This book examines Duras's contribution to contemporary cinema. The 'dark room' in the collection's title refers to one of Duras's metaphors for the writing process, la chambre noire, as the solitary space of literary creation, the place where she struggles to project her 'internal shadow' onto the blank page. The dark room is also a metaphor for the film theater and, by extension, for the filmic experience. Duras rejected conventional forms of cinematic address that encourage the spectator to develop a positive identification with the film's diegesis and narrative. Her films create unusual rapports between image and sound, diegetic and extra-diegetic elements, and textual and intertextual dimensions of cinematic representation. In doing so, they allow the film spectator to establish new connections with the screen. This collection focuses on the aesthetic, conceptual, and political challenges involved in Duras's innovative approach to cinematic representation, from an interdisciplinar perspective including film and literary theory, psychoanalytic analysis, music theory, gender studies, and post-colonial criticism. The book opens with a theoretical introduction to Duras's cinematic practice and its peculiar position in contemporary cinema and contemporary film theory and is divided into five parts, each one devoted to a specific aspect of Duras's films: the interaction between literature and cinema (Part One); the reconfiguration of the cinematic gaze (Part Two) and of the image/sound relation (Part Three); the representation of history and memory (Part Four) and of cultural identity (Part Five).

This book offers a discussion of the trope of madness in twentieth-century French women's writing, focusing on close readings of the following texts: Violette Leduc's L'Asphyxie (1946), Marguerite Duras's Le Ravissement de Lol V. Stein (1964), Simone de Beauvoir's 'La Femme rompue' (1967), Marie Cardinal's Les Mots pour le dire (1975), Jeanne Hyvrard's Les Prunes de Cythere (1975) and Mere la mort (1976). The discussion traces the evolution in the way madness is taken up by women authors from the key period starting just prior to the emergence of second-wave feminism and culminating at the height of the ecriture feminine project. This study argues that madness offers itself up to these authors as a powerful means to convey a certain ambivalence towards changing contemporary ideas on the authority of authorship. On the one hand a highly enabling means to figure transgression, the madwoman is equally the repository for a twentieth-century 'anxiety of authorship' on the part of the woman writer.

Historical and literary scholars have become increasingly interested in women's roles in and approaches to war. In times of conflict, French and francophone women have made crucial contributions in aid of the patrie, but wars have also set women against the governing powers, frequently forcing them to choose between their concerns as women, and the economic and social demands of their belligerent nations. This volume, the proceedings of the 9th UK Women in French conference entitled 'Les femmes et la guerre', brings together scholars from different academic disciplines - history, sociology, politics, literary criticism and gender studies - who explore the impact of war upon women in French and francophone societies. Les critiques litteraires et les historiens s'interessent de plus en plus aux roles des femmes pendant les periodes de guerre. Les femmes francaises et francophones ont, par leurs actions cruciales, aide la patrie en temps de guerre ; cependant, les conflits ont egalement oppose les femmes a leur gouvernement, en les obligeant souvent a choisir entre leurs interets en tant que femmes et les exigences economiques et sociales de leur pays belligerant. Ce volume, reproduisant les actes du 9e colloque britannique organise par " Women in French ", intitule " Les femmes et la guerre ", rassemble des specialistes de diverses disciplines - histoire, sociologie, sciences politiques, critique litteraire et etudes de genre - pour analyser les effets de la guerre sur les femmes en France et dans les pays francophones.

This timeless collection brings together three hundred of the most enduringly popular of Aesop's fables in a volume that will delight young and old readers alike. Here are all the age-old favourites - the wily fox, the vain peacock, the predatory cat and the steady tortoise - just as endearingly vivid and relevant now as they were for their very first audience. This elegant Macmillan Collector's Library edition of Aesop's Fables features illustrations by Arthur Rackham, the leading decorative illustrator of the Edwardian period, which have been beautifully and sensitively coloured by Barbara Frith. With an afterword by publisher and editor Anna South. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

This volume examines the various linguistic and cultural problems which point towards the practical impossibility of conveying in one language exactly what was originally said in another. The author provides an exhaustive discussion of Spanish translations from English texts, including non-standard registers. Equivalence across languages, that most elusive of terms in the whole theory of translation, is discussed in terms of linguistic equivalence, textual equivalence, cultural equivalence and pragmatic equivalence. Other aspects studied include how translation has been perceived over the centuries, the differences and the similarities between a writer and a translator, plus a detailed examination of translation as process, all of which bring the problems of literary translation into perspective.

Excess Baggage investigates how we read modern theory, how we apprehend Latin American culture through that theory, why this approach is flawed, and how our reading could be different. It is a study of modernity's supersessive, paradoxical attempts to outthink thought. This methodology, never autochthonous to any context despite its claims, is traced through one of its more extreme moments, the Enlightenment, and then through the work of Freud, Nietzsche, and Marx (and their more recent postmodern acolytes) to the Reformation. Although these thinkers are self-differentiating, the divisions are artificial, for each, even in present formats, references a preternatural origin that is subsequently projected into the future, disavowing history's ability to perceive itself as anything other than revolutionary. This book traces post-1960 Latin Americanism through readings by its critics-cum-theorists, as dictatorially assigning a univocal reading to a continent's cultural production, regardless of how ethical the theory may itself seem. Though predominantly a metacritical work, a reading of philosophy and its Latin Americanist manifestations, there is also comparative reading of European, North American, and Latin American literature. Meaning has always existed in all such contexts, but is either eradicated or misread by the premises of our critical equipment. In fact or fiction, Excess Baggage appeals for an admission of contextualized mnemotechny, inevitable in thought regardless, and the real danger in the present milieu.

This book is a detailed study of salient examples of Mexican travel writing from the nineteenth and twentieth centuries. While scholars have often explored the close relationship between European or North American travel writing and the discourse of imperialism, little has been written on how postcolonial subjects might relate to the genre. This study first traces the development of a travel-writing tradition based closely on European imperialist models in mid-nineteenth-century Mexico. It then goes on to analyse how the narrative techniques of postmodernism and the political agenda of postcolonialism might combine to help challenge the genre's imperialist tendencies in late twentieth-century works of travel writing, focusing in particular on works by writers Juan Villoro, Hector Perea and Fernando Solana Olivares.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Antigone's Daughters presents various readings of the classical myth of Antigone as interpreted through modern feminist and psychoanalytic literary theories. Topics such as femininity, education, and establishing selfhood amidst the restrictions of the patriarchal society presented by Sophocles provide the foundation for the modern novel. This study serves as a model for the comparative interpretation of literary works of the nineteenth and twentieth centuries including the writings of George Sand (Indiana), Karolina Pavlova (A Double Life), Nikolai Chernyshevsky (What Is to Be Done?), Emile Zola (L'Assommoir and Nana), Maria Luisa Bombal (La amortajada) and Isabel Allende (The House of the Spirits). Each chapter isolates an aspect of Antigone's struggle within both the public and domestic spheres as she negotiates her independence and asserts her voice. A valuable tool for the study of modern literature, the universality of Antigone presented in this study prompts the investigation of many classical motifs while providing a thorough study of various national literatures within their own contemporary contexts.

This Festschrift for Ronald Speirs, Professor of German at the University of Birmingham, contains twenty-four original essays by scholars from Great Britain, Germany, Austria, and Norway. Between them they encompass the entire modern period from the later eighteenth century onwards, and focus on a wide range of German-speaking environments. Several essays throw new light on authors to whom Professor Speirs himself has devoted particular attention (such as Brecht, Thomas Mann, Nietzsche, and Fontane), whilst others discuss writers such as Lenz, Buchner, B¨ohlau, C. F. Meyer, Keyserling, Jahnn, and Huch. Above all, however, the contributions address the complexities of writing in ideologically diverse contexts, including the Third Reich and the former German Democratic Republic. This interplay between text and context is the cornerstone which links all the essays, as it has consistently informed Ronald Speirs's own work - which combines a scrupulous attention to textual detail with an acute awareness of the socio-political milieux and philosophical influences that shape creative literature.

This book offers a stimulating analysis of three non-canonical texts in different genres written by British women who lived in Sicily in the second half of the nineteenth and the beginning of the twentieth centuries. These texts cover a series of crucial political events as well as social and cultural changes which affected the history of Sicily during the period in question, all seen through the direct and indirect experiences of the authors. The book offers a historical perspective on the late-Victorian and Edwardian representations of post-Unification Italy. At the same time the author challenges current critical literature on travel writing which tends to analyse travel texts without making substantial distinction between works written during a brief visit to a foreign country and those produced during a long-term or permanent residence. The book adopts an interdisciplinary, comparative approach. The three texts are studied by looking at patterns of connection in other written and visual works produced during, or after, an experience in Italy. By drawing on theories of travel writing, genre and gender, along with visual and cultural studies, the author aims to verify how the three texts respond to being analysed as a distinct group, and hence define the specific roles and functions of expatriate women's writing.

This book offers a new reading of Miguel de Cervantes's play La destruccion de Numancia (c. 1583), analysing the work in relation to theories of empire in sixteenth-century Spain, in the context of plays written immediately before the rise in popularity of Lope de Vega and the comedia nueva, and the playwright's innovative use of dramatic techniques in this transitional period of Spanish drama. Dramatic writers have always used the stage as a medium through which they could comment on current events involving politics, religion, philosophy, and society; Cervantes was no exception. His discourse concerning imperial expansion in La Numancia has resulted in many conflicting interpretations of the play's meaning. This book explores the drama's thematic and generic ambiguities, as well as Cervantes's representation and interpretation of the historical record in the creation of his characters and his portrayal of the fall of Numancia in 133 BC to the Roman army of Scipio Aemilianus. Finally, this study addresses the significance of seemingly intentionally unclear discourse in reference to La Numancia and the turbulent political and religious environment of late sixteenth-century Spain.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

This book addresses the problems of the nature of the category of aspect, its formal expression and its relation to Action modes, to the Aorist/Imperfect and Perfect/Non-Perfect distinctions. The discussion is largely based on data from Bulgarian -- a Slavonic language where aspect as a grammatical category systematically coexists not only with verbal prefixation, but also with temporal boundedness, correlation and, in the nominal sphere, definiteness. Cross-language parallels with English and French data and the mapping of Bulgarian structures to notions drawn from the «western tradition of aspectual study result in the outline of a framework for an integrated study of the expression of aspectuality in languages belonging to different language groups. Refuting existing views of aspect as a «compensatory phenomenon for nominal definiteness, the book presents arguments in favour of a systematic relation between verbal prefixation and NP quantification in Slavonic languages and of a compositional, syntactic dimension of aspectual analysis.

Ann Banfield - professor in the Department of English at the University of California, Berkeley - is best known for her groundbreaking contributions to narrative theory. Working within the paradigm of generative linguistics, she argued that the language of fiction is characterized by two "unspeakable sentences", i.e., sentences that do not properly occur in the spoken language: the sentence of "pure narration" and the sentence of "represented speech and thought" (style indirect libre or erlebte Rede). More recently, Banfield offered a major reconsideration of the novels of Virginia Woolf and modernism in light of the philosophy of knowledge developed by G. E. Moore and Bertrand Russell, and appropriated by Roger Fry in his critical analyses of impressionism and post-impressionism. The essays gathered here pay tribute to Banfield by addressing those disciplines and topics most closely related to her work, including: narrative theory and pragmatics, the philosophy of language and knowledge, generative syntax, meter and phonology, and modernism.

Luis Goytisolo's novel, 360 Diary, constitutes a reflection on the act of creativity. The novel is in the form of a diary that begins on the author's birthday and concludes one (lunar) year later. Each day of the week is identified with a theme such as the seasons; the broad movements of history; the biological and psychological cycles of all living beings; and time itself. The author of the diary contemplates and acts upon all the various kinds of knowledge that have come together in his person, either through study, experience, or intuition. Just as in his most well-known novel, Antagonia, Goytisolo uses 360 Diary to explore the human condition and the diverse ways in which the individual comes to know and understand, in whatever limited way, the possibilities of human existence. The totality is a comprehensive, 360 view of contemporary life by an artist employing everything he has learned so as to communicate with the reader willing to follow him in his reflections and, ideally, use them as a starting point for his/her own ideas.

This book explores the issue of love and its place in the reproduction of gender asymmetry in Nicaragua. The theme is discussed in the context of specific religious and work practices, living arrangements, gender values and norms, and the gender practices and legislation of the Sandinista revolution. The study uses lifeworld phenomenology as its theoretical approach, placing people's own experience center stage. Therefore, a case study of the Esperanza sewing cooperative is presented, built on life stories, interview materials and participant observation with the cooperative women and their husbands. The material and discursive practices and emotional experiences of men and women are examined in this particular socio-cultural setting. How do we account for the highly unequal bargains the women strike with their husbands, accepting large material responsibilities and «time-share love even if they experience this as emotionally hurtful? The study testifies to women's autonomy in family maintenance and religious practices, an autonomy which seems to falter in the fields oflove and sexuality; some of the men and women, however, negotiate subtle changes in gender norms and values.

This book is the outcome of a successful workshop held in Leeds in September 2003 and explores the effects of World War II on the representation of gender in post-war literature, film and popular culture, juxtaposing Western European experience with US, Soviet and Japanese. It aims to outline the different ways in which these representations evolved in post-war attempts both to re-establish social order and reconstruct national identity. It gives the reader an overview of the similarities and differences that have emerged in the representation of war and gender in different cultures and media, as a result of social expectations, political change and individual artistic innovation. The essays are linked by their concern with three key questions: how are emotion and gender represented in relation to the experience of war; what is the impact of war on the dynamic between the genders; and, as the memory of war recedes, is it possible to identify chronological shifts in the artistic response to the conflict?

Hafid Bouazza is a highly influential and celebrated author in the Netherlands today. In the context of contemporary Dutch literature, Bouazza's Moroccan background still marks a divergence from the born-and-bred Dutch norm. Authors with a bi- or multicultural background are still often cast in the role of 'exotic outsider'. Bouazza both challenges and uses this position to the full. His writing demonstrates that the perceived us-them or self-other positions are questionable ideological constructs. He undermines the concept of a unified culture and the wholeness of the self. He explores and exploits stereotypical beliefs held on both sides of the East-West divide. The result is a magical realist setting that both puzzles and enchants. This book offers a reading of Bouazza's literary prose that responds to the interpretative opportunities offered by an author who skilfully and creatively explores his peculiar freedom in his Homeless Entertainment.

This book analyses the relationship between literature, history and politics in post-Soviet Russia. It explores the impact of the collapse of the USSR on Russian literature and culture and the changing content and reception of fiction on historical themes under Presidents Yeltsin and Putin. It discusses the value of various theoretical concepts, such as postmodernism, trauma, nostalgia, and the notion of discourse as power, in analysing post-Soviet historical fiction. The book shows that Russian society's confrontation with its past has remained one of the main themes of Russian culture during the period 1991-2006. Notwithstanding the gradual decline of the literature of sensational disclosure associated with Gorbachev's peresiroika, a more oblique investigation of many aspects of Russian and Soviet history and an interest in the philosophy of history have continued to be significant preoccupations of post-Soviet culture. Individual and family history continue to be explored in memoirs and autobiographical writings, while the history and destiny of Russia have been passionately debated in literary journals and the media, as Russians search for a new 'national idea' to fill the vacuum left by the collapse of communism. This study suggests that there is a remarkable continuity between post-Soviet literature and pre-revolutionary Russian literature and thought.

This book is an edited volume of eleven specially-commissioned essays by a range of established and emerging UK-based Hispanists, which assess recent developments in the disciplines falling under the umbrella of 'Iberian Studies'. These essays, which cover a wide range of time periods and geographical areas, but are united by the common question of what it means to 'Read Iberia', offer an invigorating critique of many of the critical assumptions shaping the study of Iberian languages and literatures. This volume offers a timely intervention into the debate about the current repositioning of language/literature disciplines within the UK university. Its intellectual starting point is the need for a committed and incisive re-evaluation of the role of literature and the way we teach and research it. The contributors address this issue from a diverse range of linguistic, cultural and theoretical backgrounds, drawing on both familiar and not-so-familiar texts and authors to question common reference points and critical assumptions. The volume offers not only a new and invigorating space for reimagining Iberian Studies from within, but also - through its commitment to interdisciplinary debate - an opportunity to raise the profile of Iberian Studies outside the community of academic Hispanists.

This collection of essays looks at the most recent work of Juan Goytisolo from a variety of perspectives and critical stances. The contributors, all specialists in the work of the Spanish author, employ theories of intertextuality, postmodernist irony, queer ethics and even the esoteric science of Hurufism to uncover the complexities of Goytisolo's creative practice, in particular his radical blurring of the generic boundaries between fiction, autobiography and literary criticism. Such challenging of genre conventions is seen as both integral to the author's own questioning of his identity as an expression of his radical dissidence and essential to the response his work evokes in the reader. Life and writing, autobiography and fiction, constitute the interconnecting poles of Goytisolo's artistic universe. The essays included in this volume explore the varying patterns of confluence of these twin strands in the writer's later work as a whole, but particularly in novels such as Las semanas del jardin (1997) and Carajicomedia (2000). The essays are set in context by a contribution from Juan Goytisolo himself in which he sums up his philosophy of life and writing as a pursuit of 'non-profitable knowledge'.

This book examines the present-day distribution and diachronic evolution of a set of infinitival structures in Spanish, Portuguese and Romanian, making use of extensive corpus data and investigating how pragmatic factors and usage patterns interact with syntax. After a contrastive account of the patterns of clausal subordination in Latin and Romance, the rise of prepositional infinitives is traced through the documented history of the three languages, revealing astonishing parallels in their development. The analysis of the data shows how cognitive principles such as reanalysis and entrenchment combine with parameters such as relevance and usage frequency to cause syntactic change. Beyond providing a genuine explanation for the observed processes in the Romance languages, this study offers new evidence for the existence of language-independent, cross-linguistically applicable principles and mechanisms in language change.

This monograph examines the contributions of landscape design to authority and to organization of public life in imperial Russia. Analyzing how tsars and nobles inscribed their political aspirations in the gardens they designed or inhabited, this study maps out a distinct trajectory in the meaning of landscape design. Based partly on archival documents, it explores the reasons for Catherine the Great's keen interest in landscape design. It reconstructs Grigorii Potemkin's attempts to transform the Crimea physically and symbolically into the garden of the empire. And it reveals the centrality of the garden for noblemen such as Andrei Bolotov and Alexander Kurakin, who expressed their political philosophy and their anxieties about unstable social relations through landscaping. The book follows the destiny of western aesthetic categories, notably of the picturesque, as they are first adopted, then transformed, and ultimately rejected. It analyzes the historical role and mythological representations of the country estate, along with Leo Tolstoy's fraught commitment to Yasnaya Polyana and his critique of estate mythology in War and Peace. Finally, this study exposes how the current fashion for gardening in Russia, in particular among New Russians, alludes to imperial landscaping culture in order to justify a retreat from the public sphere.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.