In this companion volume to The Three Pillars of Zen, Kapleau establishes guidelines for Western practitioners of Zen Buddhism, offering appealing, simple answers to the questions Westerners most often ask.  Among the topics discussed in this informative, user-friendly book: "Transcendental Meditation: Who Transcends What?", "Can I Practice Zen and Be a Good Jew (or Catholic)?", "Reading About Enlightenment Is Like Scratching an Itchy Foot Through Your Shoe," and "Meditation Is an Escape--What Are You Doing to Help Society?" Kapleau's eloquence, humor, and authority make this an indispensible handbook for understanding Zen in the Western world.

"Enlightenment Unfolds" is a sequel to Kaz Tanahashi's previous collection, "Moon in a Dewdrop," which has become a primary source on Dogen for Western Zen students. Dogen Zenji (1200-1253) is unquestionably the most significant religious figure in Japanese history. Founder of the Soto school of Zen (which emphasizes the practice of "zazen" or sitting meditation), he was a prolific writer whose works have remained popular for six hundred years. "Enlightenment Unfolds" presents even more of the incisive and inspiring writings of this seminal figure, focusing on essays from his great life work, "Treasury of the True Dharma Eye," as well as poems, talks, and correspondence, much of which appears here in English for the first time.
Tanahashi has brought together his own translations of Dogen with those of some of the most respected Zen teachers and writers of our own day, including Reb Anderson, Edward Espe Brown, Norman Fisher, Gil Fronsdal, Blanche Hartman, Jane Hirschfield, Daniel Leighton, Alan Senauke, Katherine Thanas, Mel Weitzman, and Michael Wenger.

This is the first detailed English-language study of the Obaku branch of Japanese Zen. Beginning with the founding of the sect in Japan by Chinese monks in the seventeenth century, the volume describes the conflicts and maneuverings within the Buddhist and secular communities that led to the emergence of Obaku as a distinctive institution during the early Tokugawa period. Throughout the author explores a wide range of texts and includes excerpts from important primary documents such as the Zenrin shuheishu and the Obaku geki, translated here for the first time. She provides an impressive portrait of the founding Chinese leadership and the first generation of Japanese converts, whose work enabled the fledgling sect to grow and take its place beside existing branches of the closely related Rinzai Zen sect. Obaku's distinctive Chinese practices and characteristics set it apart from its Japanese counterparts. In an innovative investigation of these differences, the author uses techniques derived from the contemporary study of new religious movements in the West to explain both Obaku's successes and failures in its relations with other Japanese Buddhist sects. She illuminates the role of government support in the initial establishment of the main monastery, Mampuku-ji, and the ongoing involvement of the bakufu and the imperial family in Obaku's early development. Hers is a thorough and well-governed analysis that brings to the fore a religious movement that has been much neglected in Japanese and Western scholarship despite its tremendous influence on modern Japanese Buddhism as a whole.

"Complete Enlightenment " is the first authoritative translation and commentary on "The Sutra of Complete Enlightenment, " a central text that shaped the development of East Asian Buddhism and Ch'an (Chinese Zen). The text is set in the form of a transcription of discussions between the Buddha and the twelve enlightened beings(bodhisattvas), who question him on all aspects of spiritual practice.

This new translation preserves all the liveliness and nuance of the text in the original Chinese. The sutra's ancient wisdom is brought to life by the commentaries of Master Sheng-yen, one of the most revered living Buddhist masters in the Ch'an lineage. This is truly a manual for the spiritual journey toward complete enlightenment, providing the key to the deep, poetic, and practical meanings of the scripture.

Based on the Zen philosophy that we learn more from our failures than from our successes, One Continuous Mistake teaches a refreshing new method for writing as spiritual practice. In this unique guide for writers of all levels, Gail Sher?a poet who is also a widely respected teacher of creative writing?combines the inspirational value of Julia Cameron's The Artist's Way with the spiritual focus of Zen Mind, Beginner's Mind. Here she introduces a method of discipline that applies specific Zen practices to enhance and clarify creative work. She also discusses bodily postures that support writing, how to set up the appropriate writing regimen, and how to discover one's own "learning personality."

In the tradition of such classics as Writing Down the Bones and If You Want to Write, One Continuous Mistake will help beginning writers gain access to their creative capabilities while serving as a perennial reference that working writers can turn to again and again for inspiration and direction.

In the early part of this century, the discovery of a walled-up cave in northwest China led to the retrieval of a lost early Ch'an (Zen) literature of the T'ang dynasty (618-907). One of the recovered Zen texts was a seven-piece collection, the "Bodhidharma Anthology." Of the numerous texts attributed to Bodhidharma, this anthology is the only one generally believed to contain authentic Bodhidharma material.
Jeffrey L. Broughton provides a reliable annotated translation of the "Bodhidharma Anthology" along with a detailed study of its nature, content, and background. His work is especially important for its rendering of the three Records, which contain some of the earliest Zen dialogues and constitute the real beginnings of Zen literature.
The vivid dialogues and sayings of Master Yuan, a long-forgotten member of the Bodhidharma circle, are the hallmark of the "Records." Master Yuan consistently criticizes reliance on the Dharma, on teachers, on meditative practice, and on scripture, all of which lead to self-deception and confusion, he says. According to Master Yuan, if one has spirit and does not seek anything, including the teachings of Buddhism, then one will attain the quietude of liberation. The boldness in Yuan's utterances prefigures much of the full-blown Zen tradition we recognize today.
Broughton utilizes a Tibetan translation of the "Bodhidharma Anthology "as an informative gloss on the Chinese original. Placing the anthology within the context of the Tun-huang Zen manuscripts as a whole, he proposes a new approach to the study of Zen, one that concentrates on literary history, a genealogy of texts rather than the usual genealogy of masters.

Master Sheng-yen, a dharma descendant from the founders of Buddhism in China, considers the concepts of suffering, enlightenment, and compassion; provides a glossary of key terms; and briefly recaps the history of Buddhism in China. But he goes beyond these issues to discuss contemporary matters and questions he has encountered in his years of teaching in the United States. Sometimes personal and always instructive, Sheng-yen's introductory work is perfect for those just coming to Buddhism, and for those who are already very familiar with the Tibetan and Zen schools.

The Sutra of Perfect Enlightenment, used in monastic education for more than a millennium, is a concise guide to the key paradigms of the practice systems of the East Asian meditational schools (Ch'an, Son, and Zen). Contained in its twelve chapters are definitive explanations of the meaning of innate and actualized enlightenment, sudden and gradual enlightenment, the true nature of ignorance and suffering, along with numerous examples of methods of contemplation that accord with and reflect the basic Ch'an views on enlightenment and practice. Although the Sutra was popular throughout the East Asian region, it attained its highest canonical status within the Korean Chogye school, where it is still a key text in the core curriculum of modern-day monks and nuns. The Sutra is translated here in full, along with the eloquent and revelatory commentary of the Choson monk Kihwa (1376-1433).

Zen teaching of instantaneous awakening A complete translation of the teaching of the Chinese Ch'an Master Hui Hai by John Blofeld, with a foreword by Charles Luk Hui Hai, was one of the great Ch'an (Zen) Masters. He was a contemporary of both Ma Tsu and Huang Po, those early masters who established Ch'an after the death of Hui Neng, the sixth Patriarch. Hui Hai's direct teachings point immediately to this moment of truth and awakening, and the message of this classic eighth-century text is universal and timeless.

In this collection of twenty-three essays, Robert Aitken retraces the origins of American Zen Buddhism and provides readings of influential texts. Reflecting on death, on marriage, and on Zen practice, Aitken always points out the path to pleasure in the everyday dewdrop world. There is a fine art to presenting complex ideas with simplicity and insight in a manner that both shepherds and inspires. Robert Aitkens Original Dwelling Place: Zen Buddhist Essays succeeds in doing just this, offering twenty-three essays from Americas senior Zen roshi and author of the best-selling, groundbreaking primer Taking the Path of Zen. Just as Taking the Path of Zen is the definitive handbook for Zen practice, the essays gathered in Original Dwelling Place are essential for the light they shed on Aitken Roshis own journey and the effect he has had on American Zen Buddhism. Gathered here are essays about the Zen texts Aitken has studied with avidity and close attention throughout the years; texts that were early and lasting influences. In an opening section entitled Ancestors, Aitken pays homage to the masters who influenced his own development and Zen Buddhism generally. In other meditations, Robert Aitken writes on political revolution and matters of ethics. He helps illuminate the proper use of money, power, and sexual love in a modern world that is often tainted by materialism and decadence. He offers stately meditations on death, on marriage, and on Zen practice, and on taking pleasure in the everyday dewdrop world.

For all its emphasis on the direct experience on insight without reliance on the products of the intellect, the Zen tradition has created a huge body of writings. Of this cast literature, the writings associated with the so-called Five Houses of Zen are widely considered to be preeminent. These Five Houses--which arose in China during the ninth and tenth centuries, often referred to as the Golden Age of Zen--were not schools or sects but styles of Zen teaching represented by some of the most outstanding masters in Zen history. The writing of these great Zen teachers are presented here, many translated for the first time.

Dream Conversations is a collection of a renowned Japanese master's written replies to questions about the true nature of Zen. In short, simply worded teachings, Muso Kokushi (1275-1351), also known as Muso Soseki, exposes common misconceptions with unprecedented clarity, offering psychological insights designed to lead the reader into the depths of authentic Zen experience. These incisive teachings will be especially valuable for today's Zen students, as they struggle with their own confusion and misunderstandings about the true path of Zen.

Soen Nakagawa Roshi (1907-1984) was an extraordinary Zen master and a key figure in the transmission of Zen Buddhism from Japan to the Western world. A man of many faces, he was a simple Japanese monk, a world traveler, a spiritualized being of the highest order, a poetic genius, a creator of dynamic calligraphy - and a notoriously eccentric teacher who, for example, was known to conduct "tea ceremonies" using instant coffee and styrofoam cups. Endless Vow is the first English-language collection of the literary works of this remarkable teacher.

Can Zen tell us whether particular wars are right or wrong? What role did D. T. Suzuki and other Zen figures play in the Japanese nationalism that fueled World War II? What are we to make of nationalistic elements in the thought of Nishida Kitaro, Tanabe Hajime, Nishitani Keiji, and other philosophers of the Kyoto School? What connection was there between the Japanese project of overcoming the modernity of the West and the militarism of its 15-year war in Asia? In a collection of carefully documented essays, 15 Japanese and Western scholars take up these and other questions about the political responsibility of Japanese Buddhist intellectuals. This well-indexed and meticulously edited volume offers a variety of critical perspectives and a wealth of information for those interested in prewar and wartime history, Zen, Japanese philosophy, and the problem of nationalism today.

Ryokan (1758-1831) is, along with Dogen and Hakuin, one of the three giants of Zen in Japan. But unlike his two renowned colleagues, Ryokan was a societal dropout, living mostly as a hermit and a beggar. He was never head of a monastery or temple. He liked playing with children. He had no dharma heir. Even so, people recognized the depth of his realization, and he was sought out by people of all walks of life for the teaching to be experienced in just being around him. His poetry and art were wildly popular even in his lifetime. He is now regarded as one of the greatest poets of the Edo Period, along with Basho, Buson, and Issa. He was also a master artist-calligrapher with a very distinctive style, due mostly to his unique and irrepressible spirit, but also because he was so poor he didn't usually have materials: his distinctive thin line was due to the fact that he often used twigs rather than the brushes he couldn't afford. He was said to practice his brushwork with his fingers in the air when he didn't have any paper. There are hilarious stories about how people tried to trick him into doing art for them, and about how he frustrated their attempts. As an old man, he fell in love with a young Zen nun who also became his student. His affection for her colors the mature poems of his late period. This collection contains more than 140 of Ryokan's poems, with selections of his art, and of the very funny anecdotes about him.

Zen mind connects to the heart of recovery in this compelling blend of East and West. Courageously drawing from his lifetime of experience as an abused child, alcoholic, Zen student, and dharma teacher, author Mel Ash gives readers a solid grounding in the Twelve Steps and the Eightfold Path and shows their useful similarities for those in recovery.

Written for the neophyte who has no prior knowledge of the subject, Buddhism and Zen defines basic terms, translates key words, and answers the ten most frequently asked questions that are posed by Westerners interested in Zen Buddhism. Much of the Western world's interest in Zen is based on our growing awareness that the literal, the pragmatic, and the rational, while useful, often fail to explain the phenomena of the emotions, the unconscious, and the subconscious. Insights gleaned from psychoanalysis and various other forms of therapy have better prepared us for noncognitive enlightenment and paradox and non sequitur--it is no longer an unthinkable step from "The first shall be last and the last shall be first" to "The way that can be described is not the true way" and "What is the sound of one hand clapping?" The Buddha said, "If you try to see me through my form, or if you try to hear me through my voice, you will never reach me and will remain forever a stranger to my teaching."

This primer, first published in 1953 and long out of print, is a concise compendium of essential information for the seeker who wishes to explore Zen Buddhism.

Bilder zeigen - dies scheint die Pramisse alles Bildhaften zu sein. Dabei wird meist stillschweigend akzeptiert, dass sie mithin verbergen mussen, um das Gezeigte ins Licht des Sichtbaren zu uberfuhren. Jedoch koennen Bilder auch darauf verweisen, dass sich in ihnen etwas dem Zeigbaren generell entzieht. Diese Thematisierung des Unsichtbaren bzw. Undarstellbaren ist eine bisher wenig beachtete Eigenschaft und haufig Gegenstand einer speziellen Kunst, die sich im Kontext des ostasiatischen Zen-Buddhismus entwickelt hat. Der sich in diesen Werken manifestierende, scheinbare Widerspruch einer zen-buddhistischen Geisteshaltung, die Wirklichkeit fur nicht (oder zumindest nicht hinlanglich) vermittelbar zu halten, dieses Unvermittelbare aber gerade im Vermittelbaren zu suchen, markiert den Ausgangspunkt der Strategien von Sichtbarmachungspraktiken, die im vorliegenden Buch erstmalig einer genaueren Bestimmung unterzogen werden.

Jeff Bridges is one of the world's most popular actors and his unforgettable performance as The Dude in Coen Brothers film, The Big Lebowski, made him a cult hero. His remarkable career as an actor, performer and songwriter has brought him an Oscar, a Golden Globe and a Critics Choice award. Away from the spotlight, Bridges is a dedicated practitioner of Zen Buddhism and for more than a decade has been close friends with Zen leader Bernie Glassman. It is Glassman who has helped guide Bridges' lessons on the path to enlightenment and the two have spent many hours discussing life, love, the movies, creativity, happiness and death. With wit, charm and profound insight, Bridges and Glassman discover the Zen in iconic scenes and lines from The Big Lebowski. With honesty and humour, Bridges explores how his Zen practice and his life experience inform one another as he discusses his loving relationship with his parents, his marriage, his highly successful career and his warm connection with his fans.

Healing lies at the heart of Zen in the home, as Paula Arai discovered in her pioneering research on the ritual lives of Zen Buddhist laywomen. She reveals a vital stream of religious practice that flourishes outside the bounds of formal institutions through sacred rites that women develop and transmit to one another. Everyday objects and common materials are used in inventive ways. For example, polishing cloths, vivified by prayer and mantra recitation, become potent tools. The creation of beauty through the arts of tea ceremony, calligraphy, poetry, and flower arrangement become rites of healing. Bringing Zen Home brings a fresh perspective to Zen scholarship by uncovering a previously unrecognized but nonetheless vibrant strand of lay practice. The creativity of domestic Zen is evident in the ritual activities that women fashion, weaving tradition and innovation, to gain a sense of wholeness and balance in the midst of illness, loss, and anguish. Their rituals include chanting, ingesting elixirs and consecrated substances, and contemplative approaches that elevate cleaning, cooking, child-rearing, and caring for the sick and dying into spiritual disciplines. Creating beauty is central to domestic Zen and figures prominently in Arai's analyses. She also discovers a novel application of the concept of Buddha nature as the women honor deceased loved ones as "personal Buddhas." One of the hallmarks of the study is its longitudinal nature, spanning fourteen years of fieldwork. Arai developed a "second-person," or relational, approach to ethnographic research prompted by recent trends in psychobiology. This allowed her to cultivate relationships of trust and mutual vulnerability over many years to inquire into not only the practices but also their ongoing and changing roles. The women in her study entrusted her with their life stories, personal reflections, and religious insights, yielding an ethnography rich in descriptive and narrative detail as well as nuanced explorations of the experiential dimensions and effects of rituals. In Bringing Zen Home, the first study of the ritual lives of Zen laywomen, Arai applies a cutting-edge ethnographic method to reveal a thriving domain of religious practice. Her work represents an important contribution on a number of fronts--to Zen studies, ritual studies, scholarship on women and religion, and the cross-cultural study of healing.

If the western world knows anything about Zen Buddhism, it is down to the efforts of one remarkable man, D.T. Suzuki. The twenty-seven-year-old Japanese scholar first visited the west in 1897, and over the course of the next seventy years became the world's leading authority on Zen. His radical and penetrating insights earned him many disciples, from Carl Jung to Allen Ginsberg, from Thomas Merton to John Cage. In Mysticism Christian and Buddhist Suzuki compares the teachings of the great Christian mystic Meister Eckhart with the spiritual wisdom of Shin and Zen Buddhism. By juxtaposing cultures that seem to be radically opposed, Suzuki raises one of the fundamental questions of human experience: at the limits of our understanding is there an experience that is universal to all humanity? Mysticism Christian and Buddhist is a book that challenges and inspires; it will benefit readers of all religions who seek to understand something of the nature of spiritual life.