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Visual Translation - Illuminated Manuscripts and the First French Humanists (Hardcover)
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Visual Translation - Illuminated Manuscripts and the First French Humanists (Hardcover)
Series: Conway Lectures in Medieval Studies
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Visual Translation breaks new ground in the study of French
manuscripts, contributing to the fields of French humanism, textual
translation, and the reception of the classical tradition in the
first half of the fifteenth century. While the prominence and
quality of illustrations in French manuscripts have attracted
attention, their images have rarely been studied systematically as
components of humanist translation. Anne D. Hedeman fills this gap
by studying the humanist book production closely supervised by
Laurent de Premierfait and Jean Lebegue for courtly Parisian
audiences in the first half of the fifteenth century. Hedeman
explores how visual translation works in a series of unusually
densely illuminated manuscripts associated with Laurent and Lebegue
circa 1404-54. These manuscripts cover both Latin texts, such as
Statius's Thebiad and Achilleid, Terence's Comedies, and Sallust's
Conspiracy of Cataline and Jurguthine War, and French translations
of Cicero's De senectute, Boccaccio's De casibus virorum illustrium
and Decameron, and Bruni's De bello Punico primo. Illuminations
constitute a significant part of these manuscripts' textual
apparatus, which helped shape access to and interpretation of the
texts for a French audience. Hedeman considers them as a group and
reveals Laurent's and Lebegue's growing understanding of visual
rhetoric and its ability to visually translate texts originating in
a culture removed in time or geography for medieval readers who
sought to understand them. The book discusses what happens when the
visual cycles so carefully devised in collaboration with libraries
and artists by Laurent and Lebegue escaped their control in a
process of normalization. With over 180 color images, this major
reference book will appeal to students and scholars of French,
comparative literature, art history, history of the book, and
translation studies.
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