Epic and tragedy, from Homer's Achilles and Euripides' Pentheus to Marlowe's Tamburlaine and Milton's Satan, are filled with characters challenging and warring against the gods. Nowhere is the theme of theomachy more frequently and powerfully represented, however, than in the poetry of early imperial Rome, from Ovid's Metamorphoses at the beginning of the first century AD to Statius' Thebaid near its end. This book - the first full-length study of human-divine conflict in Roman literature - asks why the war against god was so important to the poets of the time and how this understudied period of literary history influenced a larger tradition in Western literature. Drawing on a variety of contexts - politics, religion, philosophy, and aesthetics - Pramit Chaudhuri argues for the fundamental importance of battles between humans and gods in representing the Roman world. A cast of tyrants, emperors, rebels, iconoclasts, philosophers, and ambitious poets brings to life some of the most extraordinary artistic products of classical antiquity. Based on close readings of the major extant epics and selected tragedies, the book replaces a traditionally Virgiliocentric view of imperial epic with a richer dialogue between Greek and Roman texts, contemporary authors, and diverse genres. The renewed sense of a tradition reveals how the conflicts these works represent constitute a distinctive theology informed by other discourses yet peculiar to epic and tragedy. Beginning with the Greek background and ending by looking ahead to developments in the Renaissance, this book charts the history of a theme that would find its richest expression in a time when men became gods and impiety threatened the very order of the world. Covering a wide range of literary and historical topics - from metapoetics to the sublime, from divination to Epicureanism, and from madness to apotheosis - the book will appeal to all readers interested in Latin literature, Roman cultural history, poetic theology, and the epic and tragic traditions from antiquity to modernity.

This book systematically depicts the theory of textual patterns (chengshi) of the eight-part essays and logic in ancient Chinese texts. With the rare materials, it covers all the basic and important aspects of the whole process and values of chengshi, such as the transformation of different parts and the coherent expression of the doctrines, the planning of writing, and the application to the aesthetic and pedagogic fields. It also explores the similarities and disparities of logical patterns between ancient Chinese and Western texts. Though entirely fresh and tentative, the contrastive studies get new insights into the logic and philosophical concepts hidden in the writings for better understanding of the uniqueness and richness implied in Chinese culture.

"Murderous Mothers is both an homage to and a critical reflection on the multiple Medea figures that populate late twentieth-century German literature. Claire Scott artfully demonstrates how feminist politics and women's issues - from abstract questions about the power of women's bodies and voices, to concrete matters like abortion and sexual violence - speak through this ancient myth, transforming it into something vital and urgent. Scott's own voice is crystal clear throughout, which allows the layers of productive critique to shine through. With its sophisticated literary analyses, its deep engagement with feminist and postcolonial theory, and its lucid and accessible style, Murderous Mothers will interest and provoke a range of readers and critics." (Kata Gellen, Duke University) "Murderous Mothers explores the ambiguities of literary Medea adaptations in beautifully written, engaging prose. For anyone interested in the aesthetics and politics of contemporary literature, this book offers brilliant examples of how literary adaptations of classical myths can contribute to contemporary political discourses on motherhood, reproductive rights, gender, and rage." (Maria Stehle, University of Tennessee, Knoxville) This book explores German-language Medea adaptations from the late twentieth century and their relationship to feminist theory and politics. Close readings of novels and plays by Ursula Haas, Christa Wolf, Dagmar Nick, Dea Loher, and Elfriede Jelinek reveal the promise and the pitfalls of using gendered depictions of violence to process inequity and oppression. The figure of Medea has been called many things: a witch, a barbarian, a monster, a goddess, a feminist heroine, a healer, and, finally, a murderous mother. This book considers Medea in all her complexity, thereby reframing our understanding of identity as it relates to feminism and to mythological storytelling. This book project was the Joint Winner of the 2020 Peter Lang Young Scholars Competition for German Studies in America.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

This is the OCR-endorsed edition covering the Greek GCSE set text prescriptions examined from 2025 to 2026. The texts covered are: Homer Iliad VI, lines 370-413 and 429-502 Herodotus Sections XIa (First Capture of Babylon), XII (Rebuff to Darius), XIII (The Babylonian Wife Market), XIVb (Megacles' marriage) Euripides Medea, lines 230-291 and 358-409 Xenophon The Persian Expedition, Chapter 8: The Battle of Cunaxa (omitting 8:8-10) The volume starts with an introduction to ancient Greek history and culture, which sets in context the passages for the exams and gives guidance on how to translate ancient Greek. The prescribed texts are set out in clear passages facing commentary notes, with further information on GCSE vocabulary and key terms as well as study questions. The full GCSE vocabulary is provided at the back of the book and a timeline, Who's Who, glossaries and map combine to give students a focused preparation for their exams. Supplementary resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

This is the Medea we have been waiting for. It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness. No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come. Arnson Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean.--David M. Schaps, Bryn Mawr Classical Review

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.