In a few pages I would like to express and to justify my admiration for the exceptional book of Jeffrey Barash. His training as an his torian, complemented by that of the philosopher, has served him richly, not only in the discovery of rare texts and of unpublished correspondence but in the reconstruction of the philosophical landscape at the beginning of the century, and then in the period between the two wars. Standing out in the foreground of this land scape are the two mountains constituted by Sein und Zeit and Hei degger's work following the Kehre. This reconstruction by no means intends to establish 'influences' in the mediocre, mechanis tic sense, but rather subterranean continuities between Heidegger's work and his intellectual environment in order to enhance, by the effect of their contrast, the specific intelligibility of this work. In order to appreciate the consequences of continuity as well as of discontinuity, it was necessary to identify and to emphasize a touchstone-question, endowed with the quality of great per durability, and to summon before it all of the protagonists, in cluding Heidegger himself, in an intellectual combat dating back nearly a hundred years. Announced in the title of the work, this question concerns historical meaning. By this term the author wanted to designate the stubborn ques tion, most exactly approximated by the term coherence in its ap plication to history."

Kurt Wolff has written principally in two veins (in English) for the last fifty years, 1) on sociology, epistemology (sociology of knowledge) and the philosophy of sociology; and 2) on the relevance of his formulation of "surrender and catch" to human experience, particularly in its cogni tive forms. He published Trying Sociology in 1974, which contains his writings on sociology, and Surrender and Catch: Experience and Inquiry Today in 1976, which contains his writings on surrender-and-catch. In more recent years, he has published two books, 0 Loma Constituting a Self (1977-1984) in 1989 and Survival and Sociology: Vindicating the Human Subject (1991). Both of the more recent books add a third vein which is autobiographical and which moves back and forth between the previously established approaches in the earlier works. Transformation in the Writing is the most ambitious to date, because, as Wolff points out in the beginning, it contains writings that "fall quite obviously into three classes: autobiographical; sociology of knowledge, sociology, poetry, phenomenology, hermeneutics, critical theory; and our time and its sociological analysis. " The task of this book is to illuminate the connections among these three classes. Wolff has engaged in autobiographical writing his entire life, though this approach to writing has only in recent years grown closer to his intel lectual preoccupations with sociology and philosophy."

This book brings together two of the most influential thinkers in critical theory. By unmasking reality as contingent symbolic fiction, the authors argue, Foucauldian criticism has only deconstructed the world in different ways; the point, however, is 'to recognize the Real in what appears to be mere symbolic fiction' (Zizek) and to change it.

THEODORE KISIEL Date of birth: October 30,1930. Place of birth: Brackenridge, Pennsylvania. Date of institution of highest degree: PhD., Duquesne University, 1962. Academic appointments: University of Dayton; Canisius College; Northwestern University; Duquesne University; Northern Illinois University. I first left the university to pursue a career in metallurgical research and nuclear technology. But I soon found myself drawn back to the uni versity to 'round out' an overly specialized education. It was along this path that I was 'waylaid' into philosophy by teachers like H. L. Van Breda and Bernard Boelen. The philosophy department at Duquesne University was then (1958-1962) a veritable "little Louvain," and the Belgian-Dutch connection exposed me to (among other visiting scholars) Jean Ladriere and Joe Kockelmans, who planted the seeds which eventually led me to the hybrid discipline of a hermeneutics of natural science, and prompted me soon after graduation to make the first of numerous extended visits to Belgium and Germany. The endeavor to learn French and German led me to the task of translating the phenomenological literature bearing especially on natural science and on Heidegger. The talk in the sixties was of a "continental divide" in philosophy between Europe and the Anglo-American world. But in designing my courses in the philosophy of science, I naturally gravitated to the works of Hanson, Kuhn, Polanyi and Toulmin without at first fully realizing why I felt such a strong kinship with them, beyond their common anti positivism."

Coming from what is arguably the most productive period of Husserl's life, this volume offers the reader a first translation into English of Husserl's renowned lectures on passive synthesis', given between 1920 and 1926. These lectures are the first extensive application of Husserl's newly developed genetic phenomenology to perceptual experience and to the way in which it is connected to judgments and cognition. They include an historical reflection on the crisis of contemporary thought and human spirit, provide an archaeology of experience by questioning back into sedimented layers of meaning, and sketch the genealogy of judgment in active synthesis'. Drawing upon everyday events and personal experiences, the Analyses are marked by a patient attention to the subtle emergence of sense in our lives. By advancing a phenomenology of association that treats such phenomena as bodily kinaesthesis, temporal genesis, habit, affection, attention, motivation, and the unconscious, Husserl explores the cognitive dimensions of the body in its affectively significant surroundings. An elaboration of these diverse modes of evidence and their modalizations (transcendental aesthetic), allows Husserl to trace the origin of truth up to judicative achievements (transcendental logic). Joined by several of Husserl's essays on static and genetic method, the Analyses afford a richness of description unequalled by the majority of Husserl's works available to English readers. Students of phenomenology and of Husserl's thought will find this an indispensable work.

Gilles Deleuze's writing is permeated with references to literature. Deleuze repeatedly asserted that he was not a literary critic, and yet he provides exhilarating and brilliantly original interactions with literary texts. This study sets up in-depth encounters between Deleuze's thought and some of the writers who fascinated him (T.E. Lawrence, Melville, D.H. Lawrence, Tournier, Beckett). Using travel as a transversal theme, the book demonstrates the productivity of a Deleuzian frame of reference when applied to literary texts.

An important milestone of 20th Century philosophy was the rise of personalism. After the crimes and atrocities against millions of human beings in two World Wars, especially the Second, some philosophers and other thinkers began to seek arguments showing the value of each human being, to expose and denounce the folly of political structures that violate the inalienable rights of the individual person. Karol Wojty?a appeals to the ancient concept of 'person' to emphasize the particular value of each human being. The person is unique because of their subjectivity by which they possesses an unrepeatable interior world in the history of humanity. Their rational nature grants them a special character among living beings, among which is the transcendence to the infinite. Wojty?a magisterially shows how each human being's personhood is rooted in a conscious and free subjectivity, which is marked also by personal and social responsibility. Wojty?a's original philosophical analysis takes for its starting point the human act, in which consciousness and experience consolidate voluntary choices, which are objectively efficacious. By their acts, the person determines their own personhood. This self-dominion manifests the person and enables them to live together in a community in which one's neighbor can be a companion on the voyage of life. This work provides a clear guide to Karol Wojty?a's principal philosophical work, Person and Act, rigorously analyzing the meaning that the author intended in his exposition. An important feature of the work is that the authors rely on the original Polish text, Osoba i czyn, as well as the best translations into Italian and Spanish, rather than on a flawed and sometimes misleading English edition of the work. Besides the analysis of Wojty?a's masterwork, this volume offers three chapters examining the impact of Wojty?a's anthropology on the relationship between faith and reason.

The idea of a final end of human conduct - the highest good - plays an important role in Kant's philosophy. Unlike his predecessors Kant defines the highest good as a combination of two heterogeneous elements, namely virtue and happiness. This conception lies at the centre of some of the most influential Kantian doctrines such as his famous "moral argument" for the rationality of faith, his conception of the unity of reason and his views concerning the final end of nature as well as the historical progress of mankind. To be sure, the different treatments of the highest good in Kant's work have led to a great deal of discussion among his readers. Besides Kant's arguments for moral faith, recent debate has focused on the place of the highest good within Kant's moral theory, on the antinomy of pure practical reason, and on the idea of the primacy of practical reason. This collection of new essays attempts to re-evaluate Kant's doctrine of the highest good and to determine its relevance for contemporary philosophy.

Here as Virilio states, "all one can do is guess." But Virilio's position is not one of pure guessery. His extrapolationist position against his delirium state, has the architecture of a 23rd century scientist: three parts - fractal geometry, two parts - theory of general relativity, one part - Philip K. Dick. One must step back and stare down the medusa of progress with a mirror. This is Virilio's call for a grey ecology. PAUL VIRILIO is a renowned urbanist, political theorist and critic of the art of technology.Born in Paris in 1932, Virilio is best known for his 'war model' of the growth of the modern city and the evolution of human society. He is also the inventor of the term 'dromology' or the logic of speed. Identified with the phenomenology of Merleau-Ponty, the futurism of Marinetti and technoscientific writings of Einstein, Virilio's intellectual outlook can usefully be compared to contemporary architects, philosophers and cultural critics such as Bernard Tschumi, Gilles Deleuze and Jean Baudrillard. Virilio is the author, among other books of Speed and Politics, The Information Bomb, Open Sky, and most recently, The Original Accident.

Between 1931 and 1935, Bertrand Russell contributed some 156 essays to the literary pages of the American newspaper New York American. These were often fun, humorous observations on the very real issues of the day, such as the Depression, the rise of Nazism and Prohibition, to more perennial themes such as love, parenthood, education and friendship. Available for the first time in the Routledge Classics series in a single volume, this pithy, provocative and often-personal collection of essays brings together the very best of Russell's many contributions to the New York American, and proves just as engaging for today's readers as they were in the 1930s.

The two principles of the Transient and the Absolute are fundamental to man's self-perception. While we perceive ourselves as transient biological phenomena, with a limited span of existence, we also view ourselves as immaterial creatures whose personalities persist and are not subject to change. This original philosophical essay surveys the totality of human experience from this dual perspective, showing the presence and the constant interaction of the two principles in the civilizational endeavors of humanity. The author analyzes our constant search for the absolute among transient manifestations in diverse domains, such as religion, philosophy, art, society, and politics. This volume offers a unifying view of the great diversity of human experience, based on the author's insight into man's self-perception.

This volume stems chiefly from a research symposiumofthe same title held in Delray Beach, Florida during May 1997 with the sponsorship of Florida Atlantic University and the Center for Advanced Research in Phenomenology, Inc.The papers from that occasionhave been revised inthe lightofcriticismbysympatheticcolleagues. Onepaperthat waspresentedhas notbeen includedandtwohavebeen added, thatoftheFullbrooks, whichwas prepared for the symposium but could not be presented, and that by Ms. Sarah Miller because life in South Floridaprevents one from forgetting old age, whichSimone deBeauvoirwasthefirstinphenomenologytodescribeat length.ProfessorToadvine'sbibliography wasavailablefromtheoutsetofthe project and was then used and praised by all. The colleagues included here and also Professor Dorothy Leland are thanked for their sympathetic participation in the symposium. Mr. Samuel Julian is thanked for the technical editing ofthis volume. Wendy O'Brien Lester Embree VB Introduction Wendy O'Brien Humber College Early studiesofthephilosophyofSimonedeBeauvoirreadherworks through the lensofeitherFeminismorExistentialism.Whilebothofthesereadingsof her writings have afforded important insights into her thought, they have at the same time overlooked the basic approachofher philosophy, resulting in claims of inconsistencies and of a lack of rigor. Feminist theorists, for example, found an importantpoliticalagendainBeauvoir'swork. However, with their focus on this elementofher writing, they tended to overlook the philosophicalunderpinningsofherreflectionsonthe livesofwomen. Read as such, Beauvoirhasbeencriticizedbyher contemporariesforthe incoherence in her work and for her failure to presentpositive role models for women in her novels, essays, and studies.

Logic and Philosophy of Mathematics in the Early Husserl focuses on the first ten years of Edmund Husserl's work, from the publication of his Philosophy of Arithmetic (1891) to that of his Logical Investigations (1900/01), and aims to precisely locate his early work in the fields of logic, philosophy of logic and philosophy of mathematics. Unlike most phenomenologists, the author refrains from reading Husserl's early work as a more or less immature sketch of claims consolidated only in his later phenomenology, and unlike the majority of historians of logic she emphasizes the systematic strength and the originality of Husserl's logico-mathematical work.

The book attempts to reconstruct the discussion between Husserl and those philosophers and mathematicians who contributed to new developments in logic, such as Leibniz, Bolzano, the logical algebraists (especially Boole and Schroder), Frege, and Hilbert and his school. It presents both a comprehensive critical examination of some of the major works produced by Husserl and his antagonists in the last decade of the 19th century and a formal reconstruction of many texts from Husserl's Nachlass that have not yet been the object of systematical scrutiny.

This volume will be of particular interest to researchers working in the history, and in the philosophy, of logic and mathematics, and more generally, to analytical philosophers and phenomenologists with a background in standard logic."

Why is film becoming increasingly important to philosophers? Is it because it can be a helpful tool in teaching philosophy, in illustrating it? Or is it because film can also think for itself, because it can create its own philosophy? In fact, a popular claim amongst film philosophers is that film is no mere handmaiden to philosophy, that it does more than simply illustrate philosophical texts: rather, film itself can philosophise in direct audio-visual terms. Approaches that purport to grant to film the possibility of being more than illustrative can be found in the subtractive ontology of Alain Badiou, the Wittgensteinian analyses of Stanley Cavell, and the materialist semiotics of Gilles Deleuze. In each case there is a claim that film can think in its own way. Too often, however, when philosophers claim to find indigenous philosophical value in film, it is only on account of refracting it through their own thought: film philosophizes because it accords with a favored kind of extant philosophy.

"Refractions of Reality: Philosophy and the Moving Image" is the first book to examine all the central issues surrounding the vexed relationship between the film image and philosophy. In it, John Mullarkey tackles the work of particular philosophers and theorists (Zizek, Deleuze, Cavell, Bordwell, Badiou, Branigan, Ranciere, Frampton, and many others) as well as general philosophical positions (Analytical and Continental, Cognitivist and Culturalist, Psychoanalytic and Phenomenological). Moreover, he also offers an incisive analysis and explanation of several prominent forms of film theorizing, providing a metalogical account of their mutual advantages and deficiencies that will prove immensely useful to anyone interested in the details of particular theories of film presently circulating, as well as correcting, revising, and revisioning the field of film theory as a whole.

Throughout, Mullarkey asks whether the reduction of film to text is unavoidable. In particular: must philosophy (and theory) always transform film into pretexts for illustration? What would it take to imagine how film might itself theorize without reducing it to standard forms of thought and philosophy? Finally, and fundamentally, must we change our definition of philosophy and even of thought itself in order to accommodate the specificities that come with the claim that film can produce philosophical theory? If a 'non-philosophy' like film can think philosophically, what does that imply for orthodox theory and philosophy?

Existentialism: An Introduction has established itself as the most comprehensive and accessible book on the subject available. In this fully revised and expanded second edition, Kevin Aho draws on a wide range of existentialist thinkers from both the secular and religious traditions, adding a wealth of new material on existentialism's relationship with Marxist thought and its impact on feminist phenomenology and critical race theory. Chapters center on the key themes of freedom, authenticity, being-in-the-world, alienation, and nihilism. Aho also addresses important but often overlooked issues in the canon of existentialism, including the role of embodiment, existentialism's contribution to ethics, political theory and environmental and comparative philosophies, as well as its influence on the allied health professions. By tracking its many and significant influences on modern thought, Kevin Aho shows why existentialism cannot be easily dismissed as a moribund or outdated movement, but instead endures as one of the most important and vibrant areas of contemporary philosophy. Existentialism remains so influential because it forcefully deals with what it means to be human and engages with fundamental questions such as "Who am I?" and "How should I live?" Existentialism: An Introduction is the ideal text for upper-level philosophy students and for anyone interested in the movement's key figures and concepts.

This book is a collection of papers given at the International Conference "Levinas in Jerusalem" held at the Hebrew University in May 2002. It gives an overview of the most fecund areas of research in Levinas scholarship. The authors, world renowned scholars and young promising ones, investigate Levinas 's relationship to Bergson, Husserl and Heidegger; his conception of Justice and the State; and his view of Aesthetics, Eros and the Feminine.

The problem of truth and the liar paradox is one of the most extensive problems of philosophy. The liar paradox can be avoided by assuming a so-called theory of partial truth instead of a classical theory of truth. Theories of partial truth, however, cannot solve the so-called strengthened liar paradox, which is the problem that many semantic statements about the so-called strengthened liar cannot be true in a theory of partial truth. If such semantic statements were true in the theory, another paradox would emerge. To proponents of contextual accounts, which assume that the concept of truth is context-dependent, the strengthened liar paradox is the core of the liar problem. This book provides an overview of current contextual approaches to the strengthened liar paradox. For this purpose, the author investigates formal theories of truth that result from formal reconstructions of such contextual approaches.

"Law and Transcendence" examines and develops the philosophy of British Philosopher Gillian Rose. By putting Roses thought into critical dialogue with contemporary philosophers and religious thinkers, the author demonstrates the continuing importance of her work and the importance of critical engagement between philosophy and religious thought.""

This is the first detailed assessment of the life and work of Felix Guattari--"Mr. Anti" as the French press labelled him--the friend of and collaborator with Gilles Deleuze, Jacques Lacan and Antonio Negri, and one of the 20th Century's last great activist-intellectuals. Guattari is widely known for his celebrated writings with Deleuze, but these writings do not represent the true breadth and impact of his thinking, writing and activism. Guattari's major work as a clinical and theoretical innovator in psychoanalysis was closely linked to his participation in struggles against European right-wing politics. Felix Guattari introduces the reader to the diversity and sheer range of Guattari's interests, from anti-psychiatry, to Japanese culture, political activism and his theorizing of subjectification.Highlighting why Guattari's work is of increasing relevance to contemporary political, psychoanalytical and philosophical thought, Felix Guattari: An Aberrant Introduction presents the reader with an adventurous and provocative introduction to this radical thinker.

Continuum's "Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Existentialism is often studied by students with little or no background in philosophy; either as an introduction to the idea of studying philosophy or as part of a literary course. Although it is often an attractive topic for students interested in thinking about questions of 'self' or 'being', it also requires them to study difficult thinkers and texts. This Guide begins with the question of 'What is Existentialism?' and then moves on to provide a brief analysis of the key thinkers, writers and texts - both philosophical and literary - central to existentialism. Chapters focus particularly on Kierkegaard, Heidegger, Sartre and Camus but also discuss other philosophers and writers such as Nietzsche, Dostoevsky and Kafka. The second section of the Guide introduces key topics associated with existentialist thought; Self, Consciousness, the question of God and Commitment. Each chapter explains the concepts and debates and provides guidance on reading and analysing the philosophical and literary texts addressed, focusing throughout on clarifying the areas students find most difficult.

Kant's Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant's notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant's aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Gunter Figal, Tom Huhn, Hans-Peter Kruger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.

Art Line Thought discusses the main issues that beset our time and philosophy by locating these same issues in artworks and describing closely what is shown there. While respecting their differences, art and philosophy are thus made to cross back and forth into one another, delineating in fresh ways our concerns about nature, the human and non-human, the body, femininity, ecology, technology, textism, the end of history, community, postmodernism, relativism and non-Eurocentric ethics. A `philosophy of line' gathers these issues, opposing the current dominance of `word' and linguistic analyses. Art has long been aware that the line communicates meaning at least as well as the word. The volume is divided between contemporary and prehistoric art in order to reveal the presumptions of `Western' culture and how we might move beyond it. Since the book is a critique of Eurocentric thinking and prose, it works at finding new styles of both. Its philosophical meditation is directed equally to those who are intellectually interested in contemporary and prehistoric art, in theories of postmodern culture and criticism, and in anthropology.

Philosophers contributing new ideas are commonly caught within a received philosophical vocabulary and will often coin new, technical terms. Husserl understood himself as advancing a new theory of intentionality, and he fashioned the new vocabulary of `noesis' and `noema'. But Husserl's own statements regarding the noema are ambiguous. Hence, it is no surprise that controversy has ensued. The articles in this book elucidate and clarify the notion of the noema; the book includes articles which phenomenologically describe and analyze the noemata of various experiences as well as articles which undertake the `metaphenomenological' explication of the doctrine of the noema. These two enterprises cannot be isolated from one another. Any analysis of the noema of a particular type of experience will necessarily illustrate, at least by instantiating the general notion of noema. And any metaphenomenological account of the noema itself will guide particular researches into the noemata of particular experiences.