further implications of his ethics and phenomenology.

Cicero, Politics, and the 21st Century addresses the West's current crisis of confidence. Reflecting on how the famed Roman philosopher-statesmen Marcus Tullius Cicero thought and acted in a time of great turbulence in the ancient world, this book offers lessons to 21st century students of politics and statesmen alike. Cicero's example shows that the survival of liberal democracy requires us to recover a sense of nobility in politics - a balance of power, honour, and justice with the pursuit of truth for the common good. Cicero, Politics, and the 21st Century brings the reader into the dirty politics of the late Roman Republic and tells how Cicero rose to the top in this environment. He managed to work with people who were often diametrically opposed to him, juggling different power blocks and interest groups, while trying to implement reforms, all at a time when the state apparatus and public consensus holding the Republic together were breaking down. Cicero was able to attain power, all the while maintaining his integrity and advancing the interests of his people. Additionally, Cicero and his time bring much needed perspective to our political thinking by enabling us to examine events through a prism of assumptions different from those we have inherited from the turmoil of the 20th century.

Notes from the Crawl Room employs the lens and methods of horror writing to critique the excesses and absurdities of philosophy. Each story reveals disastrous and de-humanising effects of philosophies that are separated from real, lived experience (e.g. the absurdity of arguing over a sentence in Kant while the world burns around us). From a Kafkaesque exploration of administrative absurdities to the horrors of discursive violence, white supremacy and the living spectres of patriarchy, A.M. Moskovitz doesn't shy away from addressing the complex aspects of our lives. In addition to offering often humourous critiques of philosophy, these works are also, somewhat ironically, pieces of philosophy themselves. Each story seeks to move a subject area forward offering the reader the capacity to think through ideas in a weirder and more open way than traditional philosophy usually allows. An antidote to philosophy that seeks to close down and shut off the imaginative potential of human thought, Notes from the Crawl Room revels in the unsettling and creative potential of stories for revealing what thinking philosophically might really mean.

This is the first English translation of a compelling and highly original reading of Epicurus by Jean-Marie Guyau. This book has long been recognized as one of the best and most concerted attempts to explore one of the most important, yet controversial ancient philosophers whose thought, Guyau claims, remains vital to modern and contemporary culture. Throughout the text we are introduced to the origins of the philosophy of pleasure in Ancient Greece, with Guyau clearly demonstrating how this idea persists through the history of philosophy and how it is an essential trait in the Western tradition. With an introduction by Keith Ansell-Pearson and Federico Testa, which contextualizes the work of Guyau within the canon of French thought, and notes on both further reading and on Epicurean scholarship more generally, this translation also acts as a critical introduction to the philosophy of Guyau and Epicurus.

In Reason, Tradition, and the Good, Jeffery L. Nicholas addresses the failure of reason in modernity to bring about a just society, a society in which people can attain fulfillment. Developing the critical theory of the Frankfurt School, Nicholas argues that we rely too heavily on a conception of rationality that is divorced from tradition and, therefore, incapable of judging ends. Without the ability to judge ends, we cannot engage in debate about the good life or the proper goods that we as individuals and as a society should pursue. Nicholas claims that the project of enlightenment-defined as the promotion of autonomous reason-failed because it was based on a deformed notion of reason as mere rationality, and that a critical theory of society aimed at human emancipation must turn to substantive reason, a reason constituted by and constitutive of tradition. To find a reason capable of judging ends, Nicholas suggests, we must turn to Alasdair MacIntyre's Thomistic-Aristotelianism. Substantive reason comprises thinking and acting on the set of standards and beliefs within a particular tradition. It is the impossibility of enlightenment rationality to evaluate ends and the possibility of substantive reason to evaluate ends that makes the one unsuitable and the other suitable for a critical theory of society. Nicholas's compelling argument, written in accessible language, remains committed to the promise of reason to help individuals achieve a good and just society and a good life. This requires, however, a complete revolution in the way we approach social life.

Here is a lucid, accessible, and inspiring guide to the six perfections--Buddhist teachings about six dimensions of human character that require "perfecting": generosity, morality, tolerance, energy, meditation, and wisdom. Drawing on the Diamond Sutra, the Large Sutra on Perfect Wisdom, and other essential Mahayana texts, Dale Wright shows how these teachings were understood and practiced in classical Mahayana Buddhism and how they can be adapted to contemporary life in a global society. What would the perfection of generosity look like today, for example? What would it mean to give with neither ulterior motives nor naivete? Devoting a separate chapter to each of the six perfections, Wright combines sophisticated analysis with real-life applications. Buddhists have always stressed self-cultivation, the uniquely human freedom that opens the possibility of shaping the kind of life we will live and the kind of person we will become. For those interested in ideals of human character and practices of self-cultivation, The Six Perfections offers invaluable guidance."

In his influential essay "Provisional Painting," Raphael Rubinstein applied the term "provisional" to contemporary painters whose work looked intentionally casual, dashed-off, tentative, unfinished or self-cancelling; who appeared to have deliberately turned away from "strong" painting for something that seemed to constantly risk failure or inconsequence. In this collection of essays, Rubinstein expands the scope of his original article by surveying the historical and philosophical underpinnings of provisionality in recent visual art, as well as examining the works of individual artists in detail. He also engages crucial texts by Samuel Beckett and philosopher Gianni Vattimo. Re-examining several decades of painting practices, Rubinstein argues that provisionality, in all its many forms, has been both a foundational element in the history of modern art and the encapsulation of an attitude that is profoundly contemporary.

Susannah Ticciati explores Augustine's scriptural interpretation, as well as the ways in which he understands the character of signs in theory. The book explores Augustine's scriptural world via three case studies, each geared towards the healing of a particular modern opposition. The three, interrelated, modern oppositions are rooted in an insufficient semiotic worldview. Ticciati argues they contribute to the alienation of the modern reader not only from Augustine's scriptural world, but more generally from the scriptural world as habitation. Examining the ways in which the therapy for our modern day semiotic illiteracy can be found in the 5th-6th-century Augustine, Ticciati brings close readings of Augustine to bear on significant concerns of our own day: specifically, our modern alienations from the rich world of Scripture.