More than one million immigrants fled the Irish famine for North America--and more than one hundred thousand of them perished aboard the "coffin ships" that crossed the Atlantic. But one small ship never lost a passenger.
"All Standing" recounts the remarkable tale of the "Jeanie Johnston" and her ingenious crew, whose eleven voyages are the stuff of legend. Why did these individuals succeed while so many others failed? And what new lives in America were the ship's passengers seeking?
In this deeply researched and powerfully told story, acclaimed author Kathryn Miles re-creates life aboard this amazing vessel, richly depicting the bravery and defiance of its shipwright, captain, and doctor--and one Irish family's search for the American dream.

Infamous for authoring two concepts since favored by government powers seeking license for ruthlessness-the utilitarian notion of privileging the greatest happiness for the most people and the panopticon-Jeremy Bentham is not commonly associated with political emancipation. But perhaps he should be. In his private manuscripts, Bentham agonized over the injustice of laws prohibiting sexual nonconformity, questioning state policy that would put someone to death merely for enjoying an uncommon pleasure. He identified sources of hatred for sexual nonconformists in philosophy, law, religion, and literature, arguing that his goal of "the greatest happiness" would be impossible as long as authorities dictate whose pleasures can be tolerated and whose must be forbidden. Ultimately, Bentham came to believe that authorities worked to maximize the suffering of women, colonized and enslaved persons, and sexual nonconformists in order to demoralize disenfranchised people and prevent any challenge to power. In Uncommon Sense, Carrie Shanafelt reads Bentham's sexual nonconformity papers as an argument for the toleration of aesthetic difference as the foundation for egalitarian liberty, shedding new light on eighteenth-century aesthetics and politics. At odds with the common image of Bentham as a dehumanizing calculator or an eccentric projector, this innovative study shows Bentham at his most intimate, outraged by injustice and desperate for the end of sanctioned, discriminatory violence.

As the author of The Condition of the Working Class in England and, along with Karl Marx, The Communist Manifesto, Friedrich Engels is a seminal 19th-century figure; the co-founder of Marxism, he left an indelible impression as a philosopher, political theorist, economist, historian and revolutionary socialist. The Life, Work and Legacy of Friedrich Engels is nevertheless the first book to comprehensively explore Engels' contributions in all of these spheres. The book sees 13 experts from a range of scholarly backgrounds examine Engels and his writing in relation to topics including the United States and the future of capitalism, European social democracy and the nature of the political economy, with technology, capital, and labor acting as fundamental cross-cutting themes throughout. The volume analyses the intriguing relationship between Engels and Karl Marx, the towering historical figure whose long shadow has obscured the achievements of Engels for so long, and reassesses Engels' significance in this context. There are 66 images to be found throughout the text, 30 of these in colour, as well as a conclusion which successfully views Engels in the context of the age. As a journalist, author and communist figurehead, Engels dealt succinctly - and with strong opinions - with the core questions of the developments changing the globe in the 19th century and The Life, Work and Legacy of Friedrich Engels finally shines a light on this in a compelling call for revisionism.