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Books > Sport & Leisure > Travel & holiday > Travel writing > Classic travel writing
This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books. At that time, central Africa was, effectively, a blank canvas for Europeans, unknown and devoid of visual representations. While previous works have concentrated on exploring the stereotyped nature of printed imagery of Africa, this study examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated. Thus, the main focus of the work is not on the aesthetic value of pictures, but in the activities, interaction, and situations that gave birth to them in both Africa and Europe.
In 1951 the Australian writers Charmian Clift and George Johnston left grey, post-war London for Greece. Settling first on the tiny island of Kalymnos, then Hydra, their plan was to live simply and focus on their writing, away from the noise of the big city. The result is two of Charmian Clift's best known and most loved books, the memoirs Mermaid Singing and Peel Me a Lotus. Mermaid Singing relays the culture shock and the sheer delight of their first year on the tiny sponge-fishing island of Kalymnos. Clift paints an evocative picture of the characters and sun-drenched rhythms of traditional life, long before backpackers and mass tourism descended. On Hydra, featured in the companion volume, Peel Me a Lotus, Clift and Johnston became the centre of an informal community of artists and writers including the then unknown Leonard Cohen who lodged with them, and his future girlfriend Marianne Ihlen.
First published in 1937 this is a collection of articles written
by the author under the pseudonym 'Waseda Eisaku' for the Japan
Tourist Bureau's magazine over twenty five years. Intended to
satisfy the intellectual curiosity of cultivated tourists from
abroad by giving the insider's view of all things Japanese, it was
published as a book just before the outbreak of World War II. Writing in the first person, Katsumata becomes both guide and confidante, writing about his own travel experiences in Japan and about Japanese customs and practices that interest him, such as traditional incense ceremonies, or fishing with rod and creel. This personal approach results in an unusual selection of topics and itineraries including tray landscapes, old Japanese clocks, hot springs, Japanese humour, sumo wrestling, pines in Japanese scenery, the Japanese sun flag and Buddhist temple bells. The author not only describes, but draws the reader into his own experiences - his joy on buying an antiquarian book he cannot really afford, the monotony he feels when travelling too long through snowy landscapes, the delight he takes in telling you that the best bait for carp fishing is sweet potato. Katsumata's unconventional choice of subjects and his informal and individualistic writing style make this a refreshingly different guide to Japan, and a valuable record of the period in which it was written.
The last great wilderness America has to offer...Alaska. Many people have longed to leave the hustle and bustle of everyday life and journey into the great unknown to hunt for big game and survive by their wits. In the Shadow of Mount McKinley brings all of this excitement to life with riveting stories by one of the world's most famous big game hunters. The thrill of the hunt, the exhilaration of forging through uncharted territory, and illustrations by Carl Rungius (one of the most important wildlife artists of the 20th century) make In the Shadow of Mount McKinley unforgettable reading.
George Sand recounts the story of her 1838 winter in Majorca, a winter she passed in the company of Frederick Chopin. She describes the natural beauties of Majorca as well as the rumblings of approaching war.
Part of a seven-volume facsimile set, this volume comprises firsthand accounts of France in the 1790s. It includes Helen Maria Williams' letters which narrate the fall of Robespierre in 1794 and her 1798 book on Switzerland which comments sceptically on the necessary coexistence of liberty with peace.
This seven-volume facsimile set comprises first-hand accounts of France in the 1790s. Helen Maria William's letters narrate the fall of Robespierre in 1794 and her 1798 book on Switzerland comments sceptically on the necessary coexistence of liberty with peace. Charlotte West (who, like Williams, celebrated the fall of the Bastille but was later imprisoned by the Republic) records the corruption, paranoia and violence of the Terror both in the provinces and in Paris. All texts, the majority of which have never been republished, are reproduced in full, augmented by a substantial general introduction to each set, headnotes, endnotes, and a consolidated index in the final volume. Selected for their rarity, the texts are drawn from the unparalleled Chawton House Library collection; each facsimile page has been digitally cleaned and enhanced, significantly improving on the quality and legibility of the original.
Laos, 1900 - a frontier land caught in a power struggle between Eastern kingdoms and Western colonial powers, a fertile place teetering between an ancient pastoral existence and the modern machine age. Alfred Raquez's Laotian Pages vividly describes his exploration of the diverse kingdoms of Laos at the turn of the last century with the same Parisian verve and ironic turn of mind that he brought to his first travel book, In the Land of Pagodas. Raquez's keen eye and sensitivity to the exotic in both nature and human culture, combined with a mastery of the genre and his hallmark conversational style, transport the reader to the largely unexplored frontier of fin-de-siecle Indochina. Long known only to specialists on the history and ethnography of the region, this new work presents a scholarly translation into English together with Raquez's original photographs that will finally allow a wide audience to experience the joys and hardships of travel in a land that is both timeless and forever changing. In addition, a wide-ranging introduction and extensive footnotes provide historical context and `then-and-now' perspectives on the cultures and landscape that have undergone massive change in the past century. In the Land of Pagodas, a scholarly translation by William L. Gibson and Paul Bruthiaux of Alfred Raquez's book of travels through China in 1899, was published in 2017 by NIAS Press.
This largely unknown travel book, written by a sporting and hunting enthusiast in 1896, recalls his journey with his wife and two dachshunds in what was then a largely unknown part of Europe. Not even Thomas Cook had conducted tours east of Trieste, and our two travelers were exploring territory less well known to the Victorian traveler at the time than Egypt or Brazil.
First published in 1931. None of the manuscripts which have come
down to us represent the original form of Marco Polo's narrative,
but it is clear that certain texts are closer to the lost original
than others. Entrusted with the task of preparing a new Italian
edition of Marco Polo, Benedetto discovered many unknown
manuscripts. He carefully edited the most famous of the manuscripts
(the Geographic text) and collated it with the other best known
ones.
'One of the most fascinating travel books of all time' Times Literary Supplement 'He could not have been more 'modern' if he had been born in the twentieth century' Evening Standard Ibn Battuta was the only medieval traveller who is known to have visited the lands of every Muhammadan ruler of his time and the extent of his journeys is estimated to be at least 75,000 miles. His work presents a descriptive account of Muhammadan society in the second quarter of the fourteenth century, which illustrates, among other things, how wide the sphere of influence of the Muslim merchants was. Ibn Battuta's interest in places was subordinate to his interest in people and his geographical knowledge was gained entirely from personal experience. For his details he relied exclusively on his memory, cultivated by the system of a theological education. This edition, translated afresh from the Arabic text, provides extensive notes which enable the journeys to be followed in detail. Important historical and religious background to the Travels is also added by H. A. R. Gibb.
First published in 1932.
'A document of unique interest it is a picture of Europe at a most
critical moment of its history, when the Continent was overwhelmed
by misery, disease and unrest. A cool observer, without prejudice
or excitement Tafur noted the symptoms of decay.' Sunday Times.
First published in 1928.
'Of all literary fakes this is surely the most impudent, ingenious,
and successful. The Comtesse D'Aulnoy was never in Spain (but) she
was a born traveller. Not without reason have the editors of The
Broadway Travellers included her fiction in their library of fact.
For, despite its falseness, it is intellectually the real thing.'
Saturday Review
First published in 1928.
'To read it is like seeing the scenes described' Evening
Standard
As well as including Sherley's own account of his journey into
Persia in 1600, this valuable edition includes the main works
dealing with Anthony Sherley and his life. Original inaccessible
texts are reprinted in full and the critical bibliographical
introduction provides excellent guidance for the understanding of
the various sources (and their merits and limitations), and the
context in which Sherley's own account was composed.
First published in 1931.
First published between 1926-1931, with the invaluable addition of introductions and explanatory notes, maps and appendices, this series makes available in English inaccessible texts of travel from around the globe. 'The variety of the Broadway Travellers becomes more remarkable and refreshing with every new addition to the series. It is possible to range from Bristol to Darien, from China to Peru and to pick a Puritan, a Moslem, a Jesuit or a footman for one's guide. The English denounce the Spanish, the Spanish watch the French, and the Portuguese fight the Dutch. The drama of the three great centuries of discovery - the fifteenth, sixteenth and seventeenth - are revealed by the shrewdest of observers' - The New Statesman.
Examines the experiences of Japanese travellers during the 1860s and 1870s, particularly with regard to their impressions of Victorian Britain. Japan had been culturally isolated for the previous 200 years and the observations they made still underpin much of their understanding today.
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