Unpublished for 90 years, Agatha Christie's extensive and evocative letters and photographs from her year-long round-the-world trip to South Africa, Australia, New Zealand, Canada and America as part of the British trade mission for the famous 1924 Empire Exhibition. In 1922 Agatha Christie set sail on a 10-month voyage around the British Empire with her husband as part of a trade mission to promote the forthcoming British Empire Exhibition. Leaving her two-year-old daughter behind with her sister, Agatha set sail at the end of January and did not return until December, but she kept up a detailed weekly correspondence with her mother, describing in detail the exotic places and people she encountered as the mission travelled through South Africa, Australia, New Zealand, Hawaii and Canada. The extensive and previously unpublished letters are accompanied by hundreds of photos taken on her portable camera as well as some of the original letters, postcards, newspaper cuttings and memorabilia collected by Agatha on her trip. Edited and introduced by Agatha Christie's grandson, Matthew Prichard, this unique travelogue reveals a new side to Agatha Christie, demonstrating how her appetite for exotic plots and locations for her books began with this eye-opening trip, which took place just after only her second novel had been published (the first leg of the tour to South Africa is very clearly the inspiration for the book she wrote immediately afterwards, The Man in the Brown Suit). The letters are full of tales of seasickness and sunburn, motor trips and surf boarding, and encounters with welcoming locals and overbearing Colonials. The Grand Tour is a book steeped in history, sure to fascinate anyone interested in the lost world of the 1920s. Coming from the pen of Britain's biggest literary export and the world's most widely translated author, it is also a fitting tribute to Agatha Christie and is sure to fascinate her legions of worldwide fans.

The writer Frances Trollope's Domestic Manners of the Americans, complemented by Auguste Hervieu's satiric illustrations, took the transatlantic world by storm in 1832. An unusual combination of realism, visual satire, and novelistic detail, Domestic Manners recounts Trollope's two years as an Englishwoman living in America. Trollope makes the civility of an entire nation the subject of her keen scrutiny, a strategy which would earn her ""more anger and applause than almost any writer of her day."" Auguste Hervieu's twenty-six original illustrations, placed and scaled as in the first edition, are included in this Broadview Edition, inviting readers to experience the original relationship of image and text.

An anthology of 17th and 18th century travel writing that inspired the hugely popular Aubrey/Maturin series, collected and introduced by Patrick O'Brian, beautifully repackaged to mark the centenary of his birth. Patrick O'Brian has unearthed from obscurity the most dynamic travel writing of the seventeenth and eighteenth century. With his scholarly mind, editor's eye, and traveller's heart he brings together a series of thrilling seaward tales. Expertly chosen by O'Brian and prefaced with details that bring these extracts to vivid life, A Book of Voyages is a broad yet intimate portrait of what life was like at sea during a time of discovery. This rare collection sheds a glorious light onto these accounts of seaward adventure. From why eating rats is necessary and how to powder your hair in France to how to truly face fear and distress during a terrifying sea passage, this collection is rich in travellers' experiences. A Book of Voyages is a unique opportunity to not only accompany an adored nautical author as he digs up one gripping historical treasure after another, but to understand how he was inspired to write the Aubrey Maturin series for which he is so famous.

'We had climbed a mountain and crossed a pass; been wet, cold, hungry, frightened, and withal happy. One more Himalayan season was over. It was time to begin thinking of the next. "Strenuousness is the immortal path, sloth is the way of death".' First published in 1946, the scope of H.W. 'Bill' Tilman's When Men & Mountains Meet is broad, covering his disastrous expedition to the Assam Himalaya, a small exploratory trip into Sikkim, and then his wartime heroics. In the thirties, Assam was largely unknown and unexplored. It proved a challenging environment for Tilman's party, the jungle leaving the men mosquito-bitten and suffering with tropical diseases, and thwarting their mountaineering success. Sikkim proved altogether more successful. Tilman, who is once again happy and healthy, enjoys some exploratory ice climbing and discovers Abominable Snowman tracks, particularly remarkable as the creature appeared to be wearing boots - 'there is no reason why he should not have picked up a discarded pair at the German Base Camp and put them to their obvious use'. And then, in 1939, war breaks out. With good humour and characteristic understatement we hear about Tilman's remarkable Second World War. After digging gun pits on the Belgian border and in Iraq, he was dropped by parachute behind enemy lines to fight alongside Albanian and Italian partisans. Tilman was awarded the Distinguished Service Order for his efforts - and the keys to the city of Belluno, which he helped save from occupation and destruction. Tilman's comments on the German approach to Himalayan climbing could equally be applied to his guerrilla warfare ethos. 'They spent a lot of time and money and lost a lot of climbers and porters, through bad luck and more often through bad judgement.' While elsewhere the war machine rumbled on, Tilman's war was fast, exciting, lightweight and foolhardy - and makes for gripping reading.

A remarkable nineteenth-century account of Istanbul - which begins with a dazzling description of the city gradually appearing through the fog as the author's ship approaches the harbour - Constantinople expertly combines personal anecdote, breathtaking visual observation and entertaining historical information. An invaluable record of the metropolis as it used to be - a fascinating crossroads between Eastern and Western civilization and one of the most cosmopolitan cities of its time - as well as a vivid example of a European tourist's reaction to it - part delight, part incomprehension - this book will provide an enriching read for lovers of history or those planning to visit Istanbul themselves.

This book gives a complete account of all that Locke saw, did and heard during his four years in France. The entries vary from laconic jottings to detailed accounts - full of colour and wit - of life in Paris and the provinces. Locke's variety of interests presents a vivid and thorough account of France at that time. He observed and recorded the absolutism of Louis XIV and the poverty of the peasants, the growing persecution of the Protestants and the external manifestations of Catholicism, recent developments in science and technology - even agricultural methods and the system of taxes. So that this is a book for the general reader as well as for the student of Locke, the social historian and the historian of science.

“This is the most important of my books, and the one by which I most hope to be remembered – if I may hope to be remembered at all!” Amelia B Edwards, 1877. A chance visit to Egypt in 1873 by Amelia Edwards changed the future of British Egyptology forever. Her travelogue, A Thousand Miles up the Nile, would inspire generations to take up her cause to support and promote Egyptian cultural heritage. This modern reprint is accompanied by a new introduction by Carl Graves (the Egypt Exploration Society) and Anna Garnett (The Petrie Museum, UCL) reflecting on Amelia’s life and its legacy in Egyptology today. The original text is complimented by colour images of Amelia’s artwork made during or shortly after her travels, which have only previously been reproduced as black and white engravings. This is no ordinary reprint, but an essential companion to the best-seller.

The 'memsahibs' of the British Raj in India are well-known figures today, frequently depicted in fiction, TV and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women's travel writing about India. In the process, they not only reported events and developments in the subcontinent, they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform. This new set in the Chawton House Library Women's Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives - here reproduced for the first time in reset scholarly editions - were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women's interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women's passivity, reticence and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women's writing, travel writing, colonial and postcolonial studies, the history of women's educational and missionary work, and Romantic-era and nineteenth-century literature. This volume includes 2 texts, Jemima Kindersley, Letters from the Island of Teneriffe, Brazil, the Cape of Good Hope, and the East Indies (1777) and Maria Graham, Journal of a Residence in India (1812).

The 'memsahibs' of the British Raj in India are well-known figures today, frequently depicted in fiction, TV and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women's travel writing about India. In the process, they not only reported events and developments in the subcontinent, they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform. This new set in the Chawton House Library Women's Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives - here reproduced for the first time in reset scholarly editions - were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women's interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women's passivity, reticence and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women's writing, travel writing, colonial and postcolonial studies, the history of women's educational and missionary work, and Romantic-era and nineteenth-century literature. This second volume includes two texts, Harriet Newell, Memoirs of Mrs Harriet Newell (1815) and Eliza Fay, Original Letters from India (1817).

Europe has been widely acclaimed as among the finest achievements of 'one of our greatest living writers' (The Times). A personal appreciation, fuelled by five decades of journeying, this is Jan Morris at her best - at once magisterial and particular, whimsical and profound. It is a matchless portrait of a continent.

However many times it has been done, the act of casting off the warps and letting go one's last hold of the shore at the start of a voyage has about it something solemn and irrevocable, like marriage, for better or for worse. Mostly Mischief's ordinary title belies four more extraordinary voyages made by H.W. 'Bill' Tilman covering almost 25,000 miles in both Arctic and Antarctic waters. The first sees the pilot cutter Mischief retracing the steps of Elizabethan explorer John Davis to the eastern entrance to the Northwest Passage. Tilman and a companion land on the north coast and make the hazardous crossing of Bylot Island while the remainder of the crew make the eventful passage to the southern shore to recover the climbing party. Back in England, Tilman refuses to accept the condemnation of Mischief's surveyor, undertaking costly repairs before heading back to sea for a first encounter with the East Greenland ice. Between June 1964 and September 1965, Tilman is at sea almost without a break. Two eventful voyages to East Greenland in Mischief provide the entertaining bookends to his account of the five-month voyage in the Southern Ocean as skipper of the schooner Patanela. Tilman had been hand-picked by the expedition leader as the navigator best able to land a team of Australian and New Zealand climbers and scientists on Heard Island, a tiny volcanic speck in the Furious Fifties devoid of safe anchorages and capped by an unclimbed glaciated peak. In a separate account of this successful voyage, Colin Putt describes the expedition as unique - the first ascent of a mountain to start below sea level.

First quality reprint of this famous travelogue. Relevant for anybody interested in Asia travels and colored plate books of the 19th century We were six white men in all - Our intention was to march from Simla due north to Le, the capital of Ladak; thence west-ward to Sree-nuggur, the capital of Kashmir; thence in a south-easterly direction via Chumba, and Kangra back to Simla, - in all, a circuit considerably over one thousand miles. This scheme was carried out in its integrity by only two of the party. For travellers who, like us, were anxious to see as much as possible in three short months, and were not disinclined to rough it, I can conceive no better route, leading us as it did through every vicissitude of Himalayan scenery, over the high table-lands of Thibetan Tartary, into the verdant vale of Kashmir, and so back through the tamer but scarcely less beautiful scenery of the lower ranges of the Himalaya, to the, tea-planted slopes of the Kangra valley, at which point the traveller may consider his wanderings in what has been called the Alpine Punjab at an end.' This excerpt from the opening of "Travels in Ladakh, Tartary, and Kashmir" by Lieutenant General Sir Henry D'Oyley Torrens offers a taste of this extraordinary book , originally published in 1862. Studio Orientalia's edition of this famous travelogue is based on the rare first edition published by Saunders Otley & Co. The text has been retyped and newly formatted according to the original, with 12 coloured plates, 2 of them folding panoramas in original size, numerous line-drawn illustrations and decorations to the text, included.

FROM THE AUTHOR OF THE ACCLAIMED THE GRAN TOUR AND THE MARMALADE DIARIES An irreverent homage to the '95 travel classic. 'It would be wrong to view this book as just a highly accomplished homage to a personal hero. Aitken's politics, as much as his humour, are firmly in the spotlight, and Dear Bill Bryson achieves more than its title (possibly even its author) intended.' Manchester Review In 2013, travel writer Ben Aitken decided to follow in the footsteps of his hero - literally - and started a journey around the UK, tracing the trip taken by Bill Bryson in his classic tribute to the British Isles, Notes from a Small Island. Staying at the same hotels, ordering the same food, and even spending the same amount of time in the bath, Aitken's homage - updated and with a new preface for 2022 - is filled with wit, insight and humour.

The lines, circles, ticks, hooks, dots and dashes of Pitman shorthand used by some postcard writers during the early twentieth century are obscure to most people. Could the mysterious messages contain scandalous gossip, tales of adventure or declarations of undying love? Fifty Mysterious Postcards presents fascinating examples from the 'Golden Age' of the postcard, each with a message written in the dying art of Pitman shorthand. The rules of Pitman have changed since the postcards were written and posted over 100 years ago, but careful transcription has unlocked their meaning to bring stories of penfriends, sweethearts, holidays and the First World War to life once more.

'So I began thinking again of those two white blanks on the map, of penguins and humming birds, of the pampas and of gauchos, in short, of Patagonia, a place where, one was told, the natives' heads steam when they eat marmalade.' So responded H.W. 'Bill' Tilman to his own realisation that the Himalaya were too high for a mountaineer now well into his fifties. He would trade extremes of altitude for the romance of the sea with, at his journey's end, mountains and glaciers at a smaller scale; and the less explored they were, the better he would like it. Within a couple of years he had progressed from sailing a 14-foot dinghy to his own 45-foot pilot cutter Mischief, readied for her deep-sea voyaging, and recruited a crew for his most ambitious of private expeditions. Well past her prime, Mischief carried Tilman, along with an ex-dairy farmer, two army officers and a retired civil servant, safely the length of the North and South Atlantic oceans, and through the notoriously difficult Magellan Strait, against strong prevailing winds, to their icy landfall in the far south of Chile. The shore party spent six weeks crossing the Patagonian ice cap, in both directions, returning to find that their vessel had suffered a broken propeller. Edging north under sail only, Mischief put into Valparaiso for repairs, and finally made it home to Lymington via the Panama Canal, for a total of 20,000 nautical miles sailed, in addition to a major exploration 'first' all here related with the Skipper's characteristic modesty and bone-dry humour, and many photographs.

The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture. She canvases a range of accounts by intrepid women, including Lady Mary Wortley Montagu's Turkish Embassy Letters, Lady Craven's Journey through the Crimea to Constantinople, Eliza Justice's A Voyage to Russia, and Anna Maria Falconbridge's Narrative of Two Voyages to the River Sierra Leone. Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world.

WITH A NEW INTRODUCTION BY TARAN KHAN, author of Shadow City TRANSLATED FROM BENGALI BY NAZES AFROZ An intrepid traveller and true cosmopolitan, legendary Bengali writer Syed Mujtaba Ali spent a year and a half teaching in Kabul from 1927 to 1929. Curious to explore Afghan society, Mujtaba Ali had access to a cross-section of Kabul's population, and in In a Land Far from Home he chronicles his experiences with a keen eye and a wicked sense of humour. Mujtaba Ali's travels coincided with a critical point in Afghanistan's history: when the reformist King Amanullah tried to steer his country towards modernity by encouraging education for girls and giving them the choice of removing the burqa. Branded a 'kafir', Amanullah was overthrown by the bandit leader Bacha-e-Saqao. With striking parallels to twenty-first century events in the region, In a Land Far From Home is the only first-hand account of this tumultuous period by a non-Afghan. Providing a unique perspective, Mujtaba Ali's fascinating account is brought to life by contact with a colourful cast of characters at all levels of society -- from the garrulous Pathan Dost Muhammed and the gentle Russian giant Bolshov, to his servant, Abdur Rahman and his partner in tennis, the Crown Prince Enayatullah.

'Only a man in the devil of a hurry would wish to fly to his mountains, forgoing the lingering pleasure and mounting excitement of a slow, arduous approach under his own exertions.' H.W. 'Bill' Tilman's mountain travel philosophy, rooted in Africa and the Himalaya and further developed in his early sailing adventures in the southern hemisphere, was honed to perfection with his discovery of Greenland as the perfect sailing destination. His Arctic voyages in the pilot cutter Mischief proved no less challenging than his earlier southern voyages. The shorter elapsed time made it rather easier to find a crew but the absence of warm tropical passages meant that similar levels of hardship were simply compressed into a shorter timescale. First published fifty years before political correctness became an accepted rule, Mischief in Greenland is a treasure trove of Tilman's observational wit. In this account of his first two West Greenland voyages, he pulls no punches with regard to the occasional failings, leaving the reader to seek out and discover the numerous achievements of these voyages. The highlight of the second voyage was the identification, surveying and successful first ascent of Mount Raleigh, first observed on the eastern coast of Baffin Island by the Elizabethan explorer John Davis in 1585. For the many sailors and climbers who have since followed his lead and ventured north into those waters, Tilman provides much practical advice, whether from his own observations or those of Davis and the inimitable Captain Lecky. Tilman's typical gift of understatement belies his position as one of the greatest explorers and adventurers of the twentieth century.

'To those who went to the War straight from school and survived it, the problem of what to do afterwards was peculiarly difficult.' For H.W. 'Bill' Tilman, the solution lay in Africa: in gold prospecting, mountaineering and a 3,000-mile bicycle ride across the continent. Tilman was one of the greatest adventurers of his time, a pioneering climber and sailor who held exploration above all else. He made first ascents throughout the Himalaya, attempted Mount Everest, and sailed into the Arctic Circle. For Tilman, the goal was always to explore, to see new places, to discover rather than conquer. First published in 1937, Snow on the Equator chronicles Tilman's early adventures; his transition from East African coffee planter to famed mountaineer. After World War I, Tilman left for Africa, where he grew coffee, prospected for gold and met Eric Shipton, the two beginning their famed mountaineering partnership, traversing Mount Kenya and climbing Kilimanjaro and Ruwenzori. Tilman eventually left Africa in typically adventurous style via a 3,000-mile solo bicycle ride across the continent - all recounted here in splendidly funny style. Tilman is one of the greatest of all travel writers. His books are well-informed and keenly observed, concerned with places and people as much as summits and achievements. They are full of humour and anecdotes and are frequently hilarious. He is part of the great British tradition of comic writing and there is nobody else quite like him.

Led by Cole Porter in the 1920s, Americans demonstrated that the best season to visit the French Riviera was not the winter, as had been the practice, but the summer. With this shift, Americans became the dominant shapers of tourism on the Riviera in the 20th century, yet the American achievement in revolutionizing the economy of the South of France is largely unsung. This insightful history details the American influence on the Riviera and the contributions of several individuals. It pays particular attention to such writers and artists as Edith Wharton, Gerald Murphy, Henry Clews, F. Scott Fitzgerald and Ernest Hemingway, whose work drew energy from their stays in the Riviera and in turn helped to cement an idyllic image of the Riviera in the American popular consciousness.

Ibn Battutah - ethnographer, biographer, anecdotal historian and occasional botanist - was just twenty-one when he set out in 1325 from his native Tangier on a pilgrimage to Mecca. He did not return to Morocco for another twenty-nine years, travelling instead through more than forty countries on the modern map, covering seventy-five thousand miles and getting as far north as the Volga, as far east as China and as far south as Tanzania. He wrote of his travels, and comes across as a superb ethnographer, biographer, anecdotal historian and occasional botanist and gastronome. With this edition by Tim Mackintosh-Smith, The Travels of Ibn Battutah takes its place alongside other indestructible masterpieces of the travel-writing genre. Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

INTRODUCED BY FIONA MOZLEY, Booker-shortlisted author of Elmet WITH EXCERPTS FROM ALL THE ROADS ARE OPEN BY ANNEMARIE SCHWARZENBACH 'We were both travellers - she always running away from an emotional crisis (not seeing that she was already wishing for the next), I always seeking far afield the secret of harmonious living, or filling up time by courting risk, caught by the clean sharp "taste" it gives to life.' In 1939, adventurer and writer Ella Maillart set off on an epic drive from Geneva to Kabul, accompanied by journalist and photographer Annemarie Schwarzenbach, who later became an antifascist and lesbian icon. The two women travelled partly to escape the coming war in Europe, embarking on a daring, and often dangerous, journey through regions where European women were a rarity. But Schwarzenbach was also fighting a losing battle with morphine addiction, and the women's close but often troubled relationship takes centre stage in the narrative as the journey progresses through Turkey, Iran and Afghanistan. Encountering breathtaking landscapes, ancient ruins and nomadic peoples, The Cruel Way is a gripping, lyrical and deeply empathetic portrait of places, people and friendship. Brought together for the first time with excerpts from All the Roads are Open, Annemarie Schwarzenbach's parallel account of the journey.

INTRODUCED BY MONISHA RAJESH, award-winning author of Around the World in 80 Trains 'If I were asked to enumerate the pleasures of travel, this would be one of the greatest among them - that so often and so unexpectedly you meet the best in human nature.' Growing up in near-poverty and denied a formal education, Freya Stark had nurtured a fascination for the Middle East since reading Arabian Nights as a child. But it wasn't until she was in her thirties that she was able to leave Europe. Boarding a cargo ship to Beirut in 1927, she went on to became one of her generation's most intrepid explorers - her adventures would take her to remote areas in Turkey, the Middle East and Asia. The Valleys of the Assassins chronicles Stark's treks into the wilderness of western Iran on the hunt for treasure and in an attempt to locate the long-fabled Assassins in Alumut, an ancient Persian sect. Entering Luristan on a mule, draped in native clothing, Freya bluffs her way past border guards and sets off into uncharted territory; places where few Europeans, and no European women, had ventured. Stark was a woman of indefatigable energy, who often travelled with only a single guide and on a shoestring budget, and who was undeterred by discomfort and danger. Hailed as a classic upon its first publication in 1934, The Valleys of the Assassins is an absorbing account of people and place. Full of wit and rich in detail - and also in humanity - her writing brings to vivid life the stories of the ancient kingdoms of the Middle East.

The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture. She canvases a range of accounts by intrepid women, including Lady Mary Wortley Montagu's Turkish Embassy Letters, Lady Craven's Journey through the Crimea to Constantinople, Eliza Justice's A Voyage to Russia, and Anna Maria Falconbridge's Narrative of Two Voyages to the River Sierra Leone. Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world.

This summer holiday vintage classic exploring the mystery of a buried Cornish hotel invites us to solve the puzzle as detectives: perfect for Agatha Christie fans, with a dash of Richard Osman ... 'I am loving it!' Nigella Lawson 'Hilarious and perceptive ... Perfect.' Daily Mail 'Entertaining, beautifully written, and profound.' Tracy Chevalier 'Tense, touching, human, dire, and funny ... A feast indeed.' Elizabeth Bowen 'Kennedy is not only a romantic but an anarchist.' Anita Brookner 'Oh boy, what a treat; wonderfully sharp and funny ... Page-turningly good!' Lissa Evans 'So full of pleasure that you could be forgiven for not seeing how clever it is.' Cathy Rentzenbrink (foreword) Cornwall, Midsummer 1947. Pendizack Manor Hotel is buried in the rubble of a collapsed cliff. Seven guests have perished, but is it murder, and what brought this strange assembly together for a moonlit feast before this Act of God - or Man? Over the week before the landslide, we meet the hotel guests in all their eccentric glory: and as friendships form and romances blossom, sins are revealed, and the cliff cracks widen .. Reader Reviews: 'One of the best books I have ever read ... Viva Ms. Kennedy, you were truly marvellous!' ***** 'The best book I've ever read. Yes, I know that's a big statement! Kennedy is quickly becoming my all-time favorite author ... A first-rate literary genius.' ***** 'This is bar none, one of the best books I have ever read.' ***** 'Offers us the chance to solve a very unusual kind of mystery ... An unexpectedly engaging literary game.' **** 'A magnificent rediscovery ... Kennedy's masterpiece is a searing and unflinching look at postwar England ... Elegantly and tartly written, this smart and haunting novel offers one of the most unforgettable endings ... A brilliant and moving literary feast to be enjoyed without any moderation! ***** 'I'm longing to read this again! Clever Kennedy! Is it a thriller? Is it a morality play or an exploration of divine justice? Or is it a family/village saga and maybe even a romance? ... Terrifically readable with a marvellous cast.' ***** 'Such a good idea, and brilliantly executed ... I was unable to stop reading, absorbed completely in the company of the motley group. It's almost like you're eavesdropping on them. After finishing it, I find myself still thinking about it ... A fabulous read.' ***** 'One of my favorite kinds of books: a forgotten treasure..' *****