The newest deluxe edition in the bestselling Capstone Classics Series

This ancient classic has had a make-over. In recent years these Capstone Classic deluxe editions have caught the book buying public's imagination. The volumes of international bestsellers such as Think and Grow Rich and The Art of War have quickly become the market leaders. Now Plato's best known work, one of the most intellectually and historically influential works of philosophy and political theory, has been brought to life in this luxury, hardback, keep-sake edition.

This edition includes: Plato's plans for a perfect society characterised by a blend of wisdom, courage, self-discipline and justiceLessons to learn about living according to eternal truths, instead of existing simply for survival and pleasureA new introduction by Tom Butler Bowdon, the classic personal development expert

This is the OCR-endorsed edition covering the Latin AS and A-Level (Group 3) prescription of Virgil's Aeneid Book 2, lines 40-249 and the A-Level (Group 4) prescription of Book 2, lines 268-317, 370-558, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed material to be read in English for A Level. Book II of Virgil's Aeneid is the story of how Troy fell and how Aeneas escaped with his family and his city's gods. It is a narrative relayed in retrospect by Aeneas as a refugee at the court of Queen Dido in Carthage, and the OCR selection covers the book's first two thirds: the Wooden Horse episode, and the chaos which ensues - including the dramatic murder of King Priam. Virgil depicts war in all its ugly complexity, and Aeneas' response to this - as combatant in Troy, as exile in Carthage - is central to the poem's early exposition. Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

Adespota Papyracea Hexametra Graeca provides a comprehensive corpus of 'anonymous' hexameter texts on papyri, parchments, ostraca and tablets that have appeared in the current and past two centuries. The project has three main objectives: i) to retrieve and determine how many and what type of unidentified hexameter poems reached us via Egyptian papyri; ii) to restore a readable and reliable text for these poems, providing straightforward access to material that has been hard-to-reach in print format, is still unavailable online, or has not been previously translated into English or any other modern language; iii) to discuss, insofar as the fragmentary state of the evidence allows, issues of style, metre, and attribution. Overall, it aspires to serve as a fresh and solid starting-point for future assessment of Greek poetry in Egypt from the Archaic period to Late Antiquity. This first volume of papyrus adespota contains: i) a catalogue of hexameter adespota, and ii) critical editions with English translation and commentary of: cosmologies and foundation poems (no. 01-06), astronomical and astrological texts (07-12), didactic and technical poetry (13-16), hymns (17-32), fragments of erotic content (33-38); epithalamia (39-43); and two hexameter anthologies, the Goodspeed papyrus (44) and the so-called Pamprepius codex (45). Future volumes will contain: Encomia and Lamentations (46-67); Bucolic (68-71), and Epic poetry (72-144); assemblages of Homeric verses (145-154); magical verses (155-166); oracles (167-169); fragments of uncertain genre or content (170-204); hexameter quotes from grammatical papyri and ancient commentaries (205-216); (217-219); gnomic hexameters (220-221); pangrams (222-235); texts copied or produced within a school context (236-242).

Translated by George Chapman, with Introductions by Jan Parker. Hector bidding farewell to his wife and baby son, Odysseus bound to the mast listening to the Sirens, Penelope at the loom, Achilles dragging Hector's body round the walls of Troy - scenes from Homer have been reportrayed in every generation. The questions about mortality and identity that Homer's heroes ask, the bonds of love, respect and fellowship that motivate them, have gripped audiences for three millennia. Chapman's Iliad and Odyssey are great English epic poems, but they are also two of the liveliest and readable translations of Homer. Chapman's freshness makes the everyday world of nature and the craftsman as vivid as the battlefield and Mount Olympus. His poetry is driven by the excitement of the Renaissance discovery of classical civilisation as at once vital and distant, and is enriched by the perspectives of humanist thought.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

An epic tale of a glory rediscovered in ancient Egypt, has been brought vividly to life by bringing it down to a raw, human scale for the stage. The struggle of the ruling class of the Eighteenth Dynasty pitted against an occupying force, is told in grand scale in The New Kingdom, a new play from Emmanuel Paul.

It is 1540 BC and Egypt is divided. In the years following the invasion of the Hyksos, a band of nomadic warriors with a base in Palestine, nothing is certain. The Pharoahs have been displaced to Thebes from their once impregnable capital in Avaris and for more than a century the Hyksos now control the north of Egypt. Decades of war are replaced by decades of peace, and the people are weary.

The Thebans have rested all hope for the restoration of their former power on the narrow shoulders of the young Ahmosis, who has seen his father and brother murdered by their enemies. The young pharaoh now shares power with his mother Aahotep, who will stop at nothing to see her surviving son grow into a great leader.

Under his rule, Egypt will finally be freed from its invaders and become united again. Ahmosis must now fight a growing religious uprising if he hopes to bring Kush the glory it once knew and bringabout an era of unequaled prosperity and peace.

Composed towards the end of the first century CE, Statius' Thebaid relates the myth of the 'Seven against Thebes': the assault of the seven champions of Argos on the ancient city in a bid to oust Eteocles, son of Oedipus, from his throne in favour of his brother, Polynices. Book 2 presents several key events in the build-up to the Theban war: Eteocles' haunting by the ghost of his grandfather Laius, the ill-omened weddings of Polynices and his ally Tydeus to the princesses of Argos, and Tydeus' failed embassy to Eteocles, leading to his famed victory over a Theban ambush. This volume represents the first full-length scholarly commentary in English on Book 2 of the twelve-book Latin epic, greatly expanding on and updating Mulder's 1954 Latin language commentary. An extensive introduction covers the poem's historical, textual, and literary contexts, with particular attention to Statius' adaptation of prior literary tradition and especially the epics of Homer, Virgil, Ovid, Lucan, Valerius Flaccus, and Silius Italicus. The Latin text, accompanied by a clear translation and apparatus criticus, is newly edited to take advantage of the recent detailed editorial work on the poem by Hall, Ritchie, and Edwards and is supplemented by a comprehensive and incisive line-by-line commentary which addresses a range of textual, linguistic, and literary topics. The result is a keenly focused yet accessible critical edition that will be of interest both to specialist scholars of Latin poetry and to advanced graduate students studying Flavian epic.

One of the three most important medical herbals composed in Middle English, both in terms of physical length and for the number of species treated, and regularly quoted not only by the editors of the Oxford English Dictionary or the Middle English Dictionary but also by historians of Natural Sciences in Britain since the 1700s, a printed version of the treatise compiled in 1373 by the otherwise unknown Herefordian schoolmaster John Lelamour was surprisingly not yet available to the general public. The present volume fills this gap by offering a critical edition of the text contained in the sole extant copy, together with a detailed introduction discussing such topics as authorship and Quellenforschung, the dialect of the text, or the history of the manuscript; a large collection of explanatory notes which throw light on the textual transmission of the text, translation and copy mistakes, identification of parallel passages, and species identification; a full glosary, and two appendixes, one with the current botanical names of the plants mentioned in the text, and another crossreferencing diseases to the lines in the edition where these appear.

Meric Casaubon's famous 1634 translation of Meditations was the first English version of the Stoic masterwork to be reprinted many times because of its widespread popularity. The Shakespearean language has been called difficult by modern standards but the poetic Elizabethan prose greatly enhances this deeply spiritual work. Aurelius is no less eloquent or articulate than in later versions and the power of his thoughts and ideas are beautifully conveyed.

This new comparative reading of Euripides' Bacchae and Aristophanes' Frogs sets the two plays squarely in their contemporary social and political context and explores their impact on the audiences of the time. Both were composed during a crucial period of Athenian political life following the oligarchic seizure of power in 411 BC and the restoration of democracy in 410 BC, and were in all likelihood produced nearly simultaneously a few months before the rise of the Thirty Tyrants and the ensuing civil war. They also demonstrate significant similarities that are particularly notable among extant Attic theatre productions, including the role of the god Dionysos as protagonist and architect of religious and political action, and the presence of Demetrian and Dionysiac mystic choruses as proponents of the appeasement of civil discord as the cure for Athens' ills. Focusing on the mystic, civic and political content of both Bacchae and Frogs, this volume offers not only a new reading of the plays, but also an interdisciplinary perspective on the special characteristics of mystery cults in Athens in their political context and the nature of theatrical audiences and their reaction to mystic themes. Its illumination of the function of each play at a pivotal moment in fifth-century Athenian politics will be of value to scholars and students of ancient Greek drama, religion and history.

This volume offers a full analysis of one of the more intriguing works by a figure who is central to our understanding of Late Antiquity and early Christianity: the translator, exegete, and controversialist Jerome (c.347-419/20AD). The neglected text of the Vita Malchi - or, to use Jerome's title, the Captive Monk - recounts the experiences of Malchus, a monk abducted by nomadic Saracens on the Eastern fringe of the fourth-century Roman Empire, in what today is the border region between southern Turkey and Syria. Most of this short, vivid, and fast-paced narrative is recounted by Malchus in the first person. The volume's introduction provides background information on the author, Jerome, and the historical and linguistic context of the Life, as well as detailed discussion of the work's style and its reception of earlier Christian and classical literature, ranging from its relationship with comedy, epic, and the ancient novel to the Apocryphal Apostolic Acts and martyr narratives. An exposition of the manuscript evidence is then followed by a new edition of the Latin text with an English translation, and a comprehensive commentary. The commentary explores the complex intertextuality of the work and provides readers with an understanding of its background, originality, and significance; it elucidates not only literary and philological questions but also points of ethnography and topography, and intellectual and social history.

Consensus holds that Lucretius admired the literary prestige of Homeric epos, the form that Ennius famously introduced to Latin literature. However, some hold that Lucretius disagreed with Ennius' quasi-Pythagorean claim to be Homer reborn, and so uniquely qualified to adapt Homeric poetry to the Latin language. Likewise, received wisdom holds that Lucretius followed in the path of poets writing in the wake of Ennius' Annales, most of whom employed an Ennian style. However, throughout the De Rerum Natura, Lucretius' use of Ennius' Annales as a formal model for a long discursive poem in epic meter was neither inevitable nor predictable, on the one hand, nor meaningful in the simple way that critical consensus has always maintained. Jason Nethercut posits that Lucretius selected Ennius as a model precisely to dismantle the values for which he claimed Ennius stood, including the importance of history as a poetic subject and Rome's historical achievement in particular. As the first book to offer substantial analysis of the relationship between two of the ancient world's most impactful poets, Ennius Noster: Lucretius and the Annales fills an important gap not only in Lucretian scholarship, but also in our understanding of Latin literary history.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Feminist theory on motherhood has successfully transformed mothers into subjects of their own discourse, recognized the historical, heterogeneous and socially constructed origins of their life experience while, at the same time, widening our understanding of the notion of mothering. This collection combines a literary and a wider cultural perspective from which to look at the topic of the representation of other or forgotten motherhoods. Mothers who have been forced to live exiled and away from their children, women who after trying to conceive, get pregnant but discover they cannot bear to become mothers, or even literary characters based on an autobiographical experience of a sexually abusive mother. The essays critically point out how writing becomes a tool to think and write about the many aspects of motherhood such as an idealized maternal experience versus the real one or the accepted stereotypes of the good mother and the bad mother.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Drama Classics: The World's Great Plays at a Great Little Price Aeschylus' great trilogy of Greek tragedies about the end of the curse on the House of Atreus, The Oresteia comprises Agamemnon, Choephori (Libation-Bearers) and Eumenides (The Furies). A fourth play, Proteus, originally formed part of a tetralogy, but has not survived. The trilogy was first performed at the Dionysia festival in Athens in 458 BC, where it won first prize. This English version of The Oresteia, in the Nick Hern Books Drama Classics series, is translated and introduced by Marianne McDonald and J. Michael Walton.