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Iconographies of Occupation - Visual Cultures in Wang Jingwei's China, 1939-1945 (Hardcover) Loot Price: R1,903
Discovery Miles 19 030
You Save: R447 (19%)
Iconographies of Occupation - Visual Cultures in Wang Jingwei's China, 1939-1945 (Hardcover): Jeremy E. Taylor

Iconographies of Occupation - Visual Cultures in Wang Jingwei's China, 1939-1945 (Hardcover)

Jeremy E. Taylor

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Was R2,350 Loot Price R1,903 Discovery Miles 19 030 | Repayment Terms: R178 pm x 12* You Save R447 (19%)

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Iconographies of Occupation is the first book to address how the "collaborationist" Reorganized National Government (RNG) in Japanese-occupied China sought to visualize its leader, Wang Jingwei (1883-1944); the Chinese people; and China itself. It explores the ways in which this administration sought to present itself to the people over which it ruled at different points between 1939 (when the RNG was first being formulated) and August 1945, when it folded itself out of existence. What sorts of visual tropes were used in regime iconography and how were these used? What can the intertextual movement of visual tropes and motifs tell us about RNG artists and intellectuals and their understanding of the occupation and the war? Drawing on rarely before used archival records relating to propaganda and a range of visual media produced in occupied China by the RNG, the book examines the means used by this "client regime" to carve out a separate visual space for itself by reviving pre-war Chinese methods of iconography and by adopting techniques, symbols, and visual tropes from the occupying Japanese and their allies. Ultimately, however, the "occupied gaze" that was developed by Wang's administration was undermined by its ultimate reliance on Japanese acquiescence for survival. In the continually shifting and fragmented iconographies that the RNG developed over the course of its short existence, we find an administration that was never completely in control of its own fate-or its message. Iconographies of Occupation presents a thoroughly original visual history approach to the study of a much-maligned regime and opens up new ways of understanding its place in wartime China. It also brings China under the RNG into dialogue with wider theoretical debates about the significance of "the visual" in the cultural politics of foreign occupation more broadly.

General

Imprint: University of Hawaii Press
Country of origin: United States
Release date: February 2021
Authors: Jeremy E. Taylor
Dimensions: 229 x 152 x 26mm (L x W x T)
Format: Hardcover
Pages: 248
ISBN-13: 978-0-8248-8332-4
Categories: Books > Arts & Architecture > Industrial / commercial art & design > Graphic design
Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > General
Books > Humanities > History > Asian / Middle Eastern history > General
Books > Social sciences > Politics & government > Political structure & processes > General
Books > Social sciences > Politics & government > Political control & freedoms > Political control & influence > Propaganda
Books > History > Asian / Middle Eastern history > General
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LSN: 0-8248-8332-2
Barcode: 9780824883324

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