Architect and artist Roger Kemble has demonstrated his ideas of urban design with images from sixteen major Canadian cities--among others. He has walked, measured, and sketched their streets, squares and places, scanned their horizons, probed the relationships between structures, land and landscape with unprecedented energy. More significantly, he has reacted to the negative effect that all the busy business of urban development is having on our daily lives and he has had the courage to offer concrete remedial plans. If, as Kemble (quoting Ruskin), reminds us: 'Architecture is the mother of the arts', then time spent with his bold, imaginative, idiosyncratic view of the making (and unmaking) of cities--drawn with passionate hindsight and compassionate foresight--will be a moving and healing experience.

Through the beckoning text of "The Canadian City" and its 144 illustrations, we will come to know the map of our own country and city as never before. The long shadow cast by this knowledge will make us more aware travellers abroad, too. Principles of city living and city building will accompany us everywhere, with an unsuspecting vividness. There is only a short step from Roger Kemble's studio to the world.

Urban agglomerations host the most vital and creative societies. This applies particularly to Africa, where cities have the highest growth rates world-wide and where the urban population is younger than anywhere else. Urban life-worlds are the basis for the development of new lifestyles and new cultural phenomena. Based on empirical ethnographic research, this book presents case studies that enhance our understanding of the dynamics of urbanity in Africa and beyond--by envisioning cities as crossroads where cultures, biographies, and networks meet.

Global trends in policy and technology related fields are rapidly reshaping the port industry worldwide. International in scope, this volume provides multidisciplinary insights into the role port cities adopt in dealing with global supply chains. Throughout the book, concepts of strategic management, supply chain management, port and transport economics and economic and transport geography are applied to offer an in-depth understanding of the processes underlying global supply chains and associated spatial and functional dynamics in port-cities. The book also discusses policy outcomes and implications relevant to port-cities positioned in different segments of global supply chains.

Ebenezer Howard is recognised as a pioneer of town planning throughout the industrialised world; Britain's new towns, deriving from the garden cities he founded, are his monument. But Howard was more than a town planner. He was first and foremost a social reformer, and his garden city was intended to be merely the first step towards a new social and industrial order based on common ownership of land. This is the first comprehensive study of Howard's theories, which the author traces back to their origins in English puritan dissent and forward to Howard's attempt to build his new society in microcosm at Letchworth and Welwyn.

ntended as a comprehensive resource, Increments of Neighborhood is a compendium of recent built work for urban neighbourhoods, encompassing the spectrum of building types financed/built by today's American real estate industry - from single family and townhouses, through 'missing middle' stacked housing, stick-built housing, large multi-family, and high-rise buildings. This publication is the only resource in the marketplace that tabulates market-rate products that fill America's cities, as well as being a comparative resource that shows how these types can be deployed in a way befitting smart-growth using sustainable principles. The only resource of its type, Increments of Neighborhood will demystify the understanding of costs and type, contribute to the public realm for the non-architectural professional, and provide a breadth and range of significant new information for experienced architects who typically specialise in a particular segment of building products such as hospitals or single-family houses, information with which they are frequently unacquainted.

While Le Corbusier's urban projects are generally considered confrontational in their relationship to the traditional urban fabric, his proposal for the Venice hospital project remained an exercise in preserving the medieval fabric of the city of Venice through a systemic replication of its urban tissue. This book offers a detailed study of Le Corbusier's Venice hospital project as a plausible built entity. In addition, it analyses it in the light of its supposed affinity with the medieval urban configuration of the city of Venice. No formal attempt to date has been made to critically analyse the hospital project's design considerations in comparison to the medieval urban configuration of the city of Venice. Using a range of methodologies including those from architectural theory and history, using archival resources, on-site analysis, and interviews with important resource persons, this book is an interpretation of the conceptual basis for Le Corbusier understanding of the structural formulation of the city of Venice as mentioned in The Radiant City (1935). In doing so, it deciphers the diagrammatic analysis of the city structure found in this work into a set of coherent design modules that were applied in the hospital project and that could become a point of further investigation. Architects and other architecturally interested laypeople with an interest in Venice will find the book a valuable addition to their knowledge. For architectural historians the book makes an important link between modernism and the historically grown Venice.

Through a specific architectural lens, this book exposes the role the British Empire played in the development of apartheid. Through reference to previously unexamined archival material, the book uncovers a myriad of mechanisms through which Empire laid the foundations onto which the edifice of apartheid was built. It unearths the significant role British architects and British architectural ideas played in facilitating white dominance and racial segregation in pre-apartheid Cape Town. To achieve this, the book follows the progenitor of the Garden City Movement, Ebenezer Howard, in its tripartite structure of Country/Town/Suburb, acknowledging the Garden City Movement's dominance at the Cape at the time. This tripartite structure also provides a significant match to postcolonial schemas of Self/Other/Same which underpin the three parts to the book. Much is owed to Edward Said's discourse-analytical approach in Orientalism - and the work of Homi Bhabha - in the definition and interpretation of archival material. This material ranges across written and visual representations in journals and newspapers, through exhibitions and events, to legislative acts, as well as the physicality of the various architectural objects studied. The book concludes by drawing attention to the ideological potency of architecture which tends to be veiled more so through its ubiquitous presence and in doing so, it presents not only a story peculiar to Imperial Cape Town, but one inherent to architecture more broadly. The concluding chapter also provides a timely mirror for the machinations currently at play in establishing a 'post-apartheid' architecture and urbanity in the 'new' South Africa.

Expanding Disciplinarity in Architectural Practice presents an argument for the role of an architect as a generalist with a particular ability to bring spatial intelligence to bear on the significant issues of planning, settlement, and identity. The book draws on strategy and planning, landscape, infrastructure, urbanism, historical conservation, and interpretation, architecture, and the creative reuse of existing structures to encourage you to incorporate a holistic approach to your designs. Tracing a series of projects developed by his practice 5th Studio, author Tom Holbrook argues the critical importance of involving spatial practitioners in large scale strategies and designs to combine interdisciplinary thinking and concrete experience of buildings. The book incorporates interviews with prominent figures in the field of architecture, eleven UK case studies, and over 200 beautiful illustrations including the author's own award-winning designs. With twenty years of evolving practical experience, together with associated research, teaching, and writing, Holbrook shows you how a participatory infrastructure creates a crucial bridge between strategic thinking and the reality of the built environment. This book is a must-read for professionals seeking to incorporate broader design strategy into their practice.

In recent years, there has been considerable interest in the problems that public spaces face because of the design of commercial signs. The negative consequences that commercial signs can have on the visual quality of urban areas and further more, on people's quality of life, has been studied from both architectural, planning and psychological perspectives. While the issue of visual pollution, as this phenomenon is commonly described, has been widely debated, there is as yet no clear conclusion as to how best to control commercial signage and whether different urban contexts and people from different backgrounds and cultures have universal or distinct preferences. Several different commenrcial signage approaches are currently applied to different historic cities, but these initiatives are not based on principles derived from the perception and evaluation of users. Drawing on a range of comparative and contrasting empirical studies of historic city centres in the UK and Brazil, this book examines questions of commercial signage control management, the preservation of historic heritage and user preference and satisfaction. The author takes an environment behaviour approach to this research, involving theories, concepts and methodologies related to environmental psychology, architecture, planning and urban design. In doing so, it argues that there are in fact visual preferences common to the majority of people, independent of their urban context and that these common views can be useful to the development of a general theory of how to control commercial signage. In conclusion, the book suggests that the best way of controlling signage is not only to recommend general guidelines related to the operation of commercial signage, but also to recommend design principles that can create commercial streetscapes evaluated positively by different users.

Bringing together leading writers and practicing architects including Jean Dethier, David Mayernik, Massimo Scolari, Robert Adam, David Watkin and Leon Krier, this volume provides a kaleidoscopic, multilayered exploration of the Architectural Capriccio. It not only explains the phenomena within a historical context, but moreover, demonstrates its contemporary validity and appropriateness as a holistic design methodology, an inspiring pictorial strategy, an efficient rendering technique and an optimal didactic tool. The book shows and comments on a wide range of historic masterworks and highlights contemporary artists and architects excelling in a modern updated, refreshed and original tradition of the Capriccio. The capacity of the Capriccio to create an imaginary, imagined or 'analogue' reality by combining and relocating existing or invented buildings and places in uniquely suggestive drawings and paintings offers unprecedented insights in the 'Architectural Mind'. Unlike what the word Capriccio might suggest, it is not 'capricious' but indeed follows complex rules of realism and figuration, as well as coherent narratives and semantics. It is a playful reflection of the dialectics of the real and the ideal. The Capriccio does not challenge the mechanism of reality, but questions the mechanic and linear reading of the real, of life and of art and offers a large palette of threads, figures, tones and nuances to illustrate and contribute creatively to the complexity of a sustainable built and living architectural environment.

Despite the precipitous rise of East Asia as a center of architectural production since the Second World War, informed studies remain lacking. The lacuna is particularly conspicuous in terms of regional, cross-national studies, documenting the close ties and parallels between China, Taiwan, Japan and Korea during this period. Examining colonized cities in East Asia, this book brings together a range of different perspectives across both space and time. European, Chinese, Taiwanese, Korean and Japanese discourses are examined, with a range of complementary and conflicting views on the design of urban and architectural forms; the political, institutional, religious and economical contexts of urban planning; the role played by various media; and the influence of various geographical, social and anthropological research methods. The diversity and plurality of these perspectives in this book provides an entwined architectural, urban and social history of East Asia, which offers insights into the cultural systems and the historical and spatial meanings of these colonized cities. It concludes that the difficulties in the historical study of East Asia's colonial cities do not so much indicate cultural difference as the potentiality for multiple readings of the past toward the future.

In recent years, Baghdad has been viewed as a battleground for political conflicts; this interpretation has heavily influenced writings on the city. This book moves away from these perspectives to present an interdisciplinary exploration into the urban history of Baghdad through the lens of literature. It argues that urban literature is an effective complementary source to conventional historiography, using in-depth analysis of texts, poems and historical narratives of non-monumental urban spaces to reveal an underexamined facet of the city's development. The book focuses on three key themes, spatial, nostalgic and reflective, to offer a new approach to the study of Baghdad's history, with a view to establishing and informing further strategies for future urban developments. Beginning with the first planned city in the eighth century, it looks at the urban transformations that influenced building trends and architectural styles until the nineteenth century. It will appeal to academics and researchers in interdisciplinary fields such as architecture, urban history, Islamic studies and Arabic literature.

Historic preservation, whether of landscapes or buildings, was an important development of the nineteenth century in many countries. There is however surprisingly little understanding about how it took place, and research into it is narrowly focused. For example, generally landscape preservation from this time is examined separately from buildings; preservation is seen in terms of national narratives, or considered within the contexts of area studies, and it is usually seen from a specific disciplinary perspective. All of these later categorizations did not apply at the time and consequently, a very partial view is achieved. In order to begin unlocking a very complex phenomenon that has helped to define our own age, this dynamic collection of essays brings together an international and transdisciplinary line-up of academics and practitioners to reconsider preservation's origins in the second half of the nineteenth and early part of the twentieth century. With a focus on Britain and the British Empire, and including case studies from the United States, Canada, Sweden, France, Germany, Sri Lanka, 'The Holy Land', and Turkey, this book places preservation in imperial, international, and national contexts, demonstrating that there was far more interaction between different countries in this arena than may be supposed and revealing remarkable but hitherto hidden overlaps and intersections. It examines three main themes: the influence of religion; the political and sub-diplomatic aspects of preservation; and the professionalization of preservation practice. Internationalizing trends already existed through the churches, the universities, and the diplomatic services, as well as familial ties that had an important impact on preservation's epistemic communities and its targets. Other internationalizing factors include an interest in national histories and the histories of architecture and art, particularly when known through illustration; a growing interest in biography especially of 'founding fathers' or famous literary figures; and tourism. Although the focus is on architectural preservation, this book demonstrates that, in this formative period, the preservation of buildings and landscapes needs to be considered together - as it often was at the time - and in context. The conclusion reached is that the preservation movement has to be understood in imperial and international contexts, rather than in simply national or regional ones.

Fifty years after the Second Vatican Council, architectural historian Robert Proctor examines the transformations in British Roman Catholic church architecture that took place in the two decades surrounding this crucial event. Inspired by new thinking in theology and changing practices of worship, and by a growing acceptance of modern art and architecture, architects designed radical new forms of church building in a campaign of new buildings for new urban contexts. A focussed study of mid-twentieth century church architecture, Building the Modern Church considers how architects and clergy constructed the image and reality of the Church as an institution through its buildings. The author examines changing conceptions of tradition and modernity, and the development of a modern church architecture that drew from the ideas of the liturgical movement. The role of Catholic clergy as patrons of modern architecture and art and the changing attitudes of the Church and its architects to modernity are examined, explaining how different strands of post-war architecture were adopted in the field of ecclesiastical buildings. The church building's social role in defining communities through rituals and symbols is also considered, together with the relationships between churches and modernist urban planning in new towns and suburbs. Case studies analysed in detail include significant buildings and architects that have remained little known until now. Based on meticulous historical research in primary sources, theoretically informed, fully referenced, and thoroughly illustrated, this book will be of interest to anyone concerned with the church architecture, art and theology of this period.

In Play in Creative Problem-solving for Planners and Architects, "play" is defined, explored and demonstrated as a critical catalyst in creative problem-solving processes. The book defines the current psychological research into play and creative problem-solving, explores the necessary integration of the two, and exemplifies for students and practitioners the use of play in creative endeavors; and the role that play serves in separating linear from creative problem-solving approaches. Play is explored regarding its elements (tools, skills, environment), characteristics (a free activity without failure) and attitude as it relates to and activates the creative process with the focus on urban design, planning, architecture, and landscape architecture. The book re-establishes the whole mind-body thinking process of play as a means of object-learning; to provide designers and planners with alternative ways of design-thinking; and to challenge the over-utilization of digital technologies in creative processes. Creative problem-solving requires an appreciation for ambiguity, uncertainty of outcome, complexity that leads to the discovery of novelty and innovation. The book incorporates examples and exercises in play activities related to the design and planning fields, and exercises related to play-tools and skills for students and professionals. It also defines terms used in play and creativity psychology; provides examples and structure for play and creative problem-solving activities; describes the type and use of appropriate play-tools; contains an extensive bibliography on play and creative problem-solving texts; and provides significant illustrations making it fundamental reading for students and professionals in urban design and planning fields.

The cultural landscape is what lies around us and has to be understood and learned to deal with. The best way to do this is to start from the beginning in order to understand the contemporary iterations of the concept. We will not reinvent the concept, but we will try to create a new way to see it. The operative concept of cultural landscape is part of a reality that is seen and visioned differently by each individual. This means that the concept has an almost infinite number of meanings. Thus this book presents some of the visions of the surrounding reality through the eyes of an architect.

How does one tell the story of energy production, use, or conservation in a manner sufficiently convincing to influence policy, behavior, and design? Energy Accounts explores potential answers to this question through compelling images, data visualizations, narratives, and other examples of accounting for energy. Organized into a collection containing both examples of best practices and critiques, this impressive array of projects and contributors combines text and graphic material to explore different representations of energy data. Including work from Kieran Timberlake, SHoP, AMO, Lateral Office, WOHA, and many more, the book boasts a unique graphic design which supports and enhances its role as a valuable resource for professionals and students in architecture, engineering, and urban design.

Professional planning is commonly defined as an activity which is concerned with the rational allocation or exploitation of resources for man's maximum short- and long-term benefit. The science of. ecology is the study of the basic components of these resources (soil, water, air etc. ) and their inter relationships with living organisms. Planning and ecology therefore have many common interests and, as such, have long been associated in resource management. This association was, for example, reflected as early as the 19th century in the writings of Patrick Geddes, the progenitor of modern town planning, whose training as a biologist led him to re-interpret the phenomena of urbanization in ecological terms (Geddes, 1886). Since the time of Geddes the place of ecology has declined in planning circles as other professions and considerations, initially public health and engineering, latterly economic and sociological, have become more central. The reasons for this shifting emphasis are three-fold. First, they reflect changing social attitudes and aspirations in the post-war period. Secondly, many other professions and persuasions (agriculturalists, foresters, in dustrialists etc. ) became organized as pressure groups and helped shape public attitudes and governmental actions. Thirdly, and by far the most important reason, is the prevalence of misconceptions about ecology. Too many people, perhaps misled by the debate surrounding the' environmental movement', equate ecology with conservation. In reality, conservation is but one component part of ecology."

In the contemporary city, the physical infrastructure and sensorial experiences of two millennia are now inter-woven within an invisible digital matrix. This matrix alters human perceptions of the city, informs our behaviour and increasingly influences the urban designs we ultimately inhabit. Digital Futures and the City of Today cuts through these issues to analyse the work of architects, designers, media specialists and a growing number of community activists, laying out a multi-faceted view of the complex integrated phenomenon of the contemporary city. Split into three sections, the book interrogates the concept of the 'smart' city, examines innovative digital projects from around the world, documents experimental visions for the future, and describes projects that engage local communities in the design process.

Imaging the City brings together the work of designers, artists, dancers and media specialists who cross the borders of design and artistic practices to investigate how we perceive the city; how we imagine it; how we experience it; and how we might better design it. Breaking disciplinary boundaries, editors Steve Hawley, Edward Clift and Kevin O'Brien provocatively open up the field of urban analysis and thought to the perspectives of creative professionals from non-urban disciplines. With a cast of contributors from across the globe, Imaging the City offers international insight for engaging with - and forecasting the future for - our cities.

Examining the relationships between architecture, home and community in the Claremont Court housing scheme in Edinburgh, Home and Community provides a novel perspective on the enabling potential of architecture that encompasses physical, spatial, relational and temporal phenomena. Based on the AHRC funded project "Place and Belonging", the chapters draw on innovative spatial layouts amid Scottish policymakers' concerns of social change in the 1960s, to develop theoretical understandings between architecture, home, and community. By approaching the discourse on home, and by positioning the home at the confluence of a network of sociocultural identities bound by spatial awareness and design, the writers draw on sociological interpretations of cultural negotiation as well as theoretical underpinnings in architectural design. In so doing, they suggest a reinterpretation of the facilitating role of architecture as sensitive to physical and socio-cultural reconstruction. Drawn from interviews with residents, architectural surveys, contextual mapping and other visual methods, Home and Community explores home as a construct that is enmeshed with the architectural affordances that the housing scheme represents, that is useful to both architecture and sociology students, as well as practitioners and urban planners.

With more than half of the world’s population now living in urbanized areas and the threats of climate change and resource depletion becoming tangible, Sustainable Urban Design is quickly becoming a critical field. The Sustainable Urban Design Handbook gathers the best sustainability practices and latest research from the fields of architecture, landscape architecture, planning, development, ecology and environmental engineering and presents them in a graphically rich and easy to access format that is a resource for urban design projects of all scales. The book presents a comprehensive Sustainable Urban Design Framework that organizes the many elements of urban design in relation to four main resource targets: Transportation Based Energy Use, Water, Ecology and Habitat, and Non-Transportation Based Energy Use and Production and four key scales: Regional, Neighborhood/District, Street/Block, and Project/Parcel. The framework allows designers and planners to see the range of elements they should address in any given scale project as well as the related elements that exist at other scales. Each element is broken out in its own section that describes the element and its importance, compares typical practices and recommended approaches, explains the connection to other elements, and ends with a list of ‘Rules of Thumb’ that can be used to directly guide project work. Easy to use and reference, The Sustainable Urban Design Handbook provides both an in depth introduction to topics across sustainable urban design and serves as an on-going desktop reference for anyone involved in the creation of sustainable urban environments.

Originally published in 1978. At the time this book was published, new towns were cropping up as a matter of public policy in "advanced industrial countries," yet the United States abandoned this project and deemed new towns "inappropriate and impractical for the American situation." The purpose of this book is to inform planners and policy makers around the world about French new towns. It analyzes what French new towns tried to accomplish; the administrative, financial, and political reforms needed to secure implementation of the program; and the achievements of the new towns. The author's evaluation of French new towns is undertaken with an eye to international applicability. In the United States, new towns have been proposed as a means for integrating low-income families into suburbs that are otherwise closed to them. The French experience demonstrates that socially heterogeneous new communities can be developed, even within the framework of a market system, if a sufficiently high priority is placed on the effort.

The United States faces enormous changes in the next 25 years. Arthur C. (Chris) Nelson starts this book with a few projections: The population will grow by one-third to 375 million. We will need 60 million new housing units to house these people. There will be 60 percent more jobs, requiring 50 billion additional square feet of nonresidential s