Creative nonfiction, also known as narrative nonfiction,
liberated journalism by inviting writers to dramatize, interpret,
speculate, and even re-create their subjects. Lee Gutkind collects
twenty-five essays that flourished in this new turf, all originally
published in the groundbreaking journal he founded, Creative
Nonfiction, now in its tenth anniversary year.
Many of the writers here are crossing genres from poetry to
fiction to nonfiction. Annie Dillard provides the introduction,
while Gutkind discusses the creative and ethical parameters of this
new genre. The selections themselves are broad and fascinating.
Lauren Slater is a therapist in the institution where she was once
a patient. John Edgar Wideman reacts passionately to the unjust
murder of Emmett Till. Charles Simic contemplates raucous
gatherings at his Uncle Boris's apartment, while John McPhee
creates a rare, personal, album quilt of his own life. Terry
Tempest Williams speaks on the decline of the prairie dog, and
Madison Smartt Bell invades Haiti. "
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