Abu Abdalla Ibn Battuta (1304-1354) was one of the greatest travelers of pre-modern times. He traveled to Black Africa twice. He reported about the wealthy, multi-cultural trading centers at the African East coast, such as Mombasa and Kilwa, and the warm hospitality he experienced in Mogadishu. He also visited the court of Mansa Musa and neighboring states during its period of prosperity from mining and the Trans-Saharan trade. He wrote disapprovingly of sexual integration in families and of hostility towards the white man. Ibn Battuta's description is a unique document of the high culture, pride, and independence of Black African states in the fourteenth century. This book is one of the most important documents about Black Africa written by a non-European medieval historian.

The writer Frances Trollope's Domestic Manners of the Americans, complemented by Auguste Hervieu's satiric illustrations, took the transatlantic world by storm in 1832. An unusual combination of realism, visual satire, and novelistic detail, Domestic Manners recounts Trollope's two years as an Englishwoman living in America. Trollope makes the civility of an entire nation the subject of her keen scrutiny, a strategy which would earn her ""more anger and applause than almost any writer of her day."" Auguste Hervieu's twenty-six original illustrations, placed and scaled as in the first edition, are included in this Broadview Edition, inviting readers to experience the original relationship of image and text.

Ever since Roman tourists scratched graffiti on the pyramids and temples of Egypt over two thousand years ago, people have travelled far and wide seeking the great wonders of antiquity. In From Stonehenge to Samarkand, noted archaeologist and popular writer Brian Fagan offers an engaging historical account of our enduring love of ancient architecture-the irresistible impulse to visit strange lands in search of lost cities and forgotten monuments. Here is a marvellous history of archaeological tourism, with generous excerpts from the writings of the tourists themselves. Readers will find Herodotus describing the construction of Babylon; Edward Gibbon receiving inspiration for his seminal work while wandering through the ruins of the Forum in Rome; Gustave Flaubert watching the sunrise from atop the Pyramid of Cheops. We visit Easter Island with Pierre Loti, Machu Picchu with Hiram Bingham, Central Africa with David Livingstone. Fagan describes the early antiquarians, consumed with a passionate and omnivorous curiosity, pondering the mysteries of Stonehenge, but he also considers some of the less reputable figures, such as the Earl of Elgin, who sold large parts of the Parthenon to the British Museum. Finally, he discusses the changing nature of archaeological tourism, from the early romantic wanderings of the solitary figure, communing with the departed spirits of Druids or Mayans, to the cruise-ship excursions of modern times, where masses of tourists are hustled through ruins, barely aware of their surroundings. From the Holy Land to the Silk Road, the Yucatan to Angkor Wat, Fagan follows in the footsteps of the great archaeological travellers to retrieve their first written impressions in a book that will delight anyone fascinated with the landmarks of ancient civilization.

Eastward bound looks at travel and travellers in the medieval period. An international range of distinguished contributors offer discussions on a wide range of themes, from the experiences of Crusaders on campaign, to the lives of pilgrims and missionaries and traders in the Middle East. It examines their modes of travel, equipment and methods of navigation, and considers their expectations and experiences en route. The contributions also look at the variety of motives - public and private - behind the decision to travel eastwards to lands of strange and unfamiliar peoples. Other essays look at the attitudes of Middle-Eastern rulers to their visitors. In so doing they provide a valuable perspective and insight into the behaviour of the Europeans and non-Europeans alike. There have been few such accessible volumes, covering such a broad range of material for the reader. The book will be of use to students and scholars involved in the history, literature and historical geography of the period.

'Who could read the programme for the excursion without longing to make one of the party?'
So Mark Twain acclaims his voyage from New York City to Europe and the Holy Land in June 1867. His adventures produced "The Innocents Abroad," a book so funny and provocative it made him an international star for the rest of his life. He was making his first responses to the Old World - to Paris, Milan, Florence, Venice, Pompeii, Constantinople, Sebastopol, Balaklava, Damascus, Jerusalem, Nazareth, and Bethlehem. For the first time he was seeing the great paintings and sculptures of the 'Old Masters'. He responded with wonder and amazement, but also with exasperation, irritation, disbelief. Above all he displayed the great energy of his humour, more explosive for us now than for his beguiled contemporaries.

This summer holiday vintage classic exploring the mystery of a buried Cornish hotel invites us to solve the puzzle as detectives: perfect for Agatha Christie fans, with a dash of Richard Osman ... 'I am loving it!' Nigella Lawson 'Hilarious and perceptive ... Perfect.' Daily Mail 'Entertaining, beautifully written, and profound.' Tracy Chevalier 'Tense, touching, human, dire, and funny ... A feast indeed.' Elizabeth Bowen 'Kennedy is not only a romantic but an anarchist.' Anita Brookner 'Oh boy, what a treat; wonderfully sharp and funny ... Page-turningly good!' Lissa Evans 'So full of pleasure that you could be forgiven for not seeing how clever it is.' Cathy Rentzenbrink (foreword) Cornwall, Midsummer 1947. Pendizack Manor Hotel is buried in the rubble of a collapsed cliff. Seven guests have perished, but is it murder, and what brought this strange assembly together for a moonlit feast before this Act of God - or Man? Over the week before the landslide, we meet the hotel guests in all their eccentric glory: and as friendships form and romances blossom, sins are revealed, and the cliff cracks widen .. Reader Reviews: 'One of the best books I have ever read ... Viva Ms. Kennedy, you were truly marvellous!' ***** 'The best book I've ever read. Yes, I know that's a big statement! Kennedy is quickly becoming my all-time favorite author ... A first-rate literary genius.' ***** 'This is bar none, one of the best books I have ever read.' ***** 'Offers us the chance to solve a very unusual kind of mystery ... An unexpectedly engaging literary game.' **** 'A magnificent rediscovery ... Kennedy's masterpiece is a searing and unflinching look at postwar England ... Elegantly and tartly written, this smart and haunting novel offers one of the most unforgettable endings ... A brilliant and moving literary feast to be enjoyed without any moderation! ***** 'I'm longing to read this again! Clever Kennedy! Is it a thriller? Is it a morality play or an exploration of divine justice? Or is it a family/village saga and maybe even a romance? ... Terrifically readable with a marvellous cast.' ***** 'Such a good idea, and brilliantly executed ... I was unable to stop reading, absorbed completely in the company of the motley group. It's almost like you're eavesdropping on them. After finishing it, I find myself still thinking about it ... A fabulous read.' ***** 'One of my favorite kinds of books: a forgotten treasure..' *****

Grounded in historical sources and informed by recent work in cultural, sociological, geographical and spatial studies, Romantic Geography illuminates the nexus between imaginative literature and geography in William Wordsworth's poetry and prose. It shows that eighteenth-century social and political interest groups contested spaces through maps, geographical commentaries and travel literature; and that by configuring 'utopian' landscapes Wordsworth himself participated in major social and political controversies in post-French Revolutionary England.

“This is the most important of my books, and the one by which I most hope to be remembered – if I may hope to be remembered at all!” Amelia B Edwards, 1877. A chance visit to Egypt in 1873 by Amelia Edwards changed the future of British Egyptology forever. Her travelogue, A Thousand Miles up the Nile, would inspire generations to take up her cause to support and promote Egyptian cultural heritage. This modern reprint is accompanied by a new introduction by Carl Graves (the Egypt Exploration Society) and Anna Garnett (The Petrie Museum, UCL) reflecting on Amelia’s life and its legacy in Egyptology today. The original text is complimented by colour images of Amelia’s artwork made during or shortly after her travels, which have only previously been reproduced as black and white engravings. This is no ordinary reprint, but an essential companion to the best-seller.

This volume prints for the first time the 'perambulation' of Cumberland compiled by the lawyer, Thomas Denton, for Sir John Lowther of Lowther in 1687-8. Denton's manuscript provides the most detailed surviving description of the county in the seventeenth century. Taking the methods of earlier antiquaries as a framework, and incorporating much of the text of the history of Cumberland written c.1603 by John Denton, the perambulation includes a wealth of contemporary detail for almost every parish and township in the county, including particulars of land tenure, valuations of estates, population estimates, descriptions of buildings and the histories of landed families. Appended to the description of Cumberland, are a perambulation of Westmorland, and the texts of two important tracts, the genealogy of the Clifford family and a treatise on customary tenantright. The volume is rounded off by descriptions of the Isle of Man and Ireland, taken in part from Camden's Britannia but including detailed topographical accounts of Man and Dublin, based on Denton's own observations. ANGUS J.L. WINCHESTER is Senior Lecturer in History, Lancaster University.

Richard Hakluyt and Travel Writing in Early Modern Europe is an interdisciplinary collection of 24 essays which brings together leading international scholarship on Hakluyt and his work. Best known as editor of The Principal Navigations (1589; expanded 1598-1600), Hakluyt was a key figure in promoting English colonial and commercial expansion in the early modern period. He also translated major European travel texts, championed English settlement in North America, and promoted global trade and exploration via a Northeast and Northwest Passage. His work spanned every area of English activity and aspiration, from Muscovy to America, from Africa to the Near East, and India to China and Japan, providing up-to-date information and establishing an ideological framework for English rivalries with Spain, Portugal, France, and the Netherlands. This volume resituates Hakluyt in the political, economic, and intellectual context of his time. The genre of the travel collection to which he contributed emerged from Continental humanist literary culture. Hakluyt adapted this tradition for nationalistic purposes by locating a purported history of 'English' enterprise that stretched as far back as he could go in recovering antiquarian records. The essays in this collection advance the study of Hakluyt's literary and historical resources, his international connections, and his rhetorical and editorial practice. The volume is divided into 5 sections: 'Hakluyt's Contexts'; 'Early Modern Travel Writing Collections'; 'Editorial Practice'; 'Allegiances and Ideologies: Politics, Religion, Nation'; and 'Hakluyt: Rhetoric and Writing'. The volume concludes with an account of the formation and ethos of the Hakluyt Society, founded in 1846, which has continued his project to edit travel accounts of trade, exploration, and adventure.

This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books. At that time, central Africa was, effectively, a blank canvas for Europeans, unknown and devoid of visual representations. While previous works have concentrated on exploring the stereotyped nature of printed imagery of Africa, this study examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated. Thus, the main focus of the work is not on the aesthetic value of pictures, but in the activities, interaction, and situations that gave birth to them in both Africa and Europe.

First published in 1937 this is a collection of articles written by the author under the pseudonym 'Waseda Eisaku' for the Japan Tourist Bureau's magazine over twenty five years. Intended to satisfy the intellectual curiosity of cultivated tourists from abroad by giving the insider's view of all things Japanese, it was published as a book just before the outbreak of World War II.

Writing in the first person, Katsumata becomes both guide and confidante, writing about his own travel experiences in Japan and about Japanese customs and practices that interest him, such as traditional incense ceremonies, or fishing with rod and creel. This personal approach results in an unusual selection of topics and itineraries including tray landscapes, old Japanese clocks, hot springs, Japanese humour, sumo wrestling, pines in Japanese scenery, the Japanese sun flag and Buddhist temple bells. The author not only describes, but draws the reader into his own experiences - his joy on buying an antiquarian book he cannot really afford, the monotony he feels when travelling too long through snowy landscapes, the delight he takes in telling you that the best bait for carp fishing is sweet potato. Katsumata's unconventional choice of subjects and his informal and individualistic writing style make this a refreshingly different guide to Japan, and a valuable record of the period in which it was written.

'All those interested in South Asia and its complex politics and culture should read this book' - Pankaj Mishra The demise of Pakistan - a country with a reputation for volatility, brutality and radical Islam - is regularly predicted. But things rarely turn out as expected, as renowned journalist Declan Walsh knows well. Over a decade covering the country, his travels took him from the raucous port of Karachi to the gilded salons of Lahore to the lawless frontier of Waziristan, encountering Pakistanis whose lives offer a compelling portrait of this land of contradictions. He meets a crusading lawyer who risks her life to fight for society's most marginalised, taking on everyone including the powerful military establishment; an imperious chieftain spouting poetry at his desert fort; a roguish politician waging a mini-war against the Taliban; and a charismatic business tycoon who moves into politics and seems to be riding high - till he takes up the wrong cause. Lastly, Walsh meets a spy whose orders once involved following him, and who might finally be able to answer the question that haunts him: why the Pakistanis suddenly expelled him from their country. Intimate and complex, unravelling the many mysteries of state and religion, this formidable book offers an arresting account of life in a country that, often as not, seems to be at war with itself. 'Thrilling, big-hearted' - Memphis Barker, Daily Telegraph 'Sets a new benchmark for non-fiction about the complex palace of mirrors that is Pakistan' - William Dalrymple

This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books. At that time, central Africa was, effectively, a blank canvas for Europeans, unknown and devoid of visual representations.

While previous works have concentrated on exploring the stereotyped nature of printed imagery of Africa, this study examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated. Thus, the main focus of the work is not on the aesthetic value of pictures, but in the activities, interaction, and situations that gave birth to them in both Africa and Europe.

George Sand recounts the story of her 1838 winter in Majorca, a winter she passed in the company of Frederick Chopin. She describes the natural beauties of Majorca as well as the rumblings of approaching war.

Part of a seven-volume facsimile set, this volume comprises firsthand accounts of France in the 1790s. It includes Helen Maria Williams' letters which narrate the fall of Robespierre in 1794 and her 1798 book on Switzerland which comments sceptically on the necessary coexistence of liberty with peace.