Les analyses fondees sur l'environnement, qui font du terrain ou de la temperature des facteurs explicatifs de la diversite humaine, dominent les discours anthropologiques de l'Ancien Regime. Richard Spavin montre que ces theories climatiques revelent des demarches contestataires a lire a cote des theories de la souverainete, du constitutionnalisme et du republicanisme. Richard Spavin fonde son analyse sur trois auteurs qui ont une vision relativiste du determinisme climatique. Si, pour Bodin, Montesquieu et Rousseau, les theories des climats expliquent les causes geographiques derriere la diversite des societes, elles recelent egalement une dimension metaphorique. Pour eux, les climats mettent en recit des visions du pouvoir: les limites du politique sont comparees aux obstacles geographiques; la finalite politique ne se trouve plus dans le corps du monarque mais dans le sol, auquel le monarque et son peuple appartiennent ensemble. L'auteur invite notamment a relire a nouveaux frais les derangeants livres de L'Esprit des lois qui semblent justifier l'esclavage dans certaines regions eloignees du contexte europeen. Les theories des climats revelent ainsi une face cachee de la philosophie politique de l'Ancien Regime. Richard Spavin en reevalue le socle philosophique et en devoile l'ironie qui demeurait jusque-la inapercue. Il montre que les climats sont un outil rhetorique efficace pour penser le nouvel ordre moral de la modernite.

Kant on Intuition: Western and Asian Perspectives on Transcendental Idealism consists of 20 chapters, many of which feature engagements between Kant and various Asian philosophers. Key themes include the nature of human intuition (not only as theoretical-pure, sensible, and possibly intellectual-but also as relevant to Kant's practical philosophy, aesthetics, the sublime, and even mysticism), the status of Kant's idealism/realism, and Kant's notion of an object. Roughly half of the chapters take a stance on the recent conceptualism/non-conceptualism debate. The chapters are organized into four parts, each with five chapters. Part I explores themes relating primarily to the early sections of Kant's first Critique: three chapters focus mainly on Kant's theory of the "forms of intuition" and/or "formal intuition", especially as illustrated by geometry, while two examine the broader role of intuition in transcendental idealism. Part II continues to examine themes from the Aesthetic but shifts the main focus to the Transcendental Analytic, where the key question challenging interpreters is to determine whether intuition (via sensibility) is ever capable of operating independently from conception (via understanding); each contributor offers a defense of either the conceptualist or the non-conceptualist readings of Kant's text. Part III includes three chapters that explore the relevance of intuition to Kant's theory of the sublime, followed by two that examine challenges that Asian philosophers have raised against Kant's theory of intuition, particularly as it relates to our experience of the supersensible. Finally, Part IV concludes the book with five chapters that explore a range of resonances between Kant and various Asian philosophers and philosophical ideas.

The extraordinary breadth and depth of Leibniz's intellectual vision commands ever increasing attention. As more texts gradually emerge from seemingly bottomless archives, new facets of his contribution to an astonishing variety of fields come to light. This volume provides a uniquely comprehensive, systematic, and up-to-date appraisal of Leibniz's thought thematically organized around its diverse but interrelated aspects. Discussion of his philosophical system naturally takes place of pride. A cluster of original essays revisit his logic, metaphysics, epistemology, philosophy of nature, moral and political philosophy, and philosophy of religion. The scope of the volume, however, goes beyond that of a philosophical collection to embrace all the main features of Leibniz's thought and activity. Contributions are offered on Leibniz as a mathematician (including not only his calculus but also determinant theory, symmetric functions, the dyadic, the analysis situs, probability and statistics); on Leibniz as a scientist (physics and also optics, cosmology, geology, physiology, medicine, and chemistry); on his technical innovations (the calculating machine and the technology of mining, as well as other discoveries); on his work as an 'intelligencer' and cultural networker, as jurist, historian, editor of sources and librarian; on his views on Europe's political future, religious toleration, and ecclesiastical reunification; on his proposals for political, administrative, economic, and social reform. In so doing, the volume serves as a unique cross-disciplinary point of contact for the many domains to which Leibniz contributed. By assembling leading specialists on all these topics, it offers the most rounded picture of Leibniz's endeavors currently available.

Although many historical narratives often describe the eighteenth century as an unalloyed 'Age of Reason', Enlightenment thinkers continued to grapple with the challenges posed by the revival and spread of philosophical skepticism. The imperative to overcome doubt and uncertainty informed some of the most innovative characteristics of eighteenth-century intellectual culture, including not only debates about epistemology and metaphysics but also matters of jurisprudence, theology, history, moral philosophy, and politics. Thinkers of this period debated about, established, and productively worked for progress within the parameters of the increasingly circumscribed boundaries of human reason. No longer considered innate and consistently perfect, reason instead became conceived as a faculty that was inherently fallible, limited by personal experiences, and in need of improvement throughout the course of any individual's life. In its depiction of a complicated, variegated, and diverse Enlightenment culture, this volume examines the process by which philosophical skepticism was challenged and gradually tamed to bring about an anxious confidence in the powers of human understanding. The various contributions collectively demonstrate that philosophical skepticism, and not simply unshakable confidence in the powers of reason or the optimistic assumption about inevitable human improvement, was, in fact, the crucible of the Enlightenment process itself.

The major part of this volume is taken up by two plays, "Don Pedre" and "Olympie", in which Voltaire attempted to inject dynamism and spectacle into the French theatre while still working in the classical tradition. At the same time Voltaire continued his defence of French literature against foreign, particularly English, influence, with his Avis referring to the prestigious edition of Corneille, and more importantly the "Parallele d'Horace, de Boileau, et de Pope". Other political, religious and philosophical themes of 1761 are articulated in the remaining texts of the volume.

After his final attack on Shakespeare, the "Lettre de Monsieur de Voltaire a Messieurs de l'Academie francaise", Voltaire composed "Irene" as a demonstration of the supremacy of French theatre. Whereas he had previously failed to win Marie Antoinette's favour with his divertissement, "L'Hote et l'hotesse", "Irene" finally granted him a triumphant return to Paris shortly before his death. During the years 1776-1777, Voltaire continued his fight against serfdom in the Jura region through his "Supplique a M. Turgot", the "Lettre du reverend pere Polycarpe" and the "Lettre d'un benedictin de Franche-Comte", while his "Dialogue de Maxime de Madaure, entre Sophronime et Adelos" reveals a preoccupation with mortality at the close of his life.

Ludvig Holberg (1684-1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women's education and career, and a large number of comedies. These comedies secured Holberg's status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.

Although Kant considered him the greatest critic of his work, and Fichte thought him the most impressive mind of the generation, Salomon Maimon (1753-1800) has fallen into relative obscurity. Apiqoros: The Last Essays of Salomon Maimon draws attention to works written during the final years of Maimon's life. These essays are of particular interest: they show that even though Maimon was a self-proclaimed apiqoros grappling with the implications of Kantian philosophy, his thinking remained deeply influenced by his Jewish intellectual inheritance, especially by Maimonides, the medieval Sephardic philosopher. The volume is divided into two parts. The first is a general account of Maimon's intellectual biography, along with commentary on his final essays. The second part provides translations of those essays, the principal themes of which concern moral psychology. The reader is thus able to see the degree to which Maimon, at the end of his life, became sceptical of his effort to unite Kant and Maimonides, and remained a thinker caught "between two worlds." The book concludes with a translation of an account of Maimon's final hours, penned by one of his friends.

How the concept of "deep time" began as a metaphor used by philosophers, poets, and naturalists in the eighteenth and nineteenth centuries In this interdisciplinary book, Noah Heringman argues that the concept of "deep time"-most often associated with geological epochs-began as a metaphorical language used by philosophers, poets, and naturalists of the eighteenth and nineteenth centuries to explore the origins of life beyond the written record. Their ideas about "the abyss of time" created a way to think about the prehistoric before it was possible to assign dates to the fossil record. Heringman, examining stories about the deep past by visionary thinkers ranging from William Blake to Charles Darwin, challenges the conventional wisdom that the idea of deep time came forth fully formed from the modern science of geology. Instead, he argues, it has a rich imaginative history. Heringman considers Johann Reinhold Forster and Georg Forster, naturalists on James Cook's second voyage around the world, who, inspired by encounters with Pacific islanders, connected the scale of geological time to human origins and cultural evolution; Georges-Louis Leclerc, Comte de Buffon, who drew on travel narrative, antiquarian works, and his own fieldwork to lay out the first modern geological timescale; Blake and Johann Gottfried Herder, who used the language of fossils and artifacts to promote ancient ballads and "prehistoric song"; and Darwin's exploration of the reciprocal effects of geological and human time. Deep time, Heringman shows, has figural and imaginative dimensions beyond its geological meaning.

Lancees six ans apres le "Dictionnaire philosophique", les "Questions sur l'Encyclopedie" sont un des derniers chefs-d'oeuvre de Voltaire. OEuvre alphabetique, oeuvre polemique comme le "Dictionnaire", les "Questions" offrent une richesse thematique sans equivalent et constituent un veritable condense des idees de Voltaire sur une impressionnante diversite de sujets. La nouvelle edition des "Questions" en sept volumes de la Voltaire Foundation est la premiere edition fidele au texte original a paraitre apres plus de deux siecles. Pour la premiere fois, dans cette edition critique integrale, les experts explorent a fond les relations entre les "Questions" et l'objet avoue sur lequel elles se centrent - l'"Encyclopedie" de Diderot et D'Alembert. Collaborateurs: Christophe Cave, Nicholas Cronk, Olivier Ferret, Russell Goulbourne, Antonio Gurrado, James Hanrahan, Christiane Mervaud, Michel Mervaud, Francois Moureau, Christophe Paillard, Gillian Pink, John Renwick, Gerhardt Stenger.

In their first century of uninterrupted publication, newspapers reached an all-embracing readership: male and female, noble and artisan, in both town and country. Such was its impact that this seemingly ephemeral product became a collector's object. In Reading newspapers Uriel Heyd examines this vibrant new print medium and investigates its political, social and cultural implications. Adopting a comparative approach, the author traces the culture of newspaper reading in Britain and America. Previously unexplored sources such as newspaper indexes and introductions, plays, auction catalogues and a unique newspaper collection assembled and annotated by a Bostonian shopkeeper, provide invaluable access to perceptions of the press, reading practices, and the ever-changing experience of consumers. While newspapers supplied news of immediacy and relevance, their effect transcended the here and now, influencing readers' perceptions of the age in which they lived and helping to shape historical memory. But the newly found power of this media also gave rise to a certain fear of its ability to exploit or manipulate public opinion. Perceived as vehicles of enlightenment, but also viewed with suspicion, the legacy of eighteenth-century newspapers is still felt today.

If it is true that a painting can 'think visually', then it is also true that Diderot was the first to say so - and he has spelled out this concept better than anyone else. Diderot's Salons show that the 'imaginal' sense that arises from the engagement with a picture needs to be investigated using the concepts of ekphrasis and theatricality - the capacity to explore the power of pictures in relation to the composition of the scene, to the expressive and pantomimic gestures, and to what can be called a 'theory of affections'. The book will focus on an issue that pertains to the theory of pictures, on a question that is ground-breaking in the English-speaking academic context: how can we look at a picture in order to rethink aesthetics as a discipline that allows us to look at pictures from a philosophical point of view? The Salons demonstrate that the 'imaginal' process leading to knowledge always emerges from the picture itself, and that this process always needs to be supported by a method of inquiry that can rightly be called a philosophical method - as Diderot was a philosopher himself. Even when approaching this issue from a contemporary perspective, this method should always be related to the concepts of ekphrasis and theatricality. Fundamental, however, is also the 'pathetic', the emotionally stimulating, due to its essential relation to the enjoyment of pictures - something rooted in aesthetic disinterestedness, absorption and, conversely, voyeurism.

In the Louvre museum hangs a portrait of a middle-aged man with long dark hair, a mustache, and heavy-lidded eyes, and he is dressed in the starched white collar and black coat of the typical Dutch burgher. The painting is now the iconic image of Rene Descartes, the great seventeenth-century French philosopher. And the painter of the work? The Dutch master Frans Hals--or so it was long believed, until the work was downgraded to a copy of an original. But where, then, is the authentic version located, and who painted it? Is the man in the painting--and in its original--really Descartes?

A unique combination of philosophy, biography, and art history, "The Philosopher, the Priest, and the Painter" investigates the remarkable individuals and circumstances behind a small portrait. Through this image--and the intersecting lives of a brilliant philosopher, a Catholic priest, and a gifted painter--Steven Nadler opens up a fascinating portal into Descartes's life and times, skillfully presenting an accessible introduction to Descartes's philosophical and scientific ideas, and an illuminating tour of the volatile political and religious environment of the Dutch Golden Age. As Nadler shows, Descartes's innovative ideas about the world, about human nature and knowledge, and about philosophy itself, stirred great controversy. Philosophical and theological critics vigorously opposed his views, and civil and ecclesiastic authorities condemned his writings. Nevertheless, Descartes's thought came to dominate the philosophical world of the period, and can rightly be called the philosophy of the seventeenth century.

Shedding light on a well-known image, "The Philosopher, the Priest, and the Painter" offers an engaging exploration of a celebrated philosopher's world and work."

Over the course of his career, Gianni Vattimo has assumed a number of public and private identities and has pursued multiple intellectual paths. He seems to embody several contradictions, at once defending and questioning religion and critiquing and serving the state. Yet the diversity of his life and thought form the very essence of, as he sees it, the vocation and responsibility of the philosopher. In a world that desires quantifiable results and ideological expediency, the philosopher becomes the vital interpreter of the endlessly complex.

As he outlines his ideas about the philosopher's role, Vattimo builds an important companion to his life's work. He confronts questions of science, religion, logic, literature, and truth, and passionately defends the power of hermeneutics to engage with life's conundrums. Vattimo conjures a clear vision of philosophy as something separate from the sciences and the humanities but also intimately connected to their processes, and he explicates a conception of truth that emphasizes fidelity and participation through dialogue.

Anik Waldow develops an account of embodied experience that extends from Descartes' conception of the human body as firmly integrated into the causal play of nature, to Kant's understanding of anthropology as a discipline that provides us with guidance in our lives as embodied creatures. Waldow defends the claim that during the early modern period, the debate on experience not only focused on questions arising from the subjectivity of our thinking and feeling, it also foregrounded the essentially embodied dimension of our lives as humans. By taking this approach, Waldow departs from the traditional epistemological route dominant in treatments of early-modern conceptions of experience. She makes the case that reflections on experience took center stage in a debate that was moral in nature, because it raised questions about the developmental potential of human beings and their capacity to instantiate the principles of self-determined agency in their lives. These questions emerged for many early modern authors since they understood that the fact that humans are embodied entailed that they are similarly responsive and causally-determined like other non-human animals. While this perspective made it possible to acknowledge that humans are part of the causal dynamics of nature, it called into question their ability to act in accordance with the principles of free, rational agency. Experience Embodied reveals how early modern authors responded to this challenge, offering a new perspective on the centrality of the concept of experience in comprehending the uniquely human place in nature.

At the apex of his influence, from about 1860 up to the start of World War I, Schopenhauer was known first and foremost as a philosopher of pessimism. Still today, his main reputation is as one of the few philosophers to have argued that it would have been better never to have been. Sandra Shapshay aims to complicate and challenge this predominant picture of Schopenhauer's ethical thought, arguing that while the pessimistic, resigned Schopenhauer represents one side of the thinker, there is another, more hopeful side that is equally important to his legacy and essential to fully understanding his philosophy. Schopenhauer's ethical thought contains a hopeful, progressive strand, and the main task of this book is to reconstruct it. The resulting position, which Shapshay terms "compassionate moral realism," offers a hybrid Kantian moral realist/sentimentalist theory and a Schopenhauerian value ontology of degrees of inherent value. The reconstruction is novel in three main ways. First, it views Schopenhauer as a more faithful Kantian than most commentators have been apt to recognize. Second, it sees Schopenhauer's philosophy as an evolving rather than static body of thought, especially with respect to the place of the Platonic Ideas in his system; Schopenhauer's views in the philosophy of nature changed as he encountered proto-Darwinian thought, and this change weakens Schopenhauer's own grounds for pessimism. A third novelty is the claim, concerning his ethical thought, that there are really two Schopenhauers rather than one: the "Knight of Despair" and the "Knight of Hope" distinction introduced in this book helps to capture the incompatibility between the resignationist and the compassionate moral realist sides of Schopenhauer's ethical thought.

Written substantially in the late 1740s and published between 1747 and 1749, the three contes which are collected in this volume are among the best known of Voltaire's works. They were composed at a time when Voltaire had abandoned the tranquillity of Cirey for the tumult of Paris and Versailles, and was enjoying new recognition from members of the court and the learned societies. The three contes in the present volume, "Zadig", "Memnon" and "Le Monde comme il va", mark a new departure for Voltaire. They are the first of his fictional writings to be composed especially for the general reading public. Secure in his official prestige by the late 1740s, Voltaire felt free to publish these fictional experiments which adapt the popular mode of oriental fiction, parodying and pastiching the works of other writers - while at the same time offering serious criticisms of French society and his reflections on the nature of human happiness and the problem of evil.

Le monde doit le premier manifeste d'envergure contre la torture et la peine de mort a Cesare Beccaria. Son livre "Dei delitti e delle pene" retentit dans toute l'Europe au dix-huitieme siecle. L'edition critique du "Commentaire" de Voltaire 'sur le livre des delits et des peines' permet d'apprecier pleinement l'importance de cette rencontre de deux grands esprits des Lumieres. "L'Avis au public sur les parricides" en defense des Sirven, les ecrits pour le compte des 'natifs' de Geneve et un trio de textes deistes viennent etoffer le concept de la justice chez Voltaire.

This collection of 13 new essays shows what Baruch Spinoza can add to our understanding of the relational nature of autonomy. By offering a relational understanding of the nature of individuals centred on the role played by emotions, Spinoza offers not only historical roots for contemporary debates but also broadens the current discussion. At the same time, reading Spinoza as a theorist of relational autonomy underscores the consistency of his overall metaphysical, ethical and political project, which has been clouded by the standard rationalist interpretation of his works.

In this classic work of intellectual history, Ernst Cassirer provides both a cogent synthesis and a penetrating analysis of one of history's greatest intellectual epochs: the Enlightenment. Arguing that there was a common foundation beneath the diverse strands of thought of this period, he shows how Enlightenment philosophers drew upon the ideas of the preceding centuries even while radically transforming them to fit the modern world. In Cassirer's view, the Enlightenment liberated philosophy from the realm of pure thought and restored it to its true place as an active and creative force through which knowledge of the world is achieved.

In a new foreword, Peter Gay considers "The Philosophy of the Enlightenment" in the context in which it was written--Germany in 1932, on the precipice of the Nazi seizure of power and one of the greatest assaults on the ideals of the Enlightenment. He also argues that Cassirer's work remains a trenchant defense against enemies of the Enlightenment in the twenty-first century.

This volume contains two works of 1777. The "Prix de la justice et de l'humanite" is a summation of Voltaire's opinions over a lifetime about the confusions and cruelties in the contemporary justice system. The "Commentaire sur l'Esprit des lois de Montesquieu" resulted from Condorcet's criticisms of Voltaire's disparaging comments about Montesquieu. At first Voltaire had regarded Montesquieu as an ally in the fight against Church-led oppression, but by 1777 he associated him with republicanism, arguing that L'Esprit des lois 'aurait du etre intitule L'Esprit republicain'.

Lancees six ans apres le "Dictionnaire philosophique", les "Questions sur l'Encyclopedie" sont un des derniers chefs-d'oeuvre de Voltaire. OEuvre alphabetique, oeuvre polemique comme le "Dictionnaire", les "Questions" offrent une richesse thematique sans equivalent et constituent un veritable condense des idees de Voltaire sur une impressionnante diversite de sujets. La nouvelle edition des "Questions" en sept volumes de la Voltaire Foundation est la premiere edition fidele au texte original a paraitre apres plus de deux siecles. Pour la premiere fois, dans cette edition critique integrale, les experts explorent a fond les relations entre les "Questions" et l'objet avoue sur lequel elles se centrent - l'"Encyclopedie" de Diderot et D'Alembert. Collaborateurs: David Adams, Christophe Cave, Nicholas Cronk, Olivier Ferret, Russell Goulbourne, Antonio Gurrado, James Hanrahan, Laurence Mace, Myrtille Mericam-Bourdet, Christiane Mervaud, Michel Mervaud, Francois Moureau, Christophe Paillard, Gillian Pink, John Renwick, Gerhardt Stenger, Claire Trevien.

The Glasgow Enlightenment is widely regarded as the first book to explore the nature and accomplishments of the Enlightenment in eighteenth-century Glasgow in a comprehensive manner. In addition to a general introduction by the editors, there are seven chapters devoted to Glasgow University professors, such as Adam Smith, Francis Hutcheson, Thomas Reid, John Millar, William Leechman, and John Anderson. At a time when the Glasgow economy was booming in the strength of its trade with America, these and other Glasgow men of science and learning were making major contributions to the European world of philosophy, law, political economy, natural philosophy, medicine, and religious toleration. There are also five chapters on other individuals and topics, including the physician and author John Moore, James Boswell during his student days, images of Glasgow in popular poetry, and Popular party clergymen who challenged the dominant views of the academic Enlightenment with an alternative vision of liberty and piety. This edition features a new bibliographical preface by Richard B. Sher that discusses the substantial secondary literature on eighteenth-century Glasgow and the Glasgow Enlightenment since the original publication of this book more than a quarter of a century ago.

The Enlightenment era saw European thinkers increasingly concerned with what it meant to be human. This collection of essays traces the concept of 'humanity' through revolutionary politics, feminist biography, portraiture, explorer narratives, libertine and orientalist fiction, the philosophy of conversation, and musicology.