From the beginning, kings ruled Rome; Lucius Brutus established freedom and the consulship. So wrote the Roman historian Tacitus in the second century AD, but the view was orthodox. It is still widely accepted today. But how could the Romans of later times have possibly known anything about the origins of Rome, the rule and subsequent expulsion of their kings or the creation of the Republic when all those events took place centuries before anyone wrote any account of them? And just how useful are those later accounts, those few that happen to survive, when the Romans not only viewed the past in light of the present but also retold stories of past events in ways designed to meet contemporary needs? This book attempts to assess what the Romans wrote about the early development of their state. While it may not, in the end, be possible to say very much about archaic Rome, it is certainly possible to draw conclusions about later political ideas and their influence on what the Romans said about their past, about the writing of history at Rome and about the role that stories of past events could play even centuries later.

Gathering together over 60 new and revised discussions of textual issues, this volume represents notorious problems in well-known texts from the classical era by authors including Horace, Ennius, and Vergil. A follow-up to Vegiliana: Critical Studies on the Texts of Publius Vergilius Maro (2017), the volume includes major contributions to the discussion of Horace's Carmen IV 8 and IV 12, along with studies on Catullus Carmen 67 and Hadrian's Animula vagula, as well as a new contribution on Livy's text at IV 20 in connection with Cossus's spolia opima, and on Vergil's Aeneid 3. 147-152 and 11. 151-153. On Ennius, the author presents several new ideas on Ann. 42 Sk. and 220-22l, and in editing Horace, he suggests new principles for the critical apparatus and tries to find a balance by weighing both sides in several studies, comparing a conservative and a radical approach. Critica will be an important resource for students and scholars of Latin language and literature.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

"This is a superb new translation that is remarkably accurate to Plato's very difficult Greek, yet clear and highly readable. The notes are more helpful than those in any other available translation of the Laws since they contain both the information needed by the beginning student as well as analytical notes that include references to the secondary literature for the more advanced reader. For either the beginner or the scholar, this should be the preferred translation." -- Christopher Bobonich, Clarence Irving Lewis Professor of Philosophy, Stanford University

"To teach correct Latin and to explain the poets" were the two standard duties of Roman teachers. Not only was a command of literary Latin a prerequisite for political and social advancement, but a sense of Latin's history and importance contributed to the Romans' understanding of their own cultural identity. Put plainly, philology - the study of language and texts - was important at Rome. Critics, Compilers, and Commentators is the first comprehensive introduction to the history, forms, and texts of Roman philology. James Zetzel traces the changing role and status of Latin as revealed in the ways it was explained and taught by the Romans themselves. In addition, he provides a descriptive bibliography of hundreds of scholarly texts from antiquity, listing editions, translations, and secondary literature. Recovering a neglected but crucial area of Roman intellectual life, this book will be an essential resource for students of Roman literature and intellectual history, medievalists, and historians of education and language science.

Developments: Encounters of Formation in the Latin American and Hispanic/Latino Bildungsroman, a notable contribution for students and scholars of Latin American, Brazilian, Hispanic and Latino literature, explores a significant but overlooked area in the literary production of the twentieth century: the connections between development and the narrative of formation after World War II. Recognizing development as a discursive construction that shapes significantly modern national identity in Latin America, Alejandro Latinez argues that its ideals and narrative relate to the Bildungsroman genre - the narrative of formation or development. The study presents a historical background of similar ideals of development in Latin America as well as reflects on a seminal philosophical interplay about youth and modern national identity between the Mexican authors Samuel Ramos and Octavio Paz. Furthermore, it examines Mario Vargas Llosa's 1963 La ciudad y los perros, Jose Lezama Lima's 1966 Paradiso, a selection from Clarice Lispector's 1960 and 1964 short narratives, and Elena Poniatowska's 1971 testimony La noche de Tlatelolco. The narrative experience in the United States is analyzed in Sandra Cisnero's 1984 The House on Mango Street and Esmeralda Santiago's 1993 When I Was Puerto Rican.

"In the whole of European literature there is no poet who can furnish the texts for a more significant variety of discourse than Virgil. [He] symbolizes so much in the history of Europe, and represents such central European values..." -T.S. Eliot The Georgics (29 BC) is a poem by Roman poet Virgil. Although less prominent than The Aeneid, Virgil's legendary epic of the Trojan hero Aeneas and his discovery of what would later become the city of Rome, The Georgics have endured as a landmark in the history of poetry. The Georgics were inspired by Lucretius's De Rerum Natura and Hesiod's Works and Days, an Ancient Greek poem describing the creation of the cosmos, the history of Earth, and the role of agriculture in human life. The Georgics is considered Virgil's second major work of three and has inspired generations of poets and scholars interested in the ability of literature to bridge the artificial gap between humanity and the natural world. "What makes the cornfield smile [...] What pains for cattle-keeping, or what proof / Of patient trial serves for thrifty bees; / Such are my themes." Beginning with these lines, Virgil's Georgics is a poem about the life of the world and the need for order to ensure humanity's survival. Surveying such diverse topics as the creation of the universe, the cycles of human history, and the technical processes applied to soil and animals to produce food and sustain life itself, this poem attempts to rekindle in its reader a sense of unity with the world. Written in a time of immense political upheaval following the death of Julius Caesar and the rise of Emperor Augustus, The Georgics is as much a poem of survival as of faith, a falling back on the old ways that sustain and nurture life, a way of preserving a volatile present for a future forever in the making. With a beautifully designed cover and professionally typeset manuscript, this edition of Virgil's The Georgics is a classic work of Roman literature reimagined for modern readers.

A thrilling retelling of the Star Wars saga in the style of classic epic poetry "I look not to myself but to the Force, In which all things arise and fall away." Journey to a galaxy far, far away like never before-through lyrical verse and meter. Like the tales of Odysseus and Beowulf, the adventures of Luke Skywalker, Han Solo, Princess Leia, Jyn Erso, Obi-Wan Kenobi, Darth Vader, and the Emperor are fraught with legendary battles, iconic heroes, fearsome warriors, sleek ships, and dangerous monsters. Beginning with Rogue One's rebel heist on Scarif to secure the plans to the Death Star and continuing through the climax of Return of the Jedi, author Jack Mitchell uses the ancient literary form of epic poetry to put a new spin on the Star Wars saga. Punctuated with stunning illustrations inspired by the terracotta art of Greek antiquity, The Odyssey of Star Wars: An Epic Poem presents the greatest myth of the 20th century as it would have been told nearly 3,000 years ago.

Completely unabridged, with a new foreword written by Huffington Post writer Carolyn Gregoire, this publication of Meditations is an all-encompassing collection of Marcus Aurelius's works. "Do every deed, speak every word, think every thought in the knowledge that you may end your days any moment." "We have body, soul, and intelligence. To the body belong the senses, to the soul the passions, to the intelligence principles." "Think not as your insulter judges or wishes you to judge: but see things as they truly are." "To pursue impossibilities is madness; and it is impossible that the wicked should not act in some such way as this." "Order not your life as though you had ten thousand years to live. Fate hangs over you. While you live, while yet you may, be good." Meditations is a collection of twelve books written by Roman Emperor Marcus Aurelius. This set of books was originally compiled in the form of private journals. Marcus Aurelius used these notes as personal guides to live by and to better himself as a ruler. He compiled these journals during his time as emperor, and while they were not intended for public consumption, there are valuable lessons to be gleaned from his wisdom. The entries include his views of stoicism-the Hellenistic philosophy devoid of "destructive emotions" that could tamper with logic-and its practical use in ruling and military tactics.

Volume II of a two-volume scholarly edition of the Meditations of the Emperor Marcus Antoninus by A.S.L. Farquharson. The edition presents an authoritative text, together with a translation, an introduction, commentary notes, and scholarly apparatus.

Volume I of a two-volume scholarly edition of the Meditations of the Emperor Marcus Antoninus by A.S.L. Farquharson. The edition presents an authoritative text, together with a translation, an introduction, commentary notes, and scholarly apparatus.

Pollastra and the Origins of Twelfth Night addresses two closely linked and increasingly studied issues: the nature of the relation of Shakespeare's plays to Italian culture, and the technology of modern theater invented in Renaissance Italy. The discovery of forgotten works by Giovanni Lappoli, known as Pollastra, led to publication in Italy in 1993 in a limited edition of the Italian texts with supplemental scholarship by the authors, entitled Romance and Aretine Humanism in Sienese Comedy. One of those texts, the comedy Parthenio, has escaped the attention of theater bibliographers, because it was quickly sold out in its time and only a handful of copies are known to exist today. Yet it played an important part in the birth of Italian Renaissance drama and of modern comedy in general, in that it was the immediate predecessor and source of Gl'Ingannati, arguably the most famous comedy of the Italian Renaissance and certainly the most imitated, translated, adapted all over Europe. The best known of its progeny is Shakespeare's Twelfth Night. Much has been written in Italy and England about Gl'Ingannati and Shakespeare's debt to it, but nothing at all about Parthenio. This volume provides the first English translation (with the original Italian on facing pages); and presents for an international audience the theatrical scholarship from the 1993 book Romance and Aretine Humanism in Sienese Comedy, augmented with new findings.