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Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600

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Visual Translation - Illuminated Manuscripts and the First French Humanists (Hardcover) Loot Price: R1,961
Discovery Miles 19 610
Visual Translation - Illuminated Manuscripts and the First French Humanists (Hardcover): Anne D. Hedeman

Visual Translation - Illuminated Manuscripts and the First French Humanists (Hardcover)

Anne D. Hedeman

Series: Conway Lectures in Medieval Studies

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Loot Price R1,961 Discovery Miles 19 610 | Repayment Terms: R184 pm x 12*

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Visual Translation breaks new ground in the study of French manuscripts, contributing to the fields of French humanism, textual translation, and the reception of the classical tradition in the first half of the fifteenth century. While the prominence and quality of illustrations in French manuscripts have attracted attention, their images have rarely been studied systematically as components of humanist translation. Anne D. Hedeman fills this gap by studying the humanist book production closely supervised by Laurent de Premierfait and Jean Lebegue for courtly Parisian audiences in the first half of the fifteenth century. Hedeman explores how visual translation works in a series of unusually densely illuminated manuscripts associated with Laurent and Lebegue circa 1404-54. These manuscripts cover both Latin texts, such as Statius's Thebiad and Achilleid, Terence's Comedies, and Sallust's Conspiracy of Cataline and Jurguthine War, and French translations of Cicero's De senectute, Boccaccio's De casibus virorum illustrium and Decameron, and Bruni's De bello Punico primo. Illuminations constitute a significant part of these manuscripts' textual apparatus, which helped shape access to and interpretation of the texts for a French audience. Hedeman considers them as a group and reveals Laurent's and Lebegue's growing understanding of visual rhetoric and its ability to visually translate texts originating in a culture removed in time or geography for medieval readers who sought to understand them. The book discusses what happens when the visual cycles so carefully devised in collaboration with libraries and artists by Laurent and Lebegue escaped their control in a process of normalization. With over 180 color images, this major reference book will appeal to students and scholars of French, comparative literature, art history, history of the book, and translation studies.

General

Imprint: University of Notre Dame Press
Country of origin: United States
Series: Conway Lectures in Medieval Studies
Release date: April 2022
First published: 2022
Authors: Anne D. Hedeman
Dimensions: 254 x 178 x 36mm (L x W x T)
Format: Hardcover
Pages: 394
ISBN-13: 978-0-268-20227-9
Categories: Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > General
Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > History of ideas, intellectual history
Books > Humanities > History > World history > 500 to 1500
Books > Humanities > Philosophy > Western philosophy > Western philosophy, c 500 to c 1600 > General
Books > History > World history > 500 to 1500
Books > Philosophy > Western philosophy > Western philosophy, c 500 to c 1600 > General
LSN: 0-268-20227-3
Barcode: 9780268202279

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