McPherson captures the best and worst aspects of American journalism since 1965. The press has evolved into a conglomeration of entities, that today can be described as pervasive, entertaining, and justifiably mistrusted. In some ways, today's press offers the best journalism Americans have ever seen. In other ways, the modern news media fall short of the ideals held by most of those who care about journalism, and far short of the promise they once seemed to offer in terms of helping create an enlightened democracy. Neither a paean to the press nor an exercise in media bashing, this book finds much to criticize and to praise about recent American journalism, while illustrating that traditional journalistic values have diminished in importance -- not just for many of those who control the media, but also for the media consumers who most need good journalism.

Chapters are devoted to various themes that include social unrest, the influence of entertainment values, technological shifts, media consolidation and corporatization, issues of content versus context, new kinds of news media, and why the 1970s may have been the high point of American journalism. Events and issues given extra attention include the rise of television news (and later CNN), the Civil Rights Movement and other race-related issues, the Women's Movement, various forms of alternative journalism, wars in Vietnam and Iraq, investigative journalism, the World Trade Center attacks, the Clinton/Lewinsky scandal, the 2000 and 2004 presidential campaigns and elections, civic journalism, and journalism scandals.

In their edited volume Writing for Professional Development, Giulia Ortoleva, Mireille Betrancourt and Stephen Billett provide a range of contributions in which empirical research, instructional models and educational practice are used to explore and illuminate how the task and process of writing can be used as tools for professional development. Throughout the volume, two main perspectives are considered: learning to write professionally and writing to learn the profession, both for initial occupational preparation and ongoing development within them. The contributions consider a range of fields of professional practice, across sectors of education, starting from the premises that the role of writing as evolved in all occupational domains, becoming a key activity in most workplaces. Contributors are: Cecile M. Badenhorst, Elena Boldrini, Esther Breuer, Ines Cardoso, Alberto Cattaneo, Peter Czigler, Jessica Dehler, Pauline Glover, Terri Grant, Jean-Luc Gurtner, Jacqueline Hesson, Ashgar Iran-Nejad, Rhonda Joy, Ann Kelly, Merja Kurunsaari, Xumei Li, Laetitia Mauroux, Heather McLeod, Elisa Motta, Astrid Neumann, Julian Newman, Sigrid Newman, Sharon Penney, Luisa Alvares Pereira, Sarah Pickett, Iris Susana Pires Pereira, Anna Perreard Vite, Arja Piirainen, Elisa Redondi, Sabine Vanhulle, Ray Smith, Kirk P. H. Sullivan, Linda Sweet, Paivi Tynjala, Dorothy Vaandering, Rebecca Woodard, and Gabrielle Young.

THE BEST RESOURCE FOR GETTING YOUR FICTION PUBLISHED Novel & Short Story Writer's Market 2019 is the only resource you need to get your short stories, novellas, and novels published. The 38th edition of NSSWM features hundreds of updated listings for book publishers, literary agents, fiction publications, contests, and more. Each listing includes contact information, submission guidelines, and other essential tips. Novel & Short Story Writer's Market also offers valuable advice to elevate your fiction: Break down the anatomy of a great short story. Learn how to create an antagonistic setting and incorporate conflict into your fiction. Discover the important elements of complexity and how to use those elements to develop your story. Gain insight from best-selling and award-winning authors, including George Saunders, Kristin Hannah, Roxane Gay, and more. You will also receive a one-year subscription to WritersMarket.com's searchable online database of fiction publishers (NOTE: the subscription comes with the print version ONLY). + Includes access to the webinar "Pillars of Perfect Structure" hosted by bestselling author James Scott Bell

Special Effects: Short Takes on Stylish Prose tackles the dilemma dedicated writers have faced for generations: how to make words on the page as compelling as images on the screen. Perfect for film buffs and TV enthusiasts who want to improve their writing, this innovative handbook reveals how cinematics can transform syntactics. Packed with 40 proven strategies designed to make serious and scholarly texts "read" as seamlessly and enjoyably as great movies, and accompanied by nearly 100 writing prompts perfect for use in college courses, writers' workshops, and workplace conference rooms, this one-of-a-kind guide shows how to make the daring leaps action heroes and dauntless authors make routine. What do James Bond flicks and Dante's Divine Comedy say about the art of attention-getting beginnings? What does a thorough credit roll have in common with effective scholarly citation? How can film set gaffers and film noir writers show us how to "light" our prose? How are passive verbs like guys on the lam in old black-and-white spy thrillers? How do Black Panther films and Wonder Woman comics inspire us to flip our scripts, diversifying the characters, real and imagined, about whom we write? Special Effects addresses writing's most persistent craft questions by boldly going where no prose style guide has gone before: to a front row seat at the movie theater.

Self-publishing has become a financial phenomenon that is taking on traditional publishers by storm. This is allowing anyone who wants to write a book to literally become an instant author overnight. Several success stories will inspire you to start crafting your own novel or nonfiction book and get in on the ever expanding market of eBook publishing. It is possible to achieve a six figure royalty based on a few simple strategies found in this book. Today brings a new opportunity for people to share their ideas, knowledge, and imagination. Additionally, it's possible to turn these ideas into a steady stream of income using the latest technological as well as a wide market audience. The Amazon Kindle makes information marketing possible for anyone to make money, and their program is also flexible enough to allow marketers to set their own prices and even market our books for us without complicated classified ads. This book will provide you with a path to get started on your road to information marketing using an eBook reader. I'm going to essentially lay out a road map that if followed, can put you on a profitable approach for your new information marketing calling and hopefully turn you into one of the many success stories. They say new Kindle millionaires are being made every day. Imagine writing a book that rakes in six figures in the course of only a few months. Years ago it took finding a publisher and sifting through dozens of rejection notices just to get your words in print. Now, you can skip ALL of the middle-men and become your own publisher, your own editor, and most importantly of all, your own boss. Here are a few things you will find inside this book: Why Write? Manageable Sized Projects Success Stories Finding Your Personal Niche Stimulate Your Imagination Ask Many Questions Set Writing Goals Free Software for Writers How to Capture Ideas Blogs and Surfing Experiences Combination Thinking Tools Collecting and Gathering Top down/bottom up Brain-Storm or Spider-Chart Lists of 50 or 100 Ideas Joining the Dots Gathering Resources Fiction or Non-fiction? Time Best time to research Time management Setting timelines and goals Money Use money to improve your book Hire editors Hire writers Hire cover designers ...and much more including extensive lists of free self-publishing resources Buy your copy today

What we intend to do in this book is to explain, and exemplify, in a nuts-and-bolts way, what we are calling Scholarly Personal Narrative (SPN) writing. This is a genre created over 15 years ago by Robert, one of the co-authors of this book. The other co-author, DeMethra, has actually written a thesis and dissertation using this genre, so she brings an author's direct SPN experience to the table. Both of us co-teach a course that we call "Scholarly Personal Narrative Writing for Pre-Professionals and Professionals." In the chapters that follow, we will present a step-by-step approach for composing an SPN manuscript. The book will be comprised of four general parts, consisting of several short, practical chapters, written in non-technical language. We will write each of the chapters as a way of responding to the most common questions that our students have raised about SPN writing through the years. We will attempt to write as we teach, with no frills and with clarity, empathy, and understanding. We will also provide several SPN writing examples, as well as authorial toolbox tips, throughout the book. In addition, we will conclude with a bibliography of the most relevant personal narrative writing guides we have been able to muster. Our desire is to minimize the number of in-text citations and references in order to maximize the space for us to present a useful, nuts-and-bolts guide to writing, as well as a realistic, down-to-earth rationale for scholarly personal narrative writing in the academy. After reading the book, and practicing the writing exercises, undergraduate and graduate students will be able to author research papers, theses, and dissertations using the Scholarly Personal Narrative research genre. Hundreds of students have done this already throughout the country.