Deindustrialization is not simply an economic process, but a
social and cultural one as well. The rusting detritus of our
industrial past the wrecked hulks of factories, abandoned machinery
too large to remove, and now-useless infrastructures has for
decades been a part of the North American landscape. In recent
years, however, these modern ruins have become cultural
attractions, drawing increasing numbers of adventurers, artists,
and those curious about a forgotten heritage.
Through a unique blend of oral history, photographs, and
interpretive essays, Corporate Wasteland investigates this
fascinating terrain and the phenomenon of its loss and rediscovery.
Steven High and David W. Lewis begin by exploring an emerging
aesthetic they term the deindustrial sublime, explaining how the
ritualized demolition of landmark industrial structures served as
dramatic punctuations between changing eras. They then follow the
narrative path blazed by urban spelunkers, explorers who infiltrate
former industrial sites and then share accounts and images of their
exploits in a vibrant online community. And to understand the ways
in which geographic and emotional proximity affects how
deindustrialization is remembered and represented, High and Lewis
focus on Youngstown, Ohio, where residents and former steelworkers
still live amid the reminders of more prosperous times.
Corporate Wasteland concludes with photo essays of sites in
Michigan, Ontario, West Virginia, and Pennsylvania that pair
haunting images with the poignant testimonies of those who remember
industrial sites as workplaces rather than monuments. Forcing
readers to look beyond nostalgia, High and Lewis reinterpret our
deindustrialized landscape as a historical and imaginative
challenge to the ways in which we comprehend and respond to the
profound disruptions wrought by globalization."
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