A preface from the pen of the late Marshal Lyautey introduces this book, which is an abridged translation of the Chronicales of Gomes Eannes de Azura, recording the siege and capture of Ceuta by the Portuguese, and the discovery of Guinea. Ceuta was captured because of the sons of John I--who had married the daughter of John of Gaunt--were ripe for knighthood , and rebelled against the bourgeois notion of receiving the acolade during a series of State banquets. Nothing less than the taking of a city from the Infidels would serve their turn; their knighthood must be truly earned and so Portugal became posessed of Ceuta. The second part of the book deals with the discovery of Guinea, Senegal, and Sierra Leone by Lancarote and others. The Chronicles, which made most excellent reading, have been edited by Senhora Virgina de Castro e Almeida, who is compiling an anthology of contemporary accounts of the great Portuguese navigators and colonists of the fifteenth and sixteenth centuries.

Focusing on early Renaissance Franco-Ottoman relations, this book fills a gap in studies of Ottoman representations by early modern European powers by addressing the Franco-Ottoman bond. In French Encounters with the Ottomans, Pascale Barthe examines the birth of the Franco-Ottoman rapprochement and the enthusiasm with which, before the age of absolutism, French kings and their subjects pursued exchanges-real or imagined-with those they referred to as the 'Turks.' Barthe calls into question the existence of an Orientalist discourse in the Renaissance, and examines early cross-cultural relations through the lenses of sixteenth-century French literary and cultural production. Informed by insights from historians, literary scholars, and art historians from around the world, this study underscores and challenges long-standing dichotomies (Christians vs. Muslims, West vs. East) as well as reductive periodizations (Middle Ages vs. Renaissance) and compartmentalization of disciplines. Grounded in close readings, it includes discussions of cultural production, specifically visual representations of space and customs. Barthe showcases diplomatic envoys, courtly poets, 'bourgeois', prominent fiction writers, and chroniclers, who all engaged eagerly with the 'Turks' and developed a multiplicity of responses to the Ottomans before the latter became both fashionable and neutralized, and their representation fixed.

This is the first book to describe the early English woollens' industry and its dominance of the trade in quality cloth across Europe by the mid-sixteenth century, as English trade was transformed from dependence on wool to value-added woollen cloth. It compares English and continental draperies, weighs the advantages of urban and rural production, and examines both quality and coarse cloths. Rural clothiers who made broadcloth to a consistent high quality at relatively low cost, Merchant Adventurers who enjoyed a trade monopoly with the Low Countries, and Antwerp's artisans who finished cloth to customers' needs all eventually combined to make English woollens unbeatable on the continent.

Atlantic Lives offers insight into the lived experiences of a range of actors in the early modern Atlantic World. Organized thematically, each chapter features primary source selections from a variety of non-traditional sources, including travel narratives from West Africa, the Caribbean, and Latin America. The fully revised and expanded second edition goes into even greater depth in exploring the diverse roles and experiences of women, Native Americans, and Africans, as well as the critical theme of emerging capitalism and New World slavery. New chapters also address captivity experiences, intercultural religious encounters, and interracial sexuality and marriage. With classroom-focused discussion questions and suggested additional readings accompanying each chapter, Atlantic Lives provides students with a wide-ranging introduction to the many voices and identities that comprised the Atlantic World.

First published in 1935, Queen Elizabeth and Her Subjects presents a comprehensive history of the Elizabethan Age. Most of the sketches in the book were with exception of the last, originally delivered as talks for the B.B.C. The main bulk of the book, Chapters II-IX, consists of the series on "Queen Elizabeth's Subjects" delivered in spring of 1934; of which Chapter III, V, VII and IX are by G, B. Harrison and the rest are by A.L. Rowse. It brings topics such as William Cecil and Lord Burghley; women of the Queen's court; Cardinal Allen; three Elizabethan actors: Alleyn, Richard Burbage and Will Kemp and The Elizabethan Age. This book is a must read for students and scholars of British history.

Designed to contribute to a greater understanding of the religious foundations of seventeenth century political writing, this study offers a detailed exploration of the significance of the figure and story of Adam at that time. The book investigates seventeenth-century writings from England and New England-examining writings by Roger Williams and John Eliot, Gerrard Winstanley, John Milton, and John Locke-to explore the varying significance afforded to the Biblical figure of Adam in theories of the polity. In so doing, it counters over-simplified views of modern secular political thought breaking free from the confines of religion, by showing the diversity of political models and possibilities that Adamic theories supported. It provides contextual background for the appreciation of seventeenth-century culture and other cultural artefacts, and feeds into current scholarly interest in the relationship between religion and the public sphere, and in stories of origins and Creation.

What do we mean when we say that cities have altered humanity's interaction with nature? The more people are living in cities, the more nature is said to be "urbanizing": turned into a resource, mobilized over long distances, controlled, transformed and then striking back with a vengeance as "natural disaster". Confronting insights derived from Environmental History, Science and Technology Studies or Political Ecology, Urbanizing Nature aims to counter teleological perspectives on the birth of modern "urban nature" as a uniform and linear process, showing how new technological schemes, new actors and new definitions of nature emerged in cities from the sixteenth to the twentieth century.

This book demonstrates that seventeenth-century cryptography manuals show clear beginning of the capitalization of information. It closely reads five specific primary texts that have been ignored in cryptography scholarship and in early modern literary, scientific, and historical studies.

Italian businessmen played a key role in both international trade and finance from the Middle Ages until the first decades of the seventeenth century. While the peak of their influence within and beyond Europe has been thoroughly examined by historians, the way in which merchants from the Italian peninsula reacted and adapted themselves to the emergence of greater commercial and financial powers is mostly overlooked. This collection, based on a vast variety of primary sources, seeks to explore the persisting presence of Florentine, Genoese and Milanese intermediaries in some key hubs of the Spanish monarchy (such as Seville, Cadiz, Madrid and Naples) as well as in eighteenth-century Lisbon. The resilience of powerless merchant nations from the Italian Peninsula in the face of increasing competition in long distance trade is deconstructed by analyzing the merchants' relational dimension and the formal institutional resources they found in the host societies. By offering new insights into the mechanisms of circulation of men, goods and capital throughout the Iberian world, this book will contribute to better assess the polycentric nature of the Spanish monarchy and, more in general, the complex system of commercial exchanges in the age of the first globalization. This book was originally published as a special issue of the European Review of History/Revue europeenne d'histoire.

Plague in the Early Modern World presents a broad range of primary source materials from Europe, the Middle East, North Africa, China, India, and North America that explore the nature and impact of plague and disease in the early modern world. During the early modern period frequent and recurring outbreaks of plague and other epidemics around the world helped to define local identities and they simultaneously forged and subverted social structures, recalibrated demographic patterns, dictated political agendas, and drew upon and tested religious and scientific worldviews. By gathering texts from diverse and often obscure publications and from areas of the globe not commonly studied, Plague in the Early Modern World provides new information and a unique platform for exploring early modern world history from local and global perspectives and examining how early modern people understood and responded to plague at times of distress and normalcy. Including source materials such as memoirs and autobiographies, letters, histories, and literature, as well as demographic statistics, legislation, medical treatises and popular remedies, religious writings, material culture, and the visual arts, the volume will be of great use to students and general readers interested in early modern history and the history of disease.

This title was first published in 2002: This collection of essays is based on papers delivered at a conference held at the Public Record Office in November 1999. The purpose of the book is to highlight the close links between England and France and the role of England and Englishmen in Renaissance Europe. It provides a statement of current research by the leading scholars in that field and should serve as a basis both for teaching and for further work. It is necessary to fill the gap that exists in the history of this period, which is currently concentrated in narrative, diplomatic history or general surveys of the role of England in Europe. This coherent set of essays, built around complementary themes, and with the addition of a historiographical and thematic introduction, focuses solely on England and France in the period after the end of the Hundred Years War and before the onset of French Wars of Religion.

This book discusses the early modern engagement with books that survived intentional or accidental fire in Lutheran Germany. From the 1620s until the middle of the eighteenth century, unburnt books became an attraction for princes, publishers, clergymen, and some laymen. To cope with an event that seemed counter-intuitive and possibly supernatural, contemporaries preserved these books, narrated their survival, and discussed their significance. This book demonstrates how early modern Europeans, no longer bound to traditional medieval religion, yet not accustomed to modern scientific ways of thinking, engaged with a natural phenomenon that was not uncommon and yet seemed to defy common sense.

As busy as teachers and scholars are, rarely do they find the time to sample widely from the table of scientific inquiry. This book offers the opportunity to do just that. The fourth volume in the "Studies in Perception and Action" series, it contains a collection of posters presented at the Ninth International Conference on Perception and Action, sponsored by the International Society for Ecological Psychology. Like its predecessor, this volume is a collection of short reports, mostly empirical in nature. The reports are considerably larger than the abstracts presented in the proceedings of many conferences, and provide the authors with opportunities to present arguments, methods, results, and conclusions in condensed forms.

Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights' professional and linguistic networks, their use of music, and their handling of ethical controversies. In Part Two, responses arise from detailed re-examinations of particular plays by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton, Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart theatre settings, from the public and popular to the more private circumstances of hall playhouses, court masques, women's drama, country-house theatricals, and school plays. And one overall finding is that, although playwrights frequently staged or alluded to communal conflict, they seldom exacerbated such divisiveness within their audience. Rather, they tended toward more tactful modes of address (sometimes even acknowledging their own ideological uncertainties) so that, at least for the duration of a play, their audiences could be a community within which internal rifts were openly brought into dialogue.

First multi-disciplinary study of the cultural and social milieu of the post-medieval castle. The castle was an imposing architectural landmark in late medieval and early modern England and Wales. Castles were much more than lordly residences: they were accommodation to guests and servants, spaces of interaction between the powerful and the powerless, and part of larger networks of tenants, parks, and other properties. These structures were political, symbolic, residential, and military, and shaped the ways in which people consumed the landscape and interacted with the local communities around them. This volume offers the first interdisciplinary study of the socio-cultural understanding of the castle in the late fifteenth and early sixteenth centuries, a period duringwhich the castle has largely been seen as in decline. Bringing together a wide range of source material - from architectural remains and archaeological finds to household records and political papers - it investigates the personnel of the castle; the use of space for politics and hospitality; the landscape; ideas of privacy; and the creation of a visual legacy. By focusing on such an iconic structure, the book allows us to see some of the ways in which men and women were negotiating the space around them on a daily basis; and just as importantly, it reveals the impact that the local communities had on the spaces of the castle. AUDREY M. THORSTAD teaches in the Department of History, University of North Texas.

With the Paduan playwright Angelo Beolco, aka Ruzante, as a focal point, this book sheds new light on his oeuvre and times - and on Venetian patrician interest in him - by embedding the Venetian aspects of his life within the monumental changes taking place in fifteenth- and sixteenth-century Venice, politically, economically, socially, and artistically. In a study of patronage in the broadest sense of the term, Linda Carroll draws on vast quantities of new archival information; and by reading the previously unpublished primary sources against each other, she uncovers remarkable and heretofore unsuspected coincidences and connections. She documents the well-known links between the increasingly fruitless trade to the north and the need for new investments in land (re)gained by Venice on the mainland, links between problems of governance and political networks. She unveils the significance and potential purposes of those who invited Ruzante to perform in what are interpreted as "rudely" metaphorical truth-telling plays for Venetians at the highest social and political levels. Focusing on a group of patrons of art works in S. Maria Gloriosa dei Frari, the first chapter establishes their numerous interrelated commercial and political interests and connects them to the content of the works and artists chosen to execute them. The second chapter demonstrates the economic interests and related political tensions that lay behind the presence of many high-ranking government officials at a scandalous 1525 Ruzante performance. It also draws on these and materials concerning previous generations of the Beolco family and Venetian patricians to provide an entirely new picture of Beolco's relationships with his Venetian supporters. The third chapter analyzes an important Venetian literary manuscript of the period in the Bodleian Library of Oxford University whose copyist had remained unknown and whose contents have been little studied. The identity of the copyist, a central figure in the worlds of theatrical and historical and, now, literary writing in early sixteenth century Venice, is clarified and the works in the manuscript connected to the cultural worlds of Venice, Padua and Rome.

In the first full-length study of the English dancer-actress Hester Santlow, Moira Goff focuses on her unusual career at Drury Lane between 1706 and 1733. Goff charts Santlow's repertoire and makes extensive use of archival resources to investigate both her dancing and acting skills. Santlow made a unique contribution to the development of dance on the London stage, through her dancing roles in dance dramas by John Weaver and pantomimes by John Thurmond and Roger, as well as the virtuoso dances created for her by Mr. Isaac and Anthony L'Abbe. Goff examines Santlow's fascinating personal life, including her relationships with the politician James Craggs the Younger and the Drury Lane actor-manager Barton Booth. Santlow was unusual in making the transition from successful dancer-actress to independent and respectable widow. Goff also traces her life after retirement as her daughter's family rose from the gentry towards the aristocracy. This book will be of interest to dance and theatre historians, to women's studies scholars, and to all who are engaged with ongoing debates on the lives and careers of women on the seventeenth- and eighteenth-century stage.

This thoroughly readable and stimulating social history of Western Europe, first published in 1984, explores the family, religion and the supernatural, and the social structure and social controls of rural society. This title will be of interest not only to students, but to anyone who is anxious to understand the lives - both internal and external - of rural people in his fascinating period that is so central to everyone's past.

'An Intrepid Scot' makes an important new contribution to the growing literature on the perceptions of the Islamic world and the 'Orient' in early modern Europe, at the same time as illuminating the attitudes of a Protestant from Northern Europe towards the Catholic South. In this book Edmund Bosworth looks at the life and career of William Lithgow, a tough and opinionated Scots Protestant, who had a seemingly insatiable Wanderlust and who managed to survive various misadventures and near-death experiences in the course of his travels. These took him through a dangerously Catholic Southern Europe to a dangerously Muslim Greece and Istanbul en route for his pilgrimage destination of the Holy Land; on another occasion he went through North Africa and returned circuitously via Central and Eastern Europe; but he was stopped in his tracks whilst endeavouring to reach the court of Prester John in Ethiopia, when he fell into the hands of the Spanish Inquisition and narrowly escaped a horrible death. Lithgow was one of several men of his time who journeyed eastwards, some as far as Persia and India, but unlike many others, he has not been the subject of a special study. Bosworth now places him within the context of the present interest in perceptions of the Islamic world and of the 'Orient' and 'Orientals' in early modern Europe. In addition to the entertainment of the travel narrative, the book shows how one Westerner of the time interpreted the alien East for his readers, and how the Ottoman Empire and its apparently unstoppable might both fascinated and struck fear into the hearts of those outside it.

The kingdoms of France and England were for many centuries military, economic, cultural and colonial rivals. This is particularly true of the early modern period which witnessed the rise of French military hegemony and the expansion of English commerce. Dealing with the period 1420-1700, this collection offers a snapshot of Anglo-French relations across the three centuries from established historians and younger scholars from France, Britain and Luxembourg. Based broadly on 'diplomatic' history, but incorporating wider perspectives from cultural and social or gender history; each essay uncovers the fascinating and complex arrangements that characterize Anglo-French relations in this period. Competition and hostility between the two kingdoms there certainly was, but it took a surprising variety of forms and often proved intellectually productive for one side or the other and sometimes for both. The chapters mix treatments of broad themes and particular circumstances or individuals and each makes specific comparisons with French and English experience across the early-modern period. In so doing they elaborate and go beyond the evidence of Anglo-French hostility to explore evidence of political co-operation and cultural influences, highlighting just how close early modern England's connections with France were, even at times of crisis.

Many scholars have been calling for a new edition of Sir John Harington's Epigrams. Gerard Kilroy, using the three manuscripts arranged and revised by the author, offers the first complete text in print of Harington's four hundred Epigrams, uncovers Harington's elaborate design of forty theological decades, and restores the emblems and political elegies that Harington uses to frame his complete collection and define its serious purpose.

The essays collected in this volume represent many years of Professor Nauert's research and teaching on the history of Renaissance humanism, and more particularly on humanism north of the Alps. Much of the early work involved the significant but often-overlooked history of humanism at the University of Cologne, notoriously the most anti-humanist of the German universities. Later essays deal with the most famous humanist of the early sixteenth century, Erasmus of Rotterdam, and natural philosophy, a broad term covering many subjects now associated with natural science, is the topic of three of the pieces published here. Taken as a whole, the book presents a detailed study of intellectual development among European elites.

The disastrous protestant defeat in the Schmalkaldic War (1546-47) and the promulgation of the Ausburg Interim (1548) left the fate of German Protestantism in doubt. In the wake of these events, a single protestant town, Magdeburg, offered organized, sustained resistance to Emperor Charles V's drive to consolidate Habsburg hegemony and reinstitute uniform Roman Catholic worship throughout Germany. In a flood of printed pamphlets, Magdeburg's leaders justified their refusal to surrender with forceful appeals to religious belief and German tradition. Magdeburg's resistance, interdiction and eventual siege attracted admiring attention from across Europe. The teachings developed and disseminated by Protestant thinkers in defence of the city's stance would ultimately influence political theorists in Switzerland, France, Scotland and even North America. Magdeburg's ordeal formed a signal crisis in the emergence of German Lutheran confessional identity. The Chancery of God is the first English language monograph on Magdeburg's anti-Imperial resistance and pamphlet campaign. The book offers an analysis of Magdeburg's printed output (over 200 publications) during the crucial years of 1546-51, texts which present a broad spectrum of arguments for resistance and suggest a coherent identity and worldview that is characteristically and self-consciously Protestant.

The late seventeenth- and early eighteenth-century texts presented here describe female servants' experiences of work in early modern London. Domestics' court depositions offer qualitative evidence that female servants were an important support of emergent capitalism in the early modern metropolis. Exposed here are the contractual underpinnings of domestic service for women; the mobility that domestic servants enjoyed; and the concern that this mobility generated in the authorities. Paid domestic work has traditionally been regarded by historians simply as a pre-marital phase of women's lives. In fact, the depositions in this volume show that service was a prototypical form of female wage labour. While some women left service once they married, others relied on domestic positions as an avenue to generating income as life-long single women, as married women, and as widows. Even though they usually lived in poverty, labouring women who worked as servants in London had considerably more agency than has earlier been recognized. Female servants who deposed before London ecclesiastical and parish courts three centuries ago were mostly non-literate. Strikingly, their individual voices are clear and distinct as they present information about their working and personal circumstances.

The period covered by this book, first published in 1987, was an important one for the rural landscape in England. The author describes and analyses the evolution of the countryside during the years which witnessed the gradual disappearance of the medieval landscape and the introduction of new farming methods and industrial techniques, thus laying the foundation for the radical changes that were to transform the English countryside in the eighteenth and nineteenth centuries. The main features of the countryside are dealt with fully and examples are given of their remains which can still be identified in the landscape today.