This book focuses on Sir Edward Burne-Jones' mythical paintings
from 1868 to 1886. His artistic training and traveling experiences,
his love for the Greek-sculptress, Maria Zambaco, and his aesthetic
sensibility provided the background for these mythical paintings.
This book analyzes two main concepts: Burne-Jones' assimilation of
Neoplatonic ideal beauty as depicted in his solo and narrative
paintings, and Burne-Jones' fusion of the classical and emblematic
traditions in his imagery.
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