With this edition of Book I, P. J. Rhodes provides the 'prequel' to his editions of Thucydides' books on the Archidamian War (II, III and IV.1-V.24). As before, he provides an Introduction on Thucydides' history and on the Peloponnesian War, a Greek text with selective critical apparatus and facing translation, and a commentary which will be useful both to specialists and to readers with little or no Greek, and which assumes no previous acquaintance with Thucydides. Matters of text and language are discussed where necessary, but the emphasis is on Thucydides' subject-matter - the Peloponnesian War presented as the greatest war in Greek history, and accounts of the events directly leading to the war and of the growth of Athenian power since the Persian Wars which explain why this war between the two great powers of fifth-century Greece was fought - and on the way in which he has treated it.

These rhetorical texts by Apuleius, second-century Latin writer and author of the famous novel Metamorphoses or Golden Ass, have not been translated into English since 1909. They are some of the very few Latin speeches surviving from their century, and constitute important evidence for Latin and Roman North African social and intellectual culture in the second century AD, a period where there is increasing interest amongst classicists and ancient historians. They are the work of a talented writer who is being increasingly viewed as the major literary artist of his time in Latin.

This is the OCR-endorsed edition covering the Greek AS and A-Level set text prescriptions for 2024-26 giving full Greek text, commentary and vocabulary and a detailed introduction for each text that also covers the prescription to be read in English for A Level. The texts covered are: AS and A Level Groups 1&3 Herodotus, Histories, Book 1, 1-6, 8-13 and 19-22 Plato, Republic, Book 1, 327a to 332b Homer, Iliad, Book 16, lines 20-47, 644-867 Euripides, Hippolytus, 284-361, 391-524 A Level Groups 2&4 Herodotus, Histories, Book 7: 34-35, 38-39, 45-52, 101-105 Plato, Republic, Book 1, 336b to 337a7 and 338a4 to end of 342 Plutarch, Life of Anthony, 76-86 Homer, Iliad, Book 24, lines 349-595 Euripides, Hippolytus, 601-624, 627-633, 638-662, 664-668, 682-731, 885-911, 914-1028, 1030-1035 Aristophanes, Frogs, 1-208 and 830-874 Supplementary resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026.

The Aulularia is a comedy by the early poet Plautus (about 200 BCE) who transformed plays of Greek New Comedy, especially Menander, into typical Roman plays. Great interest lies in the imaginative metre and the archaic language of Plautus' work, whose 20 plays are the oldest substantial surviving documents in this language. This book focuses on the Aulularia, a brilliant piece of writing, containing comic scenes of great variety and one character (the old man Euclio), unmatched in surviving Latin drama for vivid presentation and effective development. The play raises very interesting questions about the relation of Roman comedy to the Greek theatrical tradition which lies behind it and its unfinished state has provoked much discussion about how it could have been completed. The Aulularia has given inspiration to a host of works in later European literature from the fifteenth to the twentieth centuries, yet no new edition or commentary has been published in English since 1913. With an introduction that will be of interest to students of literature and classics, there is also a substantial chapter on the rich reception of the play in modern literature as well as a chapter on the Greek original.

Satyric is the most thinly attested genre of Greek drama, but it appears to have been the oldest and according to Aristotle formative for tragedy. By the 5th Century BC at Athens it shared most of its compositional elements with tragedy, to which it became an adjunct; for at the annual great dramatic festivals, it was performed only together with, and after, the three tragedies which each poet was required to present in competition. It was in contrast with them, aesthetically and emotionally, its plays being considerably shorter and simpler; coarse and half-way to comedy, it burlesqued heroic and tragic myth, frequently that just dramatised and performed in the tragedies. Euripides'Cyclops is the only satyr-play which survives complete. It is generally held to be the poet's late work, but its companion tragedies are not identifiable. Its title alone signals its content, Odysseus' escape from the one-eyed, man-eating monster, familiar from Book 9 of Homer's Odyssey. Because of its uniqueness, Cyclops could afford only a limited idea of satyric drama's range, which the many but brief quotations from other authors and plays barely coloured. Our knowledge and appreciation of the genre have been greatly enlarged, however, by recovery since the early 20th Century of considerable fragments of Aeschylus, Euripides' predecessor, and of Sophocles, his contemporary - but not, so far, of Euripides himself. This volume provides English readers for the first time with all the most important texts of satyric drama, with facing-page translation, substantial introduction and detailed commentary. It includes not only the major papyri, but very many shorter fragments of importance, both on papyrus and in quotation, from the 5th to the 3rd Centuries; there are also one or two texts whose interest lies in their problematic ascription to the genre at all. The intention is to illustrate it as fully as practicable.

Full Length, Tragedy

Characters: 7 male, 4 female

Various sets

This incisive translation of the classic drama is by the noted British playwright, translator and director.

The Battle of Maldon is an Old English poem depicting a bloody skirmish along the banks of the tidal river Blackwater in 991 and poignantly conjures the lore and language of a nation with its collective back to the wall when faced by the depredations of a ruthless and relentless enemy. But, as Mark Atherton reveals, this poem is more than a heroic tale designed to inspire courage and valour: rather, it was a pioneering event which determined wider culture and polity in England. Using his own vivid translations from Old English, The Battle of Maldon: War and Peace in Tenth Century England evokes the chaotic ebb and flow of the battle while also placing Maldon in the context of its age. Seeking to reconstruct the culture and worldview of the original audience, Atherton examines how and why the poem encouraged readers to relive and experience the battle - from its brutal hand-to-hand fighting to the slaying of Byrthnoth - for themselves in order to impact the destiny of England. With this study, Mark Atherton provides the authoritative treatment of this iconic text, its history and its legacy. As such, this book will be a vital resource for all scholars of Old English literature, the Anglo-Saxons and early medieval history more generally.

This volume represents the most ambitious project of distinguished poet David Ferry's life: a complete translation of Virgil's Aeneid. Ferry has long been known as the foremost contemporary translator of Latin poetry, and his translations of Virgil's Eclogues and Georgics have become standards. He brings to the Aeneid the same genius, rendering Virgil's formal, metrical lines into an English that is familiar, all while surrendering none of the poem's original feel of the ancient world. In Ferry's hands, the Aeneid becomes once more a lively, dramatic poem of daring and adventure, of love and loss, devotion and death. The paperback and e-book editions include a new introduction by Richard F. Thomas, along with a new glossary of names that makes the book even more accessible for students and for general readers coming to the Aeneid for the first time who may need help acclimating to Virgil's world.

Consensus holds that Lucretius admired the literary prestige of Homeric epos, the form that Ennius famously introduced to Latin literature. However, some hold that Lucretius disagreed with Ennius' quasi-Pythagorean claim to be Homer reborn, and so uniquely qualified to adapt Homeric poetry to the Latin language. Likewise, received wisdom holds that Lucretius followed in the path of poets writing in the wake of Ennius' Annales, most of whom employed an Ennian style. However, throughout the De Rerum Natura, Lucretius' use of Ennius' Annales as a formal model for a long discursive poem in epic meter was neither inevitable nor predictable, on the one hand, nor meaningful in the simple way that critical consensus has always maintained. Jason Nethercut posits that Lucretius selected Ennius as a model precisely to dismantle the values for which he claimed Ennius stood, including the importance of history as a poetic subject and Rome's historical achievement in particular. As the first book to offer substantial analysis of the relationship between two of the ancient world's most impactful poets, Ennius Noster: Lucretius and the Annales fills an important gap not only in Lucretian scholarship, but also in our understanding of Latin literary history.

Juvenal's fourth book of Satires consists of three poems which are all concerned with contentment in various forms. The poet adopts a more resigned and philosophical tone, unlike the brash anger of the earlier books. These poems use enormous humour and wit to puncture the pretensions of the foolish and the wicked, urging an acceptance of our lives and a more positive stance towards life and death by mockery of the pompous and comic description of the rich and famous. In Satire 10 Juvenal examines the human desire to be rich, famous, attractive and powerful and dismisses all these goals as not worth striving for - we are in fact happier as we are. In Satires 11 and 12 he argues for the simple life which can deliver genuine happiness rather than risking the decadence of luxury and the perils of sea-travel and legacy-hunting. Self-knowledge and true friendship are the moral heart of these poems; but they are also complex literary constructs in which the figure of the speaker can be elusive and the ironic tone can cast doubt on the message being imparted. The Introduction places Juvenal in the history of Satire and also explores the style of the poems as well as the degree to which they can be read as in any sense documents of real life. The text is accompanied by a literal English translation and the commentary is keyed to important words in the translation and aims to be accessible to readers with little or no Latin. It seeks to explain both the factual background to the poems and also the literary qualities which make this poetry exciting and moving to a modern audience.

This volume is a selection of papers presented at the 9th International Conference on Middle English held at Wyzsza Szkola Filologiczna (Philological School of Higher Education) in Wroclaw, Poland, from April 30 to May 3, 2015. The contributors cover a wide range of topics in the area of language and literature. The linguistic papers constitute the majority of contributions and focus on problems from phonology to grammar, semantics and pragmatics. The literary contributions discuss various aspects of Middle English texts.

Tom Holland's 'stirring new translation' (Telegraph) of Herodotus' Histories, one of the great books in Western history - now in paperback The Histories of Herodotus, completed in the second half of the 5th century BC, is generally regarded as the first work of history and the first great masterpiece of non-fiction writing. Joined here are the sheer drama of Herodotus' narrative of the Persian invasions of Greece, and the endless curiosity - turning now to cannabis, now to the Pyramids - which make his book the source of so much of our knowledge of the ancient world. This absorbing new translation, by one of Britain's most admired young historians, allows all the drama and mysteriousness of this great book to be fully appreciated by modern readers. TOM HOLLAND is the author of Rubicon: The Triumph and Tragedy of the Roman Republic, which won the Hessell-Tiltman Prize for History and was shortlisted for the Samuel Johnson Prize. Persian Fire, his history of the Graeco-Persian wars, won the Anglo-Hellenic League's Runciman Award in 2006. His most recent book, In the Shadow of the Sword, describes the collapse of Roman and Persian power in the Near East, and the emergence of Islam. He has adapted Homer, Herodotus, Thucydides and Virgil for the BBC, and is the presenter of BBC Radio 4's Making History. In 2007, he was the winner of the Classical Association Prize awarded to 'the individual who has done most to promote the study of the language, literature and civilisation of Ancient Greece and Rome'. He served two years as the Chair of the Society of Authors 2009-11. PAUL CARTLEDGE is the inaugural A. G. Leventis Professor of Greek Culture at the University of Cambridge. His numerous books include Sparta and Lakonia: A Regional History 1300-362 BC; The Greeks: A Portrait of Self and Others; Thermopylae: The Battle That Changed the World; Ancient Greece. A Very Short Introduction; and After Thermopylae: The Oath of Plataea and the End of the Graeco-Persian Wars. He is an Honorary Citizen of Sparta, Greece and holds the Gold Cross of the Order of Honour conferred by the President of the Hellenic Republic. 'Unquestionably the best English translation of Herodotus to have appeared in the last half-century, and there have been quite a few . . . fast, funny, opinionated, clear and erudite . . . I am in awe of Tom Holland's achievement' Edith Hall, TLS 'A labour of love . . . full of rattling good yarns . . . the minister for education should present each of his cabinet colleagues with a copy of Holland's admirable translation' Economist 'Tom Holland has been captivated by Herodotus since he was a child. His pleasure shines through his relaxed, idiomatic, expansive and often dramatic translation ... He, like Herodotus, is a storyteller par excellence' Peter Jones, New Statesman

Russian-speaking immigrants residing in the Czech Republic or Germany are faced with the challenge of acquiring the Slavic (Czech) or Non-Slavic (German) language of the new environment. This process is influenced by their native language. The volume empirically analyses the acquisition of a related language compared to that of a non- or distantly related one and explores how the non-homogeneous language of the new environment - situation of diglossia in the Czech Republic, diaglossia in Germany - influences this acquisition. It additionally examines the impact of several sociolinguistic factors on L2 acquisition, especially age.

During the late 1920s and the 1930s, the Italian government sought various commercial and politically oriented solutions to cope with the advent of new sound technologies in cinema. The translation of foreign-language films became a recurrent topic of ongoing debates surrounding the use of the Italian language, the rebirth of the national film industry and cinema's mass popularity. Through the analysis of state records and the film trade press, The Politics of Dubbing explores the industrial, ideological and cultural factors that played a role in the government's support for dubbing. The book outlines the evolution of film censorship regulation in Italy and its interplay with film translation practices, discusses the reactions of Mussolini's administration to early Italian-language talkies produced abroad and documents the state's role in initiating and encouraging Italians' habit of watching dubbed films.

In the decades following the American Revolution, literary and cultural discourses, but also American collective and individual identification were shaped by transatlantic relations and inter-American exchanges and conflicts. The way Americans defined themselves as a nation and as individuals was shaped by such historical events and social issues as the Haitian Revolution, the struggles for independence in Spanish America, ties with Caribbean slave economies, and rivalries with other colonial powers in the Americas. Contextualizing transatlantic and inter-American relations within a framework of the Western Hemisphere, the essays collected in this volume discuss inter-American relations in the early United States, and in American, European and Spanish-American writing of the period.

Apuleius' Metamorphoses or The Golden Ass, our only complete Latin novel, tells the story of Lucius, a young man turned into a donkey by magic because of his unfettered curiosity. After many adventures he is finally saved by the goddess Isis, whose follower he becomes. The famous first book of the novel introduces the protagonist's character, his interest in magic and his gullibility, but also important themes of the novel such as metamorphosis from man into beast. Lucius listens to stories about magic and witchcraft told to him on his journey to ancient Thessaly and narrates them to the reader. A substantial part of the first book accordingly concentrates on the self-contained tale about a certain Socrates and his unhappy experiences with murderous Thessalian witches. Apuleius himself had been put on trial for allegedly using erotic magic to make his future wife fall in love with him, a theme which also appears in Metamorphoses 1. Throughout the novel, Apuleius portrays Lucius as an unreliable first person narrator and thus implicates the reader of the novel in the same character fault that drives its protagonist: curiosity. This edition of Book I presents the Latin text with a modern translation, substantial introduction and accompanying commentary. The author Apuleius is discussed in the literary environment of the second century AD together with key themes of the first book and the novel as a whole. Special attention is given to ancient magic, the roles of philosophy and the goddess Isis in the novel as well as the extensive reception of the first book in literature up to modern times. The commentary illustrates Apuleius' text as a densely constructed literary work and explains literary allusions as well as philosophical, historical and religious contexts.

This collection of essays provides both critical and interdisciplinary means for thinking across diasporic travels within the Portuguese experience and its intersection with other peoples and cultures. The chapters are organized into four sections and offer rich, diverse, and insightful studies that provide a conceptualization of the Portuguese diaspora with special attention to the importance of cross-cultural interferences and influences. Within this framework, and from a variety of perspectives, some of the chapters depict identity-formation paths among Portuguese Jews and Luso-Indians in Australia, as well as the historical, cultural, and literary interplay among Portuguese and other diasporas in Goa, the West Indies, and Brazil. Other chapters analyze Portuguese-American literature and poetry, whereby the intersection of memory, dual identity, and place are meticulously explored. The last section of the book addresses Portuguese writers and poets who lived through (in)voluntary exile or were dislocated to Europe and Asia, and how their diasporic conditions interface with their textualized narratives. Place and memory as means of reconstructing a fragmented existence, in the writings of exiled writers, are also explored. The volume closes with a chapter on Portuguese illegal migration to France. The studies herein open new lines of inquiry into diaspora studies.

Returning to print for the first time since the 1980s, Metamorphoses of Science Fiction is the origin point for decades of literary and theoretical criticism of science fiction and related genres. Darko Suvin's paradigm-setting definition of SF as "the literature of cognitive estrangement" established a robust theory of the genre that continues to spark fierce debate, as well as inspiring myriad intellectual descendants and disciples. Suvin's centuries-spanning history of the genre links SF to a long tradition of utopian and satirical literatures crying out for a better world than this one, showing how SF and the imagination of utopia are now forever intertwined. In addition to the 1979 text of the book, this edition contains three additional essays from Suvin that update, expand and reconsider the terms of his original intervention, as well as a new introduction and preface that situate the book in the context of the decades of SF studies that have followed in its wake.

This book discusses the correspondence between Jernej Kopitar, a co-founder of Slavic studies and proponent of Austro-Slavism, and Baron Ziga Zois, an Austrian nobleman and patron of the Slovene national revival. The author treats their letters (composed between 1808-19), which are for the most part unpublished, both as historical sources and as texts. In the first part of the book, he situates them in history and within the genre of the letter, especially in the context of Classical and Enlightenment epistolography; in the second, he deals with their importance for the development of Slavic cultural nationalisms; in particular, he argues that this correspondence successfully bound Slovene, Czech, Polish, Dalmatian, Croatian, and Serbian literati into a Slavic "republic of letters".

Aeschylus starts his tetralogy boldly, making the Danaids themselves prologue, chorus and protagonist. Guided by their father Danaus, these girls have fled from Egypt, where their cousins want to marry them, to seek asylum in Argos: they claim descent from Io, who was driven to Egypt five generations earlier when Zeus' love for her was detected by jealous Hera. In the long first movement of the play the Danaids argue their claim, pressing it with song and dance of pathos and power, upon the reluctant Argive king. He, forced eventually by their threat of suicide, puts the case to his people, who vote to accept the girls, but while they sing blessings on Argos, Danaus spies their cousins' ships arriving. Left on their own when he goes for help, they sing more seriously of suicide, and seek sanctuary upstage when the Egyptians enter. A remarkable tussle of two choruses ensues; in the nick of time the king arrives, sees off the Egyptians (but they promise a return) and offers his hospitality. The girls want their father, however, and go when guided by him and his escort of Argive soldiers. Their final song has elements of wedding song in it; they share it, provocatively, with the Argives. The rest of the tetralogy is lost, but enough is known to indicate that marriage is the theme. Aeschylus probably surprised his first audience in his use of the myth; his command of theatre and poetry is fully mature. A.J.Bowen is an Emeritus Fellow of Jesus College, Cambridge. From 1993 to 2007 he was Orator of the University.

With this edition of Book I, P. J. Rhodes provides the 'prequel' to his editions of Thucydides' books on the Archidamian War (II, III and IV.1-V.24). As before, he provides an Introduction on Thucydides' history and on the Peloponnesian War, a Greek text with selective critical apparatus and facing translation, and a commentary which will be useful both to specialists and to readers with little or no Greek, and which assumes no previous acquaintance with Thucydides. Matters of text and language are discussed where necessary, but the emphasis is on Thucydides' subject-matter - the Peloponnesian War presented as the greatest war in Greek history, and accounts of the events directly leading to the war and of the growth of Athenian power since the Persian Wars which explain why this war between the two great powers of fifth-century Greece was fought - and on the way in which he has treated it.

The recent emergence and increasing visibility of Islam as Italy's second religion is an issue of undeniable importance. It has generated an intense and often polarized debate that has involved all the cultural, political and religious institutions of the country and some of its most vocal and controversial cultural figures. This study examines some of the most significant voices that have made themselves heard in defining Italy's relationship with Islam and with the Islamic world, in a period of remarkable geopolitical and cultural upheaval from 9/11 to the Arab Spring. It looks in detail at the nature of the arguments that writers, journalists and intellectuals have adduced regarding Islam and at the connections and disjunctions between opposing positions. It examines how events such as military intervention in Afghanistan and Iraq or the protests in Tahrir Square have been represented within Italy and it analyses the rhetorical framework within which the issue of the emergence of Islam as an internal actor within Italian civil society has been articulated.