Launching a much-needed new series discussing each comedy that survives from the ancient world, this volume is a vital companion to Terence's earliest comedy, Andria, highlighting its context, themes, staging and legacy. Ideal for students it assumes no knowledge of Latin, but is helpful also for scholars wanting a quick introduction. This will be the first port of call for anyone studying or researching the play. Though Andria launched Terence's career as a dramatist at Rome, it has attracted comparatively little attention from modern critics. It is nevertheless a play of great interest, not least for the sensitivity with which it portrays family relationships and for its influence on later dramatists. It also presents students of Roman comedy with all the features that came to characterize Terence's particular version of traditional comedy, and it raises all the interpretive questions that have dogged the study of Terence for generations. This volume will use a close reading of the play to explore the central issues in understanding Terence's style of play-making and its legacy.

This volume-the proceedings of a 2018 conference at LMU Munich funded by the Fritz Thyssen Foundation-brings together, for the first time, experts on Greek, Syriac, and Arabic traditions of doxography. Fourteen contributions provide new insight into state-of-the-art contemporary research on the widespread phenomenon of doxography. Together, they demonstrate how Greek, Syriac, and Arabic forms of doxography share common features and raise related questions that benefit interdisciplinary exchange among colleagues from various disciplines, such as classics, Arabic studies, and the history of philosophy.

This study examines how Tacitus' representation of speech determines the roles of speakers within the political sphere, and explores the possibility of politically effective speech in the principate. It argues against the traditional scholarly view that Tacitus refuses to offer a positive view of senatorial power in the principate: while senators did experience limitations and changes to what they could achieve in public life, they could aim to create a dimension of political power and efficacy through speeches intended to create and sustain relations which would in turn determine the roles played by both senators or an emperor. Ellen O'Gorman traces Tacitus' own charting of these modes of speech, from flattery and aggression to advice, praise, and censure, and explores how different modes of speech in his histories should be evaluated: not according to how they conform to pre-existing political stances, but as they engender different political worlds in the present and future. The volume goes beyond literary analysis of the texts to create a new framework for studying this essential period in ancient Roman history, much in the same way that Tacitus himself recasts the political authority and presence of senatorial speakers as narrative and historical analysis.

When Greece Flew Across the Alps offers a reconstruction of the status of Greek studies in the vast territory lying between Spain and Russia and Austria and the Scandinavian Peninsula, from the sixteenth to the eighteenth centuries. Although closely related to the revival of Greek studies in fifteenth-century Italy, European Hellenism acquired distinctive peculiarities due to the influence of the Reformation, the advent and spread of printing, and initiatives taken by individuals or institutions. By analyzing this important aspect of the reception of the Classics, this volume contributes to a better understanding of early modern European culture. Contributors: Ovanes Akopyan, Johanna Akujarvi, Gianmario Cattaneo, Federica Ciccolella, Natasha Constantinidou, Iulian Mihai Damian, Christian Gastgeber, Tua Korhonen, Han Lamers, Marianne Pade, Inmaculada Perez Martin, Luigi-Alberto Sanchi, and Raf Van Rooy.

This book presents the first systematic linguistic study of Zenodotus' variant readings, showing that he used a version of Homer older than the one used by Aristarchus a century later. Several clues point to the fact that Zenodotus' version belongs to a tradition that was already distinct from that which eventually yielded the vulgate (that is, the Homer we know). In particular, his version largely pre-dates the Sophists' reflections on language, rhetorics and style, and the grammatical theories of Alexandrian scholars. The finding presented in this book should encourage not only historical linguists, but also philologists and classicists to revise the communis opinio and attentively consider Zenodotus' readings in their research.

In 1583, five Jesuit brothers set out with the intention of founding a new church and mission in India. Their dream was almost immediately, and brutally, terminated by local opposition. When their massacre was announced in Rome, it was treated as martyrdom. Francesco Benci, professor of rhetoric at the Collegium Romanum, immediately set about celebrating their deaths in a new type of epic, distinct from, yet dependent upon, the classical tradition: Quinque martyres e Societate Iesu in India. This is the first critical edition and translation of this important text. The commentary highlights both the classical sources and the historical and religious context of the mission. The introduction outlines Benci's career and stresses his role as the founder of this vibrant new genre. This volume is the first one for a new subseries in the 'Jesuit Studies' series: 'Jesuit Neo-Latin Library'.

Lysistrata is the most notorious of Aristophanes' comedies. First staged in 411 BCE, its action famously revolves around a sex strike launched by the women of Greece in an attempt to force their husbands to end the war. With its risque humour, vibrant battle of the sexes, and themes of war and peace, Lysistrata remains as daring and thought-provoking today as it would have been for its original audience in Classical Athens. Aristophanes: Lysistrata is a lively and engaging introduction to this play aimed at students and scholars of classical drama alike. It sets Lysistrata in its social and historical context, looking at key themes such as politics, religion and its provocative portrayal of women, as well as the play's language, humour and personalities, including the formidable and trailblazing Lysistrata herself. Lysistrata has often been translated, adapted and performed in the modern era and this book also traces the ways in which it has been re-imagined and re-presented to new audiences. As this reception history reveals, Lysistrata's appeal in the modern world lies not only in its racy subject matter, but also in its potential to be recast as a feminist, pacifist or otherwise subversive play that openly challenges the political and social status quo.