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Rubens and the Eloquence of Drawing (Paperback)
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Rubens and the Eloquence of Drawing (Paperback)
Series: Visual Culture in Early Modernity
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Rubens and the Eloquence of Drawing re-examines the early graphic
practice of the preeminent northern Baroque painter Peter Paul
Rubens (Flemish, 1577-1640) in light of early modern traditions of
eloquence, particularly as promoted in the late sixteenth- and
early seventeenth-century Flemish, Neostoic circles of philologist,
Justus Lipsius (1547-1606). Focusing on the roles that rhetorical
and pedagogical considerations played in the artist's approach to
disegno during and following his formative Roman period (1600-08),
this volume highlights Rubens's high ambitions for the intimate
medium of drawing as a primary site for generating meaningful and
original ideas for his larger artistic enterprise. As in the
Lipsian realm of writing personal letters - the humanist activity
then described as a cognate activity to the practice of drawing - a
Senecan approach to eclecticism, a commitment to emulation, and an
Aristotelian concern for joining form to content all played
important roles. Two chapter-long studies of individual drawings
serve to demonstrate the relevance of these interdisciplinary
rhetorical concerns to Rubens's early practice of drawing. Focusing
on Rubens's Medea Fleeing with Her Dead Children (Los Angeles,
Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van
Beuningen), these close-looking case studies demonstrate Rubens's
commitments to creating new models of eloquent drawing and to
highlighting his own status as an inimitable maker. Demonstrating
the force and quality of Rubens's intellect in the medium then most
associated with the closest ideas of the artist, such designs were
arguably created as more robust pedagogical and preparatory models
that could help strengthen art itself for a new and often troubled
age.
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