Specific and pragmatic, these instructions are applicable to every state of practice.--Booklist, American Library Association

Can Zen tell us whether particular wars are right or wrong? What role did D. T. Suzuki and other Zen figures play in the Japanese nationalism that fueled World War II? What are we to make of nationalistic elements in the thought of Nishida Kitaro, Tanabe Hajime, Nishitani Keiji, and other philosophers of the Kyoto School? What connection was there between the Japanese project of overcoming the modernity of the West and the militarism of its 15-year war in Asia? In a collection of carefully documented essays, 15 Japanese and Western scholars take up these and other questions about the political responsibility of Japanese Buddhist intellectuals. This well-indexed and meticulously edited volume offers a variety of critical perspectives and a wealth of information for those interested in prewar and wartime history, Zen, Japanese philosophy, and the problem of nationalism today.

More timely than ever, this gem of a book blends East and West into a spiritual vision of enormous practical value.

If the western world knows anything about Zen Buddhism, it is down to the efforts of one remarkable man, D.T. Suzuki. The twenty-seven-year-old Japanese scholar first visited the west in 1897, and over the course of the next seventy years became the world's leading authority on Zen. His radical and penetrating insights earned him many disciples, from Carl Jung to Allen Ginsberg, from Thomas Merton to John Cage. In Mysticism Christian and Buddhist Suzuki compares the teachings of the great Christian mystic Meister Eckhart with the spiritual wisdom of Shin and Zen Buddhism. By juxtaposing cultures that seem to be radically opposed, Suzuki raises one of the fundamental questions of human experience: at the limits of our understanding is there an experience that is universal to all humanity? Mysticism Christian and Buddhist is a book that challenges and inspires; it will benefit readers of all religions who seek to understand something of the nature of spiritual life.

Zen mind connects to the heart of recovery in this compelling blend of East and West. Courageously drawing from his lifetime of experience as an abused child, alcoholic, Zen student, and dharma teacher, author Mel Ash gives readers a solid grounding in the Twelve Steps and the Eightfold Path and shows their useful similarities for those in recovery.

A remarkable collection of essays, Shobogenzo, "Treasury of the Eye of True Teaching," was composed in the thirteenth century by the Zen master Dogen, founder of the Soto Zen school in Japan. Through its linguistic artistry and its philosophical subtlety, the Shobogenzo presents a thorough recasting of Buddhism with a creative ingenuity that has never been matched in the subsequent literature of Japanese Zen. With this translation of thirteen of the ninety-five essays, Thomas Cleary attempts to convey the form as well as the content of Dogen's writing, thereby preserving the instrumental structure of the original text. Together with pertinent commentary, biography, and notes, these essays make accessible to a wider audience a Zen classic once considered the private reserve of Soto monks and Buddhologists. Readers from many fields in the sciences and humanities will find themselves richly rewarded.

Through explorations of the three pillars of Zen--teaching, practice, and enlightenment--Roshi Philip Kapleau presents a comprehensive overview of the history and discipline of Zen Buddhism.  An established classic, this 35th anniversary edition features new illustrations and photographs, as well as a new afterword by Sensei Bodhin Kjolhede, who has succeeded Philip Kapleau as spiritual director of the Rochester Zen Center, one of the oldest and most influential Zen centers in the United States.

This collection of Abe's essays is a welcome addition to philosophy and comparative philosophy.

Written for the neophyte who has no prior knowledge of the subject, Buddhism and Zen defines basic terms, translates key words, and answers the ten most frequently asked questions that are posed by Westerners interested in Zen Buddhism. Much of the Western world's interest in Zen is based on our growing awareness that the literal, the pragmatic, and the rational, while useful, often fail to explain the phenomena of the emotions, the unconscious, and the subconscious. Insights gleaned from psychoanalysis and various other forms of therapy have better prepared us for noncognitive enlightenment and paradox and non sequitur--it is no longer an unthinkable step from "The first shall be last and the last shall be first" to "The way that can be described is not the true way" and "What is the sound of one hand clapping?" The Buddha said, "If you try to see me through my form, or if you try to hear me through my voice, you will never reach me and will remain forever a stranger to my teaching."

This primer, first published in 1953 and long out of print, is a concise compendium of essential information for the seeker who wishes to explore Zen Buddhism.

Bilder zeigen - dies scheint die Pramisse alles Bildhaften zu sein. Dabei wird meist stillschweigend akzeptiert, dass sie mithin verbergen mussen, um das Gezeigte ins Licht des Sichtbaren zu uberfuhren. Jedoch koennen Bilder auch darauf verweisen, dass sich in ihnen etwas dem Zeigbaren generell entzieht. Diese Thematisierung des Unsichtbaren bzw. Undarstellbaren ist eine bisher wenig beachtete Eigenschaft und haufig Gegenstand einer speziellen Kunst, die sich im Kontext des ostasiatischen Zen-Buddhismus entwickelt hat. Der sich in diesen Werken manifestierende, scheinbare Widerspruch einer zen-buddhistischen Geisteshaltung, die Wirklichkeit fur nicht (oder zumindest nicht hinlanglich) vermittelbar zu halten, dieses Unvermittelbare aber gerade im Vermittelbaren zu suchen, markiert den Ausgangspunkt der Strategien von Sichtbarmachungspraktiken, die im vorliegenden Buch erstmalig einer genaueren Bestimmung unterzogen werden.

How making a vow consciously setting an intention can be a powerful tool for achieving all sort of goals, from the author of the best-selling "Mindful Eating." Making a vow is a powerful mindfulness practice and all you have to do to tap into that power is set your intention consciously. A vow can be as "small" as the aspiration to smile at someone at least once every day, or as "big" as marriage; as personal as deciding to be mindful when picking up the phone or as universal as vowing to save all sentient beings. It can be deeply spiritual, utterly ordinary, or both. Zen teacher Jan Chozen Bays looks to traditional Buddhist teachings to show the power of vows and then applies that teaching broadly to the many vows we make. She shows that if we work with vows consciously, they set us in the direction of achieving our goals, both temporal and spiritual.

Here are the inspirational life and teachings of Awa Kenzo (1880-1939), the Zen and kyudo (archery) master who gained worldwide renown after the publication of Eugen Herrigel's cult classic "Zen in the Art of Archery" in 1953. Kenzo lived and taught at a pivotal time in Japan's history, when martial arts were practiced primarily for self-cultivation, and his wise and penetrating instructions for practice (and life)--including aphorisms, poetry, instructional lists, and calligraphy--are infused with the spirit of Zen. Kenzo uses the metaphor of the bow and arrow to challenge the practitioner to look deeply into his or her own true nature.

The Mumonkan, translated as The Gateless Gate, is a collection of 48 Zen koans compiled in the early 13th century by the Chinese Zen master Mumon Ekai (1183-1260). Along with the Blue Cliff Record, The Gateless Gate is a central work of the Rinzai School of Zen Buddhism. The common theme of the koans of Mumon Ekai, nature of dualistic conceptualization. Each koan epitomizes one or more of the polarities of consciousness that act like an obstacle or wall to the insight. The student is challenged to transcend the polarity that the koan represents and demonstrate or show that transcendence to the Zen teacher.

"An opportunity to peer even more deeply into Suzuki Roshi's Zen mind and ponder the true meaning and value of recognizing the non-dual in our ordinary lives. The repartee with his students is by itself a great and unexpected gift, reviving that charming voice and warm wisdom we grew to know and love so well through "Zen Mind, Beginner's Mind"--Jon Kabat-Zinn, author of "Wherever You Go, There You Are and coauthor of "Everyday Blessings

"Suzuki Roshi's gentle wisdom shines through these intimate talks on the Sandokai. I am grateful to Mel Weitsman and Michael Wenger for their labor of love."--Robert Aitken, author of "Taking the Path of Zen and Original Dwelling Place

"Buddhists and lovers of Buddhism who have read and reread Suzuki Roshi's "Zen Mind, Beginner's Mind over the years, as well as those who are just discovering the wisdom of this wonderful, profound teacher for the first time, will welcome this new book of lectures on Zen training as a gift we did not expect to receive. "Branching Streams should be read slowly and savored."--Rita M. Gross, author of "Buddhism After Patriarchy

"Through the poetry of knowing and doing, Shunryu Suzuki points out a path of practical wisdom for Americans today, in a voice so close at hand it can touch their inner experience of the interdependence of existence, open their ears to hear its harmony of difference and sameness, and awaken their willingness to be true to its mystery."--Stephen Tipton, co-author of "Habits of the Heart

"A wonderful manifestation of Suzuki Roshi's fresh insights and teachings--small, pithy, wild nuts delicious to anyone who chooses to taste them."--Peter Matthiessen "Muryo Roshi," author of "Sal Si Puedes(Escape If You Can)

In the early part of this century, the discovery of a walled-up cave in northwest China led to the retrieval of a lost early Ch'an (Zen) literature of the T'ang dynasty (618-907). One of the recovered Zen texts was a seven-piece collection, the "Bodhidharma Anthology." Of the numerous texts attributed to Bodhidharma, this anthology is the only one generally believed to contain authentic Bodhidharma material.
Jeffrey L. Broughton provides a reliable annotated translation of the "Bodhidharma Anthology" along with a detailed study of its nature, content, and background. His work is especially important for its rendering of the three Records, which contain some of the earliest Zen dialogues and constitute the real beginnings of Zen literature.
The vivid dialogues and sayings of Master Yuan, a long-forgotten member of the Bodhidharma circle, are the hallmark of the "Records." Master Yuan consistently criticizes reliance on the Dharma, on teachers, on meditative practice, and on scripture, all of which lead to self-deception and confusion, he says. According to Master Yuan, if one has spirit and does not seek anything, including the teachings of Buddhism, then one will attain the quietude of liberation. The boldness in Yuan's utterances prefigures much of the full-blown Zen tradition we recognize today.
Broughton utilizes a Tibetan translation of the "Bodhidharma Anthology "as an informative gloss on the Chinese original. Placing the anthology within the context of the Tun-huang Zen manuscripts as a whole, he proposes a new approach to the study of Zen, one that concentrates on literary history, a genealogy of texts rather than the usual genealogy of masters.

Includes an introduction that traces the history of Buddhism and its teachings.

Zen master Julian Daizan Skinner guides the reader through a sequence of meditation techniques that can safely lead even a complete novice through to advanced levels. Based on his own long experience of the Rinzai Zen tradition, as taught by the great seventeenth-century masters, Hakuin and Bankei, Daizan highlights the key points for success and addresses the pitfalls. Structured around a traditional teaching framework called "The two wings of a bird," Daizan clearly lays-out how these methods build and combine to create a transformative and sustaining practice. The book contains an extremely useful section describing the experiences of western practitioners who have successfully applied this framework within the pressures of modern life. The final section features key source texts in translation, making the book a complete introduction and guide to Zen meditation. The work of a master, the book speaks at a deep level, with utmost simplicity.

'In Japan we have an expression, 'Float like Cloud, Flow like Water'. Its meaning is: to live free and unconstrained' In this short introduction to Zen Buddhism, a practising Japanese monk shares the many lessons he has learned from life inside a temple. With charm and humour, he guides us through everything from meditation to tea-drinking ceremonies, the meaning of koans to preparing Zen food. Accompanied by the author's own illustrations, this book invites you to change your perception through the wisdom of monastic life.

The Song of the Wind in the Dry Tree is a book of commentaries given by Zen Master Philippe Coupey from two 13th-century Japanese texts. In Part I, he's chosen twelve poems from the Sansho Doei, a collection of poetry composed by Master Dogen Zenji between 1245 and 1253. In Part II, Coupey comments on the complete text of Komyozo Zanmai, written in 1278 by Dogen's disciple and successor, Master Koun Ejo. Reciting and commenting on the sayings of the elders is a style of practice that Zen has fostered. Teachers in this tradition hold that ancient poems and writings actually transmit and enrich the fundamental teachings. These writings bring life and renewed vitality to authentic experiences of the Zen tradition, outside of time, to contemporary Zen practitioners. The author's fresh interpretation of these two classic texts should be taken as the resonance of an intimate and fundamental experience which, beyond space and time, is addressed to our heart, shedding light on our own quest and ratifying the discoveries that we may have made along the way. Clearly, then, the message of this book is not intended to come under the heading of scholarship or to add to our intellectual baggage, but to enrich our spiritual life. The twelve poems that Philippe Coupey has chosen from Dogen's Sansho Doei are clear and obvious observations of nature. They comprise a rich facet of Dogen's poetic sensitivity, set entirely in the immediacy of real life, a direct experience of ordinary consciousness. Dogen's poems refer to nature; nonetheless, they speak of the experience of awakening at every opportunity. "Even if the poems of the Sansho Doei] refer to nature, to landscapes, seashores, the passing of springtime," Coupey tells us, "it is always consciousness that is the subject. Free, natural, ordinary consciousness that is neither for nor against." In Part II, Philippe Coupey's commentary on Ejo's teaching, Komyozo Zanmai, he explains that this timeless teaching is a pure jewel that encapsulates and exudes the purest essence of transmitted Zen. In Coupey's view, this 13th century treatise is absolutely not different from that which Zen disciples have received through the ages and are in turn, transmitting today. These sayings of the masters Dogen and Ejo, constitute a precious form of transmission. "This is how zazen, the Way, should be studied," Coupey asserts.

The truth of Chan Buddhism - better known as "Zen" - is regularly said to be beyond language, and yet Chan authors - medieval and modern - produced an enormous quantity of literature over the centuries. To make sense of this well-known paradox, Patriarchs on Paper explores several genres of Chan literature that appeared during the Tang and Song dynasties (c. 600-1300), including genealogies, biographies, dialogues, poems, monastic handbooks, and koans. Working through this diverse body of literature, Alan Cole details how Chan authors developed several strategies to evoke images of a perfect Buddhism in which wonderfully simple masters transmitted Buddhism's final truth to one another, suddenly and easily, and, of course, independent of literature and the complexities of the Buddhist monastic system. Chan literature, then, reveled in staging delightful images of a Buddhism free of Buddhism, tempting the reader, over and over, with the possibility of finding behind the thick facade of real Buddhism-with all its rules, texts, doctrines, and institutional solidity-an ethereal world of pure spirit. Patriarchs on Paper charts the emergence of this kind of "fantasy Buddhism" and details how it interacted with more traditional forms of Chinese Buddhism in order to show how Chan's illustrious ancestors were created in literature in order to further a wide range of real-world agendas.

There is a common misconception that to practice Zen is to practice meditation and nothing else. In truth, traditionally, the practice of meditation goes hand-in-hand with moral conduct. In "Invoking Reality," John Daido Loori, one of the leading Zen teachers in America today, presents and explains the ethical precepts of Zen as essential aspects of Zen training and development.
The Buddhist teachings on morality--the precepts--predate Zen, going all the way back to the Buddha himself. They describe, in essence, how a buddha, or awakened person, lives his or her life in the world.
Loori provides a modern interpretation of the precepts and discusses the ethical significance of these vows as guidelines for living. "Zen is a practice that takes place within the world," he says, "based on moral and ethical teachings that have been handed down from generation to generation." In his view, the Buddhist precepts form one of the most vital areas of spiritual practice.