This book is a collection of essays developed from the meetings of the 'Poetics of Resistance' network in Leeds (2008) and Santiago de Compostela (2009). The volume contains contributions from an international group of researchers and cultural producers, who are committed to the activation, promotion and analysis of counter-hegemonic practices both in the development and transmission of knowledge and in the emancipatory tools of cultural production. The essays in the collection are written by scholars, activists and artists from around the world and concern subjects as diverse as poetry, film, philosophy, literary theory, plastic arts and television. The relationship between cultural production and resistance lies at the heart of the book's concerns. Creativity and its manifestations in art, cultural production and knowledge production are a vital resource for a type of resistance that draws upon the resolve and contribution of the individual to the same degree that it emphasizes the importance of collective reflection and action. The interaction between artistic production, emancipation and resistance therefore cannot be reduced to a commitment to particular ideologies as expressed in art or writing. Rather, the poetics of resistance and emancipation are produced through the negotiation of the subjective and the collective, of reflection and action, and of cultural practices and ideologies. The volume contains contributions in English and in Spanish.

This book analyses the relationship between literature, history and politics in post-Soviet Russia. It explores the impact of the collapse of the USSR on Russian literature and culture and the changing content and reception of fiction on historical themes under Presidents Yeltsin and Putin. It discusses the value of various theoretical concepts, such as postmodernism, trauma, nostalgia, and the notion of discourse as power, in analysing post-Soviet historical fiction. The book shows that Russian society's confrontation with its past has remained one of the main themes of Russian culture during the period 1991-2006. Notwithstanding the gradual decline of the literature of sensational disclosure associated with Gorbachev's peresiroika, a more oblique investigation of many aspects of Russian and Soviet history and an interest in the philosophy of history have continued to be significant preoccupations of post-Soviet culture. Individual and family history continue to be explored in memoirs and autobiographical writings, while the history and destiny of Russia have been passionately debated in literary journals and the media, as Russians search for a new 'national idea' to fill the vacuum left by the collapse of communism. This study suggests that there is a remarkable continuity between post-Soviet literature and pre-revolutionary Russian literature and thought.

Apuleius' Metamorphoses or The Golden Ass, our only complete Latin novel, tells the story of Lucius, a young man turned into a donkey by magic because of his unfettered curiosity. After many adventures he is finally saved by the goddess Isis, whose follower he becomes. The famous first book of the novel introduces the protagonist's character, his interest in magic and his gullibility, but also important themes of the novel such as metamorphosis from man into beast. Lucius listens to stories about magic and witchcraft told to him on his journey to ancient Thessaly and narrates them to the reader. A substantial part of the first book accordingly concentrates on the self-contained tale about a certain Socrates and his unhappy experiences with murderous Thessalian witches. Apuleius himself had been put on trial for allegedly using erotic magic to make his future wife fall in love with him, a theme which also appears in Metamorphoses 1. Throughout the novel, Apuleius portrays Lucius as an unreliable first person narrator and thus implicates the reader of the novel in the same character fault that drives its protagonist: curiosity. This edition of Book I presents the Latin text with a modern translation, substantial introduction and accompanying commentary. The author Apuleius is discussed in the literary environment of the second century AD together with key themes of the first book and the novel as a whole. Special attention is given to ancient magic, the roles of philosophy and the goddess Isis in the novel as well as the extensive reception of the first book in literature up to modern times. The commentary illustrates Apuleius' text as a densely constructed literary work and explains literary allusions as well as philosophical, historical and religious contexts.

Ammianus Marcellinus' Res Gestae holds a prominent position in modern studies of the emperor Julian as the fullest extant narrative of the reign of the last 'pagan' emperor. Ammianus' Julian: Narrative and Genre in the Res Gestae offers a major reinterpretation of the work, which is one of the main narrative sources for the political history of the later Roman Empire, and argues for a re-examination of Ammianus' agenda and methods in narrating the reign of Julian. Building on recent developments in the application of literary approaches and critical theories to historical texts, Ammianus' presentation of Julian is evaluated by considering the Res Gestae within three interrelated contexts: as a work of Latin historiography, which consciously sets itself within a classical and classicizing generic tradition; in a more immediate literary and political context, as the final contribution by a member of an 'eyewitness' generation to a quarter century of intense debate over Julian's legacy by several authors who had lived through his reign and had been in varying degrees of proximity to Julian himself; and as a narrative text, in which narratorial authority is closely associated with the persona of the narrator, both as an external narrating agent and an occasional participant in the events he relates. This is complemented by a literary survey and a re-analysis of Ammianus' depiction of several key moments in Julian's reign, such as his appointment as Caesar, the battle of Strasbourg in 357AD, his acclamation as Augustus, and the disastrous invasion of Persia in 363AD. It suggests that the Res Gestae presents a Latin-speaking, western audience with an idiosyncratic and 'Romanized' depiction of the philhellene emperor and that, consciously exploiting his position as a Greek writing in Latin and as a contemporary of Julian, Ammianus wished his work to be considered a culminating and definitive account of the man and his life.

Language is in large part about the description of events occurring in the world around us. Relationships of different sorts between those events can be expressed by specific verb forms - or by syntactic constructions involving specific verb forms. The present study examines this facet of the Egyptian and Coptic verbal systems in isolation, singling out three types of relationships between events and the linguistic means by which they are expressed. This book comprises three chapters on the grammar of hieroglyphic Egyptian and its linear descendant, Coptic, covering more than 3000 years of language history. The initial chapter studies the verb form called "conjunctive", asserting that the function of the conjunctive is to "con-join" a chain of two or more events into a single - though compound - notion. The second chapter shows how a certain syntactic construction can be used to refer to events that are contiguous - that is, events that succeed one another rapidly in time. The final chapter examines verb forms that refer to events whose occurrence is contingent on the occurrence of other events implied or explicitly mentioned in the context. The three grammatical phenomena are respectively labeled conjunction, contiguity, and contingency. The first work in which the expression of relationships between events is studied in isolation as an important characteristic of the Egyptian and Coptic verbal systems, this study constitutes a significant advancement in our understanding of the ancient language of Egypt. It will be of interest to scholars in the fields of Egyptology, Coptology, and the Ancient Near East, as well as linguists, Byzantinists, and classicists.

In the decades following the American Revolution, literary and cultural discourses, but also American collective and individual identification were shaped by transatlantic relations and inter-American exchanges and conflicts. The way Americans defined themselves as a nation and as individuals was shaped by such historical events and social issues as the Haitian Revolution, the struggles for independence in Spanish America, ties with Caribbean slave economies, and rivalries with other colonial powers in the Americas. Contextualizing transatlantic and inter-American relations within a framework of the Western Hemisphere, the essays collected in this volume discuss inter-American relations in the early United States, and in American, European and Spanish-American writing of the period.

The OCR-endorsed publication from Bloomsbury for the Greek AS and A-Level set text prescriptions for examination in 2017-2019, giving full Greek text, commentary and vocabulary and a detailed introduction for each text that also covers the prescription to be read in English for A Level. The texts covered are: AS Thucydides, Histories, Book IV: 11-14, 21-23, 26-28 Plato, Apology, 18a7 to 24b2 Homer, Odyssey X: 144-399 Sophocles, Antigone, lines 1-99, 497-525, 531-581, 891-928 A-level Thucydides, Histories, Book IV: 29-40 Plato, Apology, 35e-end Xenophon, Memorabilia, Book 1.II.12 to 1.II.38 Homer, Odyssey IX: 231-460 Sophocles, Antigone, lines 162-222, 248-331, 441-496, 998-1032 Aristophanes, Acharnians, 1-203, 366-392

Gothic literature imagines the return of ghosts from the past. But what about the ghosts of the classical past? Spectres of Antiquity is the first full-length study to describe the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth centuries. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity. The Gothic reflects a new and darker vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting contemporary minds rather than guiding them. Through readings of works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, Charles Brockden Brown, and Mary Shelley, Spectres of Antiquity argues that these authors' plots and ideas preserve the remembered traces of Greece and Rome. James Uden provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and he offers an accessible guide both to the Gothic genre and to the classical world to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than has previously been assumed.

The papers collected in this volume include a selection of those presented at a conference which took place at the University of Minho, Portugal, in July 2001 held under the auspices of the project

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

This collection of essays by thirteen renowned specialists in the fields of French Renaissance literature and history is a fitting tribute to the scholarship of Pauline Smith, Emeritus Professor in French at the University of Hull and Research Associate of the Centre for Medieval and Renaissance Studies, Trinity College, Dublin. The essays, which focus on areas of research to which Professor Smith has herself given - and continues to give - particular attention, are organised into two frequently converging strands: court and humour. The contributors engage with political and cultural issues at the heart of the construction and aesthetic expression of the French Renaissance, whilst also offering insights into the broader European context. The collection as a whole challenges and revises a number of established views and identifies paths for future research.

This is the OCR-endorsed edition covering the Latin AS and A-Level (Group 3) prescription of Juvenal, Satire 6 and the A-Level (Group 4) prescription of Satires 14 and 15, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed material to be read in English for A Level. Juvenal was the last and the greatest of the Roman verse satirists and his poetry gives us an exuberant and outrageously jaundiced view of the early Roman Empire. This book contains a selection from three of his satires: Satire 6 attacks women and marriage, Satire 14 critiques the role played by parents in the education of children and Satire 15 describes all too vividly the cannibalism perpetrated by warring Egyptians. These Satires expose the folly and the wickedness of the world in some of the finest Latin to have survived from antiquity. Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. The Medicamina Faciei Femineae is a didactic elegy which showcases an early example of Ovid's trademark combination of a moralistic, instructive form and trivial subject and meter. Exploring female beauty and cosmetics, with particular emphasis on the concept of 'cultus', the poem also presents five practical recipes for cosmetic treatments used by Roman women. Covering both didactic parody and pharmacological reality, this deceptively complex poem possesses wit, vivacity and importance. The first full study devoted to this little-researched but multi-faceted poem, Ovid on Cosmetics includes an in-depth introduction which situates the poem within its literary heritage of didactic and elegiac poetry, its place in Ovid's oeuvre and its relevance to social values, personal aesthetics and attitudes to female beauty in Roman society. The Latin text is presented on parallel pages alongside a new literal and quality translation, and all Latin phrases are translated for the non-specialist reader. Detailed commentary notes elucidate the text and individual phrases still further.The volume also contains related passages with translations and commentaries from Ovid's Ars Amatoria 3.101-250, on dress, appearance and make-up, and Amores 1.114, on hair dye and resulting baldness.Ovid on Cosmetics presents and explicates this witty, subversive yet significant poem, as well as contextualises its importance for gender and sexuality studies, women's life in antiquity, eroticism, aesthetics and social attitudes to women and beauty in Ancient Rome.

This volume is a selection of papers presented at the 9th International Conference on Middle English held at Wyzsza Szkola Filologiczna (Philological School of Higher Education) in Wroclaw, Poland, from April 30 to May 3, 2015. The contributors cover a wide range of topics in the area of language and literature. The linguistic papers constitute the majority of contributions and focus on problems from phonology to grammar, semantics and pragmatics. The literary contributions discuss various aspects of Middle English texts.

In Poetics, Aristotle sets about laying the foundations of critical thought about the arts. One of the most influential books in Western civilization, Poetics reveals not only a great intellect analyzing the nature of poetry, music, and drama, but also a down-to-earth understanding of the practical problems facing the poet and playwright.

The first English translation of the oldest extant work in Apabhramsha, a literary language from medieval India, recounting the story of the Ramayana. The Life of Padma, or the Paumacariu, is a richly expressive Jain retelling in the Apabhramsha language of the famous Ramayana tale. The work was written by the poet and scholar Svayambhudeva, who lived in south India around the beginning of the tenth century. Like the epic tradition on which it is based, The Life of Padma narrates Prince Rama's exile, his search for his wife Sita after her abduction by King Ravana of Lanka, and the restoration of his kingship. The first volume of The Life of Padma begins by recounting the histories and noteworthy ancestors of Rama's allies and enemies, focusing on his antagonist, Ravana. Svayambhudeva connects central characters from the Ramayana tradition to one another and to Rishabha, the founding prophet of Jainism, in a complex web of family relations dating back generations. This is the first direct translation into English of the oldest extant work in Apabhramsha, accompanied by a corrected reprint in the Devanagari script of Harivallabh C. Bhayani's critical edition.

Satyric is the most thinly attested genre of Greek drama, but it appears to have been the oldest and according to Aristotle formative for tragedy. By the 5th Century BC at Athens it shared most of its compositional elements with tragedy, to which it became an adjunct; for at the annual great dramatic festivals, it was performed only together with, and after, the three tragedies which each poet was required to present in competition. It was in contrast with them, aesthetically and emotionally, its plays being considerably shorter and simpler; coarse and half-way to comedy, it burlesqued heroic and tragic myth, frequently that just dramatised and performed in the tragedies. Euripides'Cyclops is the only satyr-play which survives complete. It is generally held to be the poet's late work, but its companion tragedies are not identifiable. Its title alone signals its content, Odysseus' escape from the one-eyed, man-eating monster, familiar from Book 9 of Homer's Odyssey. Because of its uniqueness, Cyclops could afford only a limited idea of satyric drama's range, which the many but brief quotations from other authors and plays barely coloured. Our knowledge and appreciation of the genre have been greatly enlarged, however, by recovery since the early 20th Century of considerable fragments of Aeschylus, Euripides' predecessor, and of Sophocles, his contemporary - but not, so far, of Euripides himself. This volume provides English readers for the first time with all the most important texts of satyric drama, with facing-page translation, substantial introduction and detailed commentary. It includes not only the major papyri, but very many shorter fragments of importance, both on papyrus and in quotation, from the 5th to the 3rd Centuries; there are also one or two texts whose interest lies in their problematic ascription to the genre at all. The intention is to illustrate it as fully as practicable.

Aeschylus starts his tetralogy boldly, making the Danaids themselves prologue, chorus and protagonist. Guided by their father Danaus, these girls have fled from Egypt, where their cousins want to marry them, to seek asylum in Argos: they claim descent from Io, who was driven to Egypt five generations earlier when Zeus' love for her was detected by jealous Hera. In the long first movement of the play the Danaids argue their claim, pressing it with song and dance of pathos and power, upon the reluctant Argive king. He, forced eventually by their threat of suicide, puts the case to his people, who vote to accept the girls, but while they sing blessings on Argos, Danaus spies their cousins' ships arriving. Left on their own when he goes for help, they sing more seriously of suicide, and seek sanctuary upstage when the Egyptians enter. A remarkable tussle of two choruses ensues; in the nick of time the king arrives, sees off the Egyptians (but they promise a return) and offers his hospitality. The girls want their father, however, and go when guided by him and his escort of Argive soldiers. Their final song has elements of wedding song in it; they share it, provocatively, with the Argives. The rest of the tetralogy is lost, but enough is known to indicate that marriage is the theme. Aeschylus probably surprised his first audience in his use of the myth; his command of theatre and poetry is fully mature. A.J.Bowen is an Emeritus Fellow of Jesus College, Cambridge. From 1993 to 2007 he was Orator of the University.

Questioning the traditional association between machismo and Hispanic culture, this collection of essays focuses on revisiting archetypes of masculinity from medieval Iberia to the present by placing them in the context of the divergent counter-images that have always existed below the radar. The essays in this volume investigate both the construction and de-construction of masculinity in Iberian cultures and literatures from different genres and historical periods and from different disciplines (literary studies, film studies, art, religion, visual culture, etc.) and methodological perspectives (masculinity studies, feminist theory, queer studies, cultural studies, etc.). Queering Iberia is particularly concerned with exploring alternative models that examine or challenge canonical models of manhood, placing special emphasis upon re-visions of Iberian masculinities, especially as they are manifested in Catalonia, the Basque country, Galicia, and the Americas. This book starts off from the critical assumption that rethinking masculinities from these counterpoints will contribute different perspectives on the topic, and that by exploring Iberian cultures through masculinities new aspects of the relationships among these cultures can be understood. Queering Iberia will be of interest to courses on queer, gender, and masculinity studies as well as Hispanic cultures and literatures.

Since the 1980s, there has been an unprecedented and unremitting rise in the number of women writers in Galicia and Ireland. Publishers, critics, journals, and women's groups have played a decisive role in this phenomenon. Creation, Publishing, and Criticism provides a plurality of perspectives on the strategies deployed by the various cultural agents in the face of the advance of women authors and brings together a selection of articles by writers, publishers, critics, and theatre professionals who delve into their experiences during this process of cultural change. This collection of essays sets out to show how, departing from comparable circumstances, the Galician and the Irish literary systems explore their respective new paths in ways that are pertinent to each other. This book will be of particular interest to students of Galician and Irish studies, comparative literature, women's studies, and literary criticism. Both specialists in cultural analysis and the common reader will find this an enlightening book.

Known in her lifetime primarily as a literary scholar, Lydia Ginzburg (1902-1990) has become celebrated for a body of writing at the intersections of literature, history, psychology, and sociology. In highly original prose, she acted as a chronicler of the Soviet intelligentsia, a philosopher-cum-ethnographer of the Leningrad Blockade, and an author of powerful non-fictional narratives. She was a humanistic thinker with deep insights into psychological and moral dimensions of life and death in difficult historical circumstances. The first part of this book is a collection of essays by a distinguished set of scholars, shedding new light on Ginzburg's contributions to Russian literature and literary studies, life-writing, subjectivity, ethics, the history of the novel, and trauma studies. The second part is comprised of six works by Ginzburg that are being published for the first time in English translation. They represent a cross-section of her great themes, including Proustian notions of memory and place, the meaning of love and rejection, literary politics, ethnic and sexual identities, and the connections between personal biography and Soviet history. Both parts of the volume aim to explore, and make accessible to new readers, the gripping contribution to a broad set of disciplines by a profoundly intelligent writer and observer of her times.

The papers, the appreciation and the poem that are collected in this volume were delivered at the conference, Aesthetics and Politics in Modern German Culture, which was held from 31 August to 2 September 2008 at the University of Wales Conference Centre, Gregynog Hall, in honour of Professor Rhys W. Williams upon his retirement from the Chair of German at Swansea University. The contributions focus on broad themes in modern German culture, all of which reflect Rhys Williams' research interests: Expressionism and Neue Sachlichkeit; Representing/Resisting National Socialism; West German Writing; GDR Spaces and Voices; Exploring Masculinities in Fiction; Performing Politics, Performing Humour; Intertexts and Difference; and Lives and Letters.

Crossing Cultures/Cruzando culturas focuses on the creation of literary works and how these works reflect the life experiences of the authors. The purpose of this book is to inspire young Mexican-American, Hispanic, and Latino people by demonstrating that education is the key to life through the example of authors who have become successful in spite of their modest beginnings. Their love for education and their drive to improve themselves has turned them into nationally and internationally known authors recognized by major publishing companies. Their books in English have been translated quickly into other languages. The interviews reveal not only the authors' origins but also how they were able to overcome difficulties and challenges in their lives. The interviewed novelists include Mario Bencastro, Aristeo Brito, Rolando J. Diaz, Graciela Limon, and Demetria Martinez. Interviews conducted in English with Mexican-American writers are included in their original English version along with a proper Spanish translation. This book comprises a valuable resource for university students who are pursuing a degree in Spanish, Chicano studies, and ethnic studies that facilitates understanding the various dynamics of the Hispanic experience through literature. Crossing Cultures/Cruzando culturas se enfoca en la creacion de obras literarias y como estas obras reflejan las experiencias de los autores. El proposito de este libro es inspirar a los jovenes Mexico-Americanos, Hispanos y Latinos al demostrar que la educacion es la llave que les abre las puertas del triunfo en la vida. El ejemplo de los autores que han sido exitosos a pesar de sus raices humildes les estimulara a salir adelante. El amor por la educacion de estos escritores y su motivacion para mejorarse los ha convertido en autores reconocidos nacionalmente e internacionalmente por las editoriales mas reconocidas del mundo entero. Sus libros en ingles han sido traducidos a otras lenguas rapidamente. Las entrevistas revelan no solamente los origenes de los escritores pero como lograron vencer las dificultades y desafios en su vida. Los novelistas entrevistados incluyen a Mario Bencastro, Aristeo Brito, Rolando J. Diaz, Graciela Limon y Demetria Martinez. Las entrevistas realizadas en ingles con los escritores Mexico-Americanos estan incluidas en su forma original en ingles acompanadas por una traduccion al espanol. Este libro comprende un recurso valioso para los investigadores universitarios que buscan especializarse en literatura o historia latina, chicana, o estudios etnicos que facilitan el entendimiento de las dinamicas variadas de la experiencia hispana a traves de la literatura.