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Rubens and the Eloquence of Drawing (Paperback) Loot Price: R1,109
Discovery Miles 11 090
You Save: R173 (13%)
Rubens and the Eloquence of Drawing (Paperback): Catherine H Lusheck

Rubens and the Eloquence of Drawing (Paperback)

Catherine H Lusheck

Series: Visual Culture in Early Modernity

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List price R1,282 Loot Price R1,109 Discovery Miles 11 090 | Repayment Terms: R104 pm x 12* You Save R173 (13%)

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Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577-1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547-1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist's approach to disegno during and following his formative Roman period (1600-08), this volume highlights Rubens's high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters - the humanist activity then described as a cognate activity to the practice of drawing - a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens's early practice of drawing. Focusing on Rubens's Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens's commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens's intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.

General

Imprint: Routledge
Country of origin: United Kingdom
Series: Visual Culture in Early Modernity
Release date: April 2019
First published: 2017
Authors: Catherine H Lusheck
Dimensions: 246 x 174 x 32mm (L x W x T)
Format: Paperback
Pages: 312
ISBN-13: 978-0-367-33408-6
Categories: Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > Baroque art
Books > Humanities > History > World history > 1500 to 1750
Books > Humanities > History > European history > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
Books > Humanities > Philosophy > Western philosophy > Western philosophy, c 500 to c 1600 > General
Books > History > European history > General
Books > History > World history > 1500 to 1750
Books > Philosophy > Western philosophy > Western philosophy, c 500 to c 1600 > General
LSN: 0-367-33408-9
Barcode: 9780367334086

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