The fourth book of Virgil's Aeneid is the shortest of his epic, and yet it has had an inestimable influence. The tragedy of Dido is replete with allusions to the Medeas of Euripides, Apollonius, and Ennius, as well as to Catullus' Ariadne and the historical Cleopatra of Virgil's Augustan Age. The book has intratextual connections to the poet's own fourth Georgic (as he revisits the topic of apian regeneration and the loss of Eurydice), even as it confronts the reality of Rome's bloody history with Carthage. The present volume offers the first full-scale commentary on the book in over eighty years, together with a new critical text that reflects recent scholarship on significant difficulties.

Alexander the Great (356-333 BC) was to capture the imagination of his contemporaries and future generations. His image abounds in various cultures and literatures - Eastern and Western - and spread around the globe through oral and literary media at an astonishing rate during late antiquity and the early Islamic period. The first Iskandarnama, or 'The Book of Alexander', now held in a private collection in Tehran, is the oldest prose version of the Alexander romance in the Persian tradition. Thought to have been written at some point between the eleventh and fourteenth centuries by an unknown author, the lively narrative recasts Alexander as Iskandar, a Muslim champion - a king and prophet, albeit flawed but heroic, and remarkably appropriated to Islam, though the historic Alexander lived and died some 1,000 years before the birth of the faith. This new English translation of the under-studied text is the first to be presented unabridged and sheds fresh light onto the shape and structure of this vital document.In so doing it invites a reconsideration of the transformation of a Western historical figure - and one-time mortal enemy of Persia - into a legendary hero adopted by Iranian historiographic myth-making. Evangelos Venetis, the translator, also offers a textual analysis, providing much-needed context and explanations on both content and subsequent reception. This landmark publication will be invaluable to students and scholars of classical Persian literature, ancient and medieval history and Middle East studies, as well as to anyone studying the Alexander tradition.

The history of European integration goes back to the early modern centuries (c. 1400-1800), when Europeans tried to set themselves apart as a continental community with distinct political, religious, cultural, and social values in the face of hitherto unseen societal change and global awakening. The range of concepts and images ascribed to Europeanness in that respect is well documented in Neo-Latin literature, since Latin constituted the international lingua franca from the fifteenth to the eighteenth centuries. In Europe and Europeanness in Early Modern Latin Literature Isabella Walser-Burgler examines the most prominent concepts of Europe and European identity as expressed in Neo-Latin sources. It is aimed at both an interested general audience and a professional readership from the fields of Latin studies, early modern history, and the history of ideas.

Agamemnon is the first of the three plays within the Oresteia trilogy and is considered to be one of Aeschylus' greatest works. This collection of 12 essays, written by prominent international academics, brings together a wide range of topics surrounding Agamemnon from its relationship with ancient myth and ritual to its modern reception. There is a diverse array of discussion on the salient themes of murder, choice and divine agency. Other essays also offer new approaches to understanding the notions of wealth and the natural world which imbue the play, as well as a study of the philosophical and moral questions of choice and revenge. Arguments are contextualized in terms of performance, history and society, discussing what the play meant to ancient audiences and how it is now received in the modern theatre. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume includes a performer-friendly and accessible English translation by David Stuttard.

This book shows that many characters in the Sanskrit epics - men and women of all varnas and mixed-varna - discuss and criticize discrimination based on gender, varna, poverty, age, and disability. On the basis of philosophy, logic and devotion, these characters argue that such categories are ever-changing, mixed and ultimately unreal therefore humans should be judged on the basis of their actions, not birth. The book explores the dharmas of singleness, friendship, marriage, parenting, and ruling. Bhakta poets such as Kabir, Tulsidas, Rahim and Raidas drew on ideas and characters from the epics to present a vision of oneness. Justice is indivisible, all bodies are made of the same matter, all beings suffer, and all consciousnesses are akin. This book makes the radical argument that in the epics, kindness to animals, the dharma available to all, is inseparable from all other forms of dharma.

This volume provides a detailed, lemmatic, literary commentary on Demosthenes' speech Against Androtion. It is the first study of its kind since the nineteenth century, filling a significant gap in modern scholarship. The Greek text of the speech is accompanied by a facing English translation, making the work more accessible to a wide scholarly audience. It also includes an extensive introduction covering key historical, socio-political, and legal issues. The speech was delivered in a graphe paranomon (a public prosecution for introducing an illegal decree) which was brought against Androtion, a well-established Athenian public speaker and intellectual. Demosthenes composed Against Androtion for Diodoros, the supporting speaker in this trial and an active political figure in the mid-fourth century. In her commentary, Ifigeneia Giannadaki illuminates the legal, socio-political, and historical aspects of the speech, including views on male prostitution and the relationship between sex and politics, complex aspects of Athenian law and procedure, and Athenian politics in the aftermath of the Social War. Giannadaki balances the analysis of important historical and legal issues with a special emphasis on elucidating Demosthenes' rhetorical strategy and argumentation.

Lu Jia's New Discourses: A Political Manifesto from the Early Han Dynasty is a readable yet accurate translation by Paul R. Goldin and Elisa Levi Sabattini. Celebrated as "a man-of-service with a mouth [skilled] at persuasion", Lu Jia (c. 228-140 BCE) became one of the leading figures of the early Han dynasty, serving as a statesman and diplomat from the very beginning of the Han empire. This book is a translation of Lu Jia's New Discourses, which laid out the reasons for rise and fall of empires. Challenged by the new Emperor to produce a book explaining why a realm that was conquered on horseback cannot also be ruled on horseback, Lu Jia produced New Discourses, to great acclaim.

'Gripping ... A remarkable achievement' TLS On his deathbed in 19 BCE, Vergil asked that his epic, the Aeneid, be burned. If his wishes had been obeyed, western literature - maybe even western civilization - might have taken a different course. The Aeneid has remained a foundational text since the rise of universities, and has been invoked at key points of human history - whether by Saint Augustine to illustrate the fallen nature of the soul, by settlers to justify manifest destiny in North America, or by Mussolini in support of his Fascist regime. In this fresh and fast-paced translation of the Aeneid, Shadi Bartsch brings the poem to the modern reader. Along with the translation, her introduction will guide the reader to a deeper understanding of the epic's enduring influence.