The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

Medieval liturgical practice both expressed and helped shape habits of thought and imagination in ways which were deep and far-reaching, encompassing embodied, lived experience and the most sophisticated theological thought. This book argues that Dante, in common with his contemporaries, saw the liturgical rituals of the Church as a mode of religious practice which manifested what he considered to be the central truths regarding the relationship between God, human beings, and the world. It also shows how Dante's Commedia engages with medieval understandings of the sacraments, an idea which has been largely neglected in studies of Dante. Seen in this way, the poet's engagement with liturgy is central to the daring and highly original poetic project of the Commedia, shaping its treatment of time, its engagement with theology, and its portrayal of the soul's awakening to the condition of creation itself.

"A Companion to Marcus Aurelius" presents the first comprehensive collection of essays to explore all essential facets relating to contemporary Marcus Aurelius studies.

- First collection of its kind to commission new state-of-the-art scholarship on Marcus Aurelius- Features readings that cover all aspects of Marcus Aurelius, including source material, biographical information, and writings- Contributions from an international cast of top Aurelius scholars- Addresses evolving aspects of the reception of the "Meditations"

Written in the twilight of the Roman Republic, the poetry of Gaius Valerius Catullus offers a delicious insight into the passions and gossip of high Roman society. From the poet and his friends to cultural and political titans, including Caesar, Cicero, and Pompey, his cutting, modern verse spares no-one. In this new translation by Daisy Dunn, author of Catullus' Bedspread, his obscene honesty, arrogant wit and surprising tenderness capture Roman society at their best. Most famous for his obsessive love lyrics for the married Lesbia, Catullus' words are an immortal expression of youth, rebellion and agonised love.

Cet ouvrage reunit une serie de travaux portant sur la prehistoire et la protohis-toire de la Grece et des regions avoisinantes. Presentes le temps d'une journee a l'Universite de Geneve, ils ont pour but d'illustrer toute la diversite des etudes egeennes, que ce soit sur le plan de la methode ou de l'etendue chronologique et geographique. Ils melent ainsi archeologie et philologie, dans un parcours qui va du Paleolithique au debut de l'Age du Fer et aborde Chypre, l'Anatolie ou encore l'Italie.

This is the OCR-endorsed edition covering the Latin AS and A-Level (Group 1) prescription of Cicero's pro Caelio, 51-58, 61-68, and the A-Level (Group 2) prescription of 33-50, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed material to be read in English for A Level. Pro Caelio is one of Cicero's finest and funniest speeches. In 56 BC, he defended Marcus Caelius Rufus who was being prosecuted on charges of violence, including the attempted poisoning of Roman noblewoman Clodia with whom Caelius previously had an affair. Cicero's primary tactic was to blacken the character and reliability of Clodia, whom he depicts as the woman scorned, prosecuting Caelius out of revenge. Drawing on characters well known from Roman comedy, Cicero casts Caelius as the decent young man victimized by the aggressive courtesan, thereby shaming Clodia and glossing over the more awkward charges levelled at his client. Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

Published in 1991 The Tragedye of Solyman and Perseda is a late Elizabethan romantic tragedy by Thomas Kyd, author of The Spanish Tragedy. It dramatises the triangular relationship of the Turkish emperor Soliman, his captive Perseda and her beloved Erastus against the fictionalised backdrop of the Turkish invasion of Rhodes in the early sixteenth century. This volume contains the original text along with textual and critical notes.

Published in 1995: These three 14th century medieval Greek romances, which are presented here for the first time in English translation, form part of a curious and previously neglected corner of literature.

This book fills a void in the field of pre-modern literature written in Persian. It is the first scholarly publication in English language on and around the poet Nizami Ganjavi written by important Western and Non-Western scholars, enriching the field with an awareness of their knowledge and research interests. The multidisciplinary volume initiates a much-needed dialogue it initiates a much-needed dialogue between the metropolitan and postcolonial academic points of view. By the example of Nizami's poems it shows how different academic circles interpret Medieval authors in relation to modern-day national identity and national cultures. Unlike in Europe and USA, in the USSR citizenship and ethnicity, like two modern official different criteria of identity, became a stumbling block in the division of cultural heritage of the past. Irredentism is a central topic in the post-Soviet Union world and gives a voice to the peripheral rather than to the metropolis with its colonial arguments. The richness and usefulness of this volume is that the contributions that take this innovative standpoint are put side by side with others, which remain within the traditional literary analysis and examine Nizami's creative thoughts on human, society, women, or justice.

Ovid has long been celebrated for the versatility of his poetic imagination, the diversity of his generic experimentation throughout his long career, and his intimate engagement with the Greco-Roman literary tradition that precedes him; but what of his engagement with the philosophical tradition? Ovid's close familiarity with philosophical ideas and with specific philosophical texts has long been recognized, perhaps most prominently in the Pythagorean, Platonic, Empedoclean, and Lucretian shades that have been seen to color his Metamorphoses. This philosophical component has often been perceived as a feature implicated in, and subordinate to, Ovid's larger literary agenda, both pre- and post-exilic; and because of the controlling influence conceded to that literary impulse, readings of the philosophical dimension have often focused on the perceived distortion, ironizing, or parodying of the philosophical sources and ideas on which Ovid draws, as if his literary orientation inevitably compromises or qualifies a "serious" philosophical commitment. Philosophy in Ovid, Ovid as Philosopher counters this tendency by considering Ovid's seriousness of engagement with, and his possible critique of, the philosophical writings that inform his works. The book also questions the feasibility of separating out the categories of the "philosophical" and the "literary" in the first place, and explores the ways in which Ovid may offer unusual, controversial, or provocative reactions to received philosophical ideas. Finally, it investigates the case to be made for viewing the Ovidian corpus not just as a body of writings that are often philosophically inflected, but also as texts that may themselves be read as philosophically adventurous and experimental. The essays collected in this volume are intended at the individual level to address in new ways many aspects of Ovid's recourse to philosophy across his corpus. Collectively, however, they are also designed to redress what, in general terms, remains a significant lacuna in Ovidian studies.

Tom Holland's 'stirring new translation' (Telegraph) of Herodotus' Histories, one of the great books in Western history - now in paperback The Histories of Herodotus, completed in the second half of the 5th century BC, is generally regarded as the first work of history and the first great masterpiece of non-fiction writing. Joined here are the sheer drama of Herodotus' narrative of the Persian invasions of Greece, and the endless curiosity - turning now to cannabis, now to the Pyramids - which make his book the source of so much of our knowledge of the ancient world. This absorbing new translation, by one of Britain's most admired young historians, allows all the drama and mysteriousness of this great book to be fully appreciated by modern readers. TOM HOLLAND is the author of Rubicon: The Triumph and Tragedy of the Roman Republic, which won the Hessell-Tiltman Prize for History and was shortlisted for the Samuel Johnson Prize. Persian Fire, his history of the Graeco-Persian wars, won the Anglo-Hellenic League's Runciman Award in 2006. His most recent book, In the Shadow of the Sword, describes the collapse of Roman and Persian power in the Near East, and the emergence of Islam. He has adapted Homer, Herodotus, Thucydides and Virgil for the BBC, and is the presenter of BBC Radio 4's Making History. In 2007, he was the winner of the Classical Association Prize awarded to 'the individual who has done most to promote the study of the language, literature and civilisation of Ancient Greece and Rome'. He served two years as the Chair of the Society of Authors 2009-11. PAUL CARTLEDGE is the inaugural A. G. Leventis Professor of Greek Culture at the University of Cambridge. His numerous books include Sparta and Lakonia: A Regional History 1300-362 BC; The Greeks: A Portrait of Self and Others; Thermopylae: The Battle That Changed the World; Ancient Greece. A Very Short Introduction; and After Thermopylae: The Oath of Plataea and the End of the Graeco-Persian Wars. He is an Honorary Citizen of Sparta, Greece and holds the Gold Cross of the Order of Honour conferred by the President of the Hellenic Republic. 'Unquestionably the best English translation of Herodotus to have appeared in the last half-century, and there have been quite a few . . . fast, funny, opinionated, clear and erudite . . . I am in awe of Tom Holland's achievement' Edith Hall, TLS 'A labour of love . . . full of rattling good yarns . . . the minister for education should present each of his cabinet colleagues with a copy of Holland's admirable translation' Economist 'Tom Holland has been captivated by Herodotus since he was a child. His pleasure shines through his relaxed, idiomatic, expansive and often dramatic translation ... He, like Herodotus, is a storyteller par excellence' Peter Jones, New Statesman

From the beginning, kings ruled Rome; Lucius Brutus established freedom and the consulship. So wrote the Roman historian Tacitus in the second century AD, but the view was orthodox. It is still widely accepted today. But how could the Romans of later times have possibly known anything about the origins of Rome, the rule and subsequent expulsion of their kings or the creation of the Republic when all those events took place centuries before anyone wrote any account of them? And just how useful are those later accounts, those few that happen to survive, when the Romans not only viewed the past in light of the present but also retold stories of past events in ways designed to meet contemporary needs? This book attempts to assess what the Romans wrote about the early development of their state. While it may not, in the end, be possible to say very much about archaic Rome, it is certainly possible to draw conclusions about later political ideas and their influence on what the Romans said about their past, about the writing of history at Rome and about the role that stories of past events could play even centuries later.