One of the most important philosophical works of all time, in a new Penguin Classics translation by Adam Beresford 'Right and wrong is a human thing' What does it mean to be a good person? Aristotle's famous series of lectures on ethical topics ranges over fundamental questions about good and bad character; pleasure and self-control; moral wisdom and the foundations of right and wrong; friendship and love in all their forms - all set against a rich and humane conception of what makes for a flourishing life. Adam Beresford's freshly researched translation presents many of Aristotle's key terms and idioms in standard English for the first time, and faithfully preserves the unvarnished style of the original.

The concept of the soul in Platonic, Ciceronian, and Talmudic thought segues into the Celtic tradition, Thomas Aquinas, and Maeterlinck and threads its way through the tapestry of Proust's narrative and his principal characters. Bette H. Lustig uses a hermeneutic approach to the Proust texts, which are cited in French, and provides the analyses of the texts in English. Themes treating the soul include metempsychosis (transmigration), imprisonment and deliverance, eroticism and sadism, homophilia and misogyny, and time and memory. Moreover, the Celtic tradition is evident in the metempsychosis of souls to plants, animals, and inanimate objects, and their yearning to be delivered through a random encounter. Homophilia and misogyny are pendant themes. The strong preference for male company is articulated through gestures and choices by both author and characters. In Proust, homophilia leads to misogyny: disparaging, controlling, even abusive attitudes toward the souls of women, which are demonized and imprisoned. Their souls, provisionally free in sleep, do not reach total deliverance until death. The ecstasy of Platonic mystical union is shown only between two males. The soul of time travels at its own pace: by urgency, by seemingly slow passage, in narrative interruption or digression, chronological inversion, and in privileged moments. The soul of memory is present in odors or fragrances. Like Aquinas's substratum soul, it connects past and present. Its enemy is forgetfulness. Time and memory are also correlated in collective memory. Presented in a clear, lively style, this book would be excellent in courses on Proust, French literature, religion, philosophy, psychology, and sociology.

This collection of essays is a tribute to Andrzej Kopcewicz, the first professor ordinarius of American literature in the history of English studies in Poland. It coincides with the centenary of Imagism and what would have been Professor Kopcewicz's 80th birthday. The title alludes to his first book which was devoted to the image and the objective correlative in early 20th-century Anglo-American poetry. Image in Modern(ist) Verse opens with a revised and abridged version of that publication. Kopcewicz's study can be still read as a useful historical, theoretical, and practical introduction to modern poetry. The bulk of the volume is made up of contributions by contemporary academics - Paulina Ambrozy, Joseph Kuhn, Pawel Stachura, Jorgen Veisland, and Milosz Wojtyna - who discuss various facets, strands and sub-strands of Imagism, as well as its ongoing legacy.

This book analyses one of the many levels of complexity not readily apparent to the reader of Zola's fiction: the question of the author's family secrets. The novels addressed here present a variety of sub-textual issues highlighting Zola's sexual insecurity and anxiety. Their analysis reveals a mystery related to female sexuality that pervades the narratives of Therese Raquin and La Fortune des Rougon, and that is silently transmitted in Madeleine Ferat, La Faute de l'Abbe Mouret, La Bete humaine, La Curee, Nana, Le Docteur Pascal and Verite. The novels are explored from the standpoint of psychoanalytical criticism, a tool particularly appropriate for examining Zola's language and illuminating the recurrent theme of "the Return of the repressed". Four psychoanalytical theories are adopted: Nicolas Abraham's and Maria Toroks' theories of psychic development (presenting the concept of the phantom) and Sigmund Freud's and Jacques Lacan's theories of infantile sexuality.

Inheritance, which has its origins in the field of artificial intelligence, is a framework focusing on shared properties. When applied to inflectional morphology, it enables useful generalizations within and across paradigms. The inheritance tree format serves as an alternative to traditional paradigms and provides a visual representation of the structure of the language's morphology. This mapping also enables cross-linguistic morphological comparison. In this book, the nominal inflectional morphology of Old High German, Latin, Early New High German, and Koine Greek are analyzed using inheritance trees. Morphological data is drawn from parallel texts in each language; the trees may be used as a translation aid to readers of the source texts as an accompaniment to or substitute for traditional paradigms. The trees shed light on the structural similarities and differences among the four languages.

This anthology presents the writings of Lydia Pasternak Slater (1902-1989), sister of Boris Pasternak. Lydia Pasternak Slater lived successively in Russia, Germany and England, and wrote in all three languages. Her poetry is largely lyrical, occasionally humorous and always original and striking. She also wrote a number of short stories and later in life became widely known as a translator of Boris Pasternak's poems. The anthology includes her critical articles about her brother's work and about the art of translation.

The first English translation of the oldest extant work in Apabhramsha, a literary language from medieval India, recounting the story of the Ramayana. The Life of Padma, or the Paumacariu, is a richly expressive Jain retelling in the Apabhramsha language of the famous Ramayana tale. The work was written by the poet and scholar Svayambhudeva, who lived in south India around the beginning of the tenth century. Like the epic tradition on which it is based, The Life of Padma narrates Prince Rama's exile, his search for his wife Sita after her abduction by King Ravana of Lanka, and the restoration of his kingship. The first volume of The Life of Padma begins by recounting the histories and noteworthy ancestors of Rama's allies and enemies, focusing on his antagonist, Ravana. Svayambhudeva connects central characters from the Ramayana tradition to one another and to Rishabha, the founding prophet of Jainism, in a complex web of family relations dating back generations. This is the first direct translation into English of the oldest extant work in Apabhramsha, accompanied by a corrected reprint in the Devanagari script of Harivallabh C. Bhayani's critical edition.

This study analyzes the indicative and subjunctive da-complements in the Serbian language while comparing and contrasting them with similar finite constructions in other Slavic and Balkan languages. In complex structures, semantic properties of the matrix verb, homophonous da, and aspectual and tense properties of the embedded verb all contribute to interpretations of the morphologically unmarked subjunctive and indicative moods in the Serbian language. Merging Giannakidou's theory of mood and veridicality with Progovac's clausal structure, the author suggests that the choice of the indicative or subjunctive complement determines negation interpretation and implies that clitics in Serbian are not always restricted to the second position.

In Poetics, Aristotle sets about laying the foundations of critical thought about the arts. One of the most influential books in Western civilization, Poetics reveals not only a great intellect analyzing the nature of poetry, music, and drama, but also a down-to-earth understanding of the practical problems facing the poet and playwright.

Voix et silence se considerent traditionnellement comme deux phenomenes opposes, s'excluant l'un l'autre. Les contributions contenues dans ce volume se proposent de depasser une telle conception, en se centrant non seulement sur la valeur et les fonctions que les deux concepts peuvent recouvrir, mais aussi sur la relation complexe qui existe entre eux en linguistique et en litterature. Outre les deux poles constitues par la voix et le silence, on peut reperer dans le domaine des langues romanes une grande variete de voix silencieuses ou de silences expressifs : la communication non verbale et son interaction avec le langage verbal, les differentes voix (plus ou moins silencieuses) donnant expression a ce qui ne peut pas etre dit, ou bien la representation graphique - et donc apparemment " muette " - d'un phenomene potentiellement acoustique. Le cri silencieux de Daphne, rendu visible dans la sculpture de Gian Lorenzo Bernini illustrant la couverture, est la manifestation figurative de cette rencontre oxymorique entre la voix et le silence.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. The Medicamina Faciei Femineae is a didactic elegy which showcases an early example of Ovid's trademark combination of a moralistic, instructive form and trivial subject and meter. Exploring female beauty and cosmetics, with particular emphasis on the concept of 'cultus', the poem also presents five practical recipes for cosmetic treatments used by Roman women. Covering both didactic parody and pharmacological reality, this deceptively complex poem possesses wit, vivacity and importance. The first full study devoted to this little-researched but multi-faceted poem, Ovid on Cosmetics includes an in-depth introduction which situates the poem within its literary heritage of didactic and elegiac poetry, its place in Ovid's oeuvre and its relevance to social values, personal aesthetics and attitudes to female beauty in Roman society. The Latin text is presented on parallel pages alongside a new literal and quality translation, and all Latin phrases are translated for the non-specialist reader. Detailed commentary notes elucidate the text and individual phrases still further.The volume also contains related passages with translations and commentaries from Ovid's Ars Amatoria 3.101-250, on dress, appearance and make-up, and Amores 1.114, on hair dye and resulting baldness.Ovid on Cosmetics presents and explicates this witty, subversive yet significant poem, as well as contextualises its importance for gender and sexuality studies, women's life in antiquity, eroticism, aesthetics and social attitudes to women and beauty in Ancient Rome.

Gustaw Herling's A World Apart is one of the most important books about Soviet camps and communist ideology in the Stalinist period. First published in English in 1951 and translated into many languages, it was relatively unknown till Solzhenitsyn's The Gulag Archipelago in the 1970s. However, the narrative of the author's experience in the Jertsevo gulag was highly appreciated by Bertrand Russell, Albert Camus, Jorge Semprun and others. In this first monograph on Herling's fascinating life, Bolecki discusses hitherto unknown documents from the writer's archive in Naples. His insight into the subject and poetics of Herling's book and the account of its remarkable reception offer readers an intriguing profile of one of the most compelling witnesses of the 20th century.

Dispelling widespread views that female same-sex desire is virtually absent from Italian literature and cultural production in the modern era, this groundbreaking study demonstrates that narratives of lesbianism are significantly more numerous than has been previously asserted. Focusing on texts published between 1860 and 1939, the author traces and analyses the evolution of discourses on female same-sex desire in and across a wide variety of genres, whether popular bestsellers, texts with limited distribution and subject to censorship, or translations from other languages. All the works are considered in relation to broader socio-cultural contexts. The analysis uncovers a plurality of different sources for these narratives of lesbianism and desire between women, showing how different layers of discourse emerge from or are reworked in and across several genres. From scientists who condemned the immoral and degenerate nature of "Sapphic" desire, to erotic publications that revelled in the pleasures of female same-sex intimacy, to portrayals of homoerotic desire by female writers that call (more or less obliquely) for its legitimization, these texts open up important new perspectives on discourses of sexuality in modern Italy.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

The Intellectual as a Detective: From Leonardo Sciascia to Roberto Saviano offers a fresh perspective on both Italian crime fiction and the role of the intellectual in Italian society. By analyzing the characterization of men of culture as investigators, this book addresses their social commitment in a period that goes from the Sixties to today. The connection it establishes between fiction and real life makes this book an interesting addition to the debate on crime literature and its social function in Italy. The detectives created by Sciascia, Eco, Pasolini, Saviano and other novelists foster a reflection on how the narrative aspect of characterization has been used in connection with a historical perspective. Thanks to its broad scope, not limited to a single author, this book can be studied in undergraduate and graduate classes on the Italian detective novel, and it can be a helpful resource for scholars interested in characterization and the transforming figure of the intellectual in Italian society.

The essays collected in this volume look at the way that Mozambican and Angolan literary works seek to narrate, re-create and make sense of the postcolonial nation. Some of the studies focus on individual works; others are comparative analyses of Angolan and Mozambican works, with a focus on the way they enter into dialogue with each other. The volume is oriented by three broad themes: the role of history; the recurring image of the voyage; and discursive/narrative strategies. The final section of the book considers the postcolonial in a broader Lusophone and international context.

Developments: Encounters of Formation in the Latin American and Hispanic/Latino Bildungsroman, a notable contribution for students and scholars of Latin American, Brazilian, Hispanic and Latino literature, explores a significant but overlooked area in the literary production of the twentieth century: the connections between development and the narrative of formation after World War II. Recognizing development as a discursive construction that shapes significantly modern national identity in Latin America, Alejandro Latinez argues that its ideals and narrative relate to the Bildungsroman genre - the narrative of formation or development. The study presents a historical background of similar ideals of development in Latin America as well as reflects on a seminal philosophical interplay about youth and modern national identity between the Mexican authors Samuel Ramos and Octavio Paz. Furthermore, it examines Mario Vargas Llosa's 1963 La ciudad y los perros, Jose Lezama Lima's 1966 Paradiso, a selection from Clarice Lispector's 1960 and 1964 short narratives, and Elena Poniatowska's 1971 testimony La noche de Tlatelolco. The narrative experience in the United States is analyzed in Sandra Cisnero's 1984 The House on Mango Street and Esmeralda Santiago's 1993 When I Was Puerto Rican.

Disabusing Women in the Old French Fabliaux provides a much-needed reevaluation of the role of women in the fabliaux. Spanning the late twelfth and thirteenth centuries, the fabliaux are short, ribald tales written in verse by mostly anonymous male authors. Their varied portrayals of female characters have traditionally been considered simply misogynistic. Despite recent scholarship contending that the fabliaux are not as anti-feminist as previously thought, there has been until now no full-length study of women in the fabliaux. Serving as critics of medieval institutions such as courtly love and knighthood, women in diverse roles affirm their agency as subjects through the manipulation of language. The depiction of these women asserting their subjectivity within medieval literary and cultural conventions often distorts the normal relations between the sexes, putting into question the very gender framework within which the fabliaux operate. Written by men for men, the closing moral frequently serves to reassert traditional male dominance, thereby reducing any uneasiness the audience may have felt. Thus the fabliaux cast women as powerful users of language all the while acknowledging the limits of their subversion.

The Spirit of Rome (1906) is a memoir by Vernon Lee. Published at the height of her career as a leading proponent of Aestheticism and scholar of the Italian Renaissance, The Spirit of Rome is a captivating meditation on the author's experiences in Rome. Raised in the city, she returns as an adult to find it as mysterious and magical as before, a place where any day could offer a chance to lose or discover oneself in history, art, or unrivalled beauty. A principled feminist and committed pacifist, Lee was virtually blacklisted by critics and publishers following her opposition to the First World War. Through the efforts of dedicated scholars, however, interest in her works has increased over the past several decades, granting her the readership she deserves as a master of literary horror. "I was brought up in Rome, from the age of twelve to that of seventeen, but did not return there for many years afterwards. I discovered it anew for myself, while knowing all its sites and its details; discovered, that is to say, its meaning to my thoughts and feelings." Vernon Lee's world is one where ghosts and humans walk together, often without taking notice of one another. Although she is more widely known for her stories of supernatural horror, Lee was also a gifted art historian and travel writer. In these diary entries written over the course of a decade, she returns to the city of Rome, where she spent the formative years of her youth. Walking through villas and the Vatican, standing on cobblestone streets or in the hollow expanse of the Pantheon, she discovers herself anew in the same ancient places, filled with the ghosts of lost friends and lovers, of the woman she was long ago. With a beautifully designed cover and professionally typeset manuscript, this edition of Vernon Lee's The Spirit of Rome is a classic work of British literature reimagined for modern readers.

The Plays of Aristophanes (425 BC-388 BC) is a collection of comedies by Athenian playwright Aristophanes. Noted for his exploration of fantasy, sexuality, and contemporary politics, Aristophanes was a leading figure in Old Attic Comedy whose award-winning plays continue to delight and inspire nearly 2,500 years after they were first performed. This collection includes some of his best-known work, showcasing his talent as an unmatched humorist and shrewd social commentator whose words drew ire from Athenian general Cleon, Socrates, and Plato. In The Clouds, an indebted Athenian aristocrat enters a philosophical school despite his advanced age in order to sharpen his argumentative skills. There, he learns the recent teachings of Socrates and gets a chance to meet the legendary figure himself. Despite his earnest desire for enlightenment, Strepsiades proves shockingly inept and is forced to beg his young son for help. The Birds follows a pair of middle-aged men on a walk through the wilderness, where they encounter a former king who has been transformed into a bird. When a group of enraged birds holds them captive, suspecting the men of ill-intent, the two devise a plan to inspire the birds to challenge the Olympians and assert their power in the universal order. In Lystistrata, the title heroine leads a courageous campaign to put an end to the brutal Peloponnesian War. Her bold plan involves encouraging women throughout the warring city states of Greece to withhold sex from men until the violence is stopped. The Plays of Aristophanes is an invaluable collection of comedies from a leading playwright of Ancient Greece, a man whose work has survived for centuries while inspiring countless writers, readers, and audiences around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Aristophanes' The Plays of Aristophanes is a classic of Ancient Greek literature reimagined for modern readers.

From the perspective of the townspeople and the queen, Clytemnestra, Agamemnon follows the emotional journey of grief, rage, and revenge. Agamemnon had dedicated much of his life to a war that his brother started. He vowed to do whatever it takes to win-committing war crimes and killing innocents. But, even in victory, Agamemnon feels unsatisfied and plagued by the bloodshed he caused. Because of this, he decides to perform a ritual to clear his conscience and regain the gods' approval. After he fought for ten years in the Trojan war, Clytemnestra eagerly awaited the return of her husband, King Agamemnon. However, upon his arrival, she learns that he has sacrificed one of her loved ones to the gods, in order to win their favor. Though Agamemnon expressed slight remorse, he felt resolute in his actions, as he viewed the sacrifice as a necessity. Already devastated, Clytemnestra is driven to pure rage when she finds that Agamemnon also brought back a "spoil of war", Cassandra, a Trojan princess and prophetess, who has been punished by the god Apollo for refusing his advances. Though she is able to see the future, she is cursed to be never believed. Considered as Agamemnon's war prize, Cassandra is trapped in the kingdom, especially hopeless when she receives a vision of unescapable doom. Meanwhile, as Clytemnestra settles in her grief and rage, she creates a plot for vengeance, and much like her husband at war, is unconcerned about any collateral damage. As the first installment of the sole surviving Greek trilogy, Agamemnon is both a stand-alone piece and a compliment to later plays. With symbolism and precise prose, Agamemnon by Aeschylus depicts the consequences of warfare-both abroad and domestic. Featuring strong, dynamic, and well-developed characters and an emotional, dramatic plot, Agamemnon is an enthralling perspective on the fates of famous heroes from Greek mythology. This edition of Aeschylus' acclaimed tragedy, Agamemnon features a new, eye-catching cover and is reprinted in a modern, readable font. With these accommodations, contemporary readers are encouraged to revisit this classic and enthralling tale of revenge.

Though it tells the stories of the defeated, Prometheus Bound and Other Plays features four tragedies that depict both unfortunate demises and the essence of the fighting human spirit. The Suppliants, the first play of the collection, follows the daughters of Danaus as they flee from the loveless marriages that had been forced upon them. The Persians, perhaps the oldest surviving play in existence, portrays the defeat of the Persian King Xeroxes. Though written by a Greek man who fought in the Persian war, The Persians displays a surprisingly sympathetic view of the opposing army. Next in the collection is Seven Against Thebes, which follows the battle between two brothers for the throne of Thebes. After the banishment of Oedipus, Eteocles and Adrastus, the two brothers, engaged in an epic war, fulfilling the tragic curse of the Oedipus family. The title tragedy in Prometheus Bound and Other Plays, Prometheus Bound, tells the tale of the downfall of the titian Prometheus. Before Prometheus, mankind had no advantage over the gods that ruled the heavens and Earth. Humans were forced to cower in the cold darkness, plagued by ignorance until Prometheus took pity on them. With heroic intentions, Prometheus stole fire and knowledge from Olympus and gave it to mankind. Though he brought light, warmth, and understanding to Earth, Zeus was outraged, and so began Prometheus' punishment. Featuring the oldest surviving play, legendary myths, epic battles, and humanist perspectives, Prometheus Bound and Other Plays by Aeschylus is a classic tragedy that exemplifies empathy and the human spirit even in its tales of defeat. Written by the father of tragedy, this collection is a privileged possession. This edition of Prometheus Bound and Other Plays by Aeschylus is now easier than ever to enjoy with a modern, readable font and a stunning new cover design. Witness a surprising triumph of spirit even in the face of failure with Prometheus Bound and Other Plays.