This book explores the concept of displacement in the fiction produced by the Chilean writer Isabel Allende between 1982 and 2000. Displacement, understood in the author's analysis to encompass social, geographical, linguistic and cultural phenomena, is argued to play a consistently central role in Allende's fictional output of this period. Close readings of Allende's texts illustrate the abiding importance of displacement and reconcile two apparently contradictory trends in her writing: as the settings of her fiction have become more international, questions of individual identity have gained in importance. This discussion employs displacement as a means of engaging with critical debates both on Allende's individual texts and on her status as an original writer. After examining in detail the seven works of fiction written by Allende during this period, the book concludes with reflections on the general trajectory of her work in this genre.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

The first time that Nietzsche crossed the path of Dostoevsky was in the winter of 1886-87. While in Nice, Nietzsche discovered in a bookshop the volume L'esprit souterrain. Two years later, he defined Dostoevsky as the only psychologist from whom he had anything to learn. The second, metaphorical encounter between Nietzsche and Dostoevsky happened on the verge of nihilism. Nietzsche announced the death of God, whereas Dostoevsky warned against the danger of atheism. This book describes the double encounter between Nietzsche and Dostoevsky. Following the chronological thread offered by Nietzsche's correspondence, the author provides a detailed analysis of Nietzsche's engagement with Dostoevsky from the very beginning of his discovery to the last days before his mental breakdown. The second part of this book aims to dismiss the wide-spread and stereotypical reading according to which Dostoevsky foretold and criticized in his major novels some of Nietzsche's most dangerous and nihilistic theories. In order to reject such reading, the author focuses on the following moral dilemma: If God does not exist, is everything permitted?

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

For anyone approaching the Encheiridion of Epictetus for the first time, this book provides a comprehensive guide to understanding a complex philosophical text. Including a full translation and clear explanatory commentaries, Epictetus’s ‘Encheiridion’ introduces readers to a hugely influential work of Stoic philosophy. Scott Aikin and William O. Stephens unravel the core themes of Stoic ethics found within this ancient handbook. Focusing on the core themes of self-control, seeing things as they are, living according to nature, owning one’s roles and fulfilling the responsibilities that those roles entail, the authors elucidate the extremely challenging ideas in Epictetus’s brisk chapters. Divided into five distinct parts, this book provides readers with: - A new translation of the Encheiridion by William O. Stephens. - A new introduction to ancient Stoicism, its system of concepts, and the ancient figures who shaped it. - A fresh treatment of the notorious and counter-intuitive ‘Stoic paradoxes’. - An accessible overview of the origin and historical context of the Encheiridion. - Detailed commentaries on each chapter of the Encheiridion that clarify its recurring themes and highlight their interconnections. - Careful attention to the presentation of the arguments embedded in Epictetus’s aphoristic style. - A thoughtful discussion of serious criticisms of Epictetus’s Stoicism and replies to these objections. Written with clarity and authority, Epictetus’s ‘Encheiridion’ provides a foundation from which readers can understand this important text and engage with the fundamental questions of Stoic philosophy and ethics. This guide will aid teachers of Epictetus, students encountering Stoicism for the first time, and readers seeking a greater understanding of Stoic ethics.

The end of the twentieth century witnessed a « boom in the production, publication, readership, and scholarship of women's writing from Latin America. In fact, the emergence of women writers is perhaps the most significant phenomenon of the « post-boom« period of Latin American literary history, a phenomenon that has been influenced in turn by the burgeoning development of a number of women's movements on the continent. Within this « boom« , the short story has become an increasingly popular genre amongst women writers. This book considers the location(s) of four major women writers - Cristina Peri Rossi, Rosario Ferre, Albalucia Angel, and Isabel Allende - and their short fiction within these changing literary and social contexts. Combining close textual analysis of their fiction with a consideration of the social, historical, and geographical contexts of literary production, this book is essential reading for students and scholars in Latin American studies, women's studies, and comparative literature.

From the beginning, kings ruled Rome; Lucius Brutus established freedom and the consulship. So wrote the Roman historian Tacitus in the second century AD, but the view was orthodox. It is still widely accepted today. But how could the Romans of later times have possibly known anything about the origins of Rome, the rule and subsequent expulsion of their kings or the creation of the Republic when all those events took place centuries before anyone wrote any account of them? And just how useful are those later accounts, those few that happen to survive, when the Romans not only viewed the past in light of the present but also retold stories of past events in ways designed to meet contemporary needs? This book attempts to assess what the Romans wrote about the early development of their state. While it may not, in the end, be possible to say very much about archaic Rome, it is certainly possible to draw conclusions about later political ideas and their influence on what the Romans said about their past, about the writing of history at Rome and about the role that stories of past events could play even centuries later.

Compiled by a team of experts in the field, this volume brings to view an array of Latin texts produced in British universities from c.1500 to 1700. It includes a comprehensive introduction to the production of Neo-Latin and Neo-Greek in the early modern university, the precise circumstances and broader environments that gave rise to it, plus an associated bibliography. 12 high-quality sections, each prefaced by its own short introduction, set forth the Latin (and occasionally Greek) texts and accompanying English translations and notes. Each section provides focused orientation and is arranged in such a way as to ensure the volume's accessibility to scholars and students at all levels of familiarity with Neo-Latin. Passages are taken from documents that were composed in seats of learning across the British Isles, in Oxford, Cambridge, Dublin, Edinburgh and St Andrews, and adduce a wide range of material from orations and disputational theses to collections of occasional verse, correspondence, notebooks and university drama. This anthology as a whole conveys a sense of the extent of Latin's role in the academy and the span of remits in which it was deployed. Far from simply offering a snapshot of discrete projects, the contributions collectively offer insights into the broader culture of the early modern university over an extended period. They engage with the administrative operations of institutions, pedagogical processes and academic approaches, but also high-level disputes and the universities' relationship with the worlds of politics, new science and intellectual developments elsewhere in Europe.

In its first edition, this book was a new opening in the study of the Arabian Nights as an index of literary taste, a case study for the engagements of poets and writers, along with the common reading public, with an art that took Europe by surprise, and forced new patterns of response and writing. Borges thought of its advent as a dynamic that helped generate the romantic mode and sensibility. It certainly disturbed old habits of thought and made significant cultural inroads throughout European cultures. Almost no one in 18th-19th century literatures remained oblivious to that sweeping phenomenal appearance. The book analyzes and studies modes and patterns of reading, response, engagement, commentary, translations, claims to authentication, abridgements, and illustrations. It focuses on debates and controversies around the Arabian Nights, and shows how these happened to be at the center of a growing colonial culture. This book can never lose its significance for students, scholars, and general readership, not only in the field of comparative and cultural studies, English and French departments, but also in postcolonial studies and the basics of narrative and narratology.

Cet ouvrage reunit une serie de travaux portant sur la prehistoire et la protohis-toire de la Grece et des regions avoisinantes. Presentes le temps d'une journee a l'Universite de Geneve, ils ont pour but d'illustrer toute la diversite des etudes egeennes, que ce soit sur le plan de la methode ou de l'etendue chronologique et geographique. Ils melent ainsi archeologie et philologie, dans un parcours qui va du Paleolithique au debut de l'Age du Fer et aborde Chypre, l'Anatolie ou encore l'Italie.

Cicero's Brutus and Orator constitute his final major statements on the history of Roman oratory and the nature of the ideal orator. In the Brutus he traces the development of political and judicial speech over the span of 150 years, from the early second century to 46 BCE, when both of these treatises were written. In an immensely detailed account of some 200 speakers from the past he dispenses an expert's praise and criticism, provides an unparalleled resource for the study of Roman rhetoric, and engages delicately with the fraught political circumstances of the day, when the dominance of Julius Caesar was assured and the future of Rome's political institutions was thrown into question. The Orator written several months later, describes the form of oratory that Cicero most admired, even though he insists that neither he nor any other orator has been able to achieve it. At the same time, he defends his views against critics - the so-called Atticists - who found Cicero's style overwrought. In this volume, the first English translation of both works in more than eighty years, Robert Kaster provides faithful and eminently readable renderings, along with a detailed introduction that places the works in their historical and cultural context and explains the key stylistic concepts and terminology that Cicero uses in his analyses. Extensive notes accompany the translations, helping readers at every step contend with unfamiliar names, terms, and concepts from Roman culture and history.

The question "What is Latin America?" has been at the heart of writing from and about Latin America from Columbus' conquest to present-day discussions and nationalising projects. What this belies is the inherent question "What is Latin America compared to Europe?" This book lays bare the underlying logic of a Latin Americanist discourse through some of the continent's most influential thinkers, including Domingo Faustino Sarmiento, Jose Marti, Jose Enrique Rodo, Jose Vasconcelos, Fernando Ortiz, Roberto Fernandez Retamar, Nestor Garcia Canclini, and Walter Mignolo. Civilisation and Authenticity presents case studies of two of Latin America's most renowned and representative twentieth-century writers, the Cuban Alejo Carpentier and the Argentine Julio Cortazar and reveals how desire to define Latin America is entwined throughout their groundbreaking experimental novels, focusing on Carpentier's Los pasos perdidos (1953) and Cortazar's Rayuela (1963). New research into the poetics of these authors and jargon-free analyses of their fiction outline how the Latin Americanist discourse persists in both writers' representations of the Latin American landscape and people as either Europe's "authentic" and marvelous "Other", or its "civilised" and modern counterpart. Civilisation and Authenticity presents new research for experts on Carpentier and Cortazar and will be indispensable to students of Latin American literature. Its delineation of the Latin Americanist discourse makes it an ideal reference for anybody studying Latin American cultural studies.

The Kashubs, a regional autochthonous group inhabiting northern Poland, represent one of the most dynamic ethnic groups in Europe. As a community, they have undergone significant political, social, economic and cultural change over the last hundred years. At the beginning of the twentieth century, the Kashubs were citizens of Germany. In the period between the two World Wars they were divided between three political entities: the Republic of Poland, the Free City of Danzig and Germany. During the Second World War, many Kashubs were murdered, and communist Poland subsequently tried to destroy the social ties that bound the community together. The year 1989 finally brought about a democratic breakthrough, at which point the Kashubs became actively engaged in the construction of their regional identity, with the Kashubian language performing a particularly important role. This volume is the first scholarly monograph on the history, culture and language of the Kashubs to be published in English since 1935. The book systematically explores the most important aspects of Kashubian identity - national, regional, linguistic, cultural and religious - from both historical and contemporary perspectives.

Diane Arnson Svarlien's translation of Euripides' Andromache , Hecuba , and Trojan Women exhibits the same scholarly and poetic standards that have won praise for her Alcestis , Medea , Hippolytus . Ruth Scodel's Introduction examines the cultural and political context in which Euripides wrote, and provides analysis of the themes, structure, and characters of the plays included. Her notes offer expert guidance to readers encountering these works for the first time.

1000-PIECE PUZZLE featuring the women of Greek mythology as you've never seen them before. Finished puzzle measures 680 x 485mm SPOT FAMOUS FIGURES AND MYTHICAL MOMENTS, as you build the puzzle - can you find Pandora and her jar, or Medusa with snakes for hair? INCLUDES A FOLD-OUT POSTER featuring the stories of the real women of Greek myth from best-selling author and classicist Natalie Haynes STURDY & ATTRACTIVE BOX perfect for gifting and storage Think you know these women? Put the pieces together and you will start to think again. In this beautifully illustrated 1,000-piece jigsaw puzzle, rediscover the lives and stories of the women of Greek myth, portrayed by author, broadcaster and classicist Natalie Haynes with illustrator Natalie Foss. A large fold-out poster of the artwork accompanies the jigsaw and also includes an original essay from the author, expanding on the stories, relationships and context surrounding these infamous women. Featuring mortals and goddesses alike, from Medusa and Medea to Helen, Euridice, Aphrodite, Phaedra, Artemis and more, uncover the truth about the women of the classics.

The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.

Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.

Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.