Experiment and Experience is a collection of critical essays on twenty-first-century women-authored literature in France. In particular, the volume focuses on how contemporary women's writing engages creatively with socio-political issues and real-life experiences. Authors covered include well-established names, the 'new generation' of writers who first came to the fore of the French literary scene in the 1990s and whose work has now matured into an important oeuvre, as well as new emerging writers of the 2000s, whose work is already attracting scholarly and critical attention. Within the overarching theme of 'experiment and experience', the contributors explore a range of issues: identities, family relations, violence, borders and limits, and the environment. They consider fiction, autobiography, writing for the theatre, autofiction and other hybrid genres and forms. Their analyses highlight difficult issues, refreshing perspectives and exciting new themes at the start of the new millennium and moving forward into the coming decades.

A Literary Map of Spain in the 21st Century is a unique scholarly publication that participates in the debates of literary researchers by exploring the linguistic and literary map of Spain in the twenty-first century. Each chapter is centered in a particular cultural and linguistic area of Spain; and there the study extrapolates to other regions of interest. This book covers all or at least most of the sociolinguistic and literary environments of Spain. It is a comprehensive study of the new trends and attitudes towards linguistic and literary coexistence in a linguistically diverse nation. By painting a panoramic retrospective view of the evolution of this coexistence during the twenty-first century, Graciela Susana Boruszko brings new light to the current global scenario. The comparative approach of the study constitutes an excellent scholar contribution to the field of comparative literature and linguistics, Spanish linguistics, and Spanish cultural studies. While being centered in literary and linguistic analysis, this book will also appeal to scholars in adjacent academic fields, such as political science, sociology, sociolinguistics, ethnolinguistics, psycholinguistics, contemporary history, social studies, cultural studies, intercultural studies, gender studies, and European studies.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

The book offers a view of national self-identification in the literary culture of twentieth century Romania with a special focus on the postcolonial paradigm. Romanian identity narratives downplay the colonial setup of the country's past and the colonial past goes unmentioned in the country's historiography and popular culture. However, the postcolonial paradigm helps readers grasp national self-identification in modern Romanian culture. The author analyses how Anglo-American reporting on interwar Romania and later Romanian historical fiction establish notions such as hybridity and cultural overlap as conducive to the making of modern Romanian culture.

Published in 1991 The Tragedye of Solyman and Perseda is a late Elizabethan romantic tragedy by Thomas Kyd, author of The Spanish Tragedy. It dramatises the triangular relationship of the Turkish emperor Soliman, his captive Perseda and her beloved Erastus against the fictionalised backdrop of the Turkish invasion of Rhodes in the early sixteenth century. This volume contains the original text along with textual and critical notes.

Gathering together over 60 new and revised discussions of textual issues, this volume represents notorious problems in well-known texts from the classical era by authors including Horace, Ennius, and Vergil. A follow-up to Vegiliana: Critical Studies on the Texts of Publius Vergilius Maro (2017), the volume includes major contributions to the discussion of Horace's Carmen IV 8 and IV 12, along with studies on Catullus Carmen 67 and Hadrian's Animula vagula, as well as a new contribution on Livy's text at IV 20 in connection with Cossus's spolia opima, and on Vergil's Aeneid 3. 147-152 and 11. 151-153. On Ennius, the author presents several new ideas on Ann. 42 Sk. and 220-22l, and in editing Horace, he suggests new principles for the critical apparatus and tries to find a balance by weighing both sides in several studies, comparing a conservative and a radical approach. Critica will be an important resource for students and scholars of Latin language and literature.

Les dix-sept regards sur les " spectateurs " reunis dans le present volume s'inscrivent dans un projet de recherche de longue haleine sur l'essai periodique en Europe. Le recueil prolonge la publication de plusieurs volumes dans notre collection sur les " Lumieres " et la mise en place d'une base de donnees, tous consacres aux " spectateurs " de langues romanes. A la difference de ces derniers, il envisage cependant non seulement les " spectateurs " francais, italiens ou espagnols mais aussi des periodiques anglophones, russes ou germanophones. En elargissant ainsi la perspective, cet ouvrage espere mieux prendre en compte le rayonnement des " spectateurs " a l'echelle mondiale. Et il tente en particulier de donner quelques elements de reponse a une question essentielle : quelles sont les raisons qui ont permis a ces journaux, un siecle durant, et d'un bout du monde a l'autre, de connaitre un succes sans precedent dans l'histoire de la presse litteraire ? Ce livre contient des contributions en francais, allemand, italien, espagnol et anglais.

Ovid has long been celebrated for the versatility of his poetic imagination, the diversity of his generic experimentation throughout his long career, and his intimate engagement with the Greco-Roman literary tradition that precedes him; but what of his engagement with the philosophical tradition? Ovid's close familiarity with philosophical ideas and with specific philosophical texts has long been recognized, perhaps most prominently in the Pythagorean, Platonic, Empedoclean, and Lucretian shades that have been seen to color his Metamorphoses. This philosophical component has often been perceived as a feature implicated in, and subordinate to, Ovid's larger literary agenda, both pre- and post-exilic; and because of the controlling influence conceded to that literary impulse, readings of the philosophical dimension have often focused on the perceived distortion, ironizing, or parodying of the philosophical sources and ideas on which Ovid draws, as if his literary orientation inevitably compromises or qualifies a "serious" philosophical commitment. Philosophy in Ovid, Ovid as Philosopher counters this tendency by considering Ovid's seriousness of engagement with, and his possible critique of, the philosophical writings that inform his works. The book also questions the feasibility of separating out the categories of the "philosophical" and the "literary" in the first place, and explores the ways in which Ovid may offer unusual, controversial, or provocative reactions to received philosophical ideas. Finally, it investigates the case to be made for viewing the Ovidian corpus not just as a body of writings that are often philosophically inflected, but also as texts that may themselves be read as philosophically adventurous and experimental. The essays collected in this volume are intended at the individual level to address in new ways many aspects of Ovid's recourse to philosophy across his corpus. Collectively, however, they are also designed to redress what, in general terms, remains a significant lacuna in Ovidian studies.

(Re)Considering Blackness in Contemporary Afro-Brazilian (Con)Texts critically interrogates the issue of Blackness in Brazil under the lens of cultural studies - broadly defined to include utterances on transnationalism and cosmopolitanism. From a multidisciplinary perspective, this collection of scholarly articles queries the notions of national and racial identity and ambivalence, through critical analysis of contemporary (mid-twentieth century to the present) Brazilian cultural materiality, including literature, religion, film/video and theatrical production, and cultural anthropological manifestations. The book's purpose is to understand how multiethnic nations, such as Brazil, negotiate issues of Blackness in contemporary contexts. All of the contributing authors are leading Brazilian scholars in the areas of race, gender, theatre, music, literature, film, and religion studies. By concentrating on how these disciplines and ideologies relate to matters concerning Blackness in the construction of identities in Brazil, this book will be of significant value to scholars in the areas of Brazilian studies, Latin American studies, interdisciplinary studies, cultural studies, and African Diaspora studies.

This book covers the history of Polish cinema from 1989 up to the present in a broad political and cultural context, looking at both the film industry and film artistry. It considers the main ideas behind the institutional changes in the Polish film industry after the collapse of communism and assesses how these ideas were implemented. In discussing artistry, the focus is on the genres which dominated the Polish cinematic landscape after 1989 and the most important directors.

The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.

Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.

Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.