The Marquis de Custine's record of his trip to Russia in 1839 is a brilliantly perceptive, even prophetic, account of one of the world's most fascinating and troubled countries. It is also a wonderful piece of travel writing. Custine, who met with people in all walks of life, including the Czar himself, offers vivid descriptions of St. Petersburg and Moscow, of life at court and on the street, and of the impoverished Russian countryside. But together with a wealth of sharply delineated incident and detail, Custine's great work also presents an indelible picture--roundly denounced by both Czarist and Communist regimes--of a country crushed by despotism and "intoxicated with slavery."
"Letters from Russia," here published in a new edition prepared by Anka Muhlstein, the author of the Goncourt Prize-winning biography of Custine, stands with Tocqueville's Democracy in America as a profound and passionate encounter with historical forces that are still very much at work in the world today.

Laos, 1900 - a frontier land caught in a power struggle between Eastern kingdoms and Western colonial powers, a fertile place teetering between an ancient pastoral existence and the modern machine age. Alfred Raquez's Laotian Pages vividly describes his exploration of the diverse kingdoms of Laos at the turn of the last century with the same Parisian verve and ironic turn of mind that he brought to his first travel book, In the Land of Pagodas. Raquez's keen eye and sensitivity to the exotic in both nature and human culture, combined with a mastery of the genre and his hallmark conversational style, transport the reader to the largely unexplored frontier of fin-de-siecle Indochina. Long known only to specialists on the history and ethnography of the region, this new work presents a scholarly translation into English together with Raquez's original photographs that will finally allow a wide audience to experience the joys and hardships of travel in a land that is both timeless and forever changing. In addition, a wide-ranging introduction and extensive footnotes provide historical context and `then-and-now' perspectives on the cultures and landscape that have undergone massive change in the past century. In the Land of Pagodas, a scholarly translation by William L. Gibson and Paul Bruthiaux of Alfred Raquez's book of travels through China in 1899, was published in 2017 by NIAS Press.

In 1872, Isabella Bird, daughter of a clergyman, set off alone to the Antipodes 'in search of health' and found she had embarked on a life of adventurous travel. In 1873, wearing Hawaiian riding dress, she rode her horse through the American Wild West, a terrain only newly opened to pioneer settlement. The letters that make up this volume were first published in 1879. They tell of magnificent, unspoiled landscapes and abundant wildlife, of encounters with rattlesnakes, wolves, pumas and grizzly bears, and her reactions to the volatile passions of the miners and pioneer settlers. A classic account of a truly astounding journey.

While visiting Europe In 1844, Harry McCall of Philadelphia wrote to his cousin back home of his disappointment. He didn't mind Paris, but he preferred the company of Americans to Parisians. Furthermore, he vowed to be "an American, heart and soul" wherever he traveled, but "particularly in England." Why was he in Europe if he found it so distasteful? After all, travel in the eighteenth and early nineteenth centuries was expensive, time consuming, and frequently uncomfortable.

"Being American in Europe, 1750-1860" tracks the adventures of American travelers while exploring large questions about how these experiences affected national identity. Daniel Kilbride searched the diaries, letters, published accounts, and guidebooks written between the late colonial period and the Civil War. His sources are written by people who, while prominent in their own time, are largely obscure today, making this account fresh and unusual.

Exposure to the Old World generated varied and contradictory concepts of American nationality. Travelers often had diverse perspectives because of their region of origin, race, gender, and class. Americans in Europe struggled with the tension between defining the United States as a distinct civilization and situating it within a wider world. Kilbride describes how these travelers defined themselves while they observed the politics, economy, morals, manners, and customs of Europeans. He locates an increasingly articulate and refined sense of simplicity and virtue among these visitors and a gradual disappearance of their feelings of awe and inferiority.

Founded by Alexander the Great over 2,300 years ago, Alexandria has belonged both to the Mediterranean and to Egypt, a luxuriant out-planting of Europe on the coast of Africa, but also a city of the East-the fabled cosmopolitan town that fascinated travelers, writers, and poets in the nineteenth and twentieth centuries, where French and Arabic, Italian and Greek were spoken in the cafes and on the streets.
In the pages of An Alexandrian Anthology, we follow the delight of travelers discovering the strangeness of the city and its variety and pleasures. Most of all they are haunted by the city's resplendent past-the famous Library, the temple built by Cleopatra for Antony, the great Pharos lighthouse, one of the seven wonders of the world, of which only traces remain-we follow our travelers here too as they voyage through an immense ghost city of the imagination."

'Out of the sea, as if Homer himself had arranged it for me, the islands bobbed up, lonely, deserted, mysterious in the fading light' Enraptured by a young woman's account of the landscapes of Greece, Henry Miller set off to explore the Grecian countryside with his friend Lawrence Durrell in 1939. In The Colossus of Maroussi he describes drinking from sacred springs, nearly being trampled to death by sheep and encountering the flamboyant Greek poet Katsumbalis, who 'could galvanize the dead with his talk'. This lyrical classic of travel writing represented an epiphany in Miller's life, and is the book he would later cite as his favourite. 'One of the five greatest travel books of all time' Pico Iyer

'And O, Angelica, what has become of you, this present Sunday morning when I can't attend to the sermon; and, more difficult question than that, what has become of Me as I was when I sat by your side?' At the height of his career, around the time he was working on Great Expectations and Our Mutual Friend, Charles Dickens wrote a series of sketches, mostly set in London, which he collected as The Uncommercial Traveller. In the persona of 'the Uncommercial', Dickens wanders the city streets and brings London, its inhabitants, commerce and entertainment vividly to life. Sometimes autobiographical, as childhood experiences are interwoven with adult memories, the sketches include visits to the Paris Morgue, the Liverpool docks, a workhouse, a school for poor children, and the theatre. They also describe the perils of travel, including seasickness, shipwreck, the coming of the railways, and the wretchedness of dining in English hotels and restaurants. The work is quintessential Dickens, with each piece showcasing his imaginative writing style, his keen observational powers, and his characteristic wit. In this edition Daniel Tyler explores Dickens's fascination with the city and the book's connections with concerns evident in his fiction: social injustice, human mortality, a fascination with death and the passing of time. Often funny, sometimes indignant, always exuberant, The Uncommercial Traveller is a revelatory encounter with Dickens, and the Victorian city he knew so well.

This volume contains the second volume of Anne Grant's Letters from the Mountains (1806), one of the Romantic era's most successful non-fictional accounts of the Scottish Highlands. It is part of a four volume set, edited by Kirsteen McCue and Pam Perkins, which is accompanied by new editorial material including a new general introduction and headnotes to each work.

This volume contains the third volume of Anne Grant's Letters from the Mountains (1806), one of the Romantic era's most successful non-fictional accounts of the Scottish Highlands.

The most comprehensive anthology of writings by visitors to the eternal city ever compiled – witty, profound and endlessly entertaining. Drawing on French, Italian, Spanish, English, German, Scandinavian and American sources, Ronald Ridley has compiled a vivid collage-portrait of Rome through the centuries, illustrated with three hundred images and published in three elegant volumes: The Middles Ages to the Seventeenth Century, The Eighteenth Century and The Nineteenth Century. Presented here is the second volume. How did visitors arrive? Where did they stay? What were their expenses? What did they see of churches, palaces, villas and antiquities? What did they like or dislike of what they saw? What did they think of Rome in all its contemporary facets? What events did they witness? What portraits do they provide of people in Rome at the time of their visit? Excerpts from memoirs by more than two hundred visitors give a myriad fascinating insights and together provide a detailed account of Rome over nearly a millennium.

Alexander Stavely Hill was the founder of Alberta's famous Oxley Ranch. A British Conservative MP from 1868 to 1900, he travelled to Canada annually between 1881 and 1884. "From Home to Home", first published in 1885, is an account of those travels. Interested in developing a new enterprise in a new country, Hill founded the Oxley in 1882, persuading veteran livestock breeder John R. Craig - later the manager of Oxley, who wrote his own memoir, "Ranching with Lords and Commons" (reprinted by Heritage House in 2006) - to drop his Canadian investors in favour of some English gentlemen whom Hill claimed had much more to invest. Ironically, a bitter feud later developed between Craig and Hill when the latter could not (or would not) supply enough money to run the enterprise properly. "From Home to Home" is a fascinating look at this historically important time and place from the perspective of a late-19th century version of an absentee landlord.

A sparkling new translation of one of the greatest travel books ever written: Marco Polo's seminal account of his journeys in the east, in a collectible clothbound edition. Marco Polo was the most famous traveller of his time. His voyages began in 1271 with a visit to China, after which he served the Kublai Khan on numerous diplomatic missions. On his return to the West he was made a prisoner of war and met Rustichello of Pisa, with whom he collaborated on this book. His account of his travels offers a fascinating glimpse of what he encountered abroad: unfamiliar religions, customs and societies; the spices and silks of the East; the precious gems, exotic vegetation and wild beasts of faraway lands. Evoking a remote and long-vanished world with colour and immediacy, Marco's book revolutionized western ideas about the then unknown East and is still one of the greatest travel accounts of all time. For this edition - the first completely new English translation of the Travels in over fifty years - Nigel Cliff has gone back to the original manuscript sources to produce a fresh, authoritative new version. The volume also contains invaluable editorial materials, including an introduction describing the world as it stood on the eve of Polo's departure, and examining the fantastical notions the West had developed of the East. Marco Polo was born in 1254, joining his father on a journey to China in 1271. He spent the next twenty years travelling in the service of Kublai Khan. There is evidence that Marco travelled extensively in the Mongol Empire and it is fairly certain he visited India. He wrote his famous Travels whilst a prisoner in Genoa. Nigel Cliff was previously a theatre and film critic for The Times and a regular writer for The Economist, among other publications, and now writes historical nonfiction books. His first book, The Shakespeare Riots, was published in 2007 and shortlisted for the Washington-based National Award for Arts Writing. His second book, The Last Crusade: Vasco da Gama and the Birth of the Modern World appeared in 2011 and was shortlisted for the PEN Hessell-Tiltman Prize.

Artists and writers from the colder climes of northern Europe have long felt the lure of the South of the continent. Goethe was revitalised by his encounters with Mediterranean culture on his journey to Italy. Nietzsche took flight to the south to begin his life anew. D H Lawrence sought the health-giving southern sun in Sicily and Sardinia. Over many years, other versions of the South have also held their own fascination. The South Seas cast a spell over writers like Herman Melville and Robert Louis Stevenson, and painters like Paul Gauguin. The American Deep South had (and has) its own, particular literary tradition. The white empty spaces of the frozen South of Antarctica were filled by the fantasies of writers like Edgar Allan Poe and H P Lovecraft. Even London south of the river is a place where novelists like Angela Carter and Michael Moorcock have staked out literary territory. Moving between geography and mythology, literature and history, this is the first book to look at all things Southern in one volume. It examines the South as a symbol of freedom and escape, the South as the location of Northern visions of Utopia, and the South as the imagined site of decadence, poverty and backwardness. From Tahiti to the streets of Peckham, from Naples to New Orleans, Merlin Coverley's brilliant and wide-ranging study throws light on how and why the idea of the South, in all its forms, has come to exert such a powerful hold on our imaginations.

At the age of eighteen, Patrick Leigh Fermor set off from the heart of London on an epic journey--to walk to Constantinople." A Time of Gifts" is the rich account of his adventures as far as Hungary, after which "Between the Woods and the Water" continues the story to the Iron Gates that divide the Carpathian and Balkan mountains. Acclaimed for its sweep and intelligence, Leigh Fermor's book explores a remarkable moment in time. Hitler has just come to power but war is still ahead, as he walks through a Europe soon to be forever changed--through the Lowlands to Mitteleuropa, to Teutonic and Slav heartlands, through the baroque remains of the Holy Roman Empire; up the Rhine, and down to the Danube.
At once a memoir of coming-of-age, an account of a journey, and a dazzling exposition of the English language, "A Time of Gifts" is also a portrait of a continent already showing ominous signs of the holocaust to come.

Cast in the form of a walking tour through Germany, Switzerland, France, and Italy, A Tramp Abroad sparkles with the author's shrewd observations and highly opinionated comments on Old World culture, and showcases his unparalleled ability to integrate humorous sketches, autobiographical tidbit, and historical anecdotes in consistently entertaining narrative.

Full of humor, profundity, and obsession, these are tales of writers on peregrine paths. Some set out in search of legends or artistic inspiration; others seek spiritual epiphany or fulfillment of a promise. Their journeys lead them variously to Dracula's castle, Laura Ingalls Wilder's prairie, the Grimms' fairy-tale road, Mayan temples, Nathaniel West's California, the Camino de Santiago trail, Scott's Antarctica, the Marquis de Sade's haunted manor, or the sacred city of Varanasi. All of these pilgrimages are worthy journeys-redemptive and serious. But a time-honored element of pilgrimage is a suspension of rules, and there is absurdity and exuberance here as well.

In 922 AD, an Arab envoy from Baghdad named Ibn Fadlan encountered a party of Viking traders on the upper reaches of the Volga River. In his subsequent report on his mission he gave a meticulous and astonishingly objective description of Viking customs, dress, table manners, religion and sexual practices, as well as the only eyewitness account ever written of a Viking ship cremation. Between the ninth and fourteenth centuries, Arab travellers such as Ibn Fadlan journeyed widely and frequently into the far north, crossing territories that now include Russia, Uzbekistan and Kazakhstan. Their fascinating accounts describe how the numerous tribes and peoples they encountered traded furs, paid tribute and waged wars. This accessible new translation offers an illuminating insight into the world of the Arab geographers, and the medieval lands of the far north.

In 1867, John Muir set out on foot to explore the botanical wonders of the South, keeping a detailed journal of his adventures as he traipsed from Kentucky southward to Florida. One hundred and fifty years later, on a similar whim, veteran Atlanta reporter Dan Chapman, distressed by sprawl-driven environmental ills in a region he loves, recreated Muir’s journey to see for himself how nature has fared since Muir’s time. Channelling Muir, he uses humour, keen observation, and a deep love of place to celebrate the South’s natural riches. But he laments that a treasured way of life for generations of Southerners is endangered as long-simmering struggles intensify over misused and dwindling resources. Chapman seeks to discover how Southerners might balance surging population growth with protecting the natural beauty Muir found so special. Each chapter touches upon a local ecological problem—at-risk species in Mammoth Cave, coal ash in Kingston, Tennessee, climate change in the Nantahala National Forest, water wars in Georgia, aquifer depletion in Florida—that resonates across the South. Chapman delves into the region’s natural history, moving between John Muir’s vivid descriptions of a lush botanical paradise and the myriad environmental problems facing the South today. Along the way he talks to locals with deep ties to the land—scientists, hunters, politicians, and even a Muir impersonator—who describe the changes they’ve witnessed and what it will take to accommodate a fast-growing population without destroying the natural beauty and a cherished connection to nature. A Road Running Southward is part travelogue, part environmental cri de coeur, and paints a picture of a South under siege. It is a passionate appeal, a call to action to save one of the loveliest and most biodiverse regions of the world by understanding what we have to lose if we do nothing.

In the summer of 1790 the Italian explorer Count Paolo Andreani embarked on a journey that would take him through New York State and eastern Iroquoia. Traveling along the Hudson and Mohawk Rivers, Andreani kept a meticulous record of his observations and experiences in the New World. Published complete for the first time in English, the diary is of major importance to those interested in life after the American Revolution, political affairs in the New Republic, and Native American peoples. Through Andreani's writings, we glimpse a world in cultural, economic, and political transition. An active participant in Enlightenment science, Andreani provides detailed observations of the landscape and natural history of his route. He also documents the manners and customs of the Iroquois, Shakers, and German, Dutch, and Anglo New Yorkers. Andreani was particularly interested in the Oneida and Onondaga Indians he visited, and his description of an Oneida lacrosse match accompanies the earliest known depiction of a lacrosse stick. Andreani's American letters, included here, relate his sometimes difficult but always revealing personal relationships with Washington, Jefferson, and Adams. Prefaced by an illuminating historical and biographical introduction, Along the Hudson and Mohawk is a fascinating look at the New Republic as seen through the eyes of an observant and curious explorer.

Portuguese explorations opened the sea-route to Asia, bringing armed trading to the Indian Ocean. This Element examines the impact of the 1511 Portuguese conquest of the port-kingdom of Melaka on early travel literature. Putting into dialogue accounts from Portuguese, mestico, and Malay perspectives, this study re-examines early modern 'discovery' as a cross-cultural trope. Trade and travel were intertwined while structured by religion. Rather than newness or wonder, Portuguese representations focus on recovering what is known and grafting Asian knowledges-including local histories-onto European epistemologies. Framing Portuguese rule as a continuation of the sultanate, they re-spatialize Melaka into a European city. However, this model is complicated by a second one of accidental discovery facilitated by native agents. For Malay texts too, travel traverses known routes and spaces. Malay travelers insert themselves into foreign spaces by forging new kinship alliances, even as indigenous networks were increasingly disrupted by European incursions.

'Matar has produced a valuable and stimulating piece of scholarship ...' - The Daily Telegraph

"Inspirational" - The Daily Mail "Sarah Sands has written about stillness with an eloquence that fizzes with vitality and wit. This wonderful book charts a journey to some of the most beautiful and tranquil places on earth, and introduces us to people whose inner peace is a balm for our troubled times. I loved every page of it." - Nicholas Hytner Suffering from information overload, unable to sleep, Sarah Sands, former editor of the BBC's Today programme, has tried many different strategies to de-stress... only to reject them because, as she says, all too often they threaten to become an exercise in self-absorption. Inspired by the ruins of an ancient Cistercian abbey at the bottom of her Norfolk garden, she begins to research the lives of the monks who once resided there, and realises how much we may have to learn from monasticism. Renouncing the world, monks and nuns have acquired a hidden knowledge of how to live: they labour, they learn and they acquire 'the interior silence'. This book is a quest for that hidden knowledge - a pilgrimage to ten monasteries round the world. From a Coptic desert community in Egypt to a retreat in the Japanese mountains, we follow Sands as she identifies the common characteristics of monastic life and the wisdoms to be learned from them; and as she discovers, behind the cloistered walls, a clarity of mind and an unexpected capacity for solitude which enable her, after years of insomnia, to experience that elusive, dreamless sleep.

A Year in Jamaica is a complex memoir telling the story of two simultaneous journeys: Diana Lewes' 1889 trip from England to visit her family's sugar plantations in the Caribbean, and more intriguingly, the internal rite of passage of a Victorian girl on her journey to adulthood. For it is in Jamaica that Miss Lewes tries to find a place for herself in the mysterious adult world, to understand its coded rules and hidden passions. Set primarily on a plantation called Arcadia, overlooking the sea and a distant Cuba from on high, Miss Lewes alternates between the acceptable pursuits of a Victorian gentlewoman - sewing, social visits, riding - and trying to find a more meaningful role for herself in this man's world. She delights in the exhilarating freedom of careering across the countryside on horseback with her sister, is cowed by the roaring rains and horrified at watching a hen peck a lizard to death. Against this background, we see this intelligent and competent young woman appraising the society around her, and struggling with its contradictions. Quite how complex those contradictions were is only finally revealed in the publisher's afterword.

No work revealed more of the mysterious East to statesmen, explorers, readers, and writers of the late Middle Ages than the Book of John Mandeville. One of the most widely circulated documents of its day, it first appeared in French between 1356 and 1371 and was soon translated into nine other European languages. Ostensibly the account of one English knight's journeys through Africa and Asia, it is, rather, a compilation of travel writings first shaped by an unknown redactor. Writing East is a study of how Mandeville's Travels came to appear in its various versions, explaining how it went through a series of transformations as it reached new audiences in order to serve as both a response to previous writings about the East and an important voice in the medieval conversation about the nature and limits of the world. Higgins offers a palimpsestic reading of this "multi-text" that demonstrates not only how the original French author overwrote his precursors but also how subsequent translators molded the material to serve their own ideological agendas.