This book argues that touch and movement played a significant role, long overlooked, in generating perceptions of ancient material culture in the late 18th century. At this time the reception of classical antiquity had been transformed. Interactions with material culture - ruins, sculpture, and artefacts - formed the core of this transformation. Some such interactions were proto-archaeological, such as the Dilettanti expeditions to Athens and Asa Minor; others were touristic, seen in the guidebooks consulted by travellers to Rome and the diaries they composed; and others creative, resulting in novels, poetry, and dance performances. Some involved the reproduction of experience in a gallery or museum setting. What all encounters with ancient material culture had in common, however, is their haptic sensory basis. The sense typically associated with the Enlightenment is vision, but this has obscured the equally important contribution made by touch and movement to the way in which a newly materialised Graeco-Roman world was perceived. Kinaesthesia, or the sense of self-movement, is rarely recognised in its own right, but because all encounters with sites and objects are embodied, and all embodiment takes place in motion, this sense is vital to forming more abstract or imaginative impressions. Theories of embodied cognition propose that all intellectual processes are also physical. This book shows how ideas about classical antiquity in the volatile milieu of the late 18th century developed as a result of diverse kinaesthetic relationships.

This is the first volume of original commissioned papers on the subject of Newton and empiricism. The chapters, contributed by a leading team of both established and younger international scholars, explore the nature and extent of Newton's relationship to a variety of empiricisms and empiricists. Among the many significant contributions of the volume are a detailed engagement with Newton's optical writings, a careful contextualization of Newton's methods in seventeenth century context, a critical analysis of the ways in which Locke and Hume responded to Newton, and a history of the reception of Newton's methods in astronomy.

This book analyzes how the public character of judgments of taste makes implicit statements in moral and political philosophy. The framework that relates aesthetic, moral, and political aspects into such a triadic relationship is an implicit conception of freedom. In "The Critique of Judgment" Kant elaborates the idea that judgments of taste can only exist where society exists. The author regards Friedrich Schiller's and Hannah Arendt's approaches on the normative resources of Kant's aesthetics for moral and political thought. He evaluates the discovery of the presence of a constant feature of Kant's conception of freedom in both his aesthetic and moral theory: freedom as autonomy.

Freemasonry was a major cultural and social phenomenon and a key element of the Enlightenment. It was to have an international influence across the globe. This primary resource collection charts a key period in the development of organized Freemasonry culminating in the formation of a single United Grand Lodge of England. The secrecy that has surrounded Freemasonry has made it difficult to access information and documents about the organization and its adherents in the past. This collection is the result of extensive archival research and transcription and highlights the most significant themes associated with Freemasonry. The documents are drawn from masonic collections, private archives and libraries worldwide. The majority of these texts have never before been republished. Documents include rituals (some written in code), funeral services, sermons, songs, certificates, an engraved list of lodges, letters, pamphlets, theatrical prologues and epilogues, and articles from newspapers and periodicals. This collection will enable researchers to identify many key masons for the first time. It will be of interest to students of Freemasonry, the Enlightenment and researchers in eighteenth-century studies.

Freemasonry was a major cultural and social phenomenon and a key element of the Enlightenment. It was to have an international influence across the globe. This primary resource collection charts a key period in the development of organized Freemasonry culminating in the formation of a single United Grand Lodge of England. The secrecy that has surrounded Freemasonry has made it difficult to access information and documents about the organization and its adherents in the past. This collection is the result of extensive archival research and transcription and highlights the most significant themes associated with Freemasonry. The documents are drawn from masonic collections, private archives and libraries worldwide. The majority of these texts have never before been republished. Documents include rituals (some written in code), funeral services, sermons, songs, certificates, an engraved list of lodges, letters, pamphlets, theatrical prologues and epilogues, and articles from newspapers and periodicals. This collection will enable researchers to identify many key masons for the first time. It will be of interest to students of Freemasonry, the Enlightenment and researchers in eighteenth-century studies.

Freemasonry was a major cultural and social phenomenon and a key element of the Enlightenment. It was to have an international influence across the globe. This primary resource collection charts a key period in the development of organized Freemasonry culminating in the formation of a single United Grand Lodge of England. The secrecy that has surrounded Freemasonry has made it difficult to access information and documents about the organization and its adherents in the past. This collection is the result of extensive archival research and transcription and highlights the most significant themes associated with Freemasonry. The documents are drawn from masonic collections, private archives and libraries worldwide. The majority of these texts have never before been republished. Documents include rituals (some written in code), funeral services, sermons, songs, certificates, an engraved list of lodges, letters, pamphlets, theatrical prologues and epilogues, and articles from newspapers and periodicals. This collection will enable researchers to identify many key masons for the first time. It will be of interest to students of Freemasonry, the Enlightenment and researchers in eighteenth-century studies.

Freemasonry was a major cultural and social phenomenon and a key element of the Enlightenment. It was to have an international influence across the globe. This primary resource collection charts a key period in the development of organized Freemasonry culminating in the formation of a single United Grand Lodge of England. The secrecy that has surrounded Freemasonry has made it difficult to access information and documents about the organization and its adherents in the past. This collection is the result of extensive archival research and transcription and highlights the most significant themes associated with Freemasonry. The documents are drawn from masonic collections, private archives and libraries worldwide. The majority of these texts have never before been republished. Documents include rituals (some written in code), funeral services, sermons, songs, certificates, an engraved list of lodges, letters, pamphlets, theatrical prologues and epilogues, and articles from newspapers and periodicals. This collection will enable researchers to identify many key masons for the first time. It will be of interest to students of Freemasonry, the Enlightenment and researchers in eighteenth-century studies.

The Testimony of Sense attempts to answer a neglected but important question: what became of epistemology in the late eighteenth century, in the period between Hume's scepticism and Romantic idealism? It finds that two factors in particular reshaped the nature of 'empiricism': the socialisation of experience by Scottish Enlightenment thinkers and the impact upon philosophical discourse of the belletrism of periodical culture. The book aims to correct the still widely-held assumption that Hume effectively silenced epistemological inquiry in Britain for over half a century. Instead, it argues that Hume encouraged the abandonment of subject-centred reason in favour of models of rationality based upon the performance of trusting actions within society. Of particular interest here is the way in which, after Hume, fundamental ideas like the self, truth, and meaning are conceived less in terms of introspection, correspondence, and reference, and more in terms of community, coherence, and communication. By tracing the idea of intersubjectivity through the issues of trust, testimony, virtue and language, the study offers new perspectives on the relationships between philosophy and literature, empiricism and transcendentalism, and Enlightenment and Romanticism. As philosophy grew more conversational, the familiar essay became a powerful metaphor for new forms of communication. The book explores what is epistemologically at stake in the familiar essay genre as it develops through the writings of Joseph Addison, David Hume, Samuel Johnson, Charles Lamb, and William Hazlitt. It also offers readings of philosophical texts, such as Hume's Treatise, Thomas Reid's Inquiry, and Adam Smith's Theory of Moral Sentiments, as literary performances.

Five Groundbreaking Moments in Heidegger's Thinking presents a fresh interpretation of some of Heidegger's most difficult but important works, including his second major work, Beitrage zur Philosophie (Vom Ereignis) [Contributions to Philosophy (From Enowning)]. The careful approach shows how, for Heidegger, the acts of reading, thinking, and saying all move beyond the theoretical/conceptual and become an ongoing experience. In new translations of central texts, Kenneth Maly invites the reader to think along the way by reading, contemplating, and translating Heidegger's ideas into this context. An introduction to the field of philosophy and more specifically to Heidegger's thought, Five Groundbreaking Moments in Heidegger's Thinking asks the reader, in some manner, to actively engage in thinking.

This fifth volume covers many of the most important philosophers and movements of the nineteenth century, including utilitarianism, positivism and pragmatism.

'Capitalist critique and proletarian reasoning fit for our time' - Peter Linebaugh Taking the Scottish Enlightenment philosopher David Hume as its subject, this book breaks new ground in focusing its lens on a little-studied aspect of Hume's thinking: his understanding of money. George Caffentzis makes both an intervention in the field of monetary philosophy and into Marxian conceptions of the relation between philosophy and capitalist development. He vividly charts the ways in which Hume's philosophy directly informed the project of 'civilizing' the people of the Scottish Highlands and pacifying the English proletariat in response to the revolts of both groups at the heart of the empire. Built on careful historical and philosophical detective work, Civilizing Money offers a stimulating and radical political reading of the ways in which Hume's fundamental philosophical claims performed concrete political functions.

The emergence of a theatrical science of man in France, 1660-1740 highlights a radical departure from discussions of dramatic literature and its undergirding rules to a new, relational discourse on the emotional power of theater. Through a diverse cast of religious theaterphobes, government officials, playwrights, art theorists and proto-philosophes, Connors shows the concerted effort in early Enlightenment France to use texts about theater to establish broader theories on emotion, on the enduring psychological and social ramifications of affective moments, and more generally, on human interaction, motivation, and social behavior. This fundamentally anthropological assessment of theater emerged in the works of anti-theatrical religious writers, who argued that emotional response was theater's raison d'etre and that it was an efficient venue to learn more about the depravity of human nature. A new generation of pro-theatrical writers shared the anti-theatricalists' intense focus on the emotions of theater, but unlike religious theaterphobes, they did not view emotion as a conduit of sin or as a dangerous, uncontrollable process; but rather, as cognitive-affective moments of feeling and learning. Connors' study explores this reassessment of the theatrical experience which empowered writers to use plays, critiques, and other cultural materials about the stage to establish a theatrical science of man-an early Enlightenment project with aims to study and 'improve' the emotional, social, and political 'health' of eighteenth-century France.

Obeissant a la logique d'une specialisation toujours plus grande, les societes contemporaines ne tiennent pas l'amateur en grande estime. Or, s'il est vrai que le 18e siecle consacre le triomphe de cette figure, c'est aussi l'epoque ou s'amorce son irreversible declin. Couvrant un large spectre de disciplines et d'aires culturelles au sein de l'Europe, les contributions de specialistes reunies dans ce volume permettent de mieux cerner ce moment-pivot de l'histoire culturelle. Sans se limiter aux formes institutionnalisees de l'amateurship etudiees par les historiens de l'art ou des sciences, l'ouvrage examine ainsi les relations que le non-professionnel entretient avec les gens de metier (dans la presse, le milieu musical ou litteraire) ; la specificite des oeuvres qu'il produit et sa contribution au progres des arts et des sciences ; l'emergence, a l'age de l'esthetique naissante, d'un amateur compris comme instance de jugement ; la maniere dont il est investi par les discours et annexe a leurs logiques propres (en tant que fiction litteraire, ideal ou ethos). Observer le phenomene dans ses manifestations plurielles, confronter l'ordre des realites et celui des representations, articuler les diverses approches sur la question: l'enjeu, on l'aura compris, est moins de definir une quelconque identite de l'amateur, que d'interroger sa raison d'etre. --- Amateurs are not particularly appreciated in our ever specialising contemporary societies. Yet the figure of the amateur was highly celebrated in the eighteenth century, even though its irremediable decline began at the same time. The articles collected in this book allow a better understanding of this turning point in cultural history as they cover a wide spectrum of academic disciplines and European cultural areas. This book does not only deal with the institutionalised forms of amateurship that have been studied by art historians and historians of science. This work considers the relationships that non-professionals had with professionals (working in periodicals, in the musical world, or in the book trade) ; the specificity of the works that amateurs produced and their contribution to the progress of arts and sciences ; the rise of the amateur as a judging instance in a period that saw the development of aesthetics ; and the way this figure was handled in different discourses and subjected to their own logics (whether as a literary fiction, an ideal or an ethos). Since this collective work focuses on the phenomenon of amateurship in its diverse manifestations, confronts the real to its representations, and articulates different perspectives on the subject, it obviously does not aim at defining any identity for the amateur, but rather intends to question its raison d'etre.

This collection of essays takes as its starting point Arthur Ripstein's Force and Freedom: Kant's Legal and Political Philosophy, a seminal work on Kant's thinking about law, which also treats many of the contemporary issues of legal and political philosophy. The essays offer readings and elucidations of Ripstein's thought, dispute some of his claims and extend some of his themes within broader philosophical contexts, thus developing the significance of Ripstein's ideas for contemporary legal and political philosophy. All of the essays are contributions to normative philosophy in a broadly Kantian spirit. Prominent themes include rights in the body, the relation between morality and law, the nature of coercion and its role in legal obligation, the role of indeterminacy in law, the nature and justification of political society and the theory of the state. This volume will be of interest to a wide audience, including legal scholars, Kant scholars, and philosophers with an interest in Kant or in legal and political philosophy.

In essays that examine particular non-canonical works and writers in their wider cultural context, this volume "repopulates" the German Enlightenment. German literature and thought flourished in the eighteenth century, when a culture considered a European backwater came to assert worldwide significance. This was an age in which repeated attempts to reform German literary and philosophical culture were made - often only to be overtaken within a few decades. It ushered in generations of exceptionally gifted poets and thinkers including Klopstock, Lessing, Goethe, Kant, and Schiller, whose names still dominate our understanding of the German Enlightenment. Yet the period also brought with it new means of accessing and disseminating culture and a rapid increase in cultural production. The leading lights of eighteenth-century German culture operated against the backdrop of a yet more diverse and vivid cast of literary and philosophical figures since consigned to the second tier of German culture. Through essays that examine particular non-canonical works and writers in their wider cultural context, this collection repopulates the German Enlightenment with these largely forgotten movements, writers, and literary circles. It offers new insights into the development of genres such as thenovel, the fable, and the historical drama, and assesses the dynamics that led to individual authors, circles, and schools of thought being left behind in their time and passed over or inadequately understood to this day. Contributors: Johannes Birgfeld, Stephanie Blum, Julia Bohnengel, Kristin Eichhorn, Sarah Vandegrift Eldridge, Jonathan Blake Fine, J. C. Lees, Leonard von Morze, Ellen Pilsworth, Joanna Raisbeck, Ritchie Robertson, Michael Wood. Michael Wood is British Academy Postdoctoral Fellow in German at the University of Edinburgh. Johannes Birgfeld teaches Modern German Literature at the University of the Saarland.

'We have left dry land and put out to sea! We have burned the bridge behind us - what is more, we have burned the land behind us!' Nietzsche's devastating demolition of religion would have seismic consequences for future generations. With God dead, he envisages a brilliant future for humanity: one in which individuals would at last be responsible for their destinies. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

Dealing with a complex king, this edited collection elucidates a monarch's vision of Rome that deeply affected his political choices and cultural policy during the first half of the eighteenth-century. John V of Portugal became king in 1707 in a pivotal moment for the European balance of power. The Kingdom of Portugal was still demanding the same privileges as its powerful neighbours and the relation with Rome was considered a vehicle to obtain them. Arts and music had a special and unprecedented place in the king's plans and this book approaches that dynamic from several interdisciplinary perspectives. The unifying thread across this book's chapters remains the omnipresence of Rome as a paradigm on several levels: political, religious, intellectual, artistic, and musical. Rather than providing an exhaustive analysis of the period as a whole, this study offers a fresh approach for English readers to this classic, but little known, topic in Portuguese national historiography.

This book offers new critical perspectives on the relationship between the notions of speculation, logic and reality in Hegel's thought as basis for his philosophical account of nature, history, spirit and human experience. The systematic functions of logic and pure thought are explored in their concrete forms and processual progression from subjective spirit to philosophy of right, society, the notion of habit, the idea of work, art, religion and science. Engaging the relation between the Logic and its realisations, this book shows the internal tension that inhabits Hegel's philosophy at the intersection of logical (conceptual) speculation and concrete (interpretative) analysis. The investigation of this tension allows for a hermeneutical approach that demystifies the common view of Hegel's idealism as a form of abstract thought, while allowing for a new assessment of the importance of speculation for a concrete understanding of the world.

An examination of how and why Scotland gained its reputation for the supernatural, and how belief continued to flourish in a supposed Age of Enlightenment. SHORTLISTED for the Katharine Briggs Award 2019 Scotland is famed for being a haunted nation, "whare ghaists and houlets nightly cry". Medieval Scots told stories of restless souls and walking corpses, but after the 1560Reformation, witches and demons became the focal point for explorations of the supernatural. Ghosts re-emerged in scholarly discussion in the late seventeenth century, often in the guise of religious propagandists. As time went on, physicians increasingly reframed ghosts as the conjurations of disturbed minds, but gothic and romantic literature revelled in the emotive power of the returning dead; they were placed against a backdrop of ancient monasteries,castles and mouldering ruins, and authors such as Robert Burns, James Hogg and Walter Scott drew on the macabre to colour their depictions of Scottish life. Meanwhile, folk culture used apparitions to talk about morality and mortality. Focusing on the period from 1685 to 1830, this book provides the first academic study of the history of Scottish ghosts. Drawing on a wide range of sources, and examining beliefs across the social spectrum, it shows howghost stories achieved a new prominence in a period that is more usually associated with the rise of rationalism. In exploring perceptions of ghosts, it also reflects on understandings of death and the afterlife; the constructionof national identity; and the impact of the Enlightenment. MARTHA MCGILL completed her PhD at the University of Edinburgh.

Gottfried Wilhelm Leibniz (1646-1716) was hailed by Bertrand Russell as 'one of the supreme intellects of all time'. A towering figure in seventeenth-century philosophy, he was the author of a complex system of thought that has been championed and satirized in equal measure, most famously in Voltaire's Candide. In this outstanding introduction to his philosophy, Nicholas Jolley examines and assesses the whole of Leibniz's philosophy. Beginning with an account of Leibniz's life and work, he carefully explains the core elements of Leibniz's metaphysics: his theories of substance, identity and individuation; his doctrine of monads; and his important debate over the nature of space and time with Newton's champion, Samuel Clarke. He then introduces Leibniz's theories of mind, knowledge, and innate ideas, showing how Leibniz anticipated the distinction between conscious and unconscious states, before examining his doctrine of free will and his solution to the problem of evil. An important feature of the book is its survey of Leibniz's moral and political philosophy, an overlooked aspect of his work. The final chapter assesses Leibniz's legacy and the impact of his philosophy on philosophy as a whole, particularly on the work of Immanuel Kant. Throughout, Jolley places Leibniz in relation to some of the other great philosophers, such as Descartes, Spinoza, and Locke, and discusses Leibniz's key works, such as the Monadology and Discourse on Metaphysics. This second edition has been revised throughout and includes a new chapter on Leibniz and philosophy of language.

If we are to vindicate moral reasoning in politics, Elisabeth Ellis argues in this original and provocative work, we must focus on the conditions of political discourse rather than the contents of any particular ethical system. Written in an engaging, direct style, "Provisional Politics "builds on Ellis's prize-winning interpretation of Kant's theory of provisional right to construct a new theory of justice under conditions of agency and plurality. She develops this new perspective through a series of cases ranging from the treatment of AIDS widows in Kenya to the rights of non-citizens everywhere, as well as the clash between democratic decision-making and the politics of species conservation. The book concludes with a sobering discussion of the probable limits of political agency.

Jamais, dans aucune autre periode de l'histoire, le probleme penal n'a ete aussi debattu qu'au siecle des Lumieres. Or, l'evenement declencheur de ces debats est la publication des Delits et des peines, le petit livre de Cesare Beccaria dont la premiere edition parait a Livourne en 1764. On assiste, apres cette date et durant un demi-siecle, a une profusion impressionnante de reactions et de prolongements directement lies a cet ouvrage. A tel point que, pour designer cette periode, on a pu parler d'un 'moment Beccaria'. Les recherches rassemblees dans ce volume explorent differents foyers thematiques et geographiques (Allemagne, Angleterre, France, Italie) de cette phase inedite et fondatrice de l'histoire europeenne du droit de punir. Pourquoi cette soudaine publicite du probleme penal? Comment s'est-elle manifestee, par quels canaux, sous quelles formes theoriques et materielles? Comme le montre cet ouvrage, le droit penal moderne est ne d'un livre, mais aussi de ses interpretations: il est ne des idees de Beccaria et des debats qu'elles ont provoques. Ces deux sources se sont croisees et ne peuvent se comprendre l'une sans l'autre. --- Throughout history, criminal law was never more discussed than during the Age of Enlightenment. The debates started after the publication of a small book by Cesare Beccaria, On Crimes and Punishments, in Livorno in 1764. For fifty years from that date, reactions and additions to the book proliferated so much that this period is called by some "the Beccaria moment". The contributions in this volume explore different thematic and geographical areas (Germany, England, France, Italy) to explore that innovative and foundational moment in the European history of criminal law. Why was the criminal problem suddenly publicised? How did those interrogations manifest? Which theoretical and material forms did they take? This volume shows that modern criminal law originates in a book, and also in its interpretations - in Beccaria's ideas and the debates they started. Those two sources interacted and now cannot be understood separately.

Les analyses fondees sur l'environnement, qui font du terrain ou de la temperature des facteurs explicatifs de la diversite humaine, dominent les discours anthropologiques de l'Ancien Regime. Richard Spavin montre que ces theories climatiques revelent des demarches contestataires a lire a cote des theories de la souverainete, du constitutionnalisme et du republicanisme. Richard Spavin fonde son analyse sur trois auteurs qui ont une vision relativiste du determinisme climatique. Si, pour Bodin, Montesquieu et Rousseau, les theories des climats expliquent les causes geographiques derriere la diversite des societes, elles recelent egalement une dimension metaphorique. Pour eux, les climats mettent en recit des visions du pouvoir: les limites du politique sont comparees aux obstacles geographiques; la finalite politique ne se trouve plus dans le corps du monarque mais dans le sol, auquel le monarque et son peuple appartiennent ensemble. L'auteur invite notamment a relire a nouveaux frais les derangeants livres de L'Esprit des lois qui semblent justifier l'esclavage dans certaines regions eloignees du contexte europeen. Les theories des climats revelent ainsi une face cachee de la philosophie politique de l'Ancien Regime. Richard Spavin en reevalue le socle philosophique et en devoile l'ironie qui demeurait jusque-la inapercue. Il montre que les climats sont un outil rhetorique efficace pour penser le nouvel ordre moral de la modernite.

Spinoza's guiding commitment to the thesis that nothing exists or occurs outside of the scope of nature and its necessary laws makes him one of the great seventeenth-century exemplars of both philosophical naturalism and explanatory rationalism. Nature and Necessity in Spinoza's Philosophy brings together for the first time eighteen of Don Garrett's articles on Spinoza's philosophy, ranging over the fields of metaphysics, epistemology, philosophy of mind, ethics, and political philosophy. Taken together, these influential articles provide a comprehensive interpretation of that philosophy, including Spinoza's theories of substance, thought and extension, causation, truth, knowledge, individuation, representation, consciousness, conatus, teleology, emotion, freedom, responsibility, virtue, contract, the state, and eternity-and the deep interrelations among them. Each article aims to resolve significant problems in the understanding of Spinoza's philosophy in such a way as to make evident both his reasons for his views and the enduring value of his ideas. At the same time, Garrett's articles elucidate the relations between his philosophy and those of predecessors and contemporaries like Aristotle, Hobbes, Descartes, Locke, and Leibniz. Lastly, the volume offers important and substantial replies to leading critics on four crucial topics: the necessary existence of God (Nature), substance monism, necessitarianism, and consciousness.