Muhammad ibn Habib (d. 860), a specialist in Arab history, tribal genealogy, and poetry, who lived in Baghdad, collected in his Prominent Murder Victims many stories of murderers and murder victims from the legendary pre-Islamic past, such as how Bilqis, the Arabic name for the Queen of Sheba, came to power, to the assassinations ordered by viziers or caliphs in the early Islamic centuries. A lengthy appendix deals with poets from pre- and early Islamic times who were killed. The stories are entertaining as well as informative. Strikingly, the author refrains from explicit moralising. The present book offers a richly annotated English translation together with an improved Arabic text and indexes of persons, places, and rhymes.

In The History of the Destruction of Troy, Dares the Phrygian boldly claimed to be an eyewitness to the Trojan War, while challenging the accounts of two of the ancient world's most canonical poets, Homer and Virgil. For over a millennium, Dares' work was circulated as the first pagan history. It promised facts and only facts about what really happened at Troy - precise casualty figures, no mention of mythical phenomena, and a claim that Troy fell when Aeneas and other Trojans betrayed their city and opened its gates to the Greeks. But for all its intrigue, the work was as fake as it was sensational. From the late antique encyclopedist Isidore of Seville to Thomas Jefferson, The First Pagan Historian offers the first comprehensive account of Dares' rise and fall as a reliable and canonical guide to the distant past. Along the way, it reconstructs the central role of forgery in longstanding debates over the nature of history, fiction, criticism, philology, and myth, from ancient Rome to the Enlightenment.

Find out what happened when King Midas was granted his wish, how Icarus flew too close to the sun, and relive the adventures of Jason and the Argonauts in these stories of love, betrayal, infatuation and punishment. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Greek myths have been part of Western culture since they were first set down by the ancients and, as there is no one definitive account, the stories have been ripe for reinterpretation through the centuries. Classicist and writer Jean Menzies has brought together fifteen retellings of famous myths from the likes of Andrew and Jean Lang, Nathaniel Hawthorne and Emilie Kip Baker, each chosen for its clarity and vivacity. The result? An enlightening and lively volume of stories and a treat for all fans of Greek mythology.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

This title presents an exploration of the life and philosophical reflections of this complex Stoic philosopher and Roman emperor. This book is a clear and concise introduction to the Roman Emperor Marcus Aurelius Antoninus. His one major surviving work, often titled 'meditations' but literally translated simply as 'to himself', is a series of short, sometimes enigmatic reflections divided seemingly arbitrarily into twelve books and apparently written only to be read by him. For these reasons Marcus is a particularly difficult thinker to understand. His musings, framed as 'notes to self' or 'memoranda', are the exhortations of an earnest, conscientious Stoic burdened with the onerous responsibilities of ruling an entire empire. William O. Stephens lucidly sketches Marcus Aurelius' upbringing, family relations, rise to the throne, military campaigns, and legacy, situating his philosophy amidst his life and times, explicating the factors shaping Marcus' philosophy, and clarifying key themes in the Memoranda. Specifically designed to meet the needs of students seeking a thorough understanding of this key figure and his major work, "Marcus Aurelius: A Guide for the Perplexed" is the ideal guide for understanding this Stoic author - the only philosopher who was also an emperor. "Continuum's Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or indeed downright bewildering. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material.

The Great Doctrines of The Bible is William Evans' account of the Bible's teachings, lauded for its clarity of tone, accuracy and close quotation of the Biblical scriptures. A superb companion to Bible studies or for general reference, William Evans offers readers clear and well-written explanations of Biblical doctrines. Each major tenet of the Christian doctrine receives a chapter, allowing the reader to distinguish, understand, and receive clarity from each component of the faith. Long featured in Bible colleges and religious studies courses, William Evans' excellent book is populated by direct quotations of scripture that support each point made. Not only are we given a simple overview of the doctrines, we also receive an in-depth, point by point examination of the finer aspects, that we know what each entails for believers.

Consensus holds that Lucretius admired the literary prestige of Homeric epos, the form that Ennius famously introduced to Latin literature. However, some hold that Lucretius disagreed with Ennius' quasi-Pythagorean claim to be Homer reborn, and so uniquely qualified to adapt Homeric poetry to the Latin language. Likewise, received wisdom holds that Lucretius followed in the path of poets writing in the wake of Ennius' Annales, most of whom employed an Ennian style. However, throughout the De Rerum Natura, Lucretius' use of Ennius' Annales as a formal model for a long discursive poem in epic meter was neither inevitable nor predictable, on the one hand, nor meaningful in the simple way that critical consensus has always maintained. Jason Nethercut posits that Lucretius selected Ennius as a model precisely to dismantle the values for which he claimed Ennius stood, including the importance of history as a poetic subject and Rome's historical achievement in particular. As the first book to offer substantial analysis of the relationship between two of the ancient world's most impactful poets, Ennius Noster: Lucretius and the Annales fills an important gap not only in Lucretian scholarship, but also in our understanding of Latin literary history.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Aristophanes (ca. 446 BCE-ca. 386 BCE) was a comic playwright of ancient Athens. This collection includes Lysistrata, The Archanians, The Birds, and The Clouds.

Gothic literature imagines the return of ghosts from the past. But what about the ghosts of the classical past? Spectres of Antiquity is the first full-length study to describe the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth centuries. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity. The Gothic reflects a new and darker vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting contemporary minds rather than guiding them. Through readings of works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, Charles Brockden Brown, and Mary Shelley, Spectres of Antiquity argues that these authors' plots and ideas preserve the remembered traces of Greece and Rome. James Uden provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and he offers an accessible guide both to the Gothic genre and to the classical world to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than has previously been assumed.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. The Medicamina Faciei Femineae is a didactic elegy which showcases an early example of Ovid's trademark combination of a moralistic, instructive form and trivial subject and meter. Exploring female beauty and cosmetics, with particular emphasis on the concept of 'cultus', the poem also presents five practical recipes for cosmetic treatments used by Roman women. Covering both didactic parody and pharmacological reality, this deceptively complex poem possesses wit, vivacity and importance. The first full study devoted to this little-researched but multi-faceted poem, Ovid on Cosmetics includes an in-depth introduction which situates the poem within its literary heritage of didactic and elegiac poetry, its place in Ovid's oeuvre and its relevance to social values, personal aesthetics and attitudes to female beauty in Roman society. The Latin text is presented on parallel pages alongside a new literal and quality translation, and all Latin phrases are translated for the non-specialist reader. Detailed commentary notes elucidate the text and individual phrases still further.The volume also contains related passages with translations and commentaries from Ovid's Ars Amatoria 3.101-250, on dress, appearance and make-up, and Amores 1.114, on hair dye and resulting baldness.Ovid on Cosmetics presents and explicates this witty, subversive yet significant poem, as well as contextualises its importance for gender and sexuality studies, women's life in antiquity, eroticism, aesthetics and social attitudes to women and beauty in Ancient Rome.

The Anonymous Old English Homily: Sources, Composition, and Variation offers important essays on the origins, textual transmission, and (re)use of early English preaching texts between the ninth and the late twelfth centuries. Associated with the Electronic Corpus of Anonymous Homilies in Old English project, these studies provide fresh insights into one of the most complex textual genres of early medieval literature. Contributions deal with the definition of the anonymous homiletic corpus in Old English, the history of scholarship on its Latin sources, and the important unedited Pembroke and Angers Latin homiliaries. They also include new source and manuscript identifications, and in-depth studies of a number of popular Old English homilies, their themes, revisions, and textual relations. Contributors are: Aidan Conti, Robert Getz, Thomas N. Hall, Susan Irvine, Esther Lemmerz, Stephen Pelle, Thijs Porck, Winfried Rudolf, Donald G. Scragg, Robert K. Upchurch, Jonathan Wilcox, Charles D. Wright, Samantha Zacher. See inside the book.