Four decades ago   aged twenty   the author experienced what he calls a  negative satori," a fundamental and irrefutable realization not of enlightenment, but of himself as a predicament only enlightenment could resolve. This, shaped by the hammer blows of a singular American professor, Richard DeMartino, brought him to Zen, and to Japan. Yet over time, of far greater import than his bungling efforts were the wonderful occupants of the Zen world he encountered: Toyoshima-san, the meditation Prometheus whose superhuman efforts astounded and inspired all while he remained impaled on the cliff's edge; the Thief, chief monastery monk who stole the world from whoever he encountered and whose yawns and the brushing of his teeth shot sparks of Absolute Meaning; Hisamatsu, the great lay Zen Master who at age 16 overheard a doctor tell his mother he'd be dead in six months, only to awaken ten years later and become the most delighted man in Japan; Bunko, the monk kind to others but ferocious with himself, whose daily state of Oneness in meditation left him dissatisfied because despite all exertion he could not crush it to pieces and break beyond it.These are among the sitters for the portraits in Reports From the Zen Wars, Steve Antinoff's attempt to bear witness to what for him has been The Greatest Show on Earth, price of admission one lotus position.

Dogs, Trees, Beards and Other Wonders-- An irreverent and sometimes humorous look at a major classic of Zen literature. Ken Tetsuzan, a third generation American Dharma teacher, brings the Zen koan into the Twenty-first Century. Zen has always refused to be bound by the letter of Buddhist teachings but still remains true to the spirit. This book is no exception. It will not only help the Zen student of today see more clearly into the nature of the questions and their relevance in a post-modern world, it will appeal to the general reader who is looking for a first-hand introduction to the Zen koan and all the questions embedded there.

The Buddha's Teaching directly addresses the problems of birth, aging, sickness, and death, allowing its practitioners to transcend affliction. It is therefore the highest form of compassion. The heart of this teaching is Dhyana, sometimes called Zen or Chan. In this heart of Buddhism, it is understood that the ultimate compassion of the Buddha's Teaching is a self-evident truth that that can be realized in this life. The heart of this teaching is not foreign to Western mind because the fundamental human problems of birth, aging, sickness, and death are not foreign. However, when teachers' conduct and words do not match, there is a serious problem. Should Zen teachers be immune to the results of their actions, their transgressions buried to preserve teaching lines? Master Laughing Cloud is a Western lay practitioner who writes from the direct experience of more than forty years of arduous bare-knuckled practice that took the form of Western Zen, Chinese Chan, and, ultimately, Dhyana Buddhism. Taking The Buddha's Teaching is an odyssey of unlikely beginnings, courageous encounters, and overcoming betrayal through unrelenting practice. This approachable and sincere autobiography illuminates the way to realizing the nature of Self and Universe and how even when facing adversity, one can be a light unto oneself. In this present-day continuum of war, civil inequality, and financial instability, it is the greatest of blessings to come to the open gate of The Buddha's Teaching. If you aspire to fully enter The Great Way, this book is indispensable reading.

The Records of Mazu and the Making of Classical Chan Literature explores the growth, makeup, and transformation of Chan (Zen) Buddhist literature in late medieval China. The volume analyzes the earliest extant records about the life, teachings, and legacy of Mazu Daoyi (709-788), the famous leader of the Hongzhou School and one of the principal figures in Chan history. While some of the texts covered are well-known and form a central part of classical Chan (or more broadly Buddhist) literature in China, others have been largely ignored, forgotten, or glossed over until recently. Poceski presents a range of primary materials important for the historical study of Chan Buddhism, some translated for the first time into English or other Western language. He surveys the distinctive features and contents of particular types of texts, and analyzes the forces, milieus, and concerns that shaped key processes of textual production during this period. Although his main focus is on written sources associated with a celebrated Chan tradition that developed and rose to prominence during the Tang era (618-907), Poceski also explores the Five Dynasties (907-960) and Song (960-1279) periods, when many of the best-known Chan collections were compiled. Exploring the Chan School's creative adaptation of classical literary forms and experimentation with novel narrative styles, The Records of Mazu and the Making of Classical Chan Literature traces the creation of several distinctive Chan genres that exerted notable influence on the subsequent development of Buddhism in China and the rest of East Asia.