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Lynching - Violence, Rhetoric, and American Identity (Paperback)
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Lynching - Violence, Rhetoric, and American Identity (Paperback)
Series: Race, Rhetoric, and Media Series
Expected to ship within 10 - 15 working days
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While victims of antebellum lynchings were typically white men,
postbellum lynchings became more frequent and more intense, with
the victims more often black. After Reconstruction, lynchings
exhibited and embodied links between violent collective action,
American civic identity, and the making of the nation. Ersula J.
Ore investigates lynching as a racialized practice of civic
engagement, in effect an argument against black inclusion within
the changing nation. Ore scrutinizes the civic roots of lynching,
the relationship between lynching and white constitutionalism, and
contemporary manifestations of lynching discourse and logic today.
From the 1880s onward, lynchings, she finds, manifested a violent
form of symbolic action that called a national public into
existence, denoted citizenship, and upheld political community.
Grounded in Ida B. Wells's summation of lynching as a social
contract among whites to maintain a racial order, at its core,
Ore's book speaks to racialized violence as a mode of civic
engagement. Since violence enacts an argument about citizenship,
Ore construes lynching and its expressions as part and parcel of
America's rhetorical tradition and political legacy. Drawing upon
newspapers, official records, and memoirs, as well as critical race
theory, Ore outlines the connections between what was said and
written, the material practices of lynching in the past, and the
forms these rhetorics and practices assume now. In doing so, she
demonstrates how lynching functioned as a strategy interwoven with
the formation of America's national identity and with the nation's
need to continually restrict and redefine that identity. In
addition, Ore ties black resistance to lynching, the acclaimed
exhibit Without Sanctuary, recent police brutality, effigies of
Barack Obama, and the killing of Trayvon Martin.
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