The Histories of Greek-born, Roman historian Polybius (c.200 118 BCE) are reissued here in two volumes. Comprising fragments of Books 10 to 39 (17, 19, and 37 are missing), a compendium of smaller fragments, and an extensive index, Volume 2 covers, inter alia, the Hannibalian War from 209 BCE, the characters of Scipio Africanus and Philip of Macedonia, the flawed historical method of Timaeus, the Siege of New Carthage, the end of the Second Punic War, and the overthrow of Agathocles. Undertaken by the classicist Evelyn Shuckburgh (1843 1906), this first complete English translation (utilising F. Hultsch's 1867 72 Greek text) was published in 1889. A tutor, and later librarian, at Emmanuel College, Cambridge, Shuckburgh produced school editions of Sophocles and Suetonius as well as short histories on the classical world. This highly readable translation has remained a fascinating historical account of the second and third centuries BCE.

Book XII brings Virgil's Aeneid to a close, as the long-delayed single combat between Aeneas and Turnus ends with Turnus' death - a finale that many readers find more unsettling than triumphant. In this, the first detailed single-volume commentary on the book in any language, Professor Tarrant explores Virgil's complex portrayal of the opposing champions, his use and transformation of earlier poetry (Homer's in particular) and his shaping of the narrative in its final phases. In addition to the linguistic and thematic commentary, the volume contains a substantial introduction that discusses the larger literary and historical issues raised by the poem's conclusion; other sections include accounts of Virgil's metre, later treatments of the book's events in art and music, and the transmission of the text. The edition is designed for upper-level undergraduates and graduate students and will also be of interest to scholars of Latin literature.

This collection of essays tackles the issues that arise when multilingualism meets translation and discusses the findings with a particular focus on Slavonic migrant languages. Despite its high relevance from both the theoretical and the applied perspective, the intersection of multilingualism and translation has been rather neglected in international research on multilingualism. This volume intends to create a new angle within this wide field of research and to systematize the most relevant approaches and ideas on this topic in international Slavonic studies.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

This book explores the environment and cultural context of Colombian political novels published between 1951 and 1987. Challenging the label of "novelas de la violencia", the author analyses them as products of their own historical time and takes into account their broader implications, such as their representation of the society they narrate. These novels are shown to be the product of political and ideological issues: the real preoccupations of the writers were the balance of power, social dysfunctionality and the need for reform in a society transitioning from rural to urban. These issues are traced in a close reading of representative novels, in which feature letrados and intellectuals and their role in the evolution of society, culture, literature and power in twentieth-century Colombia. With its critical-theoretical approach, this book constitutes a significant and innovative contribution to the debate on Latin American culture and literature.

Shakespeare's Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies. Utilizing Shakespeare's European models and contemporaries, including Cinthio and Lope de Vega, and following forms such as Aristotle's second, more popular style of tragedy (a double ending of punishment for the evil and honor for the good), Hugh Macrae Richmond elicits radical revision of traditional interpretations of the scripts. The analysis includes a major shift in emphasis from conventionally tragic concerns to a more varied blend of tones, characterizations, and situations, designed to hold spectator interest rather than to meet neoclassical standards of coherence, focus, and progression. This reinterpretation also bears on modern staging and directorial emphasis, challenging the relevance of traditional norms of tragedy to production of Renaissance drama. The stress shifts to plays' counter-movements to tragic tones, and to scripts' contrasting positive factors to common downbeat interpretations - such as the role of humor in King Lear and the significance of residual leadership in the tragedies as seen in the roles of Malcolm, Edgar, Cassio, and Octavius, as well as the broader progressions in such continuities as those within Shakespeare's Roman world from Julius Caesar and Antony and Cleopatra to Cymbeline. It becomes apparent that the authority of the spectator in such Shakespearean titles as What You Will and As You Like It may bear meaningfully on interpretation of more plays than just the comedies.

This volume of essays in honour of Professor Emma Harris explores various branches of British history from 1700 to the present. The range of topics reflects the varied academic interests of the authors, who are friends, colleagues, and former students of Professor Harris. The essays take us on a journey through time, beginning with Queen Anne, eighteenth-century translations of literature, literary criticism, and ethnographical writings on witches. From there we proceed to Lord Byron, the outcast playwright, Victorian Englishness, modernist foreignness, the effect of World War I on language, and World War II on fashion. The collection also incorporates reflections on subcultural studies and on the fascination of the mystery of Jack the Ripper.

This timeless collection brings together three hundred of the most enduringly popular of Aesop's fables in a volume that will delight young and old readers alike. Here are all the age-old favourites - the wily fox, the vain peacock, the predatory cat and the steady tortoise - just as endearingly vivid and relevant now as they were for their very first audience. This elegant Macmillan Collector's Library edition of Aesop's Fables features illustrations by Arthur Rackham, the leading decorative illustrator of the Edwardian period, which have been beautifully and sensitively coloured by Barbara Frith. With an afterword by publisher and editor Anna South. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

Book XXII recounts the climax of the Iliad: the fatal encounter between the main defender of Troy and the greatest warrior of the Greeks, which results in the death of Hector and Achilles' revenge for the death of his friend Patroclus. At the same time it adumbrates Achilles' own death and the fall of Troy. This edition will help students and scholars better appreciate this key part of the epic poem. The introduction summarises central debates in Homeric scholarship, such as the circumstances of composition and the literary interpretation of an oral poem, and offers synoptic discussions of the structure of the Iliad, the role of the narrator, similes and epithets. There is a separate section on language, which provides a compact list of the most frequent Homeric characteristics. The commentary offers up-to-date linguistic guidance, and elucidates narrative techniques, typical elements and central themes.

Book XXII recounts the climax of the Iliad: the fatal encounter between the main defender of Troy and the greatest warrior of the Greeks, which results in the death of Hector and Achilles' revenge for the death of his friend Patroclus. At the same time it adumbrates Achilles' own death and the fall of Troy. This edition will help students and scholars better appreciate this key part of the epic poem. The introduction summarises central debates in Homeric scholarship, such as the circumstances of composition and the literary interpretation of an oral poem, and offers synoptic discussions of the structure of the Iliad, the role of the narrator, similes and epithets. There is a separate section on language, which provides a compact list of the most frequent Homeric characteristics. The commentary offers up-to-date linguistic guidance, and elucidates narrative techniques, typical elements and central themes.

Why were runes invented? What did the Germanic peoples of southern Scandinavia speak during the first centuries CE? Can the earliest runic inscriptions be used to learn something about their dialects, and can we extract other information from their study as a corpus? The Early Runic Inscriptions: Their Western Features gives answers to these questions through an analysis of the earliest runic inscriptions found mainly in Denmark, and later in England and on the continent up to the seventh century. This analysis offers a novel tracing of the initial appearance and later establishment of West Germanic dialectal features in an area and time usually referred to as having a more Northern linguistic identity. The earliest runic inscriptions are an invaluable source of information about the state of the Germanic dialects during the first seven centuries of our era. They also provide insights about some of the social customs of different Germanic groups during this period, such as the development of the purposes of runic writing or personal-name formation. Using a comparative and comprehensive methodology, this book combines linguistics with other disciplines to cast as much light as possible on these oftentimes single-worded inscriptions.

A classical scholar from the University of Oxford, Henry Furneaux (1829 1900) specialised in the writings of the Roman historian Tacitus. This work acquired the name of Annals for the style of history it presents, dealing with events year by year, rather than thematically. The Annals cover the reigns of four Roman emperors, beginning after the death of Augustus. The work originally consisted of sixteen books dealing with a period of 54 years, but several of them are incomplete or have not survived at all. This volume contains the text of Books 13 to 16 (the final book being incomplete), and covers the reign of Nero, a subject which brought out to the full Tacitus' famous style of condemnation through cutting irony. This reissue is taken from Pitman's 1904 edition, abridged 'to serve the needs of students requiring a less copious and advanced commentary' than that supplied by Furneaux.

Ostensibly a discussion about love, the debate in the Phaedrus also encompasses the art of rhetoric and how it should be practised. This new edition contains an introductory essay outlining the argument of the dialogue as a whole and Plato's arguments about rhetoric and eros in particular. The Introduction also considers Plato's style and offers an account of the reception of the dialogue from its composition to the twentieth century. A new Greek text of the dialogue is accompanied by a select textual apparatus. The greater part of the book consists of a Commentary, which elucidates the text and makes clear how Plato achieves his philosophical and literary objectives. Primarily intended for advanced undergraduates and graduate students of ancient Greek literature and philosophy, it will also benefit scholars who want an up-to-date account of how to understand the text, argument, style and background of the work.

'Thus she was decapitated, and this was the end to which she was brought by her unbridled lusts.' For over two centuries after Boccaccio's groundbreaking Decameron, the Italian novella exercised a crucial influence over European prose fiction. With thirty-nine stories by nineteen authors, many translated for the first time, this anthology presents tales from the whole genre and period. Here we meet a rich cast of humble peasants and shrewd craftsmen, frustrated wives, libidinous friars, ill-fated lovers, and vengeful nobles. These works had a considerable impact in English, and the selection includes tales that have provided sources for Chaucer, Shakespeare, Webster, Marston, Dryden, Byron and Keats. The typical novella is situated in a precise time and place and features people who either existed historically or are presumed to have done so. The subject-matter, whether ribald or sentimental, comic or tragic, often reflects the social and economic conditions of its age and thus the novella has been seen as a crucial stage in the development of fictional realism and the emergence of the novel

Migration as a process has achieved increasing attention in the context of nation-states and globalisation. In linguistics the field of language contact is particularly associated with this phenomenon. This book investigates the connection between language usage, migration, space, in particular urban space, and the constitution of cultural identity. Two corpora of Andean migrants' Spanish conversations in Lima and in Madrid are analysed. The resulting comparative analysis provides the material for considerations on language contact, code copying, discourse strategies etc. Throughout the book a new theoretical approach based on linguistic ecology is used. It includes the concept of a general expanded feature pool, which is the basis for language use and identity constitution for migrants.

Weissrussland und die Ukraine gelten als zweisprachig. Millionen von Menschen in beiden Landern sprechen aber oft weder Weissrussisch bzw. Ukrainisch noch Russisch in Reinform. Vielmehr praktizieren sie eine gemischte weissrussisch-russische bzw. ukrainisch-russische Rede. Diese Mischungen aus genetisch eng verwandten Sprachen werden in Weissrussland Trasjanka und in der Ukraine Surzyk genannt. Der bekannte ukrainische Schriftsteller Jurij Andruchovyc hat das Phanomen in seiner Heimat als Blutschandekind des Bilingualismus angesprochen, also eine Metapher des Inzests kreiert. Darin klingt die verbreitete negative Bewertung der Sprachmischung an. Ihr ist der Band gewidmet. Er umfasst Beitrage von Autoren aus Weissrussland und der Ukraine sowie aus sieben anderen Landern.

One of the most celebrated plays of ancient Athens in a vivid and dynamic new translation by award-winning poet James Scully

Fate, free will, and the sacredness of the social bond are all challenged and reassessed in this tale torn from the midst of the Trojan War.

The soldier Philoktetes was abandoned with a festering, god-inflicted foot wound on the desolate island of Lemnos by the Greeks under Odysseus, who could no longer stand the stench or the soldier's screams of pain. Now, ten years later, the Greeks realize they will never take Troy without Philoktetes and the bow given to him by Herakles. But Philoktetes refuses to rejoin the Greek army, vowing to kill his enemy Odysseus instead--so Neoptolemos, son of the slain hero Achilles, is dispatched to trick Philoktetes into returning. Philoktetes and Neoptolemos, however, are constantly at sea, their minds shifting and re-shifting amid mixed feelings, deceptions, suspicions, and qualms as they struggle with themselves and their strangely evolving relationship.

James Scully's remarkable translation of Sophocles' classic Philoktetes achieves an accurate yet accessibly idiomatic rendering of the Greek original, suited for reading, teaching, or performing. This is Sophocles for a new generation, certain to strike a powerful chord with contemporary audiences everywhere.

Totalitarian Speech brings together a range of texts on totalitarian manipulations of language. The author analyzes various phenomena, from the hateful rhetoric of Nazi Germany to the obfuscating newspeak of communist Poland, finding certain common characteristics. Above all, totalitarian speech in its diverse manifestations imposes an all-embracing worldview and an associated set of dichotomous divisions from an omniscient and authoritative perspective. This volume collects the work of over three decades, including essays written during the communist era and more recent pieces assessing the legacy of totalitarian ways of thinking in contemporary Poland.

Since it was first performed in Athens in the 420s BC, "Oedipus the King "has been widely regarded as Sophocles' greatest tragedy and one of the foundation stones of western drama. Taken as a model by Aristotle in his "Poetics," it became a yardstick for future generations. Since the play's rediscovery in the Renaissance, audiences - including Sigmund Freud - have found new interpretations and meanings in Sophocles' portrayal of the Theban king, inexorably pursuing the truth, only to discover that he has killed his father and married his mother.

This translation by Don Taylor, accurate yet poetic, was made for a BBC TV production of the Theban Plays in 1986, which he also directed. Commentary and notes by Angie Varakis.

In this volume, Mirko Canevaro studies the 'state' documents (laws and decrees) preserved in the public speeches of the Demosthenic corpus. These documents purport to be Athenian statutes and, if authentic, provide invaluable information about Athenian history, law, and institutions. Offering a comprehensive account of the presence of the documents in the corpora of the orators and in the manuscript tradition, this volume summarizes previous scholarship and delineates a new methodology for analyzing the documents. Examining the documents found in Demosthenes' On the Crown, Against Meidias, Against Aristocrates, Against Timocrates, and Apollodorus' Against Neaera, the core of the volume, which includes a chapter by Edward M. Harris, provides a guide for the reliability of the individual documents, and advances new interpretations of important Athenian laws, such as homicide regulations, legislative procedures, laws on theft, seduction, naturalization, and outlawry. Canevaro argues that some of the documents have been inserted into the speeches in an Athenian environment at the beginning of the third century BC and are therefore reliable, while many others are later forgeries. These forgeries are early products of the tradition of historical declamations and progymnasmata, and could be used as evidence of Hellenistic oratory and rhetorical education.

Lusitanian playwrights who wrote comedias during and after the Dual Monarchy (1580-1640), when the Portuguese and Spanish thrones were united under Habsburg rule, continue to be largely unexplored. This edition highlights the contributions of one of this group's most successful and celebrated members, Jacinto Cordeiro. It describes the sparse critical attention that Cordeiro has received as well as his life, literary career, and historical context. Most importantly, it provides a modern critical edition of Cordeiro's most enduring play, El juramento ante Dios, y lealtad contra el amor, based on a collation of the twenty-one extant witnesses that comprise its textual tradition. Additionally, it includes an in-depth account of the transmission of the play with a stemma that documents the genealogical relationships between extant versions. It also provides an analysis of how Juramento may have been performed for seventeenth-century theatergoers, based on stage directions and performance cues written into the dialogue. In short, this edition introduces modern readers to both Jacinto Cordeiro, a bilingual author who successfully competed in a second language with the giants of Spain's Golden Age, and El juramento ante Dios, a play whose popularity lasted two centuries.

Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.

Plutarch's Lives have been popular reading from antiquity to the present day, combining engaging biographical detail with a strong underlying moral purpose. The Lives of Demosthenes and Cicero are an unusual pair in that they are about unmilitary men who, while superb technically as orators, were both in the end political failures, crushed by the military power which dominated their world. In these two Lives, Plutarch is not so much interested in Demosthenes' and Cicero's rhetorical technique as in their ability to persuade an audience to vote for the right course of action, even if that action was prima facie unpopular. In Plutarch's own time, when the empire of the Caesars had been established for over a century, liberty was of necessity limited, but still an issue, for both Greeks and Romans. His home, Chaeroneia, was a provincial town in Greece, but he travelled regularly to Italy where he met Romans from the elite that ruled the empire. He wrote both for his fellow imperial subjects who still sought to enjoy what freedom they could obtain from the ruling power, and for the Romans who exercised that power but were always subject to the ultimate authority of the emperor. Along with the translations and commentaries, Lintott provides a detailed introduction which discusses the background and context of these two Lives, essential information about the author and the periods in which these two orators lived, and the philosophy which underlies Plutarch's presentation of the two personalities.