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Mestizo Modernity - Race, Technology, and the Body in Post-Revolutionary Mexico (Paperback)
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Mestizo Modernity - Race, Technology, and the Body in Post-Revolutionary Mexico (Paperback)
Series: Reframing Media, Technology,and Culture in Latin/o America
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Honorable Mention, Latin American Studies Association Mexico
Section Best Book in the Humanities After the end of the Mexican
Revolution in 1917, postrevolutionary leaders hoped to assimilate
the country's racially diverse population into one official
mixed-race identity-the mestizo. This book shows that as part of
this vision, the Mexican government believed it could modernize
"primitive" Indigenous peoples through technology in the form of
education, modern medicine, industrial agriculture, and factory
work. David Dalton takes a close look at how authors, artists, and
thinkers-some state-funded, some independent-engaged with official
views of Mexican racial identity from the 1920s to the 1970s.
Dalton surveys essays, plays, novels, murals, and films that
portray indigenous bodies being fused, or hybridized, with
technology. He examines Jose Vasconcelos's essay "The Cosmic Race"
and the influence of its ideologies on mural artists such as Diego
Rivera and Jose Clemente Orozco. He discusses the theme of
introducing Amerindians to medical hygiene and immunizations in the
films of Emilio "El Indio" Fernandez. He analyzes the portrayal of
indigenous monsters in the films of El Santo, as well as Carlos
Olvera's critique of postrevolutionary worldviews in the novel
Mejicanos en el espacio. Incorporating the perspectives of
posthumanism and cyborg studies, Dalton shows that technology
played a key role in race formation in Mexico throughout the
twentieth century. This cutting-edge study offers fascinating new
insights into the culture of mestizaje, illuminating the attitudes
that inform Mexican race relations in the present day. A volume in
the series Reframing Media, Technology, and Culture in Latin/o
America, edited by Hector Fernandez L'Hoeste and Juan Carlos
Rodriguez
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