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Books > Language & Literature > Literature: texts > Essays, journals, letters & other prose works > Classical, early & medieval
The essays collected in this volume look at the way that Mozambican and Angolan literary works seek to narrate, re-create and make sense of the postcolonial nation. Some of the studies focus on individual works; others are comparative analyses of Angolan and Mozambican works, with a focus on the way they enter into dialogue with each other. The volume is oriented by three broad themes: the role of history; the recurring image of the voyage; and discursive/narrative strategies. The final section of the book considers the postcolonial in a broader Lusophone and international context.
Developments: Encounters of Formation in the Latin American and Hispanic/Latino Bildungsroman, a notable contribution for students and scholars of Latin American, Brazilian, Hispanic and Latino literature, explores a significant but overlooked area in the literary production of the twentieth century: the connections between development and the narrative of formation after World War II. Recognizing development as a discursive construction that shapes significantly modern national identity in Latin America, Alejandro Latinez argues that its ideals and narrative relate to the Bildungsroman genre - the narrative of formation or development. The study presents a historical background of similar ideals of development in Latin America as well as reflects on a seminal philosophical interplay about youth and modern national identity between the Mexican authors Samuel Ramos and Octavio Paz. Furthermore, it examines Mario Vargas Llosa's 1963 La ciudad y los perros, Jose Lezama Lima's 1966 Paradiso, a selection from Clarice Lispector's 1960 and 1964 short narratives, and Elena Poniatowska's 1971 testimony La noche de Tlatelolco. The narrative experience in the United States is analyzed in Sandra Cisnero's 1984 The House on Mango Street and Esmeralda Santiago's 1993 When I Was Puerto Rican.
Disabusing Women in the Old French Fabliaux provides a much-needed reevaluation of the role of women in the fabliaux. Spanning the late twelfth and thirteenth centuries, the fabliaux are short, ribald tales written in verse by mostly anonymous male authors. Their varied portrayals of female characters have traditionally been considered simply misogynistic. Despite recent scholarship contending that the fabliaux are not as anti-feminist as previously thought, there has been until now no full-length study of women in the fabliaux. Serving as critics of medieval institutions such as courtly love and knighthood, women in diverse roles affirm their agency as subjects through the manipulation of language. The depiction of these women asserting their subjectivity within medieval literary and cultural conventions often distorts the normal relations between the sexes, putting into question the very gender framework within which the fabliaux operate. Written by men for men, the closing moral frequently serves to reassert traditional male dominance, thereby reducing any uneasiness the audience may have felt. Thus the fabliaux cast women as powerful users of language all the while acknowledging the limits of their subversion.
The definitive global anthology of writings about dragons, from Ancient Egypt to the modern day Since the earliest moments of human history, dragons have occupied a place in our imaginations. Bringer of night in Ancient Egypt; mortal enemy of the elephant in South Asia; slain by a god in Sanskrit hymn. In the Book of Revelation, there is the Leviathan; in Loch Ness, a monster. Their crushing coils and their treasure hoards are found throughout literature and language: in the Old English of Beowulf, in the Elvish of Tolkien, in the far-flung travels of Marco Polo. The Penguin Book of Dragons is the definitive collection of all this and more: two thousand years of legend and lore about the menace and majesty of dragons.
The Spirit of Rome (1906) is a memoir by Vernon Lee. Published at the height of her career as a leading proponent of Aestheticism and scholar of the Italian Renaissance, The Spirit of Rome is a captivating meditation on the author's experiences in Rome. Raised in the city, she returns as an adult to find it as mysterious and magical as before, a place where any day could offer a chance to lose or discover oneself in history, art, or unrivalled beauty. A principled feminist and committed pacifist, Lee was virtually blacklisted by critics and publishers following her opposition to the First World War. Through the efforts of dedicated scholars, however, interest in her works has increased over the past several decades, granting her the readership she deserves as a master of literary horror. "I was brought up in Rome, from the age of twelve to that of seventeen, but did not return there for many years afterwards. I discovered it anew for myself, while knowing all its sites and its details; discovered, that is to say, its meaning to my thoughts and feelings." Vernon Lee's world is one where ghosts and humans walk together, often without taking notice of one another. Although she is more widely known for her stories of supernatural horror, Lee was also a gifted art historian and travel writer. In these diary entries written over the course of a decade, she returns to the city of Rome, where she spent the formative years of her youth. Walking through villas and the Vatican, standing on cobblestone streets or in the hollow expanse of the Pantheon, she discovers herself anew in the same ancient places, filled with the ghosts of lost friends and lovers, of the woman she was long ago. With a beautifully designed cover and professionally typeset manuscript, this edition of Vernon Lee's The Spirit of Rome is a classic work of British literature reimagined for modern readers.
The Plays of Aristophanes (425 BC-388 BC) is a collection of comedies by Athenian playwright Aristophanes. Noted for his exploration of fantasy, sexuality, and contemporary politics, Aristophanes was a leading figure in Old Attic Comedy whose award-winning plays continue to delight and inspire nearly 2,500 years after they were first performed. This collection includes some of his best-known work, showcasing his talent as an unmatched humorist and shrewd social commentator whose words drew ire from Athenian general Cleon, Socrates, and Plato. In The Clouds, an indebted Athenian aristocrat enters a philosophical school despite his advanced age in order to sharpen his argumentative skills. There, he learns the recent teachings of Socrates and gets a chance to meet the legendary figure himself. Despite his earnest desire for enlightenment, Strepsiades proves shockingly inept and is forced to beg his young son for help. The Birds follows a pair of middle-aged men on a walk through the wilderness, where they encounter a former king who has been transformed into a bird. When a group of enraged birds holds them captive, suspecting the men of ill-intent, the two devise a plan to inspire the birds to challenge the Olympians and assert their power in the universal order. In Lystistrata, the title heroine leads a courageous campaign to put an end to the brutal Peloponnesian War. Her bold plan involves encouraging women throughout the warring city states of Greece to withhold sex from men until the violence is stopped. The Plays of Aristophanes is an invaluable collection of comedies from a leading playwright of Ancient Greece, a man whose work has survived for centuries while inspiring countless writers, readers, and audiences around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Aristophanes' The Plays of Aristophanes is a classic of Ancient Greek literature reimagined for modern readers.
From the perspective of the townspeople and the queen, Clytemnestra, Agamemnon follows the emotional journey of grief, rage, and revenge. Agamemnon had dedicated much of his life to a war that his brother started. He vowed to do whatever it takes to win-committing war crimes and killing innocents. But, even in victory, Agamemnon feels unsatisfied and plagued by the bloodshed he caused. Because of this, he decides to perform a ritual to clear his conscience and regain the gods' approval. After he fought for ten years in the Trojan war, Clytemnestra eagerly awaited the return of her husband, King Agamemnon. However, upon his arrival, she learns that he has sacrificed one of her loved ones to the gods, in order to win their favor. Though Agamemnon expressed slight remorse, he felt resolute in his actions, as he viewed the sacrifice as a necessity. Already devastated, Clytemnestra is driven to pure rage when she finds that Agamemnon also brought back a "spoil of war", Cassandra, a Trojan princess and prophetess, who has been punished by the god Apollo for refusing his advances. Though she is able to see the future, she is cursed to be never believed. Considered as Agamemnon's war prize, Cassandra is trapped in the kingdom, especially hopeless when she receives a vision of unescapable doom. Meanwhile, as Clytemnestra settles in her grief and rage, she creates a plot for vengeance, and much like her husband at war, is unconcerned about any collateral damage. As the first installment of the sole surviving Greek trilogy, Agamemnon is both a stand-alone piece and a compliment to later plays. With symbolism and precise prose, Agamemnon by Aeschylus depicts the consequences of warfare-both abroad and domestic. Featuring strong, dynamic, and well-developed characters and an emotional, dramatic plot, Agamemnon is an enthralling perspective on the fates of famous heroes from Greek mythology. This edition of Aeschylus' acclaimed tragedy, Agamemnon features a new, eye-catching cover and is reprinted in a modern, readable font. With these accommodations, contemporary readers are encouraged to revisit this classic and enthralling tale of revenge.
Though it tells the stories of the defeated, Prometheus Bound and Other Plays features four tragedies that depict both unfortunate demises and the essence of the fighting human spirit. The Suppliants, the first play of the collection, follows the daughters of Danaus as they flee from the loveless marriages that had been forced upon them. The Persians, perhaps the oldest surviving play in existence, portrays the defeat of the Persian King Xeroxes. Though written by a Greek man who fought in the Persian war, The Persians displays a surprisingly sympathetic view of the opposing army. Next in the collection is Seven Against Thebes, which follows the battle between two brothers for the throne of Thebes. After the banishment of Oedipus, Eteocles and Adrastus, the two brothers, engaged in an epic war, fulfilling the tragic curse of the Oedipus family. The title tragedy in Prometheus Bound and Other Plays, Prometheus Bound, tells the tale of the downfall of the titian Prometheus. Before Prometheus, mankind had no advantage over the gods that ruled the heavens and Earth. Humans were forced to cower in the cold darkness, plagued by ignorance until Prometheus took pity on them. With heroic intentions, Prometheus stole fire and knowledge from Olympus and gave it to mankind. Though he brought light, warmth, and understanding to Earth, Zeus was outraged, and so began Prometheus' punishment. Featuring the oldest surviving play, legendary myths, epic battles, and humanist perspectives, Prometheus Bound and Other Plays by Aeschylus is a classic tragedy that exemplifies empathy and the human spirit even in its tales of defeat. Written by the father of tragedy, this collection is a privileged possession. This edition of Prometheus Bound and Other Plays by Aeschylus is now easier than ever to enjoy with a modern, readable font and a stunning new cover design. Witness a surprising triumph of spirit even in the face of failure with Prometheus Bound and Other Plays.
The Frogs follows interpersonal conflicts between men and women, Greek gods, and the natural and supernatural. Using extraordinary circumstances, the author provides commentary on multiple public figures spanning religion, politics and literature. The Frogs is one of Aristophanes' most notable works. The story centers on Dionysus, the god of fertility and wine, who's also known as a patron of the arts. In an effort to restore Greek tragedy to its former glory, Dionysus travels to the underworld to bring the late playwright Euripides back to life. While on this mission he encounters other prominent figures such as Aeschylus, the "Father of Tragedy," and Heracles, the Greek demigod. Aristophanes' work is filled with biting humor and colorful commentary that has stood the test of time. Unlike his peers, a portion of his plays (11 out of 40) survived his death and remain fully intact. The Frogs offers a glimpse into the impressive catalog that made Aristophanes one of the greatest playwrights of his era. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Frogs is both modern and readable.
Lysistrata and Other Plays centers a disgruntled woman whose attempt to end a war takes the battle from an open field to the soldier's bedroom. Wives from both camps deny their husbands basic affection in an effort to quell the violence. Set during the Peloponnesian War, the women of Greece, led by Lysistrata, create a plan to stifle the conflict between Athens and Sparta. Together, they agree to stage a sex strike, refusing to sleep with their husbands until a resolution is met. The strategy has an undeniable effect on politicians, generals and soldiers eager for a return to normalcy. It dramatically changes the focus of the warring parties, signifying the potential for peace. Lysistrata and Other Plays confronts gender norms and empowers those who are often marginalized. It's a common theme in Aristophanes' work that is also found in The Assemblywomen and Thesmophoriazusae. This political satire illustrates how fundamental needs always take precedence over superficial wants. With an eye-catching new cover, and professionally typeset manuscript, this edition of Lysistrata and Other Plays is both modern and readable.
The Poetics is a fundamental text that examines the development, production and effectiveness of poetry as it pertains to a writer and their intended audience. The author uses notable works to educate the reader on specific themes and methodology. The Poetics gives a basic definition of poetry that establishes format and intent. It's an early representation of criticism that explores the allure of literature, specifically tragedy. Aristotle provides the essential function of plot, character, thought, diction, melody and spectacle. Each piece works together to create a cohesive story that delivers an emotional response. This can include a range of plot points highlighting love, loss, pain or acceptance. With this construction, the author elevates the narrative from superficial to significant. An examination of literary prose that illustrates the chief elements of poetry. The Poetics is a celebration of storytelling across multiple genres including tragedy, epics and romance. It's a revealing exploration of the potential and power of art. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Poetics is both modern and readable.
Similar to Nicomachean Ethics, Aristotle explores another facet of good living by outlining the best governing practices that benefit the majority, and not the minority. In The Politics, he defines various institutions and how they should operate within an established system. The Politics provides an analysis of contemporary government as it relates to all people. Aristotle discusses the positive and negative qualities of authority and how they affect civilian life. In eight books, he details the tenets of the political community, including justice, the economy and household management. He recounts the actions of previous administrations, highlighting the differences between a democracy and oligarchy. He also examines the purpose of constitutions and how they can better serve the state. By studying the past, politicians can navigate and overcome challenges that toppled previous regimes. The Politics contains a strategic framework that can be used in a modern-day context. It offers a comprehensive look at the people and processes expected to maintain law, order and prosperity. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Politics is both modern and readable.
The Poems of Catullus describes the lifestyle of the Latin poet Catullus, his friends, and his lover, Lesbia. Catullus writes about each of his subjects in tones unique to them. With wild stories of the trouble and comradery shared by his friends, Catullus provides insight on more scandalous aspects of high society Roman culture. However, Catullus' most shocking and compelling subject is his lover, Lesbia, the wife of an aristocrat. The two share a secret and sensual love, taboo not just because of the infidelity, but because Lesbia is many years older than Catullus. Throughout his poems, Catullus depicts their complicated relationship, first in a tender, lustful way, detailing their affairs, then gradually becomes more heated with angst and confusion. In his exploration of their relationship, Catullus embodies the possibility of simultaneously loving and hating someone. With vivid emotion and imagery, The Poems of Catullus provide a clear picture of the poet, his friends, and his lover and invoke a strong impression on its audience. Because of the deep emotions infused with each word and the visceral depictions of ancient Roman life, this collection of poetry is relatable to a modern-day audience, and is an essential educational source. Catullus paved the way and inspired change in the art of poetry, influencing countless poets and poetry styles. The Poems of Catullus also helped create the idea of poetry as a profession. The Poems of Catullus serves a valuable and educational source, enlightening audiences on the culture of the upper-class of the late Roman Republic. However, because Catullus also explores the complex human emotions regarding friendship, sex, and love, The Poems of Catullus have proven to be a timeless testament to the duality of humankind, embracing emotions that lie between the extremes in the spectrum of feeling. Catering to a contemporary audience, this edition of The Poems of Catullus features a new, eye-catching cover design and is reprinted in a modern font to accompany the timeless exploration of human emotion and the humorous, exciting life events of the influential poet Catullus.
After receiving an ultimatum from Apollo, Orestes must decide if he'd rather face the wrath of the gods, or the earthly consequences for his actions When Orestes returns home to Agos after hearing of his father's death, he has a quest and a secret. Since he had been banished from the kingdom by his mother when he was young, he must pay respects to King Agamemnon in disguise. At the grave site he is reunited with his sister, Electra. Both scorned by Clytemnestra, the siblings share in their hatred of their mother and Orestes confides in Electra about his plot. When explains the Oracle of Apollo sent him to get vengeance for Agamemnon's murder, Electra agrees to help kill Clytemnestra and her lover, Aigisthos. Together they pray to their father, Agamemnon, asking his spirit to assist in getting revenge of his murder. Though Orestes received a blessing from the God Apollo, he must face many obstacles in order to achieve his plot. First, to be accepted in the palace, he must convince Clytemnestra and Aigisthos that he is just a traveler. He protects his identity pretending to be just a traveler and tricks Clytemnestra into believing that her banished son has died. Still, even as his plot slowly comes to fruition, Orestes must consider the emotional and moral toll of murder, and which harbinger of karma might decide to punish him. With high stakes and rich drama, The Libation Bearers follows a family cursed with the quest and thirst for vengeance, falling into an unforgiving cycle of bloodshed. As the second installment of Aeschylus' famed Oresteian trilogy, The Libation Bearers acts as both a stand-alone piece and a participant in the only surviving Greek trilogy. With complex characters and thrilling drama, Aeschylus' The Libation Bearers remains to be remarkable and intriguing to a modern audience. This addition of The Libation Bearers by the famed Greek playwright Aeschylus is now presented with an eye-catching new cover design and is printed in a modern font. With these accommodations, The Libation bearers is accessible to a contemporary audience.
In The Eumenides, the final part of The Oresteian trilogy, Orestes must face the consequences of his revenge plot. After killing Clytemnestra he flees from Agos and seeks refuge in Delphi inside a temple of Apollo. However, Furies, deities of justice, follow him in an attempt to punish Orestes for his misdeed. While he is in the temple, the God Apollo protects him and subdues the Furies with a sleep spell lasting long enough for Orestes to escape them again. Orestes seeks further help from the gods, begging for their interference. Under the protection of Hermes, Orestes travels to Athens. He is haunted by his mother's ghost, who encourages the Furies to continue to hunt her son and torment him as punishment for her death. When the Furies find Orestes in Athens, he prays to Goddess Athena to help him. As the Goddess of Justice, Athena appears and holds a trial for Orestes which she presides over. An epic murder trial unfolds with Orestes as the defendent and the Furies advocating for late Clytemnestra. Apollo comes to his aid once more and testifies before a jury of Athenians making a plea for why Orestes was right to avenge King Agamemnon. If the jury finds Orestes guilty he will be tormented for an eternity by the Furies, but if they acquit him, Orestes can return home to Agos as the rightful heir to the throne.The Eumenides is the final part of the highly esteemed Grecian trilogy, The Oresteia. Written by the father of tragedy, Aeschlyus, The Eumenides is an entertaining and enthralling work of literature as well as a vital piece of history, as it is one of the few works that were recovered from Aeschylus. With heart-pounding drama and emotion-driven prose, The Eumenides promotes a message of mercy over wrath and depicts complex characterizations of popular Greek gods, satisfying even modern readers. This edition of The Eumenides by the legendary Greek playwright Aeschylus features an eye-catching cover design and is printed in a modern font to cater to contemporary audiences.
"The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age." -Michel de Montaigne The Metamorphoses of Ovid (8 AD) is an epic poem by Ovid. Published the same year the poet was sent into exile for the rest of his life, the Metamorphoses are the crowning achievement of the first major poet of the Roman empire. Written in dactylic hexameter, the meter of Homer's Iliad and Odyssey and of Virgil's Aeneid, Ovid's work is an epic poem of transformations, of shape-shifting matter and beings bound to the power of love. Taking as its scope the whole history of the universe from the arrangement of order from chaos to the death of Julius Caesar, the Metamorphoses pays heed to desire's ability to enact long-lasting and at times irreversible change. The story begins at the very beginning, with the creation of the cosmos out of nothing, of order out of unimaginable chaos. Gods and goddesses have their moment in the sun, mankind is born only to be wiped out by an immense flood, then to rise again. Amidst countless little-known descriptions of war, romance, and change are the timeless tales of Perseus, Jason and Medea, Theseus and the Minotaur, and the labors of Hercules. Icarus soars too close to the sun. Orpheus tragically condemns Eurydice to the underworld. Troy is built and destroyed, the immortal Achilles is killed, and Aeneas sets sail to save his life and lay the foundations for Rome itself. Throughout these interwoven stories of individual and epochal change, Ovid explores the inescapability of love and death, essential themes both shared by all and constitutive of everything that was or ever will be. The Metamorphoses of Ovid is an intricate masterpiece of world literature that stands the test of time just as much as it defines it. With a beautifully designed cover and professionally typeset manuscript, this edition of The Metamorphoses of Ovid is a classic work of Roman literature reimagined for modern readers.
"The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age." -Michel de Montaigne The Amores (16 BC) is a book of love elegies by Ovid. Divided into three books, The Amores was one of the Roman poet's first published works, an ambitious and often scorned attempt at achieving fame which tapped into the ancient tradition of romantic poetry while exhibiting its author's keen sense for outrage and social satire. Far from relatable, Ovid's poet-narrator is a caricature of the desperate lover, an example of what not to do in romance, or rather of how to guarantee public embarrassment for oneself and one's horrified friends and family.At times serious, at others humorous, The Amores uses a mix of down-to-earth examples and relatable references to mythology in its dedicated portrayal of a man brought low with desire. Struck by Cupid himself, he longs for the lovely Corinna, a woman of higher class and of clearly higher grace. Despite his numerous efforts-begging at her door, threatening suicide, bribing her servants, and driving himself to the brink of insanity-the poet fails time and again to convince Corinna to be his constant companion. Consistently failing to use discretion, he illuminates the cruel and often one-sided nature of love, while also providing an unintentionally critical analysis of the role social class plays in policing desire. In passages ranging from the lofty to the bawdy, Ovid proves himself a poet on the doorstep of fame, a man both sure of his talent and desperate for success and affirmation. With a beautifully designed cover and professionally typeset manuscript, this edition of Ovid's The Amores is a classic work of Roman literature reimagined for modern readers.
"The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age." -Michel de Montaigne The Lover's Assistant; or, New Art of Love (1760) is an updated translation of Ovid's Ars Amatoria; or, The Art of Love (2 AD) by English satirist Henry Fielding. Divided into three books, Ars Amatoria; or, The Art of Love was immensely popular-if a little controversial-in its time, and has survived numerous charges of indecency over the centuries. For the modern reader, it should prove a surprisingly relatable work on intimacy from an author of the ancient world. Fielding's translation, of the first book alone, remains true to Ovid's Latin while updating its examples and historical context for the contemporary English reader. At times serious, at others humorous, The Lover's Assistant; or, New Art of Love uses a mix of down-to-earth examples and relatable references to mythology in order to offer salient advice for the reader longing for love. Maintaining much of Ovid's content, Fielding replaces the context of the poem-ancient Rome-with that of his contemporary England. Topics include etiquette, remembering birthdays, avoiding unhealthy jealousy, being open to older and younger lovers, and nurturing honesty. With his wry wit and clear-eyed sense of English aristocratic life, Fielding-who is seen as a pioneer of English literature for his work, including the comic novel Tom Jones (1749)-provides a loyal reinterpretation of Ovid's classic study of romance between men and women. The Lover's Assistant; or, New Art of Love, although frequently tongue-in-cheek, is an earnest and effective attempt to enlighten and encourage its readers to partake-responsibly-in one of life's greatest pleasures. With a beautifully designed cover and professionally typeset manuscript, this edition of Ovid's The Lover's Assistant; or, New Art of Love is a classic work of Roman literature reimagined for modern readers.
"The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age." -Michel de Montaigne Remedia Amoris; or, The Remedy of Love (2 AD) is an instructional poem by Ovid. A sequel to his three book poem Ars Amatoria; or, The Art of Love (2 AD), Remedia Amoris; or, The Remedy of Love was immensely popular-if a little controversial-in its time, and has survived numerous charges of indecency over the centuries. For the modern reader, it should prove a surprisingly relatable work on intimacy and relationships from an author of the ancient world. While Ars Amatoria; or, The Art of Love offers salient advice on such topics as etiquette, remembering birthdays, avoiding unhealthy jealousy, being open to older and younger lovers, and nurturing honesty, Remedia Amoris; or, The Remedy of Love takes as its subject the unfortunate-yet common-experience of love gone bad. Perhaps concerned for eager readers of his first work on romance, Ovid provides suggestions to novice lovers on how to escape a bad relationship and on what to do in the event of incurable unhappiness. In order to avoid the tragic fates of Dido or Medea, both of whom were led to early graves by unfaithful lovers, Ovid suggests such healthy behaviors as staying busy, seeing the world, abstaining from alcohol, and trying not to ruminate on the love one has left behind. Remedia Amoris; or, The Remedy of Love, although frequently tongue-in-cheek, is an earnest and effective attempt to caution the overeager romantic and console those unlucky in love. With a beautifully designed cover and professionally typeset manuscript, this edition of Ovid's Remedia Amoris; or, The Remedy of Love is a classic work of Roman literature reimagined for modern readers.
"In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values..." -T.S. Eliot The Aeneid (19 BC) is an epic poem by Roman poet Virgil. Translated by English poet laureate John Dryden in 1697, Virgil's legendary epic is the story of the hero Aeneas, a castaway from Troy whose adventures across the Mediterranean led him to Italy, where he discovered what would later become the city of Rome. Presented here in faithful translation, though rearranged to accommodate Dryden's rhyming couplets, The Aeneid is a treasure of classical literature and a story of romance, war, and adventure to rival the best of Homer. "Arms, and the man I sing, who, forc'd by fate, / And haughty Juno's unrelenting hate, / Expell'd and exil'd, left the Trojan shore." Fleeing the destruction of Troy by Greek forces, Aeneas brings his son Ascanius and father Anchises on a voyage across the sea. Landing in Carthage, Aeneas, his family, and his crew are rescued by Dido, Queen of Tyre. There, Aeneas, despite mourning the loss of his beloved wife Creusa, falls in love with Dido, who offers him refuge and her devoted love. Knowing that he is destined to found a city in Italy, however, Aeneas abandons the queen, leading her to commit suicide. Now determined to fulfill his destiny at any cost, Aeneas sails to Sicily, journeys to the underworld, and eventually arrives in the region of Latium, where he is swept up in conflict with Turnus, the Rutulian king. Flawed and feared, Aeneas exemplifies the imperfect hero compelled by fate and the gods, yet ultimately driven through a will to survive and provide for his fledgling people. With a beautifully designed cover and professionally typeset manuscript, this edition of Virgil's The Aeneid is a classic work of Roman literature reimagined for modern readers.
"In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values..." -T.S. Eliot The Georgics (29 BC) is a poem by Roman poet Virgil. Although less prominent than The Aeneid, Virgil's legendary epic of the Trojan hero Aeneas and his discovery of what would later become the city of Rome, The Georgics have endured as a landmark in the history of poetry. The Georgics were inspired by Lucretius's De Rerum Natura and Hesiod's Works and Days, an Ancient Greek poem describing the creation of the cosmos, the history of Earth, and the role of agriculture in human life. The Georgics is considered Virgil's second major work of three and has inspired generations of poets and scholars interested in the ability of literature to bridge the artificial gap between humanity and the natural world. "What makes the cornfield smile [...] What pains for cattle-keeping, or what proof / Of patient trial serves for thrifty bees; / Such are my themes." Beginning with these lines, Virgil's Georgics is a poem about the life of the world and the need for order to ensure humanity's survival. Surveying such diverse topics as the creation of the universe, the cycles of human history, and the technical processes applied to soil and animals to produce food and sustain life itself, this poem attempts to rekindle in its reader a sense of unity with the world. Written in a time of immense political upheaval following the death of Julius Caesar and the rise of Emperor Augustus, The Georgics is as much a poem of survival as of faith, a falling back on the old ways that sustain and nurture life, a way of preserving a volatile present for a future forever in the making. With a beautifully designed cover and professionally typeset manuscript, this edition of Virgil's The Georgics is a classic work of Roman literature reimagined for modern readers.
The Love of Clitophon and Leucippe is an ancient Greek romance novel by Achilles Tatius. Considered an important predecessor to the modern novel, The Love of Clitophon and Leucippe has served as a model for such writers as Eusthathius Macrembolites and Alonso Nunez de Reinoso. The novel remains central to scholarship regarding the tradition of Greek romance novels written within the vast Roman Empire, and has been translated into numerous languages throughout the centuries. Of particular interest is its uncommon usage of first person narration, as well as its employment of ekphrasis and mythological digressions, formulas now commonplace, albeit in varying ways, within modern novel writing. Clitophon is a young man engaged to be married to his half-sister, Calligone. When his distant cousin Leucippe comes to Tyre to visit family, however, Clitophon finds himself hopelessly in love with her. As his wedding day approaches, Clitophon struggles with whether to commit to his vows or follow his wayward heart. Before he can decide, however, a man intending to kidnap Leucippe accidentally takes Calligone to Byzantium instead, where she is forced into marriage with Kallisthenes, her captor. No longer tied to his vows, Clitophon pursues Leucippe, with whom he elopes after a period of rejection from her mother. Sailing from Tyre, they are shipwrecked during a violent storm. Washing up on the coast of Egypt, Clitophon is rescued while Leucippe is captured by a group of bandits who resolve to sacrifice the young maiden. The Love of Clitophon and Leucippe is a story of love at first sight, of trial and error, and the lengths to which lovers will go to live with and for one another. With a beautifully designed cover and professionally typeset manuscript, this edition of Achilles Tatius' The Love of Clitophon and Leucippe is a classic of ancient Greek literature reimagined for modern readers.
Jorge Semprun is a leading writer from the first generation of Spanish Civil War exiles, yet studies of his work have often focused solely on his literary testimony to the concentration camps and his political activities. Although Semprun's work derives from his incarceration in Buchenwald and his expulsion from the Spanish Communist Party in 1964, limiting the discussion of his works to the autobiographical details or to the realm of Holocaust studies is reductive. The responses by many influential writers to his recent death highlight that the significance of Semprun's work goes beyond the testimony of historical events. His self-identification as a Spanish exile has often been neglected and there is no comprehensive study of his works available in English. This book provides a global view of his oeuvre and extends literary analysis to texts that have received little critical attention. The author investigates the role played by memory in some of Semprun's works, drawing on current debates in the field of memory studies. A detailed analysis of these works allows related concepts, such as exile and nostalgia, the Holocaust, the interplay between memory and writing, politics and collective memory, and postmemory and identity, to be examined and discussed.
This volume of essays, which originated in the inaugural Dublin Gastronomy Symposium held in the Dublin Institute of Technology in June 2012, offers fascinating insights into the significant role played by gastronomy in Irish literature and culture. The book opens with an exploration of food in literature, covering figures as varied as Maria Edgeworth, James Joyce, Charles Dickens, Enid Blyton, John McGahern and Sebastian Barry. Other chapters examine culinary practices among the Dublin working classes in the 1950s, offering a stark contrast to the haute cuisine served in the iconic Jammet's Restaurant; new trends among Ireland's 'foodie' generation; and the economic and tourism possibilities created by the development of a gastronomic nationalism. The volume concludes by looking at the sacramental aspects of the production and consumption of Guinness and examining the place where it is most often consumed: the Irish pub.
Cet ouvrage propose une etude de la question du genre dans l'oeuvre d'Agota Kristof, ecrivaine suisse francophone d'origine hongroise. La preponderance des narrateurs masculins dans sa prose suggere la superiorite du masculin; ceci se reflete aussi sur le plan du contenu de son oeuvre, car les personnages feminins sont plutot marginalises et relegues a la sphere domestique. Neanmoins, les themes de la violence contre les femmes, de leur folie et de la prostitution demontrent un souci de presenter leur condition dans la societe. Pour elucider cette contradiction, l'analyse detaillee des textes rend compte des differentes strategies que l'auteure emploie pour representer les personnages et leurs relations sexuees. Notamment, mettre l'accent sur la voix narrative permet d'etudier l'acces des personnages a la parole et leurs attitudes a l'egard de l'ideologie du genre. L'etude se concentre non seulement sur la fameuse trilogie mais egalement sur le roman Hier, les nouvelles, les pieces de theatre et l'autobiographie. Premiere analyse de ce type, ce livre propose d'elargir l'approche interpretative des oeuvres de Kristof et d'apporter une nouvelle perspective a l'etude des oeuvres litteraires de l'espace francophone europeen. |
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