First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

In 1869, Hayyim Habshush, a Yemeni Jew, accompanied the European orientalist Joseph Halevy on his archaeological tour of Yemen. Twenty years later, Habshush wrote A Vision of Yemen, a memoir of their travels, that provides a vivid account of daily life, religion, and politics. More than a simple travelogue, it is a work of trickster-tales, thick anthropological descriptions, and reflections on Jewish-Muslim relations. At its heart lies the fractious and intimate relationship between the Yemeni coppersmith and the "enlightened" European scholar and the collision between the cultures each represents. The book thus offers a powerful indigenous response to European Orientalism. This edition is the first English translation of Habshush's writings from the original Judeo-Arabic and Hebrew and includes an accessible historical introduction to the work. The translation maintains Habshush's gripping style and rich portrayal of the diverse communities and cultures of Yemen, offering a potent mixture of artful storytelling and cultural criticism, suffused with humor and empathy. Habshush writes about the daily lives of men and women, rich and poor, Jewish and Muslim, during a turbulent period of war and both Ottoman and European imperialist encroachment. With this translation, Alan Verskin recovers the lost voice of a man passionately committed to his land and people.

This is the first complete English translation of a lively travelogue written by Andronikos aka Nikandros Noukios, a Greek from Corfu, who accompanied a diplomatic mission from Venice to England in the middle of the sixteenth century. He describes some of the great northern Italian cities, gives vivid impressions of picturesque Germany, of sober but enthusiastic Lutheran church services, and of cities on the Rhine. In the Low Countries he visits the commercial centres and in England gives a real sense of the excitement of London and its sights. He rather liked the English (even giving a recipe for beer), and is clearly fascinated by Henry VIII, his attacks on the monasteries and his break with Rome. He then surprisingly joins up with a troop of Greek mercenaries, but finally leaves them and returns to Italy through France with glimpses of Fontainebleau and Francis I. We leave Andronikos after he has visited Rome on his way back to Venice. The book is an almost unknown source for the sixteenth century and will certainly be of interest to historians and students. It is also an important and little-known landmark in the development of Modern Greek literature, especially relevant to the burgeoning modern interest in travel writing. It is accessible and a good read.

At age 60 William Chapman began writing down his memoirs and this book contains his engaging and enjoyable diary entries in the late nineteenth century.

The book is divided as follows:

• the story of his life (called “Reminiscences concerning the life of William James Bushnell Chapman”) until 1902, written at his home Mont Verdun or Sandula, Mombolo, Angola and dated 22nd March 1918, his sixtieth birthday anniversary.
• his reminiscences from 1903 to 1916
• an account of the entry of the Trek-Boers into Angola and of their sojourn during the forty-eight years they struggled in that country under Portuguese rule, which he was still writing in 1932.

Through these diaries, and with extensive research by Nicol Stassen, we are offered a unique insight into Chapmans’s journeys, travels and encounters.

Henrietta is a true original. Clever, vivacious and interested in everything, she managed to balance the demands of high profile public life with that of a caring mother. She was the home-schooled daughter of a bankrupt Earl and more than just a little bit in love with her handsome wayward brother, but had been married off to a plump pudding of a man, the nabob Edward Clive, governor of Madras. And her partial escape was to ride across southern India (in a vast tented caravan propelled by dozens of elephants, camels and a hundred bullock carts) and write home. For centuries this account, the first joyful description of India by a British woman, remained unread in a Welsh castle. Fortunately it was transcribed by a Texan traveller, who went on to splice this already evocative memoir with complementary sections from the diary of Henrietta's precocious daughter, the 12-year old Charly and images of their artist companion, Anna Tonelli. The resulting labour of love and scholarship is Birds of Passage, a unique trifocular account of three very different women travelling across southern India in the late 18th century, in the immediate aftermath of the last of the Mysore Wars between Tipoo Sahib and the Raj. Half a generation later, the well travelled Charly would be chosen as tutor for the young princess Victoria, the First Empress of India.

The so-called Travels of Sir John Mandeville (c. 1356) was one of the most popular books of the late Middle-Ages. Translated into many European languages and widely circulating in both manuscript and printed forms, the pseudo English knight's account had a lasting influence on the voyages of discovery and durably affected Europe's perception of exotic lands and peoples. The early modern period witnessed the slow erosion of Mandeville's prestige as an authority and the gradual development of new responses to his book. Some still supported the account's general claim to authenticity while questioning details here and there, and some openly denounced it as a hoax. After considering the general issues of edition and reception of Mandeville in an opening section, the volume moves on to explore theological and epistemological concerns in a second section, before tackling literary and dramatic reworkings in a final section. Examining in detail a diverse range of texts and issues, these essays ultimately bear witness to the complexity of early modern engagements with a late medieval legacy which Mandeville emblematises. -- .

This book is a historical and critical assessment of contributions by American writer and lecturer John Lawson Stoddard (1850-1931). It is the first scholarly effort to provide visual and literary analyses of his illustrated travel works and political writings. It claims that Stoddard was a principle engine behind movements toward transforming tourism into a growing consumer culture, democratizing liberal arts education, and fueling anti-WWI campaigns. By the late 1870s, John Lawson Stoddard had played a major role in transforming the aristocratic Grand Tour into a mass cultural phenomenon. His photographs and accompanying public lectures on distant places and peoples caught the attention of decision makers in the U.S. government, but perhaps more importantly, his images and text were imprinted in the minds of millions of audience members. This book suggests how critical approaches borrowed from the interdisciplinary literature of visual culture are helpful in assessing the imagery and identity of a nineteenth-century American travel lecturer and author. It uncovers buried aspects of the personal and public life of Stoddard, and reveals his significant contributions to American political and social history.

This volume examines the hotel experience of Anglo-American travelers in the nineteenth century from the viewpoint of literary and cultural studies as well as spatiality theory. Focusing on the social and imaginary space of the hotel in fiction, periodicals, diaries, and travel accounts, the essays shed new light on nineteenth-century notions of travel writing. Analyzing the liminal space of the hotel affords a new way of understanding the freedoms and restrictions felt by travelers from different social classes and nations. As an environment that forced travelers to reimagine themselves or their cultural backgrounds, the hotel could provide exhilarating moments of self-discovery or dangerous feelings of alienation. It could prove liberating to the tourist seeking an escape from prescribed gender roles or social class constructs. The book addresses changing notions of nationality, social class, and gender in a variety of expansive or oppressive hotel milieu: in the private space of the hotel room and in the public spaces (foyers, parlors, dining areas). Sections address topics including nationalism and imperialism; the mundane vs. the supernatural; comfort and capitalist excess; assignations, trysts, and memorable encounters in hotels; and women's travels. The book also offers a brief history of inns and hotels of the time period, emphasizing how hotels play a large role in literary texts, where they frequently reflect order and disorder in a personal and/or national context. This collection will appeal to scholars in literature, travel writing, history, cultural studies, and transnational studies, and to those with interest in travel and tourism, hospitality, and domesticity.

The author covers a wide range of subjects, from the history of the great city to contemporary commerce, conveyed by an often satirical narrative reminiscent of Jonathan Swift. He guides the reader on a leisurely walk around the monuments and attractions of the capital, bringing to life a vibrant and mesmerising city.

In 1910., Dr Hackmann started on a lengthy tour throughout Mongolia, China, Japan, Cambodia, Siam, and India, studying Buddhism and other Eastern Religions, Shintoism and Taoism. He returned to London in the spring of 1911, and published this book.

This brilliant, vivid and impressionistic series of sketches, formed during her 1892 stay in Persia, is Gertrude Bell's first published work. Infused with a distinctive orientalism, 'Persian Pictures' is an evocative, virtuosic meditation, moving sinuously between Persia's heroic, complex, mythical past and its present decline; the public face of Tehran and the otherworldly 'secret, mysterious life of the East', the lives of its women, its enclosed, quasi-medieval gardens; from the bustling cities to the lonely wastelands of Khorasan. Bell's documentation of Muharram - the month of mourning for Imam Hussein, the grandson of the Prophet Mohammed - and Ramadan, display a mind finely attuned to the differences and similarities between Islam and Christianity, East and West. 'Persian Pictures' is both travelogue and meditation, an elegiac and beautifully observed account of a spellbinding land.

Greece and Asia Minor proved an irresistible lure to English visitors in the seventeenth century. These lands were criss-crossed by adventurers, merchants, diplomats and men of the cloth. In particular, John Covel (1638-1722) - chaplain to the Levant Company in the 1670s, later Master of Christ's College, Cambridge - was representative of a thoroughly eccentric band of Englishmen who saw Greece and the Ottoman world through the lens of classical history. Using a variety of sources, including Covel's largely unpublished diaries, Lucy Pollard shows that these curious travellers imported, alongside their copies of Pausanias and Strabo, a package of assumptions about the societies they discovered. Disparaging contemporary Greeks as unworthy successors to their classical ancestors allowed Englishmen to view themselves as the true inheritors of classical culture, even as - when opportunity arose - they removed antiquities from the sites they described. At the same time, they often admired the Turks, about whom they had fewer preconceptions. This is a major contribution to reception and post-Restoration ideas about antiquity.

In 1910., Dr Hackmann started on a lengthy tour throughout Mongolia, China, Japan, Cambodia, Siam, and India, studying Buddhism and other Eastern Religions, Shintoism and Taoism. He returned to London in the spring of 1911, and published this book.

This book examines how non-fictional travel accounts were rewritten, reshaped, and reoriented in translation between 1750 and 1850, a period that saw a sudden surge in the genre's popularity. It explores how these translations played a vital role in the transmission and circulation of knowledge about foreign peoples, lands, and customs in the Enlightenment and Romantic periods. The collection makes an important contribution to travel writing studies by looking beyond metaphors of mobility and cultural transfer to focus specifically on what happens to travelogues in translation. Chapters range from discussing essential differences between the original and translated text to relations between authors and translators, from intra-European narratives of Grand Tour travel to scientific voyages round the world, and from established male travellers and translators to their historically less visible female counterparts. Drawing on European travel writing in English, French, German, Spanish, and Portuguese, the book charts how travelogues were selected for translation; how they were reworked to acquire new aesthetic, political, or gendered identities; and how they sometimes acquired a radically different character and content to meet the needs and expectations of an emergent international readership. The contributors address aesthetic, political, and gendered aspects of travel writing in translation, drawing productively on other disciplines and research areas that encompass aesthetics, the history of science, literary geography, and the history of the book.

For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Women of Cairo: Scenes of Life in the Orient, first published in 1929, describes the trip to Egypt and other locations in the Ottoman Empire taken by French Romanticist Gerard de Nerval. The book focuses on both reinforcing and dispelling the old ways in which people saw the Orient, as well as examining their old and new customs. This book is perfect for those studying history and travel.

The language of Jung's writings, and of analytical psychology generally, is sometimes difficult to understand. This guide, in dictionary format, combines scholarship and historical accuracy with a stimulating, critical attitude.

The last great wilderness America has to offer...Alaska. Many people have longed to leave the hustle and bustle of everyday life and journey into the great unknown to hunt for big game and survive by their wits. In the Shadow of Mount McKinley brings all of this excitement to life with riveting stories by one of the world's most famous big game hunters. The thrill of the hunt, the exhilaration of forging through uncharted territory, and illustrations by Carl Rungius (one of the most important wildlife artists of the 20th century) make In the Shadow of Mount McKinley unforgettable reading.

This book provides translated selections from the writings of Muhammad Ibn Othman al-Miknasi (d. 1799). The only writings by an Arab-Muslim in the pre-modern period that present a comparative perspective, his travelogues provide unique insight with in to Christendom and Islam. Translating excerpts from his three travelogues, this book tells the story of al-Miknasi's travels from 1779-1788. As an ambassador, al-Miknasi was privy to court life, government offices and religious buildings, and he provides detailed accounts of cities, people, customs, ransom negotiations, historical events and political institutions. Including descriptions of Europeans, Arabs, Turks, Christians (both European and Eastern), Muslims, Jews, and (American) Indians in the last quarter of the eighteenth century, An Arab Ambassador in the Mediterranean World explores how the most travelled Muslim writer of the pre-modern period saw the world: from Spain to Arabia and from Morocco to Turkey, with second-hand information about the New World. Supplemented with extensive notes detailing the historic and political relevance of the translations, this book is of interest to researchers and scholars of Mediterranean History, Ottoman Studies and Muslim-Christian relations.

First published in 1930. The wandering Jew is a very real character in the great drama of history. He has travelled as nomad and settler, as fugitive and conqueror, as exile and colonist and as merchant and scholar. Of necessity bilingual and therefore the master of many languages, the Jew was the ideal commercial traveller and interpreter. Based on the volume of 24 Hebrew texts of Jewish travellers by J D Eisenstein, this volume begins with the ninth century. After the sixteenth century geographical discoveries had made the whole world familiar to most people. Consequently, the wandering Jew becomes less the diplomatist or scientist but still remains a link between the scattered members of the Diaspora. The volume ends in the middle of the eighteenth century and taken as a whole provides a survey of Jewish travel during the Middle Ages. For this translation, some of the texts have been abridged, whilst retaining many of the original notes.

The language of Jung's writings, and of analytical psychology generally, is sometimes difficult to understand. This guide, in dictionary format, combines scholarship and historical accuracy with a stimulating, critical attitude.